Search results for ""Touchstone""

In 1492 the Spanish humanist Antonio de Nebrija proclaimed that "language has always been the companion of empire." Taking as his touchstone a wonderfully suggestive sonnet that Garcilaso de la Vega wrote in 1535 from the neighborhood of ruined Carthage in North Africa, Richard Helgerson examines how the companionship of language and empire played itself out more generally in the "new poetry" of sixteenth-century Europe. Along with his friend Juan Boscán, Garcilaso was one of the great pioneers of that poetry, radically reforming Spanish verse in imitation of modern Italian and ancient Roman models. As the century progressed, similar projects were undertaken in France by Ronsard and du Bellay, in Portugal by Camões, and in England by Sidney and Spenser. And wherever the new poetry emerged, it was prompted by a sense that imperial ambition—the quest to be in the present what Rome had been in the past—required a vernacular poetry comparable to the poetry of Rome. But, as Helgerson shows, the new poetry had other commitments than to empire. Though imperial ambition looms large in Garcilaso's sonnet and others, by the end of the poem Garcilaso identifies not with Rome but with the Carthaginian queen Dido, one of empire's legendary victims. And with this startling shift, which has its counterpart in poems from all over Europe, comes one of the most important departures the poem makes from its apparent imperial agenda. Addressing these rival concerns as they arise in a single sonnet, Richard Helgerson provides a masterful and multifaceted image of one of the most vital episodes in European literary history.

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With the environmental crisis comes a crisis of the imagination, a need to find new ways to understand nature and humanity's relation to it. This is the challenge Lawrence Buell takes up in The Environmental Imagination, the most ambitious study to date of how literature represents the natural environment. With Thoreau's Walden as a touchstone, Buell gives us a far-reaching account of environmental perception, the place of nature in the history of western thought, and the consequences for literary scholarship of attempting to imagine a more "ecocentric" way of being. In doing so, he provides a major new understanding of Thoreau's achievement and, at the same time, a profound rethinking of our literary and cultural reflections on nature.The green tradition in American writing commands Buell's special attention, particularly environmental nonfiction from colonial times to the present. In works by writers from Crevecoeur to Wendell Berry, John Muir to Aldo Leopold, Rachel Carson to Leslie Silko, Mary Austin to Edward Abbey, he examines enduring environmental themes such as the dream of relinquishment, the personification of the nonhuman, an attentiveness to environmental cycles, a devotion to place, and a prophetic awareness of possible ecocatastrophe. At the center of this study we find an image of Walden as a quest for greater environmental awareness, an impetus and guide for Buell as he develops a new vision of environmental writing and seeks a new way of conceiving the relation between human imagination and environmental actuality in the age of industrialization. Intricate and challenging in its arguments, yet engagingly and elegantly written, The Environmental Imagination is a major work of scholarship, one that establishes a new basis for reading American nature writing.

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Beginning in the late eighteenth century, Europeans embarked on a new way of classifying the world, devising genealogies that determined degrees of relatedness by tracing heritage through common ancestry. This methodology organized historical systems into family trees, transforming the closest contemporaneous terms on trees of languages, religions, races, nations, species, or individuals into siblings. Encompassing political fraternity, sister languages, racial discourse on brotherhood, evolutionary sibling species, and intense, often incestuously inclined brother-sister bonds in literature, siblinghood stands out as a ubiquitous-yet unacknowledged-conceptual touchstone across the European long nineteenth century. In all such systems the sibling term, not-quite-same and not-quite-other, serves as an active fault line, necessary for and yet continuously destabilizing definition and classification. In her provocative book, Stefani Engelstein explores the pervasive significance of sibling structures and their essential role in the modern organization of knowledge and identity. Sibling Action argues that this relational paradigm came to structure the modern subject, life sciences, human sciences, and collective identities such as race, religion, and gender. Engelstein considers theoretical constructions of subjectivity through Sophocles' Antigone; fraternal equality and its exclusion of sisters in political rhetoric; the intertwining of economic and kinship theory by Friedrich Engels and Claude Levi-Strauss; Darwin and his contemporaries' accounts of speciation; anthropological and philological depictions of Muslims and Jews at the margins of Europe; and evolutionary psychology's theorizing around the incest taboo. Integrating close readings across the disciplines with panoramic intellectual history and arresting literary interpretations, Sibling Action presents a compelling new understanding of systems of knowledge and provides the foundation for less confrontational formulations of belonging, identity, and agency.

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The definitive oral history of the cult classic Dazed and Confused, featuring behind-the-scenes stories from the cast, crew, and Oscar-nominated director Richard Linklater.Dazed and Confused not only heralded the arrival of filmmaker Richard Linklater, it introduced a cast of unknowns who would become the next generation of movie stars. Embraced as a cultural touchstone, the 1993 film would also make Matthew McConaughey’s famous phrase—alright, alright, alright—ubiquitous. But it started with a simple idea: Linklater thought people might like to watch a movie about high school kids just hanging out and listening to music on the last day of school in 1976. To some, that might not even sound like a movie. But to a few studio executives, it sounded enough like the next American Graffiti to justify the risk. Dazed and Confused underperformed at the box office and seemed destined to disappear. Then something weird happened: Linklater turned out to be right. This wasn’t the kind of movie everybody liked, but it was the kind of movie certain people loved, with an intensity that felt personal. No matter what their high school experience was like, they thought Dazed and Confused was about them.Alright, Alright, Alright is the story of how this iconic film came together and why it worked. Combining behind-the-scenes photos and insights from nearly the entire cast, including Matthew McConaughey, Parker Posey, Ben Affleck, Joey Lauren Adams, and many others, and with full access to Linklater’s Dazed archives, it offers an inside look at how a budding filmmaker and a cast of newcomers made a period piece that would feel timeless for decades to come.

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A New York Times bestseller! It’s never too late to unearth your hidden passions, rewrite your story, and live with a renewed purpose. Former Today show host Kathie Lee Gifford shares stories from her remarkable life in a beautiful reminder that God is still dreaming big for our years ahead.When Kathie Lee Gifford stepped down as cohost of the fourth hour of the Today show with Hoda Kotb, you might have thought her best days were behind her...but it turns out that she was just getting started. As Kathie Lee says, “I’m not retiring; I’m refiring!”Taking us from her Chesapeake Bay childhood when she first heard God’s calling, to her skyrocketing fame with Regis, to her decision to leave television for Nashville, Kathie Lee inspires us to pursue what really matters. Because it’s never too late to forgive, to dance the cha-cha, or to make a difference in the world.God placed His dreams in your heart for a reason. And like Kathie Lee, you might just discover that the best is yet to come. Whether you’re an empty nester, newly single, navigating a career change, or just eager for any change, Kathie Lee helps you hear God’s loving calling. It’s Never Too Late includes: Touchstone moments in Kathie Lee’s life that have led her to where she is now Inspiration and motivation to live out what’s next and rewrite your story Encouragement to pursue what really matters in life Is it time for you to rewrite your story, unearth your hidden passions, and live with a renewed purpose? It’s never too late.

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States of Plague examines Albert Camus’s novel as a palimpsest of pandemic life, an uncannily relevant account of the psychology and politics of a public health crisis. As one of the most discussed books of the COVID-19 crisis, Albert Camus’s classic novel The Plague has become a new kind of literary touchstone. Surrounded by terror and uncertainty, often separated from loved ones or unable to travel, readers sought answers within the pages of Camus’s 1947 tale about an Algerian city gripped by an epidemic. Many found in it a story about their own lives—a book to shed light on a global health crisis. In thirteen linked chapters told in alternating voices, Alice Kaplan and Laura Marris hold the past and present of The Plague in conversation, discovering how the novel has reached people in their current moment. Kaplan’s chapters explore the book’s tangled and vivid history, while Marris’s are drawn to the ecology of landscape and language. Through these pages, they find that their sense of Camus evolves under the force of a new reality, alongside the pressures of illness, recovery, concern, and care in their own lives. Along the way, Kaplan and Marris examine how the novel’s original allegory might resonate with a new generation of readers who have experienced a global pandemic. They describe how they learned to contemplate the skies of a plague spring, to examine the body politic and the politics of immunity. Both personal and eloquently written, States of Plague uncovers for us the mysterious way a novel can imagine the world during a crisis and draw back the veil on other possible futures.

