Search results for ""art/books""

A guide to landscape painting for complete beginners with simple exercises. Hazel Soan is a hugely successful painter and an outstanding teacher and author of art books, which have introduced the wonders of art to a generation of amateur artists. In this book she teaches you how to get to grips with watercolour landscapes in the space of an afternoon. The book explores the basics of watercolour landscapes with lots of simple exercises and step-by-step demonstrations that are perfect for beginners. That life-long ambition of painting somewhere that is important to you can become a possibility with the help of this nifty little book. Topics covered include creating space, composition and focus, light and shadows, colours of the landscape and the mixing of watercolours. Watercolour painting techniques such as painting en plein air, brushwork, creating texture, wet into wet and wet on dry are explained. The book also explores specific landscape themes such as skies, foliage, forests, gardens, seascapes, wilderness, sunsets, urban landscapes, panoramas, sunsets and many more.

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Selected as one of Oprah’s Favorite Things 2023 As Oprah says on OprahDaily.com – 'Created for kids, these little books pair famous artworks (Gauguin! Kerry James Marshall!) with read-aloud text ("Love is... soft snuggles... and tender nuzzles"). So special – adults will want them, too.' This keepsake children’s book celebrates adventure in a new and accessible way: through art Featuring a bright stylish cover and sturdy colorful pages, My Art Book of Adventure pairs 35 famous artworks with joyful read-aloud text, illustrating the many feelings that come with big milestones. A beautiful gift for babies, toddlers, and young children, as well as new and expecting parents, My Art Book of Adventure presents vibrant paintings, drawings, and sculptures by a diverse array of artists – from Edward Hopper and Henri Matisse to Amy Sherald and Yinka Shonibare. With its elegant design and heartwarming descriptions, My Art Book of Adventure will be treasured by little ones and grown-ups alike. Part of the beloved My Art Books series of stunning board books, which explore big feelings through famous artworks.

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Selected as one of Oprah’s Favorite Things 2023 As Oprah says on OprahDaily.com – 'Created for kids, these little books pair famous artworks (Gauguin! Kerry James Marshall!) with read-aloud text ("Love is... soft snuggles... and tender nuzzles"). So special – adults will want them, too.' This keepsake children’s book explores emotions in a new and accessible way: through art Featuring a bright stylish cover and sturdy colorful pages, My Art Book of Happiness pairs 35 famous artworks with charming read-aloud text, creating an artful ode to joy in all forms. A beautiful gift for babies, toddlers, and young children, as well as new and expecting parents, My Art Book of Happiness presents vibrant paintings, drawings, and sculptures by a diverse array of artists – from Henri Matisse and Diego Rivera to Yayoi Kusama and Lorna Simpson. With its elegant design and heartwarming descriptions, My Art Book of Happiness will be treasured by little ones and grown-ups alike. Part of the beloved My Art Books series of stunning board books, which explore big feelings through famous artworks.

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The first book by Helene Cixous on painting and the contemporary arts. This collection gathers most of Helene Cixous' short texts devoted to contemporary artists, such as the painter Nancy Spero, the photographer Andres Serrano, the visual artists Roni Horn and Ernest Pignon-Ernest, the fashion designer Sonia Rykiel and the choreographer Karine Saporta, among others. The artworks belong to different genres and media: photography, painting, installations, film, choreography and fashion design. Nevertheless, Helene Cixous' texts all deal with some of her privileged themes: exile, war, violence (against women) and exclusion, as well as love, memory, beauty and tenderness. Neither art criticism nor critical essays, Helene Cixous responds to these artworks as a poet, reading them as if they were poems. Written between 1985 and 2010, most of these essays are unpublished in English, or published only in rare catalogues or art books. Key Features *Combines poetic, theoretical and critical writing and Cixous' unique methodology *Addresses an important collection of contemporary artists, including Americans Nancy Spero and Roni Horn, the London artist Maria Chevska, the Cherokee artist Jeffrey Gibson, the filmmaker Ruth Bekermann, the French choreographer Karine Saporta and the French fashion designer Sonia Rykiel. *Treats a range of media and genre: photography, painting, installations, film, choreography, fashion design

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With a career spanning seven decades, Catalan-born Joan Miró (1893–1983) was a polymath giant of modern art, producing masterworks across painting, sculpture, art books, tapestry, and ceramics, and embracing ideologies as varied as Fauvism, Surrealism, Dada, Magic Realism, Cubism, and abstraction. Over the course of his prodigious output, Miró evolved constantly, seeking to eschew categorization and the approval of “bourgeois” art critics as much as he pursued his own dreamlike worlds. Emerging into the public spotlight in the early 1920s, he first experimented with Fauvism and Cubism before developing a distinctive style of symbols and pictograms, arranged in elusive visual narratives, with frequent reference to Catalan life. As his career progressed, Miró moved towards Surrealism, and, despite never fully identifying with the movement, emerged as one of its most celebrated practitioners with techniques including automated drawing, Lyrical Abstraction, and Color Field painting. In later years, he diversified his media further, working with ceramics, textiles, and even proposing sculptures made of gas. Through his vivid colors, dreamlike fantasies, and enigmatic symbols, this book brings together the numerous strands of Miró’s kaleidoscopic oeuvre to introduce his fascinating career, its interaction with major modernist movements, and how it made him into a modernist legend.

