Search results for ""author john c."

Big C++: Late Objects, 3rd Edition focuses on the essentials of effective learning and is suitable for a two-semester introduction to programming sequence. This text requires no prior programming experience and only a modest amount of high school algebra. It provides an approachable introduction to fundamental programming techniques and design skills, helping students master basic concepts and become competent coders. The second half covers algorithms and data structures at a level suitable for beginning students. Horstmann and Budd combine their professional and academic experience to guide the student from the basics to more advanced topics and contemporary applications such as GUIs and XML programming. More than a reference, Big C++ provides well-developed exercises, examples, and case studies that engage students in the details of useful C++ applications. Choosing the enhanced eText format allows students to develop their coding skills using targeted, progressive interactivities designed to integrate with the eText. All sections include built-in activities, open-ended review exercises, programming exercises, and projects to help students practice programming and build confidence. These activities go far beyond simplistic multiple-choice questions and animations. They have been designed to guide students along a learning path for mastering the complexities of programming. Students demonstrate comprehension of programming structures, then practice programming with simple steps in scaffolded settings, and finally write complete, automatically graded programs. The perpetual access VitalSource Enhanced eText, when integrated with your school’s learning management system, provides the capability to monitor student progress in VitalSource SCORECenter and track grades for homework or participation. *Enhanced eText and interactive functionality available through select vendors and may require LMS integration approval for SCORECenter.

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The steward reports to Madam Whichcott from Harpswell; Transaction of the church's legal business at Lincoln. The steward reports to Madam Whichcott from Harpswell, c.1721-27; Transaction of the church's legal business at Lincoln, 1802-05.

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The fundamental article of my political creed, declared John Adams, is that despotism, or unlimited sovereignty, or absolute power is the same in a majority of a popular assembly, an aristocratical council, an oligarchical junto, and a single emperor. Equally arbitrary, cruel, bloody, and in every respect diabolical. The consequences of this article for Adams' thought are nowhere better articulated than in this anthology, which presents his remarkable attempts at constructing a complete political system based on constitutional, balanced, representative government.

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Equipped with a commission from Henry VIII, John Leland began to record the contents of English monastic libraries in 1533 before they were dispersed. His booklists were compiled as the primary resources for his comprehensive dictionary of British writers in four books, entitled De uiris illustribus. This remarkable testament to medieval and early modern habits of book collecting, but also to history and national identity, lay incomplete at Leland’s death. The sole extant witness to the author’s ambitious task is the autograph manuscript, now Oxford, Bodleian Library, MS Top. gen. c. 4. Although antiquaries made use of De uiris illustribus over the next generations it did not see its way into print until 1709 when Anthony Hall produced a careless edition, a significant number of passages omitted, under the title Commentarii de scriptoribus Britannicis. Hall’s text has formed the basis for subsequent scholarship. This new edition is based on a thorough examination of the autograph, supplemented with readings from John Bale’s epitome, now Cambridge, Trinity College, MS R.7.15 (753). True to Leland’s original text, this new edition shows how unreliable and misleading Hall’s was in many respects. It includes a complete English translation, published on facing pages accompanying the Latin text. The translation seeks to capture Leland’s own excitement with his project and also to convey his shifts in interpretation during the process of revision: the text mirrors in miniature the stages of the English reformation under Henry VIII. The extensive introduction provides a full history of the manuscript, examines sources, and shows the relationship of the text to Leland’s booklists and other contemporary documents.

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In New Orleans, Texas Ranger John Q is out of his jurisdiction, and possibly out of his depth. After a series of murders it seems that every time he asks questions there's trouble. But who could be trying to set him up, and why, and who can he turn to in a city where loyalties and family ties rule? Infused with the rhythms of its iconic setting, The Contract is a thriller which keeps you gripped and guessing all the way to its endgame.

