Search results for ""University of Wales Press""

Hans-Ulrich Treichel has enjoyed a meteoric rise to fame since the publication of his first novel "Der Verlorene" in 1998. This volume follows the series pattern, aiming to provide an introduction to Hans-Ulrich Treichel and to offer a critical approach to his work.

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This brand new dictionary, containing some 12,000 Welsh and English idiomatic phrases, is sure to be of interest to both Welsh speakers and learners. The phrases included range from those which are true idioms in both languages and cannot be translated literally - such as chwerthin yn ei dwrn: to laugh up her sleeve - to those where only the use of a preposition is different or peculiar - such as amneidio ar rywun: to beckon to somone. Many of the other phrases contain a peculiarity of vocabulary, word order or tense, which means that they cannot be translated word for word. This is a dictionary which will allow you to look up such diverse Welsh phrases as achub y blaen arnyn nhw, blwyddyn gron, corff yr eglwys, dan ei sang, elwa ar ..., Gorau oll!, mewn bri, siarad fel pwll y mor or wedi chwythu ei phlwc; or to see how to translate such English idioms as all and sundry, cat's whiskers, get a fair crack of the whip, in the nick of time, Mum's the word!, on the off chance, stick out like a sore thumb or throw down the gauntlet. An important aim of this dictionary is to help those learning Welsh to make the difficult transition from idiomatic usage in English to idiomatic usage in Welsh, and it will very quickly earn its place as an invaluable tool in that learning process. However, there is little doubt that it will be of great value to many whose first language is Welsh and to those who are studying in universities, colleges and Welsh-medium schools.

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This work considers the extent to which Wales has develped its own educational agenda in a range of areas from primary school to higher education. The limitations of this autonomy in relation to London are also examined.

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A team of distinguished authors highlight and evoke the genius of Welsh football stars and place them in the context of the changing pattern of the game in Britain and internationally.

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A valuable and useful reference book on the subject of the Welsh novel, being a collection of 7 comprehensive articles on the genre, short reviews of 15 texts encompassing the 20th century and 4 interviews with modern novelists, by 15 contributors, together with the editor's perceptive introduction.

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An entertaining portrait of Cardiganshire historian Thomas Richards (1878-1962), a strict librarian and literary critic, lecturer and lively broadcaster on diverse topics. 17 black-and-white photographs.

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A collection of writings from the time of Queen Elizabeth I and the Stuarts, by Catholics who refused to attend Protestant services. They discuss many aspects of Catholic devotions and dogma and give an illuminating insight into their lives and times under hardship and repression.

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Alexander Cordell was born into a military family in Ceylon and spent much of his youth in the Far East. He worked his way up through the ranks fo the British Army to become a major. To many, he must have seemed the quintessential Englishman, and yet his natural sympathies lay increasingly in Wales, where he came to be adored by the reading public. Indeed, his bestselling novels made Wales known throughout the world. His socialist views were also reflected in the subject matter of the more than twenty books that he wrote. Many of his novels are about Wales and include the immensely popular 'Rape of the Fair Country', 'The Hosts of Rebecca' and 'Song of the Earth'. These are novels which relate evocative tales against the backdrop of early industrial Wales and which succeed both in engaging readers emotionally and in increasing their awareness of the past. This is the first biogrpahy of Alexander Cordell. It is written with energy and imagination by Mike Buckingham and Richard Frame, both of whom were close friends of Cordell. The book is based on Cordell's personal papers and on records of conversations with him. It offers a unique opportunity to look into the life of the man behind the books.

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A thorough and valuable study of the role of the woman in Welsh history by means of medieval literary and visual evidence, providing an insight into the attitudes of Welsh society towards female purity and sanctity, and the social, religious, literary and cultural ideas of the age. 9 black-and-white and 11 colour plates.

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King Alfred School in north London was founded in 1898 by a group of Hampstead radicals in an age of educational experiment and innovation. Whereas many educational ventures of that era set up by small groups of idealists soon floundered or quickly lost their crusading zeal, King Alfred School has developed over the last century with its original ideals largely unchanged and its enthusiasm for its distinctive form of education undiminished. This centenary history of a particularly interesting progressive school will appeal to a much wider circle than that of the school's old students. It is a major contribution to the history of progressive education in Britain which in turn is set in the context of a wider educational, social and political history. The study is based on a wide range of sources and is informed by the author's extensive knowledge of the history of education in the twentieth century, a field in which he has published widely.