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Patrick Modiano, winner of the 2014 Nobel Prize in Literature, is the author of more than thirty books and one of France’s most admired contemporary novelists. Out of the Dark is a moody, expertly rendered tale of a love affair between two drifters. The narrator, writing in 1995, looks back thirty years to a time when, having abandoned his studies and selling off old art books to get by, he comes to know Gérard Van Bever and Jacqueline, a young, enigmatic couple who seem to live off roulette winnings. He falls in love with Jacqueline; they run off to England together, where they share a few sad, aimless months, until one day she disappears. Fifteen years later, in Paris, they meet again, a reunion that only recalls the haunting inaccessibility of the past: they spend a few hours together, and the next day, Jacqueline, now married, disappears once again. Almost fifteen years after that, he sees her yet again, this time from a distance he chooses not to bridge. A profoundly affecting novel, Out of the Dark is poignant, strange, delicate, melancholy, and sadly hilarious.

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In the 1890s, Berlin artist, sculptor and teacher Karl Blossfeldt started to photograph plants, seeds and other illustrative material from nature for the purpose of teaching his students about the patterns and designs found in natural forms. His close-ups of the smallest plant parts, magnified up to thirty times their natural size, are startling as the plants appear geometric and sculptural. Published in 1928, his first collection of photographs Urformen der Kunst (later translated into English as Art Forms in Nature) became an international bestseller and remains one of the most significant photo books of the twentieth century. Karl Blossfeldt: Variations is the first book-length monograph to examine the reception of Blossfeldt’s work. Drawing on unpublished materials, it analyzes the photographs’ replication in teaching mate- rials, pattern books and art books, and also in the pages of the illustrated press. The six chapters of the richly illustrated study trace the paths Blossfeldt’s legendary plant motifs described as specimens, illustrations, patterns, analogues, models and abstractions from 1890 to 1945. Thematic excursions into the present, illustrating the rediscovery of Blossfeldt’s motifs in design and architecture over the past twenty years, offer a contemporary perspective on the famous German photographer.

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The Art of Cosmic Spectrum features the characters, worlds, and stories created by artist Yana Bogatch aka Cosmic Spectrum. Previously, she has self-published a graphic novel and two art books. Now, The art of Cosmic Spectrum showcases the artist’s entire story and demonstrates the development of her style and career, as well as brand new art and tutorial content. With character art and comics being her specialty, the book features an array of tips and techniques for drawing anatomy, gesture, and character details. Sketchbook pages reveal Yana’s experience in animation and storyboarding; her use of both traditional and digital tools reveals the artist’s versatility. Storytelling and connecting with other people are vital to the artist, and readers will be fascinated to discover how she infuses her art with these motivations. Another way in which she shares her art is through her shop, where creativity and commercial success meet. Yana’s energy, enthusiasm, and entrepreneurial spirit will encourage readers looking for way to transform their passion for art into a viable career while staying true to their style. The Art of Cosmic Spectrum is the creative inspiration and springboard every character artist needs.

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Trimming, piercing, slicing, snipping: just a few of the many words that relate to the idea of cutting. In this volume Jean-Charles Trebbi explores the traditional techniques of paper cutting, before examining current manifestations of this art form, including the contemporary materials and technologies it uses and the types of artistic expression it offers. The Art of Cutting is a collection of artworks that have been created using a variety of cutting techniques. The author explores traditional techniques that are still very much alive worldwide, and he analyses the current aspects of the art of cutting, in which different materials and technologies lead to new forms of artistic expression. This book presents a selection of artists who revisit and work with traditional techniques, as well as those who adopt contemporary approaches. From paper to ceramics, food design and architecture, The Art of Cutting offers a stunning and diverse universe that is waiting to be discovered. AUTHOR: Born in Paris, Charles Trebbi is an urban architect, designer, artist and writer. A Renaissance man who specialises in the infinite possibilities of folding, cutting and assembling using paper, cardboard, textiles and even wood and metal, he creates his own art books, which are often inspired often by urban spaces and architecture, and produces completely original structures with pop-up and cutting techniques.