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In this study, Dean Furlong explores the reception in Christian tradition of "the John also called Mark" spoken of in the book of Acts and (probably) in the Pauline corpus. He examines the portrayals of John/Mark as both a Markan figure (i.e., as a figure identified with Mark the Evangelist and/or with the Mark who was associated with the founding of the church of Alexandria) and as a Johannine figure (i.e., as a figure identified with the Beloved Disciple and/or with John the Evangelist). The author argues that the three Markan figures were originally differentiated and only came to be identified during the third and fourth centuries; furthermore, after drawing attention to "Johannine" depictions of John/Mark in some sources and to the attribution to him of a Gospel containing a Logos theology, he posits that some early Christian writers identified John/Mark with John the Evangelist.

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John Muir wrote many wonderful books about his travels, but one story—about his long walk from San Francisco to Yosemite—is one book he did not author himself. In April 1868, a very young John Muir stepped off a boat in San Francisco and inquired about the quickest way out of town. “But where do you want to go?” was the response, to which Muir replied, “Anywhere that is wild.” Using Muir’s personal correspondence and published articles, Peter and Donna Thomas have reconstructed the real story of Muir’s literal ramblings over California hills and through dales, with lofty Sierra Nevada peaks, Englishmen, and bears mixed in for good measure. The trip is illustrated by charming cut-paper illustrations that take their inspiration from Muir's love of nature. John Muir’s story-telling is so compelling that even 150 years later, seeing the world through his eyes makes us want to head out into the wild.

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A fresh look at this astute, likably quirky statesman, by the author of the Pulitzer Award-winning Founding Brothers and the National Book Award winning American Sphinx.

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John the Carpenter has been happy to leave the investigation of death behind. For six years now he’s been content to work with wood. His life looks prosperous, but times are growing desperate. Then the coroner summons him to look at the mysterious death of an anchoress, a religious woman who lived in confined solitude. She’s been murdered. Her father is an important local landowner, a man of influence with the crown. He’s distraught, and the money he offers John to find the killer can solve his problems and leave his family comfortable for life. But the path to the truth leads John to the heart of the rich, and back into history, to places where he’s not welcome and in danger for his own life. Can he find the killer? And what will happen if he doesn’t?

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The Great Recession of 2008 restored John Maynard Keynes to prominence. After decades when the Keynesian revolution seemed to have been forgotten, the great British theorist was suddenly everywhere. The New York Times asked, “What would Keynes have done?” The Financial Times wrote of “the undeniable shift to Keynes.” Le Monde pronounced the economic collapse Keynes’s “revenge.” Two years later, following bank bailouts and Tea Party fundamentalism, Keynesian principles once again seemed misguided or irrelevant to a public focused on ballooning budget deficits. In this readable account, Backhouse and Bateman elaborate the misinformation and caricature that have led to Keynes’s repeated resurrection and interment since his death in 1946.Keynes’s engagement with social and moral philosophy and his membership in the Bloomsbury Group of artists and writers helped to shape his manner of theorizing. Though trained as a mathematician, he designed models based on how specific kinds of people (such as investors and consumers) actually behave—an approach that runs counter to the idealized agents favored by economists at the end of the century.Keynes wanted to create a revolution in the way the world thought about economic problems, but he was more open-minded about capitalism than is commonly believed. He saw capitalism as essential to a society’s well-being but also morally flawed, and he sought a corrective for its main defect: the failure to stabilize investment. Keynes’s nuanced views, the authors suggest, offer an alternative to the polarized rhetoric often evoked by the word “capitalism” in today’s political debates.

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BOOK OF THE YEAR IN THE TIMES, SUNDAY TIMES, FT, METRO AND MAIL ON SUNDAY'The new master of menace' Sunday TimesAfter the blizzard of a century ago, it was weeks before anyone got in or out. By that time, what had happened there, what the Devil had done, was already fable.Devil's Day is a day for children now, of course. A tradition it's easy to mock, from the outside. But it's important to remember why we do what we do. It's important to know what our grandfathers have passed down to us.Because it's hard to understand, if you're not from the valley, how this place is in your blood.That's why I came back, with Kat; it wasn't just because the Gaffer was dead.Though that year we may have let the Devil in after all . . .

