Search results for ""alma books ltd""

Finding himself locked in his room for six weeks, a young officer journeys around his room in his imagination, using the various objects it contains as inspiration for a delightful parody of contemporary travel-writing and an exercise in Sternean picaresque, and humorously demonstrating what one can explore without having set off to exotic locations. Accompanied in this volume by its equally superb sequel, ‘Nocturnal Expedition around my Room’, in which a similar voyage is made at night several years later, ‘A Journey around My Room’ is a masterly and innovative piece of writing, which was immensely popular in its time and would later influence Victor Hugo and Marcel Proust, among others.

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In a series of nine letters, the narrator tells his friend how he introduced Vera Nikolayevna, a married woman who had been forbidden as a child to read fiction and poetry, to the intellectual pleasures of Goethe's masterpiece. Opening up in front of Vera's eyes is not only the realm of imagination, but also a world of unbridled feelings and tempestuous passions, which can only shatter the comfort and safety of her existence and force her to set off on a journey of spiritual awakening.

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Alexander Pope was, at one time, the world’s most celebrated poet. His trenchant satirical works – in which the foibles of all the critics, hacks and bad poets of his day are exploded – and his masterful heroi-comic poem The Rape of the Lock continue to inspire generations of writers and readers to this day. Alongside his more prominent poetical production, Pope engaged with some of the sharpest wits of his era – including Jonathan Swift and John Gay, the author of The Beggar’s Opera – in writing a number of satirical prose works, of which Scriblerus is perhaps the greatest achievement. As he prepares to become father for the fi rst time, the scholar Cornelius is determined to settle on nothing less than a child of the “learned sex” – a boy – and give him the most thorough education so that he can become the greatest critic who ever lived. An account of the birth, the infancy, the schooling, the diet-planning, the unconventional love affairs and the attainments of this child prodigy,The Memoirs of Martinus Scriblerus is surely the funniest imaginary biography ever written.

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At a train station on her way to meet her friends Marie and Leo to recover her pet rock, Madame Charlotte accidentally picks up the Prime Minister’s elephant-hide bag instead of her own. As it contains important documents and the politician is due to make an important speech on children’s education, Miss Charlotte – hoping that she might get a ministerial job out of this – embarks on a quest to track him down. Along the way, Miss Charlotte cannot help making speeches on behalf of the country’s leader and putting her own original twist on his boring children’s policy, while attracting at the same time the attentions of the media and the secret service.

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A new middle-grade sci-fi novel from the author of SIX, Slick is a fresh, funny and heargelt story about what it means to be human. Longlisted for the 2020 UKLA Book Award Eric Young is the first child android to be trialled in society, but he doesn't know that. He does know that he's just moved to Ashland from London, so it's important that he makes new friends. Not just any friends, but the right kind - the kind that would be interested in skateboarding and the new Slick trainers his Uncle Martin sends him. He's already growing his social media presence, but he knows it's important to make friends in the real world too. Danny Lazio doesn't have any friends, but he doesn't care about that. He would rather not be friends with someone like Eric, who's had seemingly everything handed to him. But when Eric takes an interest in Land X, Danny's favourite game, Danny thinks he might have found a real friend... if he can figure out the mystery behind Eric's sudden disappearances and strange lifestyle. As their friendship grows, it becomes harder to ignore the weird events that happen around Eric, from weekly "dentist" appointments to inexplicable medical mishaps. But uncovering the truth is an act that might cost them both, as powerful forces soon move in around them.

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Available for the first time in an English translation, this selection gives non-Francophone readers the chance to encounter the many incarnations of renowned Belgian painter René Magritte – the artist, the man, the aspiring noirist, the fire-breathing theorist – in his own words. Through whimsical personal letters, biting apologia, appreciations of fellow artists, pugnacious interviews, farcical film scripts, prose poems, manifestos and much more, a new Magritte emerges: part Surrealist, part literalist, part celebrity, part rascal. While this book is bound to appeal to admirers of Magritte’s art and those who are curious about his personal life, there is also much to delight all readers interested in the history and theory of art, philosophy and politics, as well as lovers of creativity and the inner workings of a probing, inquisitive mind unrestricted by genre, medium or fashion.