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*A Waterstones, Financial Times and New Statesman Book of the Year*'A tremendous book, timely, wise, authoritative and clear' Stephen Fry'A brilliantly eloquent, incredibly insightful reimagining of liberalism' Owen Jones'Clear, brave, compelling' David Miliband'Inspiring ... impassioned ... full of hope' Zadie Smith'This is a fantastic book' Thomas PikettyImagine: you are designing a society, but you don't know who you'll be within it - rich or poor, man or woman, gay or straight. What would you want that society to look like? This is the revolutionary thought experiment proposed by the twentieth century's greatest political philosopher, John Rawls. As economist and philosopher Daniel Chandler argues in this hugely ambitious and exhilarating intervention, it is by rediscovering Rawls that we can find a way out of the escalating crises that are devastating our world today.Taking Rawls's humane and egalitarian liberalism as his starting point, Chandler builds a careful and ultimately irresistible case for a progressive agenda that would fundamentally reshape our societies for the better. He shows how we can protect free speech and transcend the culture wars; get money out of politics; and create an economy where everyone has the chance to fulfil their potential, where prosperity is widely shared, and which operates within the limits of our finite planet.This is a book brimming with hope and possibility - a galvanising alternative to the cynicism that pervades our politics. Free and Equal has the potential not only to transform contemporary debate, but to offer a touchstone for a modern, egalitarian liberalism for many years to come, cementing Rawls's place in political discourse, and firmly establishing Chandler as a vital new voice for our time.

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From the Wolfson History Prize–winning author of The Man on Devil’s Island, the definitive biography of Vivekananda, the Indian monk who shaped the intellectual and spiritual history of both East and West.Few thinkers have had so enduring an impact on both Eastern and Western life as Swami Vivekananda, the Indian monk who inspired the likes of Freud, Gandhi, and Tagore. Blending science, religion, and politics, Vivekananda introduced Westerners to yoga and the universalist school of Hinduism called Vedanta. His teachings fostered a more tolerant form of mainstream spirituality in Europe and North America and forever changed the Western relationship to meditation and spirituality.Guru to the World traces Vivekananda’s transformation from son of a Calcutta-based attorney into saffron-robed ascetic. At the 1893 World Parliament of Religions in Chicago, he fascinated audiences with teachings from Hinduism, Western esoteric spirituality, physics, and the sciences of the mind, in the process advocating a more inclusive conception of religion and expounding the evils of colonialism. Vivekananda won many disciples, most prominently the Irish activist Margaret Noble, who disseminated his ideas in the face of much disdain for the wisdom of a “subject race.” At home, he challenged the notion that religion was antithetical to nationalist goals, arguing that Hinduism was intimately connected with Indian identity.Ruth Harris offers an arresting biography, showing how Vivekananda’s thought spawned a global anticolonial movement and became a touchstone of Hindu nationalist politics a century after his death. The iconic monk emerges as a counterargument to Orientalist critiques, which interpret East-West interactions as primarily instances of Western borrowing. As Vivekananda demonstrates, we must not underestimate Eastern agency in the global circulation of ideas.

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Ritual is part of what it means to be human. Like sports, music, and drama, ritual defines and enriches culture, putting those who practice it in touch with sources of value and meaning larger than themselves. Ritual is unavoidable, yet it holds a place in modern life that is decidedly ambiguous. What is ritual? What does it do? Is it useful? What are the various kinds of ritual? Is ritual tradition bound and conservative or innovative and transformational? Alongside description of a number of specific rites, this Very Short Introduction explores ritual from both theoretical and historical perspectives. Barry Stephenson focuses on the places where ritual touches everyday life: in politics and power; moments of transformation in the life cycle; as performance and embodiment. He also discusses the boundaries of ritual, and how and why certain behaviors have been studied as ritual while others have not. Stephenson shows how ritual is an important vehicle for group and identity formation; how it generates and transmits beliefs and values; how it can be used to exploit and oppress; and how it has served as a touchstone for thinking about cultural origins and historical change. Encompassing the breadth and depth of modern ritual studies, Barry Stephenson's Very Short Introduction also develops a narrative of ritual's place in social and cultural life. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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A NEW YORK TIMES BESTSELLER | From the National Book Award-winning author of Just Kids 'Magical' GUARDIAN 'A gripping tale of the search for meaning in times of turbulence - expressed with Smith’s signature poetic flair' VOGUE 'Extraordinary ... A tense, teasing mix of reality and dream' SUNDAY TIMES 'Her willingness to look closely at life’s closing chapters makes for a magical book' WASHINGTON POST, 'The 10 books to read in September' Following a run of New Year’s concerts at San Francisco’s legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland, with no design yet heeding signs, including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, heightened mischief, and inescapable sorrow. In a stranger’s words, “Anything is possible: after all, it’s the year of the monkey.” For Patti Smith - inveterately curious, always exploring, tracking thoughts, writing the year evolves as one of reckoning with the changes in life’s gyre: with loss, aging, and a dramatic shift in the political landscape of America. Smith melds the Western landscape with her own dreamscape. Taking us from Southern California to the Arizona desert; to a Kentucky farm as the amanuensis of a friend in crisis; to the hospital room of a valued mentor; and by turns to remembered and imagined places - this haunting memoir blends fact and fiction with poetic mastery. The unexpected happens; grief and disillusionment. But as Patti Smith heads toward a new decade in her own life, she offers this balm to the reader: her wisdom, wit, gimlet eye, and above all, a rugged hope of a better world. Riveting, elegant, often humorous, illustrated by Smith’s signature Polaroids, Year of the Monkey is a moving and original work, a touchstone for our turbulent times.

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ImaginingA Phenomenological StudySecond EditionEdward S. CaseyA classic firsthand account of the lived character of imaginative experience."This scrupulous, lucid study is destined to become a touchstone for all future writings on imagination." —Library Journal"Casey's work is doubly valuable—for its major substantive contribution to our understanding of a significant mental activity, as well as for its exemplary presentation of the method of phenomenological analysis." —Contemporary Psychology". . . an important addition to phenomenological philosophy and to the humanities generally." —Choice". . . deliberately and consistently phenomenological, oriented throughout to the basically intentional character of experience and disciplined by the requirement of proceeding by way of concrete description. . . . [Imagining] is an exceptionally well-written work." —International Philosophical QuarterlyDrawing on his own experiences of imagining, Edward S. Casey describes the essential forms that imagination assumes in everyday life. In a detailed analysis of the fundamental features of all imaginative experience, Casey shows imagining to be eidetically distinct from perceiving and defines it as a radically autonomous act, involving a characteristic freedom of mind. A new preface places Imagining within the context of current issues in philosophy and psychology.[use one Casey bio for both Imagining and Remembering]Edward S. Casey is Professor of Philosophy at the State University of New York at Stony Brook. He is author of Getting Back into Place: Toward a Renewed Understanding of the Place-World (Indiana University Press) and The Fate of Place: A Philosophical History.Studies in Continental Thought—John Sallis, general editorContentsPreface to the Second EditionIntroduction The Problematic Place of ImaginationPart One: Preliminary PortraitExamples and First ApproximationsImagining as IntentionalPart Two Detailed DescriptionsSpontaneity and ControllednessSelf-Containedness and Self-EvidenceIndeterminacy and Pure PossibilityPart Three: Phenomenological ComparisonsImagining and Perceiving: ContinuitiesImagining and Perceiving: DiscontinuitiesPart Four: The Autonomy of ImaginingThe Nature of Imaginative AutonomyThe Significance of Imaginative Autonomy

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In New Mexico's Gila Wilderness, 83 Mexican gray wolves may be some of the most monitored wildlife on the planet. Collared, microchipped, and transported by helicopter, the wolves are protected and confined in an attempt to appease ranchers and conservationists alike. Once a symbol of the wild, these wolves have come to illustrate the demise of wilderness in this Human Age, where man's efforts shape life in even the most remote corners of the earth. And yet, the howl of an unregistered wolf, half of a rogue pair, splits the night. If you know where to look, you'll find that much remains untamed, and even today, wildness can remain a touchstone for our relationship with the rest of nature. In Satellites in the High Country, journalist and adventurer Jason Mark travels beyond the bright lights and certainties of our cities to seek wildness wherever it survives. In California's Point Reyes National Seashore, a battle over oyster farming and designated wilderness pits former allies against one another, as locals wonder whether wilderness should be untouched, farmed, or something in between. In Washington's Cascade Mountains, a modern-day wild woman and her students learn to tan hides and start fires without matches, attempting to connect with a primal past out of reach for the rest of society. And in Colorado's High Country, dark skies and clear air reveal a breathtaking expanse of stars, flawed only by the arc of a satellite passing - beauty interrupted by the traffic of a million conversations. These expeditions to the edges of civilization's grid show us that, although our notions of pristine nature may be shattering, the mystery of the wild still exists, and in fact, it is more crucial than ever. But wildness is wily as a coyote: you have to be willing to track it to understand the least thing about it. Satellites in the High Country is an epic journey on the trail of the wild, a poetic and incisive exploration of its meaning and enduring power in our Human Age.