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The first study of its kind, featuring over 80 important artists who have lived in Florida. With its natural beauty, distinctiveness, and warmth, Florida has attracted an abundance of artists for centuries. While fine painters have been featured in art books about the state, little has been written about important sculptors who have adopted it. To remedy the dearth of literature on the subject, Florida Sculptors and Their Work: 1880–2020 is a tribute to these diverse artists who have enchanted, amused, saddened, or outraged us. Capturing the Sunshine State's essence, this well-researched and generously illustrated volume tells the fascinating stories of these creative people and reveals secrets behind their three-dimensional art—from realistic to abstract to folk art. Discover how Florida has inspired such world-renowned artists as Augusta Savage, Duane Hanson, Richard Anuszkiewicz, John Chamberlain, and Robert Rauschenberg, as well as lesser-known yet highly praised sculptors who have enhanced collections throughout the world and changed the state’s profile with their iconic public art. This indispensable resource is a must-have for those interested in Florida's art, history, and culture.

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Most modern historians perpetuate the myth that Giuliano de' Medici (1479–1516), son of Lorenzo the Magnificent, was nothing more than an inconsequential, womanizing hedonist with little inclination or ability for politics. In the first sustained biography of this misrepresented figure, Josephine Jungic re-evaluates Giuliano’s life and shows that his infamous reputation was exaggerated by Medici partisans who feared his popularity and respect for republican self-rule. Rejecting the autocratic rule imposed by his nephew, Lorenzo (Duke of Urbino), and brother, Giovanni (Pope Leo X), Giuliano advocated restraint and retention of republican traditions, believing his family should be “first among equals” and not more. As a result, the family and those closest to them wrote him out of the political scene, and historians – relying too heavily upon the accounts of supporters of Cardinal Giovanni and the Medici regime – followed suit. Interpreting works of art, books, and letters as testimony, Jungic constructs a new narrative to demonstrate that Giuliano was loved and admired by some of the most talented and famous men of his day, including Cesare Borgia, Michelangelo Buonarroti, Niccolò Machiavelli, Leonardo da Vinci, and Raphael. More than a political biography, this volume offers a refreshing look at a man who was a significant patron and ally of intellectuals, artists, and religious reformers, revealing Giuliano to be at the heart of the period’s most significant cultural accomplishments.

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Bookstores are treasure troves of knowledge and ideas, invaluable for the imagination, and often reflect their owners’ personalities in ways internet behemoths could never recreate. In this book, photographer Horst A. Friedrichs opens the door to the world of bricks-and-mortar bookstores, showcasing their variety, quirkiness, and vitality with lavish photography. It celebrates the passion and commitment of the owners with interviews and anecdotes. Explore William Stout Books, a specialty store for architecture and art books in San Francisco, and Baldwin’s Book Barn in Pennsylvania, a 5-story bookstore housed in a dairy barn open since the mid-1940s. Discover Gay’s the Word, the UK’s first and only dedicated LGBTQI bookshop and Livraria Lello, whose art deco interior is a temple to reading in the middle of Porto, Portugal. Some of the featured bookstores specialize in a certain genre, some are massive with vaulted ceilings, some are tiny and filled to the brim with books, some are in historic buildings that evoke a different time and place, and some are brand new, high- tech, architect-designed spaces. What all the bookstores have in common is that they are all dedicated to spreading the written word to their communities. This is an ideal book for anyone who loves to read, browse, or simply linger in the analog world of books and bookstores.

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Featuring a handsome new package redesigned by the author himself, this edition is a must-have for fans and collectors of Luigi Serafini s art. First published in 1981 in Milan by F.M. Ricci, the book has been hailed as one of the most unusual yet beautiful art books ever made. A visual encyclopaedia of an unknown world written in an unknown language, it has fuelled much debate over its meaning. Written for the information age and addressing the import of coding and decoding in genetics, literary criticism, and computer science, it has now fascinated and enchanted two generations. While its message may be unclear, its appeal is obvious: it is a most exquisite artifact, blurring the line between art book and art object. This edition presents it in a new, unparalleled light complete with 15 new illustrations by the author. With the advent of new forms of communication, continuous streams of information, and social media, the Codex is more relevant and timely than ever. A limited numbered deluxe edition, bound in real cloth and presented in a handsome slipcase, is also available. It includes a signed print of a new illustration made by the author to commemorate the 700th anniversary of the death in 1321 of Dante Alighieri, one of Italy s greatest writers and creator of The Divine Comedy.