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Miss Charlotte – the new coach of a children’s football team – has some odd methods to prepare them for the big match, including talking to the ball and drinking a special potion, smalalamiam. Also, she teaches them how to lose! And to have fun. Incredibly, it seems to work – but will their hopes of victory be dashed when their star player decides to join the other team? The latest instalment in Dominique Demers’s popular Adventures of Miss Charlotte series, The New Football Coach, brilliantly illustrated by Tony Ross, is a marvellous tale about believing in yourself and beating the odds.

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When the mysterious and eccentric Miss Charlotte arrives in the village of Saint-Anatole to take over the tiny library, the locals are surprised to find out that she does things differently. Wearing a long blue dress and a giant hat, she takes her books out for a walk in a wheelbarrow and shows the children that reading can be fun and useful. Sometimes she is so caught up in the magic of the stories she shares with her audience that she forgets all sense of reality – so much so that one day she loses consciousness and the children must find a way to bring her back. The second in Dominique Demers’s popular The Adventures of Miss Charlotte series, The Mysterious Librarian, brilliantly illustrated by Tony Ross, is a wonderful story about the magical and inspiring power of books.

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Rebelde the snail can’t stop asking his fellow molluscs awkward questions, starting with: why are we so slow? When he is finally banished from the snail community because of this, he is forced to travel the world alone. As he explores in his slow snail-like way, Rebelde makes new friends and goes on plenty of adventures, gaining wisdom from every new encounter. But when he finds out his friends are in danger, he decides to rush home to warn them. Will he get there in time to save them? Luis Sepúlveda’s bestselling The Story of a Snail Who Discovered the Importance of Being Slow is a wonderful ode to diversity and unity, celebrating the importance of being slow in a world obsessed with speed.

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All children dream of having a secret house where they can live on their own, far from any rules and regulations. But not all of them are as lucky as Aglaia, who lives at the top of a magical tree together with her friend Bianca and an incredible host of flying dogs, talking cats, carnivorous flowers and children who speak in verse.Inventively illustrated by Quentin Blake, Aglaia's adventures - and her battles with the gruff Signor Brullo and the woodmen who want to cut down the tree - are sure to enchant and inspire the imagination of every child.

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England, 31st August 1939: the world is on the brink of war. As Hitler prepares to invade Poland, thousands of children are evacuated from London to escape the impending Blitz. Torn from her mother, eight-year-old Anna Sands is relocated with other children to a large Yorkshire estate which has been opened up to evacuees by Thomas and Elizabeth Ashton, an enigmatic childless couple. Soon Anna gets drawn into their unravelling relationship, seeing things that are not meant for her eyes – and finding herself part-witness and part-accomplice to a love affair, with unforeseen consequences. A story of love, loss and complicated loyalties, combining a sweeping narrative with subtle psychological observation, The Very Thought of You is a haunting and memorable debut.

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Shortlisted for the Essex Book Awards and Stockton Children’s Book of the Year Award When Parker Banks moves with his family from London to New York, he struggles to adapt to his new school and environment. His scientist dad is constantly at work on a top-secret technological venture for a major corporation, when one day he is kidnapped. It is up to Parker, along with his deaf sister Emma, their friend Michael and the pet pig their father left behind, to find and rescue him. They have at their disposal the E.F.E. device that their dad has invented to allow the family members to communicate with one another through telepathy. As their search progresses, it becomes clear that Six, the project that Parker's father has been involved in against his will, is a sinister enterprise that poses a threat not only to the Banks family, but to the world at large.

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An enchanting book set in a world where the odd is the ordinary, evil has many faces and love is the most powerful magic of them all. Twelve-year-old Grubb lives a hand-to-mouth existence in Victorian England, working as a chimney sweep under a cruel master. After an incident at an inn, he hides in the trunk of one of its guests, the enigmatic Alistair Grim, and is whisked away to his Odditorium, a wonderful flying house full of incredible mechanical features powered by an enigmatic substance called animus. Now apprenticed to Grim, Grubb begins to settle into his new life and find a new family in the eccentric crew of the Odditorium, when suddenly his new world comes under attack by the evil Prince Nightshade and he is propelled into a perilous quest. As he gets caught up in the struggle, Grubb will learn valuable lessons and discover remarkable secrets about himself and his new host.