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Marc Woodworth's book covers the album's long and unorthodox period of writing, recording, sequencing, and editing. It includes interviews with members of the band, manager Pete Jamison, web-master and GBV historian Rich Turiel and Robert Griffin of Scat Records. At least sixty-five songs were recorded and considered for the album and five distinct concepts were rejected before the band hit upon the records final form. One late version, very nearly released, contained only a few of Bee Thousand's definitive songs. The rest were left out and nearly ended up in the boxes of cassette out-takes cluttering up Robert Pollard's basement. The story of Guided By Voices transformation from an occasional and revolving group of complete unknowns to indie-rock heroes is very much part of the story behind the making of "Bee Thousand". In addition to providing a central account of how the record was made, Woodworth devotes another substantial chapter to the album's lyrics. Robert Pollard's lyrics are described by critics, when they're described at all, as a brand of tossed-off surrealism, as if his verbal sensibility is somehow incidental to the songs themselves. Nothing could be further from the truth. I want to offer a sustained discussion of Pollard's work as a writer of often sublime, beautiful, and very human lyrics. I won't miss the chance to consider the pleasures of the absurd in this context and, of course, the contributions to "Bee Thousand" of Tobin Sprout. The third key section of the book covers aesthetics. Woodworth considers the great appeal of the do-it-yourself nature of "Bee Thousand" and reflects on the larger importance of the strain of alternative rock for which this record is a touchstone. The focus is on "Bee Thousand", of course, but also includes discussion on the rise of a lo-fi aesthetic and its continuing influence. This chapter would also provide the context for an account of rock that exists because of passion, love, and compulsive need rather than formula, money, and marketing.

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A full-life portrait of the man Tolstoy immortalized, Stalin lionized, and Russian history has manipulated and mythologized beyond recognition. Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleons Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzovs remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend. As award-winning author Alexander Mikaberidze shows in this fascinating, often startling, and wholly humanizing new biography, Kutuzovs story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long careermarked equally by victory and defeat, embrace and ostracism—he grew to despise those whose concept of war had devolved to mindless attack. Here, at last, is Kutuzov as he really was—a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleons invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoys portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale.

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"Learner-centered classrooms rely on teachers who are willing to change and grow, and on school leaders who are willing to intelligently support them. Change is never easy, but teaching has never been easy, either. Its goal is too grand for ease."Carol Ann Tomlinson's role in defining and popularizing differentiated instruction has made her one of the most influential voices in modern education. In So Each May Soar, she illuminates the next step forward: creating learner-centered classrooms to help all students gain a deeper understanding of themselves, others, and the world.Join Tomlinson as she explores principles and practices of learner-centered classrooms, including* What it means for teachers to honor themselves, each learner, and the content they teach. * How to assemble a curriculum that ignites students' imaginations and drives discovery. * How to guide classroom experiences that develop the mind of each learner in accordance with that learner's marvelous individuality. * How to shape curriculum, assessment, and instruction to support both equity and excellence.Use this book's curated collection of strategies to reconnect with professional and personal aspirations, build an energized and mutually respectful classroom community, and deliver instruction that feels alive to you and your students. Examples from all kinds of learner-centered classrooms clarify what this approach looks like across grade levels and subject areas and confirm its viability in schools with budgets both big and small.A must-have touchstone for veterans, a beacon for middle-career educators, and a mission statement for those just beginning their careers, So Each May Soar celebrates the commitment of teachers and the opportunity they have to help each young person in their care build a better future and lead a wonderful life.

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The never-before-told story of the horned rabbit—the myths, the hoaxes, the very real scientific breakthrough it inspired—and how it became a cultural touchstone of the American West.Just what is a jackalope? Purported to be part jackrabbit and part antelope, the jackalope began as a local joke concocted by two young brothers in a small Wyoming town during the Great Depression. Their creation quickly spread around the U.S., where it now regularly appears as innumerable forms of kitsch—wall mounts, postcards, keychains, coffee mugs, shot glasses, and so on. A vast body of folk narratives has carried the jackalope’s fame around the world to inspire art, music, film, even erotica! Although the jackalope is an invention of the imagination, it is nevertheless connected to actual horned rabbits, which exist in nature and have for centuries been collected and studied by naturalists. Around the time the two young boys were creating the first jackalope in Wyoming, Dr. Richard Shope was making his first breakthrough about the cause of the horns: a virus. When the virus that causes rabbits to grow “horns” (a keratinous carcinoma) was first genetically sequenced in 1984, oncologists were able to use that genetic information to make remarkable, field-changing advances in the development of anti-viral cancer therapies. The most important of these is the human papillomavirus (HPV) vaccine, which protects against cervical and other cancers. Today, jackalopes are literally helping us cure cancer. For fans of David Quammen’s The Song of the Dodo, Jon Mooallem’s Wild Ones, or Jeff Meldrum's Sasquatch, Michael P. Branch's remarkable On the Trail of the Jackalope is an entertaining and enlightening road trip through the heart of America.

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Drawing on sources as diverse as Supreme Court decisions, nightclub comedy, congressional records, and cultural theory, Obscene Gestures explores the many contradictory vectors of twentieth-century moralist controversies surrounding literary and artistic works from Henry Miller’s Tropic of Cancer to those of Toni Morrison, Alice Walker, Kathy Acker, Robert Mapplethorpe, 2 Live Crew, Tony Kushner, and others. Patrick S. Lawrence dives into notorious obscenity debates to reconsider the divergent afterlives of artworks that were challenged or banned over their taboo sexual content to reveal how these controversies affected their critical reception and commercial success in ways that were often determined at least in part by racial, gender, or sexual stereotypes and pernicious ethnographic reading practices. Starting with early postwar touchstone cases and continuing through the civil rights, feminist, and LGBTQ+ movements, Lawrence demonstrates on one level that breaking sexual taboos in literary and cultural works often comes with cultural cachet and increased sales. At the same time, these benefits are distributed unequally, leading to the persistence of exclusive hierarchies and inequalities. Obscene Gestures takes its bearings from recent studies of the role of obscenity in literary history and canon formation during the late nineteenth and early twentieth centuries, extending their insights into the postwar period when broad legal latitude for obscenity was established but when charges of obscenity still carried immense symbolic and political weight. Moreover, the rise of social justice movements around this time provides necessary context for understanding the application of legal precedents, changes in the publishing industry, and the diversification of the canon of American letters. Obscene Gestures, therefore, advances the study of obscenity to include recent developments in the understanding of race, gender, and sexuality while refining our understanding of late-twentieth-century American literature and political culture.

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The statesman and political philosopher Edmund Burke (1729–1797) is a touchstone for modern conservatism in the United States, and his name and his writings have been invoked by figures ranging from the arch Federalist George Cabot to the twentieth-century political philosopher Leo Strauss. But Burke’s legacy has neither been consistently associated with conservative thought nor has the richness and subtlety of his political vision been fully appreciated by either his American admirers or detractors. In Edmund Burke in America, Drew Maciag traces Burke’s reception and reputation in the United States, from the contest of ideas between Burke and Thomas Paine in the Revolutionary period, to the Progressive Era (when Republicans and Democrats alike invoked Burke’s wisdom), to his apotheosis within the modern conservative movement. Throughout, Maciag is sensitive to the relationship between American opinions about Burke and the changing circumstances of American life. The dynamic tension between conservative and liberal attitudes in American society surfaced in debates over the French Revolution, Jacksonian democracy, Gilded Age values, Progressive reform, Cold War anticommunism, and post-1960s liberalism. The post–World War II rediscovery of Burke by New Conservatives and their adoption of him as the "father of conservatism" provided an intellectual foundation for the conservative ascendancy of the late twentieth century. Highlighting the Burkean influence on such influential writers as George Bancroft, E. L. Godkin, and Russell Kirk, Maciag also explores the underappreciated impact of Burke’s thought on four U.S. presidents: John Adams and John Quincy Adams, Theodore Roosevelt, and Woodrow Wilson. Through close and keen readings of political speeches, public lectures, and works of history and political theory and commentary, Maciag offers a sweeping account of the American political scene over two centuries.