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Maria Lai (Ulassai, September 27, 1919 - Cardedu, April 16, 2013) is without doubt one of the leading figures in the history of contemporary Italian art. Not only on account of the content of her works, but also thanks to the diversity of her artistic approach, ranging as it does across many media - public art, embroidery, weaving, sculpture, drawing, and writing: all are grist for her poetics. The book is published to coincide with the exhibition at the MAXXI Museum in Rome, which is presenting to the general public over one hundred works by the Sardinian artist, from the early 1960s to her very last works, and explores the various themes dear to the artist with the contributions of experts in their fields: the locations, the creation, and publication of art books, her public art events and her relationship with the written word and her own writing. Her entire oeuvre is distinguished by its powerful visual impact, revealing a 'way of doing art' that is nothing other than an instrument of thought. The book's structure reflects the exhibition's own sections, arranged by theme, whose titles are paradigmatic of Lai's oeuvre as a whole: Essere è tessere. Cucire e ricucire; L'arte è il gioco degli adulti. Giocare e raccontare; Disseminare e condividere; Il viaggiatore astrale. Immaginare l'altrove; L'arte ci prende per mano. Incontrare e partecipare. Text in English and Italian.

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Paris, known affectionately throughout the world as the City of Lights, is captured in precise detail in more than 40 extraordinary drawings by Desmond Freeman. The city's much-loved ornate buildings, majestic monuments, and grand boulevards from across its 20 arrondissements are the source of inspiration for this new artistic endeavour by noted artist Desmond Freeman. Working with ink he captures more than the intricate detail of Paris to reveal a city that is again open to being discovered. Lavish full-colour and black-and-white spreads show everyday Parisian life taking place in among the city's famous landmarks. With sweeping views of the River Seine, Notre Dame, the Paris Opera, the Eiffel Tower, Sacré-Coeur, Montmartre's artist markets and the Trocadero, to the shopping districts, which are a beacon to the style aficionados who travel from across the world to glimpse the latest in style and fashion, you will fall in love with Paris again. Freeman's first book, Venice: Impressions in Ink ISBN 9780994558404 won the Gold Medal in the Fine Art Books section at the 2017 Independent Publisher Book Awards in New York from 5,000 entries from around the world. This new book on Paris makes a perfect collector's item - it illuminates this artist's methodology and renders the city in a unique format with an original set of superb illustrations.

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Why have some of the most interesting artists of our time committed themselves to some of the most devastating conflicts on Earth? Why are some of the most interesting artists of our time committed to engaging with conflict and exploitation around the world? Beautiful, Gruesome, and True tells the stories of three of them: Amar Kanwar makes riveting films about the destruction of rural India in the drive to extract natural resources. Teresa Margolles creates haunting installations from the traces of crime scenes and drug-related violence in Mexico. The anonymous collective Abounaddara has produced more than four hundred short films chronicling the uprising and civil war in Syria. Drawing on years of research and extensive reporting, Kaelen Wilson-Goldie vividly recounts how a group of “political” artists found ways to produce remarkable works of art that demand deliberate and methodical ways of thinking—works that are contemplative, thoughtful, even redemptive. Named one of the best art books of the year by Holland Cotter of the New York Times “A gifted critic and a compelling journalist, Wilson-Goldie offers many important insights into the challenges these artists face in their confrontation with authority, repressive regimes, death, and violence. The story she tells could not be more timely.” —Glenn D. Lowry, David Rockefeller Director, Museum of Modern Art

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An unprecedented look at the little-known paintings from Louise Bourgeois’s early years in New York that laid the groundwork for her sculptural practice “The catalog Louise Bourgeois: Paintings, and the revelatory exhibition, . . . were overseen by Clare Davies, who has commissioned an insightful essay from the art historian Briony Fer. But there’s another bonus: Beyond the paintings in the show, the catalog reproduces around 25 more, meaning that three-quarters of Bourgeois’s contribution to modern painting can now be seen in one place.”—Roberta Smith, New York Times, “Best Art Books of 2022” Louise Bourgeois (1911–2010) is celebrated today for her sculptures. Less known are the paintings she produced between her arrival in New York in 1938 and her turn to three-dimensional media in 1949. Crucial to her artistic practice, these early works—the focus of this groundbreaking publication—show how Bourgeois evolved her deeply personal artistic lexicon, and how the themes and motifs she explored in her paintings coalesced into symbols of her sculptural practice. Informed by new archival research and the artist’s extensive diaries, Louise Bourgeois: Paintings explores Bourgeois’s relationship to the New York art world of the 1940s and her development of a unique pictorial language, adding a key element to our understanding of this crucial artist’s career. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (April 11–August 7, 2022) New Orleans Museum of Art (September 8, 2022–January 8, 2023)