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Supermarket checkout girl Tracy Pringle has a very lively imagination indeed. In front of her, as she blip-blips herself into a daydream, walk past not boring housewives with screaming children or tired office clerks, but the likes of Lord Byron, Lawrence of Arabia and Princess Leia. It comes as no surprise, then, that she turns a blind eye when Her Majesty herself pops a packet of Mr Kipling’s Bakewell tarts into her handbag without paying. Obviously, the management sees it differently, and Tracy is given the sack on the spot and forced to find herself another job. But nothing can prepare her for the new life that awaits her at the Taste of Persia restaurant, where she is flung headlong into a clash of cultures, languages, dinner plates, religions and a rather tricky domestic arrangement...

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Now a motion picture starring Andy Serkis and Thomas Brodie-Sangster Donald Delpe is a troubled teenager. Not only is he a ‘terrible teen’ by default, as obsessed with sex, music, videogames and drugs as the rest of his gang, but he is also suffering from a life-threatening form of leukaemia, which makes him an even more difficult boy, both for his parents and his teachers. Escaping into his own comic-book realm of immortal superheroes, ruthless villains and sex-crazed vamps, he repeatedly dashes his family’s hopes by refusing to fight the battles facing him in the real world. As famous psychologist Dr King is brought in to help, a glimmer of hope is rekindled. But will the doctor break the rules, betray the parents’ trust and risk everything to help Donald achieve his greatest wish? Or will Donald be the one to save the doctor? Inspired by real events, Death of a Superhero is a brilliantly original fusion of novel, comic book and film script; a celebration of the transience of life, the eternal difficulty of love and a hilarious riff on our 21st-century infatuation with movies and the superhero solution.

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The poetry of Eluard is that of the real world and its natural sensations and feelings. The main themes that stand out are love, brotherhood and kindness. His imagery is characterized by its appeal to the senses and the importance of concrete objects and of everyday things. In these translations by Gilbert Bowen, the best work of Paul Eluard, perhaps the most popular of twentieth century French poets, has been collected in a bilingual edition. This edition contains a representative selection of poems from different periods and different aspects of his vast output.

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Europe after the Rain takes its title from Max Ernst’s surrealist work, which depicts a vision of rampant destruction – a theme which Burns here takes to its conclusion, showing man not merely trying to come to terms with desolation, but combating human cruelty with that resilience of spirit without which survival would be impossible. The Europe through which the unnamed narrator travels is a devastated world, twisted and misshapen, both geographically and morally, and he is forced to witness terrible sights, to which he brings an interested apathy, without ever succumbing to despair or cynicism. Upon the novel’s first publication, Burns was heralded as presenting a picture of his age and capturing the ‘collective unconscious’ of the twentieth century – in a language that can have few rivals for economy, beauty and rhythm. His austere sentences glow with intelligence, colour and force, and evoke a powerful image for the modern reader of fears every bit as relevant today as on the day when they were written.

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Following a disjointed, vision-like structure, The Blind Owl is the nightmarish exploration of the psyche of a madman. The narrator is an ailing, solitary misanthrope who suffers from hallucinations, and his dreamlike tale is layered, circular, driven by its own demented logic, and punctuated with macabre and surreal episodes such as the discovery of a mutilated corpse, and a bizarre competition in which two men are locked in a dungeon-like room with a cobra. Initially banned in the author’s native Iran, the novel first appeared in Tehran in 1941 and became a bestseller. Full of powerful symbolism and terrifying imagery, this dark novella is Hedayat’s masterpiece.

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Written in America while Trocchi was working on a scow on the Hudson River, Cain's Book is an extraordinary autobiographical account about a junky's life, and an honest, raunchy, eye-opening trip through hell. Probably the most famous novel about drug addiction and the hazards and excitements of an addict's life after Burrough's Naked Lunch, this modern classic - which was prosecuted in Britain for obscenity in 1965 - still shocks in its frankness and is relevant to this day.