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Written in 1456 and purporting to be the biography of the actual fourteenth-century knight of its title, Jean de Saintré has been called the first modern novel in French and one of the first historical novels in any language. Taken in hand at the age of thirteen by an older and much more experienced lady, Madame des Belles Cousines, the youth grows into an accomplished knight, winning numerous tournaments and even leading a crusade against the infidels for the love of Madame. When he reaches maturity, Jean starts to rebel against Madame's domination by seeking out chivalric adventures on his own. She storms off to her country estates and takes up with the burly abbot of a nearby monastery. The text moves into darker and uncourtly territory when Jean discovers their liaison and lashes out to avenge his lost love and honor, ruining Madame's reputation in the process. Composed in the waning years of chivalry and at the threshold of the print revolution, Jean de Saintré incorporates disquisitions on sin and virtue, advice on hygiene and fashion, as well as lengthy set pieces of chivalric combat. Antoine de La Sale, who was, by turns, a page, a royal tutor, a soldier, and a judge at tournaments, embellished his text with wide-ranging insights into chivalric ideology, combat techniques, heraldry and warfare, and the moral training of a young knight. This superb translation—the first in nearly a hundred years—contextualizes the story with a rich introduction and a glossary and is suitable for scholars, students, and general readers alike. An encyclopedic compilation of medieval culture and a window into the lost world of chivalry, Jean de Saintré is a touchstone for both the late Middle Ages and the emergence of the modern novel.

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The abolitionist movement launched the global human rights struggle in the 18th and 19th centuries and redefined the meaning of equality throughout the Atlantic world. Even in the 21st century, it remains a touchstone of democratic activism-a timeless example of mobilizing against injustice. As famed black abolitionist Frederick Douglass commented in the 1890s, the antislavery struggle constituted a grand army of activists whose labors would cast a long shadow over American history. This introduction to the abolitionist movement, written by African American and abolition expert Richard Newman, highlights the key people, institutions, and events that shaped the antislavery struggle between the American Revolutionary and Civil War eras as well as the major themes that guide scholarly understandings of the antislavery struggle. From early abolitionist activism in the Anglo American world and the impact of slave revolutions on antislavery reformers to the rise of black pamphleteers and the emergence of antislavery women before the Civil War, the study of the abolitionist movement has been completely reoriented during the past decade. Where before scholars focused largely on radical (white) abolitionists along the Atlantic seaboard in the years just before the Civil War, they now understand abolitionism via an ever-expanding roster of activists through both time and space. While this book will examine famous antislavery figures such as William Lloyd Garrison and Frederick Douglass, it will also underscore the significance of early abolitionist lawsuits, the impact of the Haitian Revolution on both black and white abolitionists in the United States, and women's increasingly prominent role as abolitionist editors, organizers, and orators. By drawing on the exciting insights of recent work on these and other themes, a very short introduction to the abolitionist movement will provide a compelling and up-to-date narrative of the American antislavery struggle

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Library of America presents the first volume in a landmark two-volume collector's edition of the incomparable stories of an American masterBorn into an upper-class New York family, Edith Wharton broke with convention and became a professional writer, earning an enduring place as the grande dame of American letters. This Library of America collection (along with its companion volume, Collected Stories: 1911–1937) presents the finest of Wharton's achievement in short fiction, drawn from the more than eighty stories she published over the course of her career. Opening with her first published story—the charming "Mrs. Manstey's View," about a disruption in the life of an elderly apartment-dweller—this first of two volumes presents a writer, already at the height of her powers, beginning to explore the concerns of a lifetime. In "Souls Belated," two lovers attempt to escape the consequences of their adultery—a subject to which Wharton returns throughout her career. In "The Mission of Jane" (about a remarkable adopted child) and "The Pelican" (about an itinerant lecturer), she discovers her gift for social and cultural satire. Perhaps the finest of her ghost stories, "The Eyes," with its Jamesian sense of evil, is also included, along with two novella-length works, "The Touchstone" and "Sanctuary," revealing the dazzling range of Wharton's fictive imagination. Also included in this edition are a chronology of Wharton's life, explanatory notes, and an essay on the texts.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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In every legend, there is a legacy. In the life and career of underseaexplorer Jacques Cousteau, that legacy beats in the heart of the sea and inthe heart of his son, Jean-Michel, the noted French environmentalist,educator and documentary film producer who has spent most of his adult lifenurturing the work of his famous father.In My Father, The Captain, Jean-Michel Cousteau takes an open and intimate look at the life he shared with his father, and the legend he has taken itupon himself to carry. In so doing, he hopes to shed new and meaningfullight on the life and work of a man who inspired millions to reconsider ourrelationship with the sea and its creatures-and, in the process, tounderstand a little more about himself and his family as well."Captain Cousteau was a complicated man," the younger Cousteau writes. "Hewas a man of many different personalities, many different moods. But thisis how it is with all great men, yes? We know the public mask, but it isthe private face that reveals a man's true character. It is the man weknow when the cameras are not filming."My Father, The Captain is shot-through with new material and fresh insightsinto the life and mind of a man who helped to jump-start a globalconservation effort that continues to flourish. Jean-Michel Cousteau andhis collaborator, New York Times best-selling author Daniel Paisner, offeran intimate reappraisal of the many touchstone moments Jean-Michel sharedwith his father, as well as the seminal moments from his father's life thathave become part of the Cousteau family lore and legend.

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Written by the President and CEO of the Institute for Healthcare Improvement (IHI) and a leading health care journalist, this groundbreaking book examines how leading organizations in the United States are pursuing the Triple Aim—improving the individual experience of care, improving the health of populations, and reducing the per capita cost of care. Even with major steps forward – including the Affordable Care Act and the creation of the Center for Medicare and Medicaid Innovation -- the national health care debate is too often poisoned by negativity. A quieter, more thoughtful, and vastly more constructive conversation continues among health care leaders and professionals throughout the country. Innovative solutions are being designed and implemented at the local level, and countless health care organizations are demonstrating breakthrough remedies to some of the toughest and most expensive challenges in health care. Pursuing the Triple Aim shares compelling stories that are emerging in locations ranging from Pittsburgh to Seattle, from Boston to Oakland, focused on topics including improving quality and lowering costs in primary care; setting challenging goals to control chronic disease with notable outcomes; leveraging employer buying power to improve quality, reduce waste, and drive down cost; paying for care under an innovative contract that compensates for quality rather than quantity; and much more. The authors describe these innovations in detail, and show the way toward a health care system for the nation that improves the experience and quality of care while at the same time controlling costs. As the Triple Aim moves from being largely an aspirational framework to something that communities all across the US can implement and learn from, its potential to become a touchstone for the work ahead has never been greater. Pursuing the Triple Aim lays out the vision, the interventions, and promising examples of success.

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An accomplished storyteller returns with her biggest, boldest, most entertaining novel yet—a hilarious, heartfelt story about books, love, sisterhood, and the surprises we discover in our DNA that combines the wit of Jonathan Tropper with the heart of Susan Wiggs.Maggie, Eliza, and Tricia Sweeney grew up as a happy threesome in the idyllic seaside town of Southport, Connecticut. But their mother’s death from cancer fifteen years ago tarnished their golden-hued memories, and the sisters drifted apart. Their one touchstone is their father, Bill Sweeney, an internationally famous literary lion and college professor universally adored by critics, publishers, and book lovers. When Bill dies unexpectedly one cool June night, his shell-shocked daughters return to their childhood home. They aren’t quite sure what the future holds without their larger-than-life father, but they do know how to throw an Irish wake to honor a man of his stature.But as guests pay their respects and reminisce, one stranger, emboldened by whiskey, has crashed the party. It turns out that she too is a Sweeney sister. When Washington, DC based journalist Serena Tucker had her DNA tested on a whim a few weeks earlier, she learned she had a 50% genetic match with a childhood neighbor—Maggie Sweeney of Southport, Connecticut. It seems Serena’s chilly WASP mother, Birdie, had a history with Bill Sweeney—one that has remained totally secret until now.Once the shock wears off, questions abound. What does this mean for William’s literary legacy? Where is the unfinished memoir he’s stashed away, and what will it reveal? And how will a fourth Sweeney sister—a blond among redheads—fit into their story?By turns revealing, insightful, and uproarious, The Sweeney Sisters is equal parts cautionary tale and celebration—a festive and heartfelt look at what truly makes a family.