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Author and artist Kamo is back with her ever-popular doodles!Cute, funny and simple drawings—alongside step-by-step instructions—are sure to inspire readers of all ages to sit down and start doodling. Begin with a line or squiggle, and then turn it into a face, animal or anything else that your imagination conjures up. The point is just to draw—anytime, anywhere, anything—and, most of all, to have fun while you are doing it!With more than 1000 examples to trace or make on your own, How to Draw Anything Anytime includes: People of all ages Animals from sea otters to giraffes and sloths to turtles Food and drinks including coffee, popcorn, sushi and lots of other appetizing treats Transportation, whether traveling by submarine, UFO or bus Astrological signs and zodiac animals Japanese and latin alphabet lettering Clever borders for decorating edges The adorable images throughout the book provide inspiration. Whether doodling digitally or on paper, use your drawings to decorate bookmarks, office supplies, bags, cards, invitations, notebooks, mobiles, window hangings and more. Sample cartoon strips show you how to incorporate your doodles into a bigger project.Fans of Kamo's other doodle books love her instantly recognizable style. Unlike serious art books, there are no rules to follow and no classes to take. All that's needed is a free hand and a free spirit—follow your lines and see where they take you.

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A personal and expert account of the artists and events that defined the medium’s first 50 years, written a true expert in the field‘London’s book excites because it brings new artists into a lineage worthy of greater stuff. Her passion for lesser-known figures … is contagious.’ – ARTnews, The Best Art Books of 2020Since the introduction of portable consumer electronics nearly a half century ago, artists throughout the world have adapted their latest technologies to art-making. This first-hand account by the curator who has been following video art from its beginnings in the late 1960s, when artists first adapted portable consumer technology to art-making, spotlights video’s ongoing importance in the art world, tracing the genre’s development alongside the advances in technology that have continued to open up new possibilities for artists. London has worked closely and personally with the artists she writes about, who span generations, including Joan Jonas, Nam June Paik, Bill Viola, Shirin Neshat, Pipilotti Rist, Miranda July, Ragnar Kjartansson, and Ian Cheng. The text is both art-historical and personal – weaving together background information and insightful interpretations with unique anecdotes and experiences to trace the history of video art as it transformed into the broader field of media art – from analog to digital, small TV monitors to wall-scale projections, and clunky hardware to user-friendly software. In doing this, she reveals how video evolved from fringe status to be seen as one of the foremost art forms of today.

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*One of The Times Best Art Books of the Year*'Looking to Sea is a remarkable and compelling book... I loved it.' Edmund de Waal'In her first, transporting book, Lily Le Brun sweeps the beaches of the past century of British art, collecting treasures from sea, shingle and shore... A book to pack in your picnic basket for shivering dips, heatwave day trips and ice-cream Sundays' The TimesAn alternative history of modern Britain, Looking to Sea is an exquisite work of cultural, artistic and philosophical storytelling. Looking to Sea considers ten pivotal artworks, from Vanessa Bell's Studland Beach, one of the first modernist paintings in Britain, to Paul Nash's work bearing the scars of his experience in the trenches and Martin Parr's photographs of seaside resorts in the 1980s, which raised controversial questions of class. Each of the startlingly different pieces, created between 1912 and 2015, opens a window onto big ideas, from modernism and the sublime, the impact of the world wars and colonialism, to issues crucial to our world today like the environment and nationhood. In this astonishingly perceptive portrait of the twentieth century, art critic Lily Le Brun brings a fresh eye to a vast idea, offering readers an imaginative new way of seeing our island nation.'Le Brun's writing is at once bold and delicate, far-reaching and fine-tuned. Her book explores the inexhaustible variety of human perception.' Alexandra Harris'A smart and clear-eyed set of meditations on marine gaze, made with a painterly touch worthy of the chosen artists. Empathy and intelligence lift memoir into cultural history.' Iain Sinclair'Elegant and endlessly interesting . . . as much a rich compendium of social history as it is a hard consideration of art itself' Critic

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An unprecedented look at Nellie Mae Rowe’s art as a radical act of self-expression and liberation in the post-civil rights-era South A New York Times critics' pick | Best Art Books 2021 During the last 15 years of her life, Nellie Mae Rowe lived on Paces Ferry Road, a major thoroughfare in Vinings, Georgia, and welcomed visitors to her “Playhouse,” which she decorated with found-object installations, handmade dolls, chewing-gum sculptures and hundreds of drawings. Rowe created her first works as a child in rural Fayetteville, Georgia, but only found the time and space to reclaim her artistic practice in the late 1960s, following the deaths of her second husband and her longtime employer. This book offers an unprecedented view of how Rowe cultivated her drawing practice late in life, starting with colorful and at times simple sketches on found materials and moving toward her most celebrated, highly complex compositions on paper. Through photographs and reconstructions of her Playhouse created for an experimental documentary on her life, this publication is also the first to juxtapose her drawings with her art environment. Nellie Mae Rowe (1900–82) grew up in rural Fayetteville, Georgia. When her Playhouse became an Atlanta attraction, she began to exhibit her art outside of her home, beginning with Missing Pieces: Georgia Folk Art, 1770–1976, a traveling exhibition that brought attention to several Southern self-taught artists, including Rowe and Howard Finster. In 1982, the year she died, Rowe’s work received a new level of acclaim, as she was honored in a solo exhibition at Spelman College and included as one of three women artists in the Corcoran Gallery of Art’s landmark exhibition .