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This collection of 14 essays provides a fascinating and wide-ranging survey of major writers of fiction from Portugal, Brazil and Lusophone Africa. The book brings together a substantial body of work on the Lusophone novel by scholars working in Great Britain, Portugal and Brazil. It discusses the relationship between autobiography and fiction in the work of the Portuguese writer Camilo, the connection between narration and nation-building in the Angolan novels of Pepetela and popular culture in the novels of Brazilian writer Jorge Amado. The focus of the book is particularly appropriate for a collection of essays on the distinguished Portuguese writer, Alexandre Pinheiro Torres, poet, essayist and above all novelist, who is widely recognized as one of the most important living Portuguese authors.

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Uwe Timm belongs to the generation of writers whose early careers were shaped by personal experience of the student movement in the Federal Republic of the late 1960s. Heiser Sommer, Timm's first novel, deals directly with such individual experience of the protests and with a sense of disillusionment which followed. The author's subsequent novels have, among many other topics, focused on the issues of colonialism and the environment, while his shorter prose works give literary expression to his personal 'Asthetik des Alltags'. Uwe Timm follows the pattern of earlier volumes in the Contemporary German Writers series. It opens with a previously unpublished prose piece by Timm, followed by an interview that the author gave during his visit to the Centre for Contemporary German Literature at University Wales Swansea. Subsequent critical essays focus on the main areas of Timm's work, including the student novels (Heiser Sommer and Kerbels Flucht), anthropological elements in Timm's work, and an assessment of his shorter prose work in the light of the essays on literary technique contained in Erzahlen und kein Ende. The volume concludes with a full bibliography of primary and secondary material.

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This full length study provides a basic account of the rationale and content of victimization surveys; it examines the value of crime/victim surveys and deals with the shortcomings of official statistics gathered by the police. Unlike police figures, victimization surveys are able to study the effects of crime and the social variables which are associated with a high risk of victimization. Crime patterns, repoorting trends, the use and abuse of statistics, attitudes towards the police, fear of crime, and lessons for crime prevention are all examined within this text. Both nationwide and regional surveys are analysed.

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This collection of essays focuses primarily on the narrative voice in French fiction from the mid-19th century to the present, from Balzac through Zola and Proust to the "nouveau roman".

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This collection of research explores the relationship between the Conservative party and British society since 1880 by focusing on the key themes of ideology, national identity, gender and policy. The focus of the text is not so much on the Conservative party as an institution, as on the party's wider significance in British political culture. It seeks to explain the Conservatives extraordinary electoral success in this period and asserts that this success was both problematic and historically contingent. Part one of this study addresses the question of conservative ideology; part two analyzes the role of national identity in Conservative discourse and policy; part three assesses how Conservatives negotiated the gendered nature of popular politics both before and after the arrival of the equal franchise, and part four examines how Conservative understanding of the relationship between state and society were translated into specific aspects of social and economic policy.

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The need to attribute disputed utterance constantly arises, sometimes as a matter of legal urgency (contested 'confessions' or other documents), sometimes as the focus of fierce scholarly debate (was that new story just discovered really by D.H. Lawrence? QSUM finds not), sometimes as a popular diversion (whose words were on the 'Royal Tapes'?) It is in such situations that a scientific method of attribution - one which is objective - becomes desirable. The cumulative sum technique for authorship attribution (Cusum or QSUM, as the analytic procedure is now known) is just such a method. Invented in 1988 by Andre Q. Morton, long recognised as the foremost authority on the subject, QSUM is fully explained with copious illustrations. The technique works cross time and genre, and has already been used to solve several attribution problems. It has obvious uses in legal work, past and present (did Derek Bentley really make that confession? - again, QSUM finds not).

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Women's lives in Wales are changing dramatically. They are becoming increasingly important to the world of paid work, while retaining their roles and responsibilities in the home. The pattern of family life has shifted, to the much vaunted growth of single parents, and the increase of elderly women living alone. Many women are increasingly active in public life, but meet barriers to their success, whether the arena be returning to study as mature students, the church, business, the arts or literature: they are expected to fit into a male world. Women's lives are very diverse, and their changing identity as they manage the balance between private and public lives has been as yet realtively uncharted. This text brings together a collection of interdisciplinary research papers on the changing identity of women in Wales. Research findings are complemented by cameo "voices" - personal accounts by a variety of individual women living and working in Wales. The volume is illustrated with photographs especially commissioned from the photographer Mary Giles.