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John Colter was a crack hunter with the Lewis and Clark expedition before striking out on his own as a mountain man and fur trader. A solitary journey in the winter of 1807-8 took him into present-day Wyoming. To unbelieving trappers he later reported sights that inspired the name of Colter's Hell. It was a sulfurous place of hidden fires, smoking pits, and shooting water. And it was real. John Colter is known to history as probably the first white man to discover the region that now includes Yellowstone National Park. In a classic book, first published in 1952, Burton Harris weighs the facts and legends about a man who was dogged by misfortune and "robbed of the just rewards he had earned." This Bison Book edition includes a 1977 addendum by the author and a new introduction by David Lavender, who considers Colter's remarkable winter journey in the light of current scholarship.

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A Stanford University Press classic.

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John McPake, a former teacher, has a diagnosis of schizophrenia. Soon after his marriage fell apart he started hearing voices and eventually moved into an Edinburgh hostel for men with enduring mental health problems. An earlier obsession with the works of Breughel develops into a full blown delusion, and he assumes the personna of Johannes, a 16th century Dutch weaver who travels with his friends, Balthazar and Cornelius, in pursuit of his son who has been abducted by the Spanish mercenaries. This is an echo of John's real life quest to be reunited with his brother. People with a diagnosis of psychosis often hear multiple voices. To the hearer the voices are as real as if they were listening to someone standing next to them. The voices, often unpleasant, can have completely different characters. John's voices jostle and bitch with each other for the right to tell his story.

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Step-by-step beginner’s guide to Visual C# 2012 Written for novice programmers who want to learn programming with C# and the .NET framework, this book offers programming basics such as variables, flow control, and object oriented programming. It then moves into web and Windows programming and data access (databases and XML). The authors focus on the tool that beginners use most often to program C#, the Visual C# 2012 development environment in Visual Studio 2012. Puts the spotlight on key beginning level topics with easy-to-follow instructions for Microsoft Visual C# 2012 Explores how to program for variables, expressions, flow control, and functions Explains the debugging process and error handling as well as object oriented programming, and much more Beginning Microsoft Visual C# 2012 Programming offers beginners a guide to writing effective programming code following simple step-by-step methods, each followed by the opportunity to try out newly acquired skills.

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"It is the first book that I have read that makes STL quickly usable by working programmers" Francis Glassborow, Chair of The Association of C & C++ Users (ACCU) STL for C++ programmers Leen Ammeraal The Standard Template Library (STL) provides many useful and generally applicable programming tools. This book combines reference material and a well-paced tutorial to get you past the basics quickly. Small, complete programs illustrate the key STL features such as containers, algorithms, iterators and function objects. A section is devoted to the new string data type. All STL algorithms are formally presented by their prototypes and then informally described to show how to use them in practice. Concepts are well illustrated with a large number of example programs all of which are available via ftp (for access details please refer to the preface of the book or Wiley's website). Finally, special examples are given to explain the advanced notions of function objects and function adaptors, including predicates, binders and negators.

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A new commentary for today's world, The Story of God Bible Commentary explains and illuminates each passage of Scripture in light of the Bible's grand story.The first commentary series to do so, SGBC offers a clear and compelling exposition of biblical texts, guiding everyday readers in how to creatively and faithfully live out the Bible in their own contexts. Its story-centric approach is ideal for pastors, students, Sunday school teachers, and laypeople alike.Each volume employs three main, easy-to-use sections designed to help readers live out God's story: LISTEN to the Story: Includes complete NIV text with references to other texts at work in each passage, encouraging the reader to hear it within the Bible's grand story. EXPLAIN the Story: Explores and illuminates each text as embedded in its canonical and historical setting. LIVE the Story: Reflects on how each text can be lived today and includes contemporary stories and illustrations to aid preachers, teachers, and students. —1, 2, & 3 John—The three letters of John are ripe with immediate encouragement, practical application, and profound insight. The twin themes of love and truth dominate their theological content. If these letters seem, at times, more detached from the biblical narrative than most of the New Testament, we can still understand them in light of that story.Edited by Scot McKnight and Tremper Longman III, and written by a number of top-notch theologians, The Story of God Bible Commentary series will bring relevant, balanced, and clear-minded theological insight to any biblical education or ministry.