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Childhood joy, pleasure, and creativity are not often associated with the civil rights movement. Their ties to the movement may have faded from historical memory, but these qualities received considerable photographic attention in that tumultuous era. Katharine Capshaw’s Civil Rights Childhood reveals how the black child has been—and continues to be—a social agent that demands change. Because children carry a compelling aura of human value and potential, images of African American children in the wake of Brown v. Board of Education had a powerful effect on the fight for civil rights. In the iconography of Emmett Till and the girls murdered in the 1963 Birmingham church bombings, Capshaw explores the function of children’s photographic books and the image of the black child in social justice campaigns for school integration and the civil rights movement. Drawing on works ranging from documentary photography, coffee-table and art books, and popular historical narratives and photographic picture books for the very young, Civil Rights Childhood sheds new light on images of the child and family that portrayed liberatory models of blackness, but it also considers the role photographs played in the desire for consensus and closure with the rise of multiculturalism.Offering rich analysis, Capshaw recovers many obscure texts and photographs while at the same time placing major names like Langston Hughes, June Jordan, and Toni Morrison in dialogue with lesser-known writers. An important addition to thinking about representation and politics, Civil Rights Childhood ultimately shows how the photobook—and the aspirations of childhood itself—encourage cultural transformation.

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“This debut has it all: music, books, aliens, adventure, resistance, queerness, and a bold heroine tying it all together. ”—Ms. MagazineCan a girl who risks her life for books and an Ilori who loves pop music work together to save humanity?When a rebel librarian meets an Ilori commander…Two years ago, a misunderstanding between the leaders of Earth and the invading Ilori resulted in the death of one-third of the world’s population. Today, seventeen-year-old Ellie Baker survives in an Ilori-controlled center in New York City. All art, books and creative expression are illegal, but Ellie breaks the rules by keeping a secret library.When young Ilori commander Morris finds Ellie’s illegal library, he’s duty-bound to deliver her for execution. But Morris isn’t a typical Ilori…and Ellie and her books might be the key to a desperate rebellion of his own.“The Sound of Stars is a marvelous genre-bending debut." —The Nerd Daily“The Sound of Stars is a stunning exploration of the comforts that make us human and the horrors that challenge our humanity.”—K. Ancrum, author of The Wicker King "This book has everything! Aliens set on conquering earth! A determined heroine with a hidden stash of books! And the power of music and stories to give those with every reason to hate the power to love. Who could want anything more?"—Joelle Charbonneau, New York Times bestselling author of The Testing and Verify “An absolute must-read for everyone.” —Book Riot “Dow's debut is a testament to hope and the power of art.” —Buzzfeed Also by Alechia Dow:The Kindred

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One of Hyperallergic's Top Ten Art Books for 2021 Approximately 300 daily and weekly newspapers flourished in New York before the Civil War. A majority of these newspapers, even those that proclaimed independence of party, were motivated by political conviction and often local conflicts. Their editors and writers jockeyed for government office and influence. Political infighting and their related maneuvers dominated the popular press, and these political and economic agendas led in turn to exploitation of art and art exhibitions. Humbug traces the relationships, class animosities, gender biases, and racial projections that drove the terms of art criticism, from the emergence of the penny press to the Civil War. The inexpensive “penny” papers that appeared in the 1830s relied on advertising to survive. Sensational stories, satire, and breaking news were the key to selling papers on the streets. Coverage of local politicians, markets, crime, and personalities, including artists and art exhibitions, became the penny papers’ lifeblood. These cheap papers, though unquestionably part of the period’s expanding capitalist economy, offered socialists, working-class men, bohemians, and utopianists a forum in which they could propose new models for American art and society and tear down existing ones. Arguing that the politics of the antebellum press affected the meaning of American art in ways that have gone unrecognized, Humbug covers the changing politics and rhetoric of this criticism. Author Wendy Katz demonstrates how the penny press’s drive for a more egalitarian society affected the taste and values that shaped art, and how the politics of their art criticism changed under pressure from nativists, abolitionists, and expansionists. Chapters explore James Gordon Bennett’s New York Herald and its attack on aristocratic monopolies on art; the penny press’s attack on the American Art-Union, an influential corporation whose Board purchased artworks from living artists, exhibited them in a free gallery, and then distributed them in an annual five-dollar lottery; exposés of the fraudulent trade in Old Masters works; and the efforts of socialists, freethinkers, and bohemians to reject the authority of the past.