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This compact English-French glossary, a new concept in dictionaries, is an indispensable guide to the understanding and use of contemporary French lexis and idiom. Conscious of the dryness of many technical and specialized dictionaries, and building on the success of his Newspaper French (1990), the author gives here an essentially practical guide, supplying for each English headword a number of short illustrative examples of a range of contemporary uses with precise contextual translation of the headword or terms formed from the headword. These examples are largely drawn from 'quality' French dailies, news periodicals and specialized texts in the fields of commerce, finance, administration, politics, legal reporting, social affairs and education. While not exhaustive, they represent the most frequently met and useful examples of today's usage, so vital for students, professionals, journalists and business people who need to use specialized registers of contemporary French.

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This English-Welsh dictionary - modelled on the "Harrap Shorter French" dictionary - includes synonyms; illustrative quotations; idioms; accentuation; specialist and technical terms; regional variants; literary and colloquial registers; as well as place-names and personal names.

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The second volume of an excellent edition of a dozen of the published plays of Welsh playwright Saunders Lewis (1893-1985), composed during the period 1957-76, together with four unpublished scripts, with valuable introductions and detailed notes on the background of the plays, and their historical, political and religious references.

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When and how did we humans lose our connection with nature – and how do we find it again? Matthew Yeomans seeks to answer these questions as he walks more than 300 miles through the ancient and modern forests of Wales, losing himself in their stories (and on the odd unexpected diversion, too). Return to My Trees weaves together history and folklore with tales of industrial progress and decay. On his journey, he visits landmarks that once were home to ancient Druids, early Celtic saints, Norman Lords and the great mining communities that reshaped Wales. He becomes immersed in the woodlands that inspired the country’s great legends. At one point he even stumbles upon a herd of television-watching cows. As Yeomans walks, he reflects on these woods’ uncertain future, his own relationship with nature and the global problems we need to solve if humans are to truly make peace with the natural world. from tree-planting in ways that are actually beneficial to the environment and local communities to embedding the value of nature into our financial and economic systems. The result is a fascinating and funny adventure that offers insight into the past, present and future of Wales’s woodlands and shows what the rest of the world can learn from them.

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Queer for Fear analyses the relationship queer people have to horror film, building upon decades of theory that previously emphasised horror’s queerness as being subtextual, allegorical and figurative. This groundbreaking interdisciplinary empirical study of the LGBTQ+ community not only offers the first inclusive understanding of the horror-loving queer spectator’s opinions, habits and tastes, but also evidences how and why queers have a distinctive relationship to horror. Leveraging original survey data, in-depth oral histories and theory, Petrocelli evidences that queer people have ontological connections to the horror genre, and concludes that horror is queer to the queer spectator. This study also establishes that queer spectators actively engage with horror to work through their trauma, knowingly have a camp relationship to horror, and joyously commune through horror screenings featuring drag performance. Queer for Fear is an overdue contribution to the fields of queer, film, horror, trauma, camp and live cinema studies.

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India is mutating - and its Science Fiction (SF) with it. Star Warriors of the Modern Raj is a critical catalogue of contemporary India's anglophone SF, a path-breaking work that flits between texts, vantage points and frameworks. An alternative to a male Eurocentric perspective of SF, this study avoids essentialising definitions and delves into how the world of SF (text) intersects with that of the writer/reader. Fusing paradigms of Science Fiction Studies, South Asian Studies and Postcolonial Studies, among others, the book explicates how India and its SF negotiate one another. It evolves a 'transMIT thesis' to analyse how mythology (M), ideology (I) and technology (T) contour Indian SF and its fictional reimaginings. This study identifies the manifestations of divine beings within SF (as differing epistemological categories), locates the modes of marginalisation within Indian popular imagination (as altars of alterity), and then proceeds to analyse how newer technologies engage with socio-political anxieties in (and through) SF.