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Studies in John Gower is a translation of Maria Wickert’s Studien zu John Gower, the book that began the modern study of the Vox Clamantis. It is a monograph in six chapters, the first five on various aspects of the Vox — textual development, the vision of the Peasants’ Revolt, influence of the medieval sermon, the open letter to Richard II, world view — and the sixth a penetrating study of Gower’s narrative technique in the Confessio Amantis.

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This is the first major group study of the lives and work of Edna Clarke Hall, Gwen John, Ida Nettleship and Gwen Smith whose work constitutes a previously neglected area of twentieth century British Art.

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Writer, poet, lecturer, broadcaster and man-of -letters, John Jordan (1930-88) was a distinguished scholar-critic in the Dublin of his day, teaching English at University College Dublin (1955-66) and at the Memorial University of Newfoundland at St John’s (1966-7). A true cosmopolitan, and formidably read, his interests ranged from drama to literature in all its forms. This gathering of prose essays and reviews are taken from the columns of the Irish Press, Hibernia, The Crane Bag and Irish University Review and Poetry Ireland (a magazine he refounded in 1962), as well as from private unpublished papers. They focus on the mid-century canon of Irish and Anglo-American writing: Joyce, Yeats, Lawrence, Eliot, Kavanagh, O’Casey, Behan, Clarke, Stuart, Bowen, Gregory, Synge, Shaw and Wilde, as well as on the new voices of a succeeding generation: Kinsella, Cronin, Hutchinson, Heaney, and Durcan. With occasional literary detours to Russia, France and Spain, Jordan brings a continental sensibility to bear on his literary milieu.

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This insightful study engages the debates and interpretations of the brief and somewhat elusive writings known in the Christian canon as 1, 2, and 3 John. Chapter 1 identifies six unknowns about the origins of the three writings: authors, relationship to John's Gospel, order, date and location of the writings, and their audiences. Chapters 2 and 3 delineate the debate concerning the relationship of these writings to a purported Johannine tradition and Johannine community in which a schism is claimed to have occurred. An alternative view recognizes that while there are some connections with John's Gospel, it is more compelling to see the writings as independent rather than derivative, as internally not externally directed, as pastoral not polemical, and as schism-free. Chapters 4-7 discuss important aspects of 1 John. Chapter 4 argues that its structure or organization is based on rhetorical and conceptual links among the writing's small units. Chapter

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John Constable is best known for his idyllic paintings of the English countryside. Yet he was also a brilliant innovator who brought a new vivacity to the observation of nature. He practiced oil painting in the open air, capturing in particular the 'effervescent' effects of atmospherics - as can be seen, for example, in his wonderful studies of clouds. His art became a benchmark for naturalist painters throughout Europe and America in the nineteenth century, and he continues to be one of the most popular and influential artists to this day. This book draws extensively on the artist's own correspondence to provide a fresh understanding of his artistic aims and achievements, and reassesses his role in the development of modern art.

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A Companion to Medieval English Literature and Culture, c.1350-c.1500 challenges readers to think beyond a narrowly defined canon and conventional disciplinary boundaries. A ground-breaking collection of newly-commissioned essays on medieval literature and culture. Encourages students to think beyond a narrowly defined canon and conventional disciplinary boundaries. Reflects the erosion of the traditional, rigid boundary between medieval and early modern literature. Stresses the importance of constructing contexts for reading literature. Explores the extent to which medieval literature is in dialogue with other cultural products, including the literature of other countries, manuscripts and religion. Includes close readings of frequently-studied texts, including texts by Chaucer, Langland, the Gawain poet, and Hoccleve. Confronts some of the controversies that exercise students of medieval literature, such as those connected with literary theory, love, and chivalry and war.