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How the Civil War endures in American life through literature and culture.Recipient of the Eric Hoffer Award's Montaigne MedalThe American Civil War lives on in our collective imagination like few other events. The story of the war has been retold in countless films, novels, poems, memoirs, plays, sculptures, and monuments. Often remembered as an emancipatory struggle, as an attempt to destroy slavery in America now and forever, it is also memorialized as a fight for Southern independence; as a fratricide that divided the national family; and as a dark, cruel conflict defined by its brutality. What do these stories, myths, and rumors have in common, and what do they teach us about modern America? In this fascinating book, Cody Marrs reveals how these narratives evolved over time and why they acquired such lasting power. Marrs addresses an eclectic range of texts, traditions, and creators, from Walt Whitman, Abram Ryan, and Abraham Lincoln to Margaret Mitchell, D. W. Griffith, and W. E. B. Du Bois. He also identifies several basic plots about the Civil War that anchor public memory and continually compete for cultural primacy. In other words, from the perspective of American cultural memory, there is no single Civil War. Whether they fill us with elation or terror; whether they side with the North or the South; whether they come from the 1860s, the 1960s, or today, these stories all make one thing vividly clear: the Civil War is an ongoing conflict, persisting not merely as a cultural touchstone but as an unresolved struggle through which Americans inevitably define themselves. A timely, evocative, and beautifully written book, Not Even Past is essential reading for anyone interested in the Civil War and its role in American history.

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In the late nineteenth and early twentieth centuries, prominent social thinkers in France, Germany, and the United States sought to understand the modern world taking shape around them. Although they worked in different national traditions and emphasized different features of modern society, they repeatedly invoked Jews as a touchstone for defining modernity and national identity in a context of rapid social change. In Modernity and the Jews in Western Social Thought, Chad Alan Goldberg brings us a major new study of Western social thought through the lens of Jews and Judaism. In France, where antisemites decried the French Revolution as the "Jewish Revolution," Emile Durkheim challenged depictions of Jews as agents of revolutionary subversion or counterrevolutionary reaction. When German thinkers such as Karl Marx, Georg Simmel, Werner Sombart, and Max Weber debated the relationship of the Jews to modern industrial capitalism, they reproduced, in secularized form, cultural assumptions derived from Christian theology. In the United States, William Thomas, Robert Park, and their students conceived the modern city and its new modes of social organization in part by reference to the Jewish immigrants concentrating there. In all three countries, social thinkers invoked real or purported differences between Jews and gentiles to elucidate key dualisms of modern social thought. The Jews thus became an intermediary through which social thinkers discerned in a roundabout fashion the nature, problems, and trajectory of their own wider societies. Goldberg rounds out his fascinating study by proposing a novel explanation for why Jews were such an important cultural reference point. He suggests a rethinking of previous scholarship on Orientalism, Occidentalism, and European perceptions of America, arguing that history extends into the present, with the Jews and now the Jewish state continuing to serve as an intermediary for self-reflection in the twenty-first century.

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Featuring long-awaited selections from Robert M. Pirsig's unpublished writings, from before and after Zen and the Art of Motorcycle Maintenance, an original collection illuminating the central theme of Pirsig's thought: “Quality”“The ultimate goal in the pursuit of excellence is enlightenment." —Robert M. Pirsig, 1962More than a decade before the release of the book that would make him famous, Robert M. Pirsig had already caught hold of the central theme that would animate Zen and the Art of Motorcycle Maintenance: “Quality,” a concept loosely likened to “excellence,” “rightness,” or “fitness” that Pirsig saw as kindred to the Buddhist ideas of “dharma” or the “Tao.” As he later wrote in Zen, “Quality is the Buddha.”Though he was revered by fans who considered him a guru, the famously private Pirsig published only two books and consented to few interviews and almost no public appearances in later decades. Yet he wrote and thought almost continually, refining his “Metaphysics of Quality” until his death in 2017.Now, for the first time, readers will be granted access to five decades of Pirsig’s personal writings in this posthumous collection that illuminates the evolution of his thinking to an unprecedented degree. Skillfully edited and introduced by Wendy K. Pirsig, Robert’s wife of four decades, the collection includes previously unpublished texts, speeches, letters, interviews, and private notes, as well as key excerpts from Zen and the Art of the Motorcycle Maintenance and his second book, Lila.Since its publication in 1974, Zen and the Art of Motorcycle Maintenance has established itself as a modern classic of popular philosophy; selling millions of copies and inspiring a generation, while serving as a perennial touchstone for the generations that follow. On Quality is a remarkable contribution to our understanding of one of the most influential thinkers and writers of our time.

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The Boys in the Band’s debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley’s hit Off-Broadway play from 1968, the film’s two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay ""types."" Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film’s importance, more substantive research and analysis have been woefully lacking. The film’s neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release—and has occupied since.The scholars assembled here bring an invigorating variety of methods to their considerations of this singular film. Coming from a wide range of academic disciplines, they pose and answer questions about the film in remarkably different ways. Cultural analysis, archival research, interviews, study of film traditions, and theoretical framing intensify their revelatory readings of the film. Many of the essays take inventive approaches to longstanding debates about identity politics, and together they engage with current academic work across a variety of fields that include queer theory, film theory, gender studies, race and ethnic studies, and Marxist theory. Addressing The Boys in the Band from multiple perspectives, these essays identify and draw out the film’s latent flashpoints—aspects of the film that express the historical, cinematic, and queer-political crises not only of its own time, but also of today.The Boys in the Band is an accessible touchstone text in both queer studies and film studies. Scholars and students working in the disciplines of film studies, queer studies, history, theater, and sociology will surely find the book invaluable and a shaping influence on these fields in the coming years.

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In 2016, Globe and Mail reporter Ann Hui drove across Canada, from Victoria to Fogo Island, to write about small-town Chinese restaurants and the families who run them. It was only after the story was published that she discovered her own family could have been included—her parents had run their own Chinese restaurant, The Legion Cafe, before she was born. This discovery, and the realization that there was so much of her own history she didn’t yet know, set her on a time-sensitive mission: to understand how, after generations living in a poverty-stricken area of Guangdong, China, her family had somehow wound up in Canada. Chop Suey Nation: The Legion Cafe and Other Stories from Canada’s Chinese Restaurantsweaves together Hui’s own family history—from her grandfather’s decision to leave behind a wife and newborn son for a new life, to her father’s path from cooking in rural China to running some of the largest “Western” kitchens in Vancouver, to the unravelling of a closely guarded family secret—with the stories of dozens of Chinese restaurant owners from coast to coast. Along her trip, she meets a Chinese-restaurant owner/small-town mayor, the owner of a Chinese restaurant in a Thunder Bay curling rink, and the woman who runs a restaurant alone, 365 days a year, on the very remote Fogo Island. Hui also explores the fascinating history behind “chop suey” cuisine, detailing the invention of classics like “ginger beef” and “Newfoundland chow mein,” and other uniquely Canadian fare like the “Chinese pierogies” of Alberta. Hui, who grew up in authenticity-obsessed Vancouver, begins her journey with a somewhat disparaging view of small-town “fake Chinese” food. But by the end, she comes to appreciate the essentially Chinese values that drive these restaurants—perseverance, entrepreneurialism and deep love for family. Using her own family’s story as a touchstone, she explores the importance of these restaurants in the country’s history and makes the case for why chop suey cuisine should be recognized as quintessentially Canadian.

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D.X. Ferris explores the creation of the most universally respected metal album.Slayer's controversial "Reign in Blood" remains the gold standard for extreme heavy metal: a seamless procession of ten blindingly fast songs in just twenty-eight minutes, delivered in furious bursts of instrumental precision, with lyrics so striking that Tori Amos was moved to record a cover. Reign in Blood saw the emerging underground standouts from Huntington Beach team with Rick Rubin - 2007's Grammy-Award winner for producer of the year, then known strictly for creating hip-hop albums with groups such as Run-DMC and the Beastie Boys - to permanently fuse classic rock's technical proficiency, hardcore punk's speed and metal's brute power. Working in a much-maligned genre, guitarists Jeff Hanneman and Kerry King emerged as the Lennon and McCartney of speed metal, penning a collection of apocalyptic scenes comparable to the dark work of novelists like Cormac McCarthy and Herman Melville.The album came together though the efforts of a team that would go on to be some of the biggest names in the current music business. Issued on America's premier rap label at the pinnacle of the thrash movement, Reign in Blood sparked a new genre called death metal and continues to serve as a touchstone for metal musicians. The disc marked Slayer's coronation as the kings of thrash and their ongoing twenty-five year streak of vitality places them in the small fraternity of rock's greatest groups. Through interviews with the entire band, Rubin, engineer Andy Wallace, and a who's who of headbangers from three decades, D.X. Ferris explores the creation of the most universally respected metal album."33 1/3" is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 50 titles and is acclaimed and loved by fans, musicians and scholars alike.