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This is the first book to examine the full range of the evidence for Irish charms, from medieval to modern times. As Ireland has one of the oldest literatures in Europe, and also one of the most comprehensively recorded folklore traditions, it affords a uniquely rich body of evidence for such an investigation. The collection includes surveys of broad aspects of the subject (charm scholarship, charms in medieval tales, modern narrative charms, nineteenth-century charm documentation); dossiers of the evidence for specific charms (a headache charm, a nightmare charm, charms against bleeding); a study comparing the curses of saints with those of poets; and an account of a newly discovered manuscript of a toothache charm. The practices of a contemporary healer are described on the basis of recent fieldwork, and the connection between charms and storytelling is foregrounded in chapters on the textual amulet known as the Leabhar Eoin, on the belief that witches steal butter, and on the nature of the belief that effects supernatural cures.

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What do tales of stalking vampires, restless Egyptian mummies, foreign master criminals, barbarian Eastern hordes and stomping Prussian soldiers have in common? As Gothic Invasions explains, they may all be seen as instances of invasion fiction, a paranoid fin-de-siecle popular literary phenomenon that responded to prevalent societal fears of the invasion of Britain by an array of hostile foreign forces in the period before the First World War. Gothic Invasions traces the roots of invasion anxiety to concerns about the downside of Britain's continuing imperial expansion: fears of growing inter-European rivalry and colonial wars and rebellion. It explores how these fears circulated across the British empire and were expressed in fictional narratives drawing strongly upon and reciprocally transforming the conventions and themes of gothic writing. Gothic Invasions enhances our understanding of an aspect of the interchange between popular culture and politics at this crucial historical juncture, and demonstrates the instrumentality of the ever-versatile and politically-charged gothic mode in this process.

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Celtic Wales is about the beginnings of Wales and how the period from the Iron Age to medieval times helped shape and define the modern nation of Wales. Early Wales has a spectacular archaeological, literary and mythical heritage. This book uses archaeology and early historical documents to discuss all aspects of early Welsh society, from war to farming and from drinking habits to Druids.

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The existence of the Welsh-language can come as a surprise to those who assume that English is the foundation language of Britain. However, J. R. R. Tolkien described Welsh as the 'senior language of the men of Britain'. Visitors from outside Wales may be intrigued by the existence of Welsh and will want to find out how a language which has, for at least fifteen hundred years, been the closest neighbour of English, enjoys such vibrancy, bearing in mind that English has obliterated languages thousands of miles from the coasts of England. This book offers a broad historical survey of Welsh-language culture from sixth-century heroic poetry to television and pop culture in the early twenty-first century. The public status of the language is considered and the role of Welsh is compared with the roles of other of the non-state languages of Europe. This new edition of The Welsh Language offers a full assessment of the implications of the linguistic statistics produced by the 2011 Census. The volume contains maps and plans showing the demographic and geographic spread of Welsh over the ages, charts examining the links between words in Welsh and those in other Indo-European languages, and illustrations of key publications and figures in the history of the language. It concludes with brief guides to the pronunciation, the dialects and the grammar of Welsh.

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Rachel Bromwich's magisterial edition of Trioedd Ynys Prydein has long won its place as a classic of Celtic studies. This revised edition shows the author's continued mastery of the subject, including a new preface by Morfydd Owen, and will be essential reading for Celticists and for those interested in early British history and literature and in Arthurian studies. Early Welsh literature shows a predilection for classifying names, facts and precepts into triple groups, or triads. The Triads of the Isle of Britain form a series of texts which commemorate the names of traditional heroes and heroines, and which would have served as a catalogue of the names of these heroic figures. The names are grouped under various imprecise but complimentary epithets, which are often paralleled in the esoteric language of the medieval bards, who would have used the triads as an index of past history and legend. This edition is based on a full collation of the most important manuscripts, the earliest of which go back to the thirteenth century. The Welsh text is accompanied by English translations of each triad and extensive notes, and the volume includes four appendices, which are also an important source of personal names. The Introduction to the volume discusses the significance of Trioedd Ynys Prydein in the history of Welsh literature, and examines the traditional basis of the triads.