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Isho`dad of Merw, Bishop of the East Syrian Church in Hedatta, wrote his commentaries on the books of the Old and New Testament around 850 A.D. His work constitutes one of the most important and extensive exegetical collections within the East Syrian Church. From 1911 to 1916 Margaret D. Gibson published a text edition and an English translation of the New Testament Part. Developments in the area of manuscript tradition, the discovery of new sources and the many deficiencies in Gibson’s work, made a new text edition and translation necessary. The starting point has been taken in Isho`dad’s commentary on the Gospel of St. John. This gave the opportunity to trace in Isho`dad’s commentary the influences of the work of Theodore of Mopsuestia, whose commentary on the Gospel of St. John has survived in the Syriac language. Volume 671 (Textus) offers a Syriac text edition based on 15 manuscripts. In the Introduction these manuscripts and their mutual relationship are described. Volume 672 (Versio) contains a description of Isho’dad’s life, a study of the sources used by him, and a translation. The volumes include a survey of Gibson’s errata, an orthographical index and an index of biblical citations and Greek terms quoted.

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This first full-length biography of the Nobel Laureate to appear in a quarter century explores John Steinbeck’s long apprenticeship as a writer struggling through the depths of the Great Depression, and his rise to greatness with masterpieces such as The Red Pony, Of Mice and Men and The Grapes of Wrath. His most poignant and evocative writing emerged in his sympathy for the Okies fleeing the dust storms of the Midwest, the migrant workers toiling in California’s fields and the labourers on Cannery Row, reflecting a social engagement—paradoxical for all of his natural misanthropy—radically different from the writers of the so-called Lost Generation. A man by turns quick-tempered, contrary, compassionate and ultimately brilliant, Steinbeck took aim at the corrosiveness of power, the perils of income inequality and the growing urgency of ecological collapse, all of which drive fierce public debate to this day.

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A dying woman s desperate need to see her long lost son sends John Constantine on a mission in Suicide Bridge, a haunting tale of evil and melancholy that finds John using his occult connections to learn why so many young people are going missing. It s a story full of strange places and desperate lives that leads Constantine to unearth his own connection to the mysterious disappearance of a boyhood friend and that s just the beginning of Constantine s troubles in John Constantine, Hellblazer Vol. 26: The Curse of the Constantines. Collecting Hellblazer #292-300; Hellblazer Special: Bad Blood #1-4; Hellblazer Annual #1!

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John Wayne is renowned as having been a larger than life, yet his personal code was a simple one of loyalty, self-reliance, grit, honesty, patriotism and generosity. John Wayne: Lessons for My Children examines how Wayne used his beliefs to raise six lively kids into successful young adults, and how those lessons might be used by readers to help guide their own sons and daughters. Packed with reminiscences and anecdotes from Duke's children (including a foreword and an afterword), quotes and personal stories from Duke, himself, and analyses of key scenes from Duke's films, plus hundreds of touching, rousing and inspiring photos from Duke's family life as well as his films, John Wayne: Lessons for My Children is a perfect gift for dads and Duke fans everywhere. The book itself is a stunning handbook with glossy pages, and a leatherette cover to ensure the book lasts for years and years. The perfect impulse purchase for Father's Day or any day.

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The Architecture of Empathy is the title of a marble statue by John Isaacs and at the same time the basic attitude and raw material of all his works. The British artist made a name for himself as a Young British Artist around Damien Hirst in the 1990s with his hyper-realistic wax sculptures. Conscious about not locking himself into one style, he experiments with a wide variety of materials and techniques, from ceramics, neon, bronze, marble and sculpture to photography. This richly illustrated publication is the first comprehensive overview of his work from the 90s to the present, and reveals not just his broad reaching multifaceted technical scope, but also his psycho-anthropological poetic through numerous essays and conversations with companions.