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According to many experts, China is already the largest economy on the planet – yet its relations with the rest of the world have deteriorated in recent years, and are now at an all-time low. Is this a passing phase caused by the shockwaves of the Covid pandemic and the personalities of leaders in China and in the USA, or are the current divergencies going to become wider and more entrenched, as China grows economically and develops technological leadership? Can the West learn from its past mistakes and engage successfully with China on many common interests, or are we on the verge of a new Cold War? In The Chinese Conundrum, Vince Cable – author of the the Sunday Times number-one bestseller The Storm: The World Economic Crisis and What it Means – provides an answer to these and many other topical questions of global politics and economy, examining the long history of relationships between China and the West, as well as the change in attitudes on both sides of the divide, with a particular focus on the possible repercussions of the recent election of Joe Biden as president of the United States. The result is a gripping, insightful and accessible investigation into the intricacies of today’s economic and geopolitical situation.

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When shop-owner Julia Segovia decides that she’s going to marry the handsome if exceedingly young and naive soldier Valentin Brû, he willingly goes along with her scheme. Little does he know that he will have to contend with disgruntled in-laws, eccentric locals, a cunning wife, a shifty career in fortune-telling, the approaching threat of war with Germany and the mysteries of Parisian public transport. With a cast of eccentric characters, amusing incidents and an uplifting tone, The Sunday of Life – its title playfully alluding to Hegel’s theory of history – is a scintillating novel which showcases Queneau’s trademark punning, sly wit and delight in the absurdity of people and situations.

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The local landowner Van Cheele experiences an unnerving encounter with a youth sunning himself near a pond, and starts to wonder if there is any connection between this wild-looking boy and the recent disappearances of poultry, hares, lambs and, more alarmingly, an infant child in the area. To his astonishment, he discovers the next day that his aunt has decided to take the boy in, buying him a suit of clothes and naming him Gabriel-Ernest. Van Cheele remains suspicious, especially when it is revealed that there is something supernatural about their new ward...

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Although he is now mostly remembered as a novelist, it is as a poet and a translator of poetry that Sándor Márai - the acclaimed author of 'Embers' and 'Conversations in Bolzano' - first made his name in the literary world. This collection, the first and only edition of Márai's poems in the English language - here presented in John M. Rudland's and Peter V. Czipott's brilliant verse translation - offers a comprehensive selection spanning the author's whole career and exemplifying his mastery of what he considered to be the highest form of literary expression.

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The Beatles’ hair changed the world. As their increasingly wild, untamed manes grew, to the horror of parents everywhere, they set off a cultural revolution as the most tangible symbol of the Sixties’ psychedelic dream of peace, love and playful rebellion. In the midst of this epochal change was Leslie Cavendish, hairdresser to the Beatles and some of the greatest stars of the music and entertainment industry. But just how did a fifteen-year-old Jewish school dropout from an undistinguished North London suburb, with no particular artistic talent or show­business connections, end up literally at the cutting edge of Sixties’ fashion in just four years? His story – honest, always entertaining and inspiring – parallels the meteoric rise of the Beatles themselves, and is no less astounding.

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Jim Talbot, a writer with a dozen unpublished novels under his belt, has been roundly rejected by every agent and publisher in the land, and is willing to go to extreme lengths to make his dream of literary stardom come true. Charles Randall, the eccentric founder and managing director of Tetragon Press, a small independent publisher that has managed to survive for thirty years in a fierce environment dominated by corporate juggernauts, is about to be brutally sacked by a newly appointed business consultant. In the cut-throat world of modern publishing, Charles and Jim’s paths towards literary salvation are fraught with the most unpredictable dangers. A novel of intrigue, deceit and sheer desperation, Bestseller is a caustic portrait of contemporary culture and of Britain’s obsession with fame, success and becoming the next J.K. Rowling.

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"These five plays provide an excellent introduction to Kaiser’s vision of the regeneration of man, which he illustrated in his works by a total paring down of detail, penetrating to the core of the matter and revealing man’s true potential. In From Morning to Midnight the cashier, downtrodden victim of the capitalist system, turns bank robber in order to test the power, freedom and happiness that money can bring. His grand gesture of setting himself and others free turns into an odyssey of disillusion and ends in his violent death. The unique stage technique employed by Kaiser is as challenging today as it was when the play was first performed. The Burghers of Calais has always been considered Kaiser’s greatest play and the “classic” of Expressionist drama. In it, Kaiser exploits the non-naturalistic technique of Expressionism. The play embraces vast expansiveness and total concentration, stylized gesture and lengthy monologues."