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This critical study covers the whole range of Dylan Thomas's writing, both poetry and prose, in an accessible appraisal of the work and achievement of a major and dynamic poet. It interrelates the man and his national-cultural background by defining in detail the Welshness of his poetic temperament and critical attitudes, as both man and poet. At the same time, it illustrates Thomas's wide knowledge of and impact on the long and varied tradition of poetry in English. In that connection, it delineates and delimits Thomas's relationship to surrealism, compares and contrasts his work with that of other poets of the 1930s and 1940s, and shows how its power survives his early death in 1953, in the decade of the 'Movement' poets and beyond. A major aspect of this book is the close textual analysis of the works quoted; it explores anew the recognition due to the man who wrote the work, and helps us to separate the intrinsic achievement of the work from the foisted perceptions of the 'legend'.

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One of the greatest treasures in the archives of the Welsh Industrial and Maritime Museum is the Hansen Collection, consisting of over 4500 negatives of shipping taken at Cardiff Docks between 1920 and 1975. Lars Peter Hansen, a native of Copenhagen, settled in Cardiff in 1891 and he and his third son Leslie established a photographic business in the docks; taking pictures of ships for sale to seamen and shipowners was an important part of their business. Following the retirement of Leslie Hansen in 1975, the museum purchased the negative collection. Its historical value cannot be overstated and this album is intended as a tribute to the Hansens, who through their work have bequeathed to Wales a pictorial record of shipping activity at the nation's premier port.

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Ranging from studies of the influence of desert eremiticism upon a variety of expressions of religious enclosure in England to the sexualized spirituality of the high Middle Ages, this book contains essays that demonstrate how discourses of anchoritic enclosure were utilized to different ends at different periods throughout the Middle Ages.

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The economic depression of the interwar period marks a fundamental turning-point in Welsh history, and in particular the history of south Wales, when decades of breakneck industrialisation, urbanisation and in-migration came to an end and were followed by a period scarred by unemployment, poverty and emigration. This study examines the human costs of unemployment and poverty through a study of the health of the population of south Wales. It contributes to the 'healthy or hungry thirties' debate about the effects of unemployment and poverty on health in interwar Britain through an examination of south Wales, the region of Britain that experienced the highest levels of levels of unemployment and the greatest degrees of poverty. It examines patterns of health and mortality in different types of community in south Wales and undertakes a systematic and rigorous examination of the statistical data. Chapters on the working-class domestic economy, housing, environment, diet and medical services ascertain the consequences of unemployment and poverty on the everyday lives of working-class families.

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Edmund Jones (1702-1793) was a Calvinist Independent Minister, born at Penllwyn in Monmouthshire. He wrote several works on doctrine, as well as three collections of material on apparitions, of which "A Relation of Apparitions" (1780) is the third. His work reacts against the excesses of 18th-century empiricist thought by asserting a biblical view of the transcendent nature of reality. "A Relation of Apparitions" is a repository of supernatural folklore which shows how the 18th century viewed both the spirit world and the question of belief. This is a modernized, edited and re-organized version of Jones's text, including a transcript of further holograph material, as well as a detailed editor's introduction.

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This book tells a remarkable story. Edward Vaughan was the fifth son of a landed gentleman, and could not have expected much beyond a career in law. However, by fair means and foul (mostly foul), he managed to gain possession of one of the largest estates in seventeenth-century Wales. His tenure was not to be a quiet one, however, as the Protestant Vaughan endured a bruising legal contest with a powerful Catholic magnate over these lands. Vaughan's case was then swept up in the politics of the civil wars. A moderate parliamentarian, during the 1640s and 1650s Vaughan fought new battles with local radicals to secure his patrimony. The trials of Edward Vaughan reveal much about the confrontational and sometimes bloody nature of law, politics and faction in early modern England and Wales. It is a rich and surprising story, and one which has yet to be told.

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Modern art in Britain during the early twentieth century is a complex and compromised proposition. It has frequently appeared selective in its assimilation (or rejection) of European modernism, with the results proving uneven and sometimes flawed in coherence as well as quality from an international outlook to a reductive vorticist blast, from an insular English' modernism to a purist abstraction, from a British neo-romanticism to an earnest accommodation of French surrealism. This book reads critically the context of modernist visual art in the interwar, conceding ultimately to the absence of one representative manifestation in order to account for circuits of ruptures and seizures from which emerge singular instances negotiating the radically new European modernism. The emergence of Ceri Richards as a modernist of remarkable originality in London between the wars poses one such singularity, setting the artist as focus for the present study in critical analysis of a globally trenchan