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John Bannerman (1932-2008) saw the history of Scotland from a Gaelic perspective, and his outstanding scholarship made that perspective impossible to ignore. As a historian, his natural home was the era between the Romans and the twelfth century when the Scottish kingdom first began to take shape, but he also wrote extensively on the MacDonald Lordship of the Isles in the fourteenth and fifteenth centuries, while his work on the Beatons, the notable Gaelic medical kindred, reached into the early eighteenth century. Across this long millennium, Bannerman ranged and wrote with authority and insight on what he termed the 'kin-based society', with special emphasis upon its church and culture, and its relationship with Ireland. This collection opens with Bannerman's ground-breaking and hugely influential edition and discussion of Senchus fer nAlban ('The History of the Men of Scotland'), which featured in his Studies in the History of Dalriada (1974), now long out of print. To this have been added all of his published essays, plus an essay-length study of the Lordship of the Isles which first featured as an appendix in Late Medieval Monumental Sculpture in the West Highlands (1977). The book will be of interest to anyone who wants to know more about the Gaelic dimension to Scotland's past and present.

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“One of the best books on the American presidency to appear in recent years” (The Wall Street Journal) and based on a decade of research and reporting—a delightful new window into the public and private lives America’s presidents as authors.Most Americans are familiar with Abraham Lincoln’s famous words in the Gettysburg Address and the Eman­cipation Proclamation. Yet few can name the work that helped him win the presidency: his published collection of speeches entitled Political Debates between Hon. Abraham Lincoln and Hon. Stephen A. Douglas. Lincoln labored in secret to get his book ready for the 1860 election, tracking down newspaper transcripts, editing them carefully for fairness, and hunting for a printer who would meet his specifications. Political Debates sold fifty thousand copies—the rough equivalent of half a million books in today’s market—and it reveals something about Lincoln’s presidential ambitions. But it also reveals something about his heart and mind. When voters asked about his beliefs, Lincoln liked to point them to his book. In Craig Fehrman’s “original, illuminating, and entertaining” (Jon Meacham) work of history, the story of America’s presidents and their books opens a rich new window into presidential biography. From volumes lost to history—Calvin Coolidge’s Autobiography, which was one of the most widely discussed titles of 1929—to ones we know and love—Barack Obama’s Dreams from My Father, which was very nearly never published—Fehrman unearths countless insights about the presidents through their literary works. Presidential books have made an enormous impact on American history, catapulting their authors to the national stage and even turning key elections. Beginning with Thomas Jefferson’s Notes on the State of Virginia, the first presidential book to influence a campaign, and John Adams’s Autobiography, the first score-settling presiden­tial memoir, Author in Chief draws on newly uncovered information—including never-before-published letters from Andrew Jackson, John F. Kennedy, and Ronald Reagan—to cast fresh light on the private drives and self-doubts that fueled our nation’s leaders. We see Teddy Roosevelt as a vulnerable first-time author, struggling to write the book that would become a classic of American history. We see Reagan painstakingly revising Where’s the Rest of Me?, and Donald Trump negotiating the deal for The Art of the Deal, the volume that made him synonymous with business savvy. Alongside each of these authors, we also glimpse the everyday Americans who read them. “If you’re a history buff, a presidential trivia aficionado, or just a lover of American literary history, this book will transfix you, inform you, and surprise you” (The Seattle Review of Books).

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From the mind of John Carpenter, the man who brought you the classic horror film Halloween and all of the scares beyond, and the heart of writer, editor, and producer Sandy King, comes a whopping 14 brand new twisted tales of terror, tricks, and treats. In volume 8 of the award-winning graphic novel series, Carpenter and King bring together the best storytellers from movies, novels, and comics for another spine-tingling collection of stories that will haunt you. Each story is a standalone surprise that captures the essence of the best night of the year. We dare you to read it all the way to the end. If you get too scared, remember, it's only a comic. It's only a comic... or is it? Happy Halloween! With creators John Carpenter, Sandy King, Jaime Carrillo, Elena Carrillo, Amanda Deibert, Cat Staggs, Alec Worley, Tom Foster, Neo Edmund, Jason Felix, Sean Sobczak, Sara Richard, Kealan Patrick Burke, David J. Schow, Andres Esparza, Frank Tieri, Duane Swierczynski, Heather Vaughan, Jennie Wood, Michael Moreci, Scott Hampton, Tim Bradstreet, Nick Percival and many more.