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Babel, Alan Burns’s fourth critically acclaimed novel, contains all the hallmarks of the aleatoric style he helped to define – shot through with seemingly random newspaper headlines, poems, snatches of conversation and anecdote, which both heighten and undermine meaning, and characterized by extreme contrasts of mood and style and startling surrealist juxtapositions of images and ideas. By turns comic and tragic, tender and brutal, religious and blasphemous, the narrative rockets from London to the United States to Vietnam to interstellar space, familiar events are constantly fragmented and reset into new patterns, and ultimately Babel becomes a cautionary tale about the tragedy arising from attempting to build Utopia.

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Set on a canal linking Glasgow and Edinburgh, Young Adam is the masterly literary debut by one of the most important British post-war novelists. Trocchi’s narrator is an outsider, a drifter working for the skipper of a barge. Together they discover a young woman’s corpse floating in the canal, and tensions increase further in cramped confines with the narrator’s highly charged seduction of the skipper’s wife. Conventional morality and the objective meaning of events are stripped away in a work that proves compulsively readable.

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Stravinsky’s genius for the stage is here represented by two very different works. Oedipus Rex (1927) is the fruit of a collaboration with Jean Cocteau, in which the Sophocles tragedy is pared down to make an opera-oratorio of overwhelming impact. Judith Weir analyses how this is achieved: the Latin text has an immediacy which is sometimes even comic, and the vibrant rhythms are reminiscent of the Italian operatic tradition – explored by David Nice in his analysis of the score. The libretto of The Rake’s Progress (1951) by W.H. Auden and Chester Kallman is one of the greatest English opera texts. In a survey of the composition period, Roger Savage examines the contributions of the different collaborators. Contents: The Person of Fate and the Fate of the Person: ‘Oedipus Rex’, David Nice; ‘Oedipus Rex’: A Personal View, Judith Weir; On an Oratorio, Jean Cocteau; Oedipus Rex: Libretto by Jean Cocteau, translated into Latin by Jean Daniélou; Oedipus Rex: English translation of the narration by e. e. cummings and of the Latin text by Deryck Cooke; Making a Libretto: Three Collaborations over ‘The Rake’s Progress’, Roger Savage; The New and the Classical in ‘The Rake’s Progress’, Brian Trowell; The Rake’s Progress: Libretto by W.H. Auden and Chester Kallman

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What can explain Wagner's obsession with Tannhauser, an opera which he first conceived in 1845 and still considered unfinished at his death in 1883? The subject is the struggle of a man torn between erotic love and spiritual fulfilment, between worlds of liberation and of sterile order. It contains the kernels of all his later works: man's need for love and artistic satisfaction, his desire for an existence beyond death, the operation of memory and the nature of madness. The essays in this volume examine the medieval legends which Wagner chose to weave into his text, and their significance for him. Carolyn Abbate also considers the effect of his many revisions upon the score, pointing out that the initial idea already involved a contrast of musical language to focus the conflict. As Wagner remained unsatisfied with the work, it provokes constant reassessment.

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Rossini is one of the great operatic composers and a major innovator in the field of serious and comic operas. Moise et Pharaon is a score which he revised for Paris ten years after it had been composed for Naples; the result shows the evolution of his dramatic taste over a crucial decade - from the neo-classical sublime to spectacular Romantic grand opera. Il barbiere di Siviglia has been a consistent favourite with the public and performers since it opened, and Marco Spada analyses how its stylish comedy has been misunderstood. Other essays throw light on the working conditions of the 'opera industry' in Rossini's Italy, on Balzac's delightful novel concerning Moise and on the exceptional challenge of performing this type of music to a high standard.