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Despite his contemporary legacy as an institutional pioneer, there remain fundamental disagreements concerning Aneurin Bevan's politics. During times of intense internal Labour Party conflict, Bevan is regularly invoked by different factions to serve different purposes. Some revere him as a pragmatic institution builder, while others emphasise his political radicalism and dedication to socialism. In response, this book takes a new approach by treating Bevan as a political thinker and reconstructing his political thought. This offers an alternative perspective on a complex figure and provides new insight into Bevan's intellectual development and the ideas that drove his politics including his analysis of class conflict, his commitment to parliamentary politics, and his outlook on international relations. The book also locates Bevan within the Labour Party's ideological traditions, highlighting moments of tension and compromise with the core tenets of labourism.

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This book asks why so many authors drew on Cornwall for inspiration across the long nineteenth century, and considers the seismic cultural changes in Cornwall that spurred this interest – from the collapse of the mining industry to the developing national rail network; from the birth of tourism to the neomedieval rise in interest in King Arthur. Understanding frequently overlooked Cornwall in this period is vital to understanding Gothic literature, the Victorian imagination, intellectual and creative networks, and attitudes towards regionality. The first part of the book considers landscape and legend, defining a mining Gothic tradition, exposing the shipwreck as Gothic mastertrope, and demonstrating how antiquarians drew from Cornish legends and lore. The second part explores encounters with modernity, investigating the impact of railway expansion on access to Cornwall, the development of a Cornish King Arthur as a key figure of Victorian masculinity, and the specific features of the Cornish ghost story.

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OPEN ACCESS To view Medieval Welsh Medical Texts for free click on the following links: https://www.uwp.co.uk/app/uploads/MWMT_final_low-res-1.pdf https://www.ncbi.nlm.nih.gov/books/NBK558253/ This volume presents the first critical edition and translation of the corpus of medieval Welsh medical recipes traditionally ascribed to the Physicians of Myddfai. These offer practical treatments for a variety of everyday conditions such as toothache, constipation and gout. The recipes have been edited from the four earliest collections of Welsh medical texts in manuscript, which date from the late fourteenth century. A series of notes provides sources and analogues for the recipes, demonstrating their relationship with the European medical tradition. The identification of herbal ingredients in the recipes is based on pre-modern plant-name glossaries rather than modern dictionaries, and has led to new interpretations of many of the recipes. Comprehensive glossaries allow the reader to find any recipe based on the ingredients and equipment used in it or the condition treated. This new interpretation of these texts clearly shows that they are not unique, but rather form part of the medical tradition that was common throughout Europe during the Middle Ages.

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Discovering Dylan Thomas is a companion to Dylan Thomas’s published and notebook poems. It includes hitherto-unseen material contained in the recently-discovered fifth notebook, alongside poems, drafts and critical material including summaries of the critical reception of individual poems. The introductory essay considers the task of editing and annotating Thomas, the reception of the Collected Poems and the state of the Dylan Thomas industry, and the nature of Thomas’s reading, ‘influences’, allusions and intertextuality. It is followed by supplementary poems, including juvenilia and the notebook poems ‘The Woman Speaks’, original versions of ‘Grief thief of time’ and ‘I fellowed sleep’, and ‘Jack of Christ’, all of which were omitted from the Collected Poems. These are followed by annotations beginning with a discussion of Thomas’s juvenilia, and the relationship between plagiarism and parody in his work; poem-by-poem entries offer glosses, new material from the fifth notebook, critical histories for each poem, and variants of poems such as ‘Holy Spring’ and ‘On a Wedding Anniversary’ (including a magnificent, previously unpublished first draft of ‘A Refusal to Mourn’). The closing appendices deal with text and publication details for the collections Thomas published in his lifetime, the provenance and contents of the fifth notebook, and errata for the hardback edition of the Collected Poems.