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From influential and iconic star Constance Wu, a powerful and poignant memoir-in-essays full of funny and intimate observations that will resonate with readers everywhere. ‘Like her, the book is bold, emotional and unexpurgated; the story of an Asian American who always wanted to fit in, and ended up just wanting to be her true self.’Independent ‘A startling insight into the reality of trials by social media and sexual exploitation in Hollywood… Most powerful is her #MeToo rallying cry, which will make your skin crawl and your blood boil.’ Sunday Times Growing up in the friendly suburbs of Richmond, Virginia, Constance Wu thought that girls were supposed to be reserved, graceful, and polite. Everyone around her praised ladylike behaviour while seeming to disapprove of the louder, rougher girls – the kind of girls who made scenes. And while she spent most of her childhood suppressing her bold, emotional nature, Constance found an early outlet in local community theatre. The stage was the one place where big feelings were okay – were good, even. As she continued to reconcile her personality with the expectations of daily life, acting became more than a hobby. It was her refuge, her touchstone, and eventually her vocation. She went to New York to study classical theatre and pursue an acting career while waiting tables, dating, despairing, and embracing city life. In 2015, she was cast in the ground-breaking TV sitcom Fresh Off the Boat, a touching, funny story about an Asian American family in the ’90s. Another historic role followed when she starred in the smash hit film Crazy Rich Asians, which featured an entirely Asian cast. These two pivotal moments in Hollywood history opened up a new chapter for Constance, who continues to explore the complexities of Asian American representation. Through raw, hilarious, and relatable stories, Constance fearlessly shares her experiences of growing up in suburban Virginia, scraping by as a struggling actress, falling in love again and again, confronting her identity and influence, and navigating the pressures and pleasures of existing in today’s world.

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An important look at how America has won its wars in the past and how it can continue winning in the future.Is there a recipe for military success? In No Substitute for Victory, author David Rigby grapples with this issue and determines that, in the case of the United States, there are a number of different strategies that have brought victory in battle to American forces over the years.In a clear, energetic prose, Rigby explains how the dropping of chocolate bars from airplanes over Berlin turned out to be one of the most successful applications of the Cold War strategy of containment. He argues, too, that far from being a radical change in policy by a desperate President Lincoln, the Emancipation Proclamation was in fact an essential part of Lincoln’s plan to reunite the nation. While the focus in No Substitute for Victory is on military maneuvers that have been successful, Rigby brilliantly uses the Vietnam War as a touchstone for comparison purposes on how not to fight a war.While the writing of military strategy is a crowded field, Rigby’s approach is unique in that he draws examples from conflicts throughout American history, from the Revolution up through the modern day. Rigby’s ability to find similarities in—and to draw conclusions from—the successes attained by American forces in battles as seemingly dissimilar as Gettysburg and Midway makes No Substitute for Victory essential reading for anyone interested in the riveting history of our nation’s military.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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This is an excellent book. Bruce Kaufman, in his ever thoughtful way, has not just analyzed the history of the development of HRM, but assembled 17 chapters in which world-class local experts report on that history in their own country. The book is full of fascinating information, stories and analysis and will be a touchstone text for everyone wanting to break out of the usual narrow ethnocentric view that often afflicts studies of HRM.'- Chris Brewster, University of Reading, UKThis innovative book describes the historical development of human resource management (HRM) in seventeen countries around the world. The chapters, written by national experts, describe the origin of HRM in the late 19th - early 20th century and its evolution and development as a business practice to the present day.Offering a comprehensive cross-disciplinary perspective, the chapters discuss the economic, political and social factors that shaped HRM in each country, including the role of national labor movements and labor law regimes. The authors also provide an examination of HR practices and systems within firms, starting with rudimentary hiring and compensation a century ago, progressing to personnel and industrial relations programs in the last century, and culminating in modern human resource management practices today, including strategic high-performance systems. This unique book is the first to identify the commonalities and differences in HRM both across nations and over time.A book with real international appeal, The Development of Human Resource Management Across Nations will interest researchers, students and practitioners involved with management, industrial relations, labor economics, organizational behavior and employment law.Contributors: C. Aldao-Zapiola, A. Camuffo, L. Chen, G. Costa, L. Gonãs, H. Gospel, Z. Guimarães Horta, I. Gurkov, I. Harpaz, B.E. Kaufman, P. Larson, Y-M. Lee, M. Meyer, E. Morgunov, J. Rojot, R. Rosenberger, A. Settles, J.S. Sodhi, Z. Su, L. Tüzüner, J-W. Woo, C. Wright, O. Zelenova, X. Zeng

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This expanded and revised version of the best-selling Universal Methods of Design is a comprehensive reference that provides a thorough and critical presentation of 125 research methods, synthesis/analysis techniques, and research deliverables for human-centered design. The text and accompanying photos and graphics of this classic resource are delivered in a concise and accessible format perfect for designers, educators, and students. This new, expanded edition includes updated information on scenarios, secondary research, territory maps, and other chapters. The addition of 25 new chapters brings fresh relevance to the text with innovative design methods that have emerged since the first edition, such as backcasting, behavioral design, horizon scanning, and transition design.Universal Methods of Design, Expanded and Revised distills each method down to its essence, in a format that helps design teams select and implement the most credible research methods suited to their design culture. Each method is presented in a two-page format. The left-hand page contains a concise description of the method, accompanied by references to further reading. On the right-hand page, images and case studies for each method are presented visually. The relevant phases for design application are highlighted as numbered icons along the right side of the page, from phases 1 (planning, scoping, and definition) through 5 (launch and monitor).Build more meaningful products with these methods and more: Affinity Diagramming, Behavioral Mapping, Bodystorming, Contextual Design, Critical Incident Design, Directed Storytelling, Empathy Maps, Graffiti Walls, Image Boards, Parallel Prototyping, Simulation Exercises, Touchstone Tours, and Weighted Matrix. This essential guide: Dismantles the myth that user research methods are complicated, expensive, and time-consuming Creates a shared meaning for cross-disciplinary teams Illustrates methods with compelling visualizations and case studies Characterizes each method at a glance Indicates when methods are best employed to help prioritize appropriate design research strategies Universal Methods of Design, Expanded and Revised is an essential resource for designers of all levels and specializations.

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The first inside story of one of TV's most popular and beloved dramas, Grey's Anatomy.'I'm a Black woman casting my own show. I wanted their world to look like the world that I live in. I don't think about it in those terms [diversity], and I militantly think I don't have to.' Shonda Rhimes'Multiple generations have discovered Derek through Netflix. They are passionate around the world. It's humbling.' Patrick DempseyMore than 15 years after its premiere, Grey's Anatomy remains one of the most beloved dramas on television in the US and the UK. It continues to win its time slot and has ranked in the Top 20 most watched shows in primetime for most of its 17-season run. It currently averages more than 9 million viewers each week. Now it's time to hear from the people who made the show happen.A cultural touchstone, it introduced the unique voice and vision of Shonda Rhimes, it made Ellen Pompeo, Sandra Oh and T.R. Knight household names, and injected words and phrases into the cultural lexicon like 'McDreamy,' and 'you're my person.' And the behind-the-scenes drama has always been just as juicy as what was happening in front of the camera, from the high-profile firing of Isaiah Washington to Katherine Heigl's fall from grace and Patrick Dempsey's shocking death episode. The show continued to haemorrhage key players, but the beloved hospital series never skipped a beat. Lynette Rice's How to Save A Life takes a deep dive into the show's humble start, while offering exclusive intel on the behind-the-scenes culture, the most heartbreaking departures and the more polarizing plotlines. It's the perfect gift for all Grey's Anatomy stans out there.'It's incredible how this show just keeps resonating with the young generation. It's really touching.' Ellen Pompeo'As much of my life as I feel like I [gave that] character, she has saved me and helped me grow into the artist that I am. . . . If [Shonda] didn't ask me to come back for the series finale, I would hurt her.' Sandra Oh

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Winner of the Award for Excellence in Government and Political Science (AAP) The Rwandan genocide has become a touchstone for debates about the causes of mass violence and the responsibilities of the international community. Yet a number of key questions about this tragedy remain unanswered: How did the violence spread from community to community and so rapidly engulf the nation? Why did individuals make decisions that led them to take up machetes against their neighbors? And what was the logic that drove the campaign of extermination? According to Scott Straus, a social scientist and former journalist in East Africa for several years (who received a Pulitzer Prize nomination for his reporting for the Houston Chronicle), many of the widely held beliefs about the causes and course of genocide in Rwanda are incomplete. They focus largely on the actions of the ruling elite or the inaction of the international community. Considerably less is known about how and why elite decisions became widespread exterminatory violence. Challenging the prevailing wisdom, Straus provides substantial new evidence about local patterns of violence, using original research—including the most comprehensive surveys yet undertaken among convicted perpetrators—to assess competing theories about the causes and dynamics of the genocide. Current interpretations stress three main causes for the genocide: ethnic identity, ideology, and mass-media indoctrination (in particular the influence of hate radio). Straus's research does not deny the importance of ethnicity, but he finds that it operated more as a background condition. Instead, Straus emphasizes fear and intra-ethnic intimidation as the primary drivers of the violence. A defensive civil war and the assassination of a president created a feeling of acute insecurity. Rwanda's unusually effective state was also central, as was the country's geography and population density, which limited the number of exit options for both victims and perpetrators. In conclusion, Straus steps back from the particulars of the Rwandan genocide to offer a new, dynamic model for understanding other instances of genocide in recent history—the Holocaust, Armenia, Cambodia, the Balkans—and assessing the future likelihood of such events.