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Wagner wanted Siegfried, the third music drama in The Ring of the Nibelung, to be the most popular of the cycle. Despite its many beautiful and dramatic scenes, it has not fulfilled its composer’s aspiration: Professor Ulrich Weisstein examines why. Professor Anthony Newcomb contributes a detailed analysis of Wagner’s leitmotifs and the different purposes they fulfil. Derrick Puffett discusses how Wagner composed Tristan und Isolde and Die Meistersinger von Nu¨rnberg in the eight-year hiatus between his beginning and completion of Siegfried’s second act. The thematic guide complements those found in the other Opera Guides to The Ring Cycle. Contents: Educating Siegfried, Ulrich Weisstein; ‘Siegfried’: The Music, Anthony Newcomb; ‘Siegfried’ in the Context of Wagner’s Operatic Writing, Derrick Puffett; Siegfried: Poem by Richard Wagner; Siegfried: English translation by Andrew Porter

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The story of Manon Lescaut has become part of the European imagination: she is the fun-loving woman who is irresistible to men. Of Massenet’s many operas, she inspired the most popular one, and this libretto shows his minute attention to detail in bringing the character and the period to life. This guide opens with a general survey of Massenet’s career by the musicologist Gérard Condé, and includes two essays about this particular opera. Professor Hugh Macdonald explores the interplay of speech and song in Manon and Massenet’s genius for comedy. Professor Vivienne Mylne traces the sources and context of Prévost’s novel. Contents: Massenet, Gerard Conde; A Musical Synopsis, Hugh Macdonald; Prevost and ‘Manon Lescaut’, Vivienne Mylne; Manon: Libretto by Henri Meilhac and Philippe Gille; Manon: English version by Edmund Tracey

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This famous opera has had a chequered performance history, and Professor Laurel E. Fay, in an illuminating musical analysis, points out that the interpretation of the opera depends very much on which edition is used. Robert Oldani introduces the 'Boris problem': Pushkin's play was not an obvious choice for a young composer, since it had been banned from performance for forty years, and it is the Russian people, rather than any single character, who is the protagonist. Mussorgsky forged his own text and created a legendary masterwork; Alex de Jonge examines its uniquely Russian character and notes the unsettling parallels of the history of old Russia with today. Nigel Osborne's comparison of the Rimsky-Korsakov and Mussorgsky versions highlights their individual qualities.

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Winton Dean relates how Otello came into being as much because of the persistence of Verdi’s publisher as of the composer’s lifelong passion for Shakespeare, and the collaboration of the brilliant poet Arrigo Boito. Benedict Sarnaker argues that this magnificent large-scale opera rivals Shakespeare in intensity and profundity. William Weaver’s lively review of Shakespeare on the Italian stage in the last century enables us to make a wholly fresh appraisal of Verdi’s stature as a dramatist. The libretto itself is a masterpiece, and Andrew Porter has also translated the third-act revision which Verdi came to prefer and which has not been performed outside France before the 1981 ENO production. Contents: ‘Otello’: The Background, Winton Dean; ‘Otello’: Drama and Music Benedict Sarnaker; Verdi, Shakespeare and the Italian Audience, William Weaver; Otello: Libretto by Arrigo Boito; Otello: English Translation by Andrew Porter

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In these vivid and anecdotal memoirs, Giulio Gatti-Casazza, one of the twentieth century’s most successful impresarios, tells of his long reign in two of the world’s most famous opera houses: a decade at La Scala in Milan, followed by twenty-seven years at the Metropolitan Opera in New York. With an inimitable tone, Gatti relates an astonishing wealth of history, including an impressive cast of personal friends numbering Verdi, Puccini, Debussy and many more. Gatti’s memoirs are totally unimpeded either by time or by their sheer content, recollecting in extraordinary detail his earliest musical experiences that led to a lifelong inspiration. Most remarkable is Gatti’s never-failing self-awareness, always appreciative of his role in cultural history, but never boastful of his talents. He commits his memories of opera’s golden age to paper, he says, only for posterity – and they serve posterity well.

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Renowned for its versatility, the piano has played a major role both in musical development and in the shaping of public taste. Throughout its history it has always remained at the centre of the music scene as the composer’s tool, the virtuoso’s partner and the accompanist’s mainstay. Style in Piano Playing is a book not only about the piano, its uses and performers, but also about the music written for the piano. In it, the author shows how the great pianists of the past built their programmes, tells of how they were received and takes a critical look at the history of musical taste.