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This gemlike Ray Johnson book celebrates his friendship with writer and logophile William S. Wilson in pictures and words A New York Times critics' pick | Best Art Books 2020 Dubbed "Ray Johnson's Boswell," writer and logophile William S. Wilson was one of legendary artist Ray Johnson's closest friends and biggest champions. He was also perhaps Johnson’s most trusted poetic muse and synthesizer of referents and references. The influence was mutual: throughout their lifelong friendship, begun when both men were in their twenties, writer and artist challenged and enriched one another’s work. Published on the occasion of the exhibition of Ray Johnson works from Wilson's archive at the Art Institute of Chicago, Frog Pond Splash embodies the energy, expansiveness and motion of their work and their friendship. Editor Elizabeth Zuba has selected short, perspicacious texts by Wilson (from both published and unpublished writings) and collage works by Johnson to create juxtapositions that do not explicate or illustrate; rather, they form a loose collage-like letter of works and writings that are less bound than assembled, allowing the reader to put the pieces together, to respond, to add to and return to the way Johnson required of his correspondents and fellow travelers. Taking its title from Wilson's haiku equivalence of Johnson's process, Frog Pond Splash is a small book but many things: a collage-like homage to their friendship, a treasure chest of prismatic "correspondances," as well as an unusual portrait of the disappearing, fractured Johnson through Wilson's words. Zuba's nuanced selection and arrangement of images and texts in this sumptuous little volume honors Johnson's "open system" (which rejected closed and consistent meanings, codes and symbols) in its open, associative, and intimate playfulness.

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Step inside the revolutionary lives of the Impressionists, a book that combines the best elements of art books and travel guides for a totally new take on Impressionist Paris. This comprehensive guide combines an introduction to late19th-century art history with colour reproductions of famous Impressionist masterpieces, walking tours and detailed listings of the city's art-related sites. 'Art + Paris' creates a vivid portrait of life in the 19th century and brings the reader along for the ride through four sections: 1. A complete background course on Impressionism covering the dramatic lives of the artists and the group's struggle to be recognized by the establishment in comprehensive biographies and engaging essays recounting their battle with the Salon. 2. Illustrated listings of 150 must-see Impressionist paintings in Paris with the stories behind the art. 3. Easy-to-follow tours that bring the reader into the streets of Paris to explore the places where the artists lived, fell in love, found inspiration and placed their easels to paint these famous works. 4. An extended-travel journey through the French countryside, exploring Normandy and the quaint Paris suburbs where the artists learned to paint en plein air, out in the open air. Illustrated with hundreds of beautiful, full-colour photos and maps. Art + Paris is the most comprehensive guidebook to Impressionism for the armchair traveller, lovers of Paris, and educators alike. 'Art+Paris' includes: . 500 full colour paintings, 300 photos and 17 maps. . Expert-written artist biographies on Edouard Manet, Claude Monet, Pierre-Auguste Renoir, Paul Cezanne, Edgar Degas, Berthe Morisot, Gustave Caillebotte and Vincent van Gogh. . Highlights from 7 leading Paris museums including the Musee d'Orsay and the Louvre. . 11 guides to travel to important historical Impressionist in picturesque towns and villages in Normandy and beyond including Auvres-sur-Oise, Giverny, Rouen, Le Havre, Étretat, Hofleur and more. 200 photographs and maps

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One of Hyperallergic's Top Ten Art Books for 2021 Approximately 300 daily and weekly newspapers flourished in New York before the Civil War. A majority of these newspapers, even those that proclaimed independence of party, were motivated by political conviction and often local conflicts. Their editors and writers jockeyed for government office and influence. Political infighting and their related maneuvers dominated the popular press, and these political and economic agendas led in turn to exploitation of art and art exhibitions. Humbug traces the relationships, class animosities, gender biases, and racial projections that drove the terms of art criticism, from the emergence of the penny press to the Civil War. The inexpensive “penny” papers that appeared in the 1830s relied on advertising to survive. Sensational stories, satire, and breaking news were the key to selling papers on the streets. Coverage of local politicians, markets, crime, and personalities, including artists and art exhibitions, became the penny papers’ lifeblood. These cheap papers, though unquestionably part of the period’s expanding capitalist economy, offered socialists, working-class men, bohemians, and utopianists a forum in which they could propose new models for American art and society and tear down existing ones. Arguing that the politics of the antebellum press affected the meaning of American art in ways that have gone unrecognized, Humbug covers the changing politics and rhetoric of this criticism. Author Wendy Katz demonstrates how the penny press’s drive for a more egalitarian society affected the taste and values that shaped art, and how the politics of their art criticism changed under pressure from nativists, abolitionists, and expansionists. Chapters explore James Gordon Bennett’s New York Herald and its attack on aristocratic monopolies on art; the penny press’s attack on the American Art-Union, an influential corporation whose Board purchased artworks from living artists, exhibited them in a free gallery, and then distributed them in an annual five-dollar lottery; exposés of the fraudulent trade in Old Masters works; and the efforts of socialists, freethinkers, and bohemians to reject the authority of the past.