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When former Kentucky Poet Laureate Richard Taylor took a job at Kentucky State University in 1975, he purchased a fixer-upper - in need of a roof, a paint job, city water, and central heating - that became known to his friends as "Taylor's Folly." The historic Giltner-Holt House, which was built in 1859 and sits close by the Elkhorn Creek a few miles outside of Frankfort, became the poet's entrance into the area's history and culture, and the Elkhorn became a source of inspiration for his writing.Driven by topophilia (love of place), Taylor focuses on the eight-mile stretch of the creek from the Forks of the Elkhorn to Knight's Bridge to provide a glimpse into the economic, social, and cultural transformation of Kentucky from wilderness to its current landscape. He explores both the natural history of the region and the formation of the Forks community. Taylor recounts the Elkhorn Valley's inhabitants from the earliest surveyors and settlers to artist Paul Sawyier, who memorably documented the creek in watercolors, oils, and pastels. Interspersed with photographs and illustrations - contemporary and historic - and intermixed with short vignettes about historical figures of the region, Elkhorn: Evolution of a Kentucky Landscape delivers a history that is by turns a vibrant and meditative personal response to the creek and its many wonders.Flowing across four counties in central Kentucky, Elkhorn Creek is the second largest tributary of the Kentucky River. Known for its beauty and recreational opportunities, Elkhorn Creek has become an increasingly popular location for canoeing, kayaking, and camping and is one of the state's best-known streams for smallmouth bass, bluegills, and crawfish. Like Walden Pond for Henry David Thoreau, the Elkhorn has been a touchstone for Taylor. A beautiful blend of creative storytelling and historical exploration of one of the state's beloved waterways, Elkhorn celebrates a gem in the heart of central Kentucky.

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[Pascal]’s methods are effective, and his creativity is infectious. With gorgeous photos and clear technical details, this book will be a source of great inspiration. Sandor Ellix Katz, author of The Art of Fermentation The perfect guide for DIY homebrewers, fermentation fans and foraging enthusiasts! Fermentation fans and homebrewers are invited to discover a galaxy of wild and cultivated plants, fruits, berries and other natural ingredients traditionally used to make a whole spectrum of fizzy fermented drinks! Wild-plant expert and forager Pascal Baudar’s first book, The New Wildcrafted Cuisine, opened up a whole new world of possibilities for readers wishing to explore and capture the flavours of their local terroir. Next in Pascal’s Wildcrafted series, The Wildcrafting Brewer does the same for fermented drinks. Baudar reveals both the underlying philosophy and the practical techniques for making your own delicious concoctions. Illustrated with full-colour photographs and step-by-step techniques on how to make a variety of drinks, including: Sugar, molasses & syrup-based beers such as ginger beer, mountain beer, nettle beer, wild Belgian beer Country wines & meads including: elderberry wine, honey wine, herbal mead Traditional drinks & medicinal brews such as tepache, fruit kvass, chaga beer Naturally fermented drinks including: pinecone soda, mountain raspberry soda, elderflower soda, lacto-fermented drinks and much more! Baudar is quick to point out that these recipes serve mainly as a touchstone for readers, who can then use the information and techniques he provides to create their own brews using local ingredients. The Wildcrafting Brewer will attract foodies, herbalists, foragers and chefs alike with the author’s playful and relaxed philosophy. Readers will find themselves surprised by how easy making your own natural drinks can be and will be inspired, again, by the abundance of nature all around them. Those interested in the wonders of foraging and fermenting can also check out his next book in the wildcrafted series, Wildcrafted Fermentation!

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It's Britain's hottest summer since 1976 and English cricket is in a sweat of transformation. The public is no longer interested in County Championship games, traditional touchstone of the calendar. Fans prefer a bit of flash, bang, wallop – or so the experts tell us. Where though does that leave the twenty minor counties – strung out from Northumberland to Norfolk to Cornwall – who for the past one hundred and twenty-five years have fancied themselves the stepping-stone between regional club and first class county competitions? A level of the game seen as either an ex-professionals' graveyard or the last refuge of blazered old duffers is in a struggle for its very existence. And come 2020, the venerable Minor Counties Championship will indeed be blown away, like dandelion seeds on the breeze, replaced by the newly-branded and 'more marketable' National Counties Championship. At least that was the plan. In 2018, no-one has yet heard of Covid-19. What they do know is that this threat to their competition is existential and the modernisers at Lord's are to blame, far more interested in such innovations as a proposed new 'Hundred' than bolstering that which has stood the test of time. Granted full access to committee and squad, Tony Hannan, author of Underdogs – A Year in the Life of a Rugby League Town, spent a season with Cumberland CCC amid the lakes, fells and mountains of Cumbria. And as might have been expected in such dramatic terrain, he tells a story full of ups and downs – complete with one or two surprises. Skippered by former Durham player Gary Pratt – who as substitute fielder ran out Australia captain Ricky Ponting during the 2005 Ashes – Cumberland's expenses-only nomads are nevertheless just one important thread in a yarn stretching well beyond the boundaries of Cumbria. The Wicket Men is a cricket book unlike any other. It draws stumps on a small but fascinating aspect of a pastime whose rhythms and rituals, while endlessly evolving, are rooted firmly in the English folk tradition.

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Multiculturalism has become a political touchstone in many countries around the world. While many of those on the right oppose it, and many of those on the left embrace it, things are not this simple. For those who defend them, multicultural policies are generally seen as key to the fair and successful integration of minorities, many of whom are immigrants, into diverse democratic societies. For those who oppose multiculturalism, who have become part of the so-called "backlash" against multiculturalism, they are charged with generating segregation rather than inclusion, undermining national cultures, reinforcing difference, and privileging minority groups. Around the world, we see failing attempts at migrant integration, persistent religious intolerance and racial and ethnic discrimination, resurgent national minorities, emboldened majorities, permanent minorities, continuing social isolation, and increasing extremism, including in the form of white nationalism. But is multiculturalism the solution to these problems or does it just make them worse? In this for-and-against book, two prominent scholars of multiculturalism put forward different answers to this important question. While Patti Tamara Lenard argues for minority rights as both the consequence of a right to culture and a way to redress the effects of nation-building, Peter Balint rejects minority rights altogether, instead arguing for a re-imagined liberal neutrality. This theoretical disagreement plays out in real-world policy disagreement. Lenard, for example, argues strongly in favor of exemptions from general rules for minority cultures including the right of Sikhs to be exempt from helmet laws, and for Jews and Muslims to be exempt from bans on male circumcision. She also defends the right of minority cultures to have government-supported separate spaces. Balint, on the other hand, argues directly against these types of exemptions and government support. He is opposed to any form of differentiation based on culture, religion, or ethnicity. The book uses a wide range of real-world examples to demonstrate their significant theoretical disagreement, and to recommend very different policy proposals.

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Since the mid-1960s, Gordon Rohlehr has been an incomparable recorder and analyser of Caribbean literature and culture and their intersection with history and politics. His work on the emergence of Caribbean writing from its colonial shell and his analysis of calypso as the voice of Trinidadian consciousness establishes him as essential to our time as William Hazlitt was to the early 19th century in documenting and characterising the turbulent spirit of his age. Radical, but never willing to compromise his sense of what was fraudulent or power-seeking amongst his fellow travellers, Rohlehr is the best touchstone we have for both what the Caribbean has achieved and of its struggling, neo-colonial fragility in the face of the new imperialism of economic and cultural globalism.Now – though who knows? – in putting together what he says is his last book, Gordon Rohlehr doffs the costume of the carnival figure of the “Bookman”, the recording Satan of the devil band, who walks with his book in which he writes down the names of the damned. And here we have the clue to the fact that along with the serious analysis of calypso, his summing up of what is essential in the work of Derek Walcott, Earl Lovelace and V.S. Naipaul, and the essays of remembrance for those like Walcott, Lloyd Best, Pat Bishop, Tony Martin and others who have made their earthly exits, there is a devilish humour at work. This comes out particularly in an essay that joyfully demolishes an attempt to characterise the Caribbean in any other than its own terms – as a new Mediterranean, for instance – and the subservience of Trinidad’s rulers to the neo-colonialisms of tourism, visiting American ships and the U.S. embassy. What is often salutary, if uncomfortable, is to be reminded by the long span of Rohlehr’s observations that problems seen as contemporary were being identified by the nation’s calypsonians sixty years ago. Rohlehr’s voice is always distinctively personal, though the Bookman has rarely revealed much of himself, but in one of the concluding essays he writes about his Guyanese upbringing from the 1940s to the 1960s in a way that is both very funny and sad and gives an understanding of what has shaped his vision.