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Dyma gyfrol sy’n rhoi darlun o fywyd a gwaith y ffisegydd o Gymro, yr Athro Evan James Williams, gŵr a gafodd ei ddisgrifio fel un o’r gwyddonwyr mwyaf galluog a welodd Cymru erioed ac fe’i cydnabyddid fel arbrofwr dyfeisgar a damcaniaethwr disglair. Cymerodd ran flaenllaw yn y chwyldro a ddigwyddodd yn negawdau cyntaf yr ugeinfed ganrif gyda datblygiad ffiseg cwantwm. Cydweithiodd gyda’r arloeswyr (nifer ohonynt yn enillwyr gwobr Nobel) a gwnaeth gyfraniad nodedig ym maes gwrthdrawiadau atomig ac yn narganfyddiad gronyn elfennol newydd. Ym 1939, ymunodd yn y dasg o ddiddymu bygythiad dinistriol llongau tanfor a chyflawnodd waith gorchestol. Amlygir ei alluoedd di-gymar yn y gyfrol hon, a chyflwynir yn ogystal ddarlun o gymeriad hoffus a thwymgalon na gollodd ei ymlyniad na’i gariad tuag at fro ei febyd a’i diwylliant.

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Carmarthen Castle was one of the largest castles in medieval Wales. It was also one of the most important, in its role as a centre of government and as a Crown possession in a region dominated by Welsh lands and Marcher lordships. Largely demolished during the seventeenth century, it was subsequently redeveloped, first as a prison and later as the local authority headquarters. Yet the surviving remains, and their situation, are still impressive. The situation changed with a major programme of archaeological and research work, from 1993 to 2006, which is described in this book. The history of the castle, its impact on the region and on Wales as a whole are also examined: we see the officials and other occupants of the castle, their activities and how they interacted with their environment. Excavations at the castle, and the artefacts recovered, are described along with its remaining archaeological potential. This book puts Carmarthen Castle back at the heart of the history of medieval Wales, and in its proper place in castle studies and architectural history, the whole study combining to make a major contribution to the history of one of Wales's great towns.

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As late as 1980, a quarter of the population of Wales lived within the boundaries of what had once been the lordships of the Bute estate. Powerful landowners for centuries, the Stuarts of Bute were key drivers of the many social, political, and economic changes that transformed south Wales between the eighteenth and twentieth century. This volume explores the Butes and their influence, setting them in context of a long, interwoven history of landed proprietorship, economic development, and the rise of the industrial middle class throughout Britain.

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In Tir the Welsh word for land' writer and ecologist Carwyn Graves takes us on a tour of seven key elements of the Welsh landscape, such as the ffridd, or mountain pasture, and the rhos, or wild moorland. By diving deep into the history and ecology of each of these landscapes, we discover that Wales, in all its beautiful variety, is at base just as much a human cultural creation as a natural phenomenon: its raw materials evolved alongside the humans that have lived here since the ice receded. In our modern era of climate concerns and polarised debates on land use, diet and more, it matters that we understand the world we are in and the roads we travelled to get here. By exploring each of these key landscapes and meeting the people who live, work and farm in them, Tir offers hope for a better future; one with stunningly beautiful, richly biodiverse landscapes that are ten times richer in wildlife than they currently are, and still full of humans working the land.

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If you want to see the whole of Wales, from cosmopolitan Cardiff in the south to the historic Victorian resorts of the north, there's one road that will take you all the way: the A470. This route, which traverses the country from end to end, winds its way through post-industrial valleys, agricultural landscapes and stunning mountains and it offers a chance to see Wales for what it is in the twenty-first century, in all its diversity.In the company of Gwendoline, his trusty but ancient scooter, travel writer Marc P. Jones follows the long unwinding road of the A470 on a quest to discover what makes his homeland tick. Taking in the splendour, beauty and history of the communities he travels through, Marc explores what unites and divides the different regions of this varied nation, and how can they learn to understand each other better. And one question, above all others, remains to be answered: will Gwendoline make it to the end of the road in one piece?

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On a windswept stretch of the Durham coastline, there's treasure to be found: jewels of shining sea glass, swept in by the tide after years at sea. Gathered together in a jar on the windowsill, each seawornpebbleisa moment in time, aglinting archiveof unknowablelives. Seaglassis a collection of such moments; essaysblending creative non-fiction with nature writing and memoir, and portraying with powerful observation and moving honesty the journey of a young woman navigating modern adulthood.The stories draw a map of Kathryn's life,from Manchester to the South Wales coastline and out to the Thousand Islands in Canada's Saint Lawrence River.Traversing wilderness, natural history, travel and water rivers, lakes, coastlines and leisure centres Seaglassexplores shared experiences,anxieties, confidence and contentment.

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