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A deserted Paris house holds the mystery of a brilliant Viennese modernist who worked alongside Le Corbusier and Adolf Loos before vanishing.Wyeth takes readers on a deeply personal and revelatory journey. This research process, which readers experience vicariously, makes Wyeth’s prose exhilarating as tiny details become breakthroughs of grand proportions. […] For late architect and painter Jean Welz, designs should reflect one’s aesthetic and political commitments. This narrative will resonate with anyone interested in the politics of architecture, or the pursuit of knowledge at large.—Hyperallergic "BEST ART BOOKS OF 2022"Welz’s having been “lost” is indeed a travesty of architectural history to which the book serves as a welcome antidote.—Artforum A leading painter still highly regarded in South Africa, Jean Welz's prior architectural career has been virtually unknown until a string of discoveries unfolded for author and filmmaker Peter Wyeth, allowing him to narrate this amazing true tale of genius. Trained in ultra-sophisticated, but conservative Vienna, Welz was sent to Paris for the 1925 Art Deco exhibition by his influential employer, renowned architect Josef Hoffmann. There he met preeminent modern architects Le Corbusier and Adolf Loos. The latter employed him to assist in building a house for the founder of Dada, Tristan Tzara. They all mixed in avant-garde circles at the Dôme Café in Montparnasse along with Welz’s classmate from Vienna, later Chicago-based architect Gabriel Guevrekian; Welz’s future employer Raymond Fischer, whose archive was mostly destroyed by Nazis; and photographer André Kertész. Through Welz’s South African family archive, author Wyeth retrieves stories, letters, portfolios, and photographs generations after Welz’s death that unravel his heroic designs, his stunning built critique of Corbusier’s “Five Points of Architecture,” a gravestone for Marx’s daughter, and the many ways that Welz disappeared amongst his collaborators, intentionally and not. This account of why Jean Welz did not become a famous name in architecture takes us through his brother’s Nazi-art-dealings, illness, betrayal, emigration, and an uncompromising artist’s vision at the same time sifting through significant, literally-concrete evidence of Welz’s built projects and visionary designs.

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THE SUNDAY TIMES ART BOOK OF THE YEAR A Sunday Times Best Paperback of 2022 Christie's Best Art Books of the Year 'Deft and richly detailed ... rescues the artist from John Bull caricature' - Michael Prodger, Sunday Times 'Marvellous ... a vivid and compelling reconstruction of the settings of Hogarth's life and artistic achievements, and of the nature of the man' - Professor Linda Colley, author of The Gun, the Ship, and the Pen 'Full of richness, originality and considered humour, unafraid to shock with thrilling new insight ... terrific' - Dr Gus Casely-Hayford, Director of V&A Stratford & Sky Arts 'The full technicolour panorama of Georgian life laid out in a huge and passionate book' - Lucy Worsley, Chief Curator at Historic Royal Palaces and author of Courtiers: The Secret History of the Georgian Court On a late spring night in 1732, a boisterous group of friends set out from their local pub. They are beginning a journey, a 'peregrination' that will take them through the gritty streets of Georgian London and along the River Thames as far as the Isle of Sheppey. And among them is an up-and-coming engraver and painter, just beginning to make a name for himself: William Hogarth. Hogarth's vision, to a vast degree, still defines the eighteenth century. In this, the first biography for over twenty years, Jacqueline Riding brings him to vivid life, immersing us in the world he inhabited and from which he drew inspiration. At the same time, she introduces us to an artist who was far bolder and more various than we give him credit for: an ambitious self-made man, a devoted husband, a sensitive portraitist, an unmatched storyteller, philanthropist, technical innovator and author of a seminal work of art theory. Following in his own footsteps from humble beginnings to professional triumph (and occasional disaster), Hogarth illuminates the work and life of a great artist who embraced the highest principles even while charting humanity's lowest vices.

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