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'I am not here, then, as the accused; I am here as the accuser of capitalism dripping with blood from head to foot' – John Maclean, Speech from the Dock, 1918. Feared by the government, adored by workers, celebrated by Lenin and Trotsky; the head of British Military Intelligence called John Maclean 'the most dangerous man in Britain'. This new biography explores the events that shaped the life of a momentous man – from the Great War and the Great Unrest, to the Rent Strike and the Russian Revolution. It examines his work as an organiser and educator, his imprisonment and hunger strike, and how he became the early hero of radical Scottish Independence.

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Inviting, perfect in proportion, exquisite in detail such are a few of the ways to describe homes designed by John Simpson. Well known for his work with the British royal family at Buckingham and Kensington palaces and for his buildings at Eton College in the U.K. and at the University of Notre Dame in the U.S., he is perhaps most brilliant at the level of the house and home. Building Beautiful is an invitation to enter the work of this master designer, as one might visit with a treasured friend. From a dream made real within a Venetian palazzo a former seventeenth-century near-ruin, brought back to glorious, fancifully detailed life to an English countryside cottage with a thatched roof, the featured homes are expressions of Simpson s unerring eye and extraordinary sense of beauty. Here we find drama in contrasts of scale and the seductive effects of light, where a cosy reading nook opens to an expansive living room with a double-height ceiling that nevertheless feels not overly large but rather just right. This is Simpson s subtle art a mastery of scale, balance, and a pervading sense of elegance.

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What delights you? A vibrant red? A mysterious blue? Color studies capture that place where ground mineral meets water and light, imagination meets science, and the painter has an aha moment. John Derian is an artist and designer whose work with printed images of the past transports the viewer to another time and place. Take the journey with him, in this set of notebooks perfect for recording thoughts, impressions, lists, and drawings. ·3 blank, unruled notebooks ·6 unique front and back cover illustrations ·64 pages each

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Margaret M. Mitchell argues that all Pauline interpretation depends to a large degree upon the ways in which readers formulate their own mental (and sometimes graphic) images of the author, Paul. John Chrysostom, the most prolific interpreter of the Pauline epistles in the early church (c. 349-407 C.E.), richly exemplifies this phenomenon in his writings and speeches, where he composes word portraits of his beloved Paul, so as to bring his own readers face to face with the saintly figure he commends for their imitation.The author brings together the copious portraits of Paul - of his body, his soul, and his life circumstances - found throughout Chrysostom's immense corpus of writings, and for the first time analyzes them as complex rhetorical compositions built upon well-known conventions and techniques of Greco-Roman rhetoric (epithet, encomium, and ekphrasis). Chrysostom's literary portraiture, by idealizing Paul as 'the archetypal image' of Christian virtue, served as a rhetorical vehicle for social construction and replication of the Pauline model in the now-Christian society of late antiquity. Pauline interpretation as Chrysostom practiced it confounds both the traditional map of patristic exegesis as defined by the dichotomy between Antiochene literalism and Alexandrine allegory, and contemporary hermeneutical claims about 'the death of the author' in the interpretive enterprise. While Chrysostom's Pauline portraiture may reach exalted heights of artistry, it is not unique, as comparisons with Chrysostom's Latin contemporary Augustine and recent Pauline scholarship reveal. Two appendices offer a fresh translation of Chrysostom's seven homilies de laudibus sancti Pauli, and a catalogue and color plates of artistic representations of Chrysostom and Paul that graphically represent the author/exegete dynamic this study explores.

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