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This is the revised edition of April FitzLyon’s celebrated biography of Mozart’s librettist, who provided the brilliant, witty texts for The Marriage of Figaro, Don Giovanni and Così fan tutte. Born a Jew in the Republic of Venice, Da Ponte became a Christian before involving himself in political and amorous intrigue and having to flee, like his friend Casanova, to Vienna, pursued by both the Inquisition and jealous husbands. As court poet to Joseph II he succeeded Metastasio and worked with many composers, until his escapades forced him to move on to London, where he managed the Theatre Royal, Haymarket. After a series of financial disasters, he moved to New York, where he worked several jobs before becoming a professor at Columbia. He helped to introduce Italian opera to the USA and in old age wrote his notoriously unreliable memoirs. This fascinating portrait provides a colourful picture of eighteenth- and nineteenth-century life in four capitals, combining musical and literary history with an account of the social life of the period.

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Happily engaged to the poet Amandus, Fräulein Anna is horrified to discover that a beautiful ring, mysteriously deposited upon her finger whilst tending her kitchen garden, forces her into marriage with the gnome Corduanspitz. Can Anna find any way of removing the ring? Will her poet lover shake off his passive demeanour and come to her aid? And has Corduanspitz truly relinquished all ties to his gnome heritage?Around a love story very much of its time, Hoffman arranges a narrative that brings to mind the most successful elements of contemporary magical realism and surreal comedy. Always entertaining, yet capable of a focused though subtle morality, The King's Bride brings disparate elements into a masterful harmony.

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Unsuccessful in his endeavours, the young and naive Peter Schlemihl seals a pact with the Devil in which he exchanges his shadow for the purse of Fortunatus, thereby gaining everlasting riches. But when he is ridiculed, persecuted and hated for being different from other men, he realizes that poverty is easier to bear than the loss of his peace of mind.Originally written as a cautionary tale for the children of Chamisso's patron, Peter Schlemihl was hailed by contemporaries as a masterpiece with a wide adult appeal, and continues to capture imaginations today.

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A master of many literary genres, Arthur Conan Doyle excelled particularly in the short-story form, and was acclaimed in his day as much for his detective stories as for his thrilling tales of mystery and the supernatural. While the adventures of Sherlock Holmes have become part of our collective imagination, these stories - concerned with ghosts, obscure scientific experiments and other unexplained phenomena - are now unjustly neglected.

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A mysterious murder near Esher, a gruesome delivery of two human ears packed in coarse salt, the disappearance of secret submarine plans, the sudden descent into madness of two brothers – these are only some of the apparently unsolvable cases contained in this volume, which the great sleuth, assisted by his trusted friend Doctor Watson, is challenged to clear up with the aid of his sagacity and unrivalled analytical skills. Published a quarter of a century after the first book of Holmes adventures, and including the famous titular story His Last Bow: An Epilogue of Sherlock Holmes, this collection shows the detective’s powers of deduction at their most dazzling, proving that Conan Doyle’s ability to entertain and surprise remains undiminished.

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Dora, Oswald, Dicky, Alice, Noel and Horace Octavius (“H.O.”) Bastable are desperate to help their widowed father to restore the family’s fortunes after his business fails. Their moneymaking schemes, from digging for treasure in their South-London garden to becoming highwaymen on Blackheath, mainly lead to a good deal of trouble, until one adventure promises to change everything…

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Old Arkhip sits every day by the roots of a wizened, hunchbacked willow, fishing and exchanging whispered stories with the ancient tree. One of these takes Arkhip three decades back in time, to a quiet day in early spring when a strange encounter shook him momentarily from the rural bliss in which he lived, catapulting him into a world of crime, corruption, violence and murder.A quintessential example of Chekhov''s artistry, ''The Willow'' is here accompanied by thirty-two other short stories some of them never or rarely translated into English which are representative of the three main phases of the author''s career: the short, light-hearted pieces of the late 1880s, the darker, more pessimistic tales of his maturity and the psychologically nuanced stories he wrote towards the end of his life. Taken together, this collection is further proof of Chekhov''s unparalleled skills as a practitioner of the short-story genre.

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