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In Improving Mental Health: Four Secrets in Plain Sight, Dr. Lloyd Sederer draws upon four decades of diverse clinical practice, mental health research and public health experience to create a memorable volume that is as elegant as it is instructive. The book aims to help clinicians improve the lives of their patients—and patients to improve their own lives—by identifying these secrets and taking action in ways that can work immediately, closing the science-to-practice gap. In addition to mental health and primary care clinicians, patients and their families will find the book's many stories, clinical examples and cultural references fascinating and illuminating. The book's four foundational truths, all hiding in plain sight and all eminently actionable, are • Behavior serves a purpose. The search for meaning and the identification and communication value of a behavior are too often overlooked aspects of mental health care and a lost opportunity with and for patients and their families. • The power of attachment. The force of attachment as a human need and drive must be harnessed if we are to change painful and problem behaviors. Relationships are the royal road to remedying human suffering—both individual and collective. • As a rule, less is more. Mental health treatments, both medical and psychosocial, have often been aggressive, from high doses of drugs to intensive sessions and psychic confrontation in individual and group psychotherapy. Unfortunately, these high risk efforts infrequently provide help and often have unwanted and problematic effects. Primum non nocere—first, do no harm—is the first law of medicine. • Chronic stress is the enemy. From adverse childhood experiences to posttraumatic stress, chronic stress can be an underlying factor in the development of many mental and physical disorders. However, chronic stress can be understood and contained, thereby reducing its damage. Dr. Sederer synthesizes the knowledge gained through his considerable experience as a psychiatrist with insights gleaned from history, research and literature to address the four truths in a systematic, yet lively, manner. The result is a book of rare grace. Improving Mental Health: Four Secrets in Plain Sight will be a touchstone for the clinician and general reader alike.

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The first inside story of one of TV's most popular and beloved dramas, Grey's Anatomy.'I'm a Black woman casting my own show. I wanted their world to look like the world that I live in. I don't think about it in those terms [diversity], and I militantly think I don't have to.' Shonda Rhimes'Multiple generations have discovered Derek through Netflix. They are passionate around the world. It's humbling.' Patrick DempseyMore than 15 years after its premiere, Grey's Anatomy remains one of the most beloved dramas on television in the US and the UK. It continues to win its time slot and has ranked in the Top 20 most watched shows in primetime for most of its 17-season run. It currently averages more than 9 million viewers each week. Now it's time to hear from the people who made the show happen.A cultural touchstone, it introduced the unique voice and vision of Shonda Rhimes, it made Ellen Pompeo, Sandra Oh and T.R. Knight household names, and injected words and phrases into the cultural lexicon like 'McDreamy,' and 'you're my person.' And the behind-the-scenes drama has always been just as juicy as what was happening in front of the camera, from the high-profile firing of Isaiah Washington to Katherine Heigl's fall from grace and Patrick Dempsey's shocking death episode. The show continued to haemorrhage key players, but the beloved hospital series never skipped a beat. Lynette Rice's How to Save A Life takes a deep dive into the show's humble start, while offering exclusive intel on the behind-the-scenes culture, the most heartbreaking departures and the more polarizing plotlines. It's the perfect gift for all Grey's Anatomy stans out there.'It's incredible how this show just keeps resonating with the young generation. It's really touching.' Ellen Pompeo'As much of my life as I feel like I [gave that] character, she has saved me and helped me grow into the artist that I am. . . . If [Shonda] didn't ask me to come back for the series finale, I would hurt her.' Sandra Oh

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During the 2008 election season, the Democratic and Republican presidential candidates both aspired to be understood as foreign policy "realists" in the mold of Henry Kissinger. Kissinger, who is distrusted on the neoconservative right for his skepticism about American exceptionalism and on the liberal left for his amoral, realpolitik approach, once again stood as the sage of foreign relations and the wise man who rises above partisan politics. In The Eccentric Realist, Mario Del Pero questions this depiction of Kissinger. Lauded as the foreign policy realist par excellence, Kissinger, as Del Pero shows, has been far more ideological and inconsistent in his policy formulations than is commonly realized.Del Pero considers the rise and fall of Kissinger's foreign policy doctrine over the course of the 1970s—beginning with his role as National Security Advisor to Nixon and ending with the collapse of détente with the Soviet Union after Kissinger left the scene as Ford's outgoing Secretary of State. Del Pero shows that realism then (not unlike realism now) was as much a response to domestic politics as it was a cold, hard assessment of the facts of international relations. In the early 1970s, Americans were weary of ideological forays abroad; Kissinger provided them with a doctrine that translated that political weariness into foreign policy. Del Pero argues that Kissinger was keenly aware that realism could win elections and generate consensus. Moreover, over the course of the 1970s it became clear that realism, as practiced by Kissinger, was as rigid as the neoconservativism that came to replace it.In the end, the failure of the détente forged by the realists was not the defeat of cool reason at the hands of ideologically motivated and politically savvy neoconservatives. Rather, the force of American exceptionalism, the touchstone of the neocons, overcame Kissinger's political skills and ideological commitments. The fate of realism in the 1970s raises interesting questions regarding its prospects in the early years of the twenty-first century.

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COLLEGE MEN AND MASCULINITIES is a comprehensive handbook that offers a compilation of the best classic and contemporary research on male students in higher education. The editors, Shaun R. Harper and Frank Harris III—two experts in the field of men and masculinities—frame each of the six sections of the book with a summary of issues and implications for educational practice. Each section also includes a wealth of forward-thinking strategies and suggestions that faculty and institutional leaders can creatively employ on their campuses to reverse problematic trends and outcomes among male undergraduates. With contributions from leading scholars in education, sociology, psychology, and other disciplines, College Men and Masculinities explores the following issues in depth: Identity development and gender socialization Sexualities and sexual orientations Destructive behaviors (judicial offenses, alcohol abuse, and violence) Health and wellness College men of color College men and sports This vital resource will help educators and administrators address the alarming trends and issues that arise from identity-related challenges among boys and college men. "What a valuable resource! This book includes some of the most influential research and theory on all aspects of collegiate masculinity—from sports to spirituality, hazing to hook-ups, and alcohol to assault. Always sensitive to how different groups of men experience college life, Harper and Harris's book will surely become the touchstone text for those who work with or study college men." —Michael Kimmel, author of Manhood in America and professor of sociology, Stony Brook University "Essential reading for all who care about gender equity, this book advances the conversation about men in college at the critical nexus of identity development, culture, and relationship, enabling faculty and student affairs administrators to build more thoughtful and challenging educational environments for men from diverse populations." —Susan Marine, Women's Center director and assistant dean for student life, Harvard University This book offers educators and administrators much-needed guidance for understanding and effectively meeting the developmental, academic, and social needs of undergraduate men." —Chauncey Smith, undergraduate student leader, Morehouse College

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Pantone, the worldwide color authority, invites you on a rich visual tour of 100 transformative years. "In this visual feast for color nerds, hue gurus Leatrice Eiseman and Keith Recker identify the shades that shaped our collective color palette."—Fast Company From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color. In this incredible and unique exploration of color, longtime Pantone collaborators and color gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products, décor, and fashion, and carefully match them with 80 different official PANTONE color palettes to reveal the trends, radical shifts, and resurgences of various hues. A color theory book like no other, this vibrant volume takes the social temperature of our recent history with the panache that is uniquely Pantone. STUNNING ART BOOK AND RESOURCE GUIDE: A treasure trove of inspiration and reference for artists, designers, stylists, and lovers of fashion design, modern architecture, contemporary art, furniture, and home décor. HANDS-ON GUIDANCE FOR CREATIVES: As one reviewer notes, "this is a coffee table–sized decade-by- decade guide to the colors of the 20th century, with Pantone color palette listings to enable you to reproduce them exactly right." COLOR MATTERS: Color as a form of communication is incredibly powerful. Its ability to influence thought, mood, and action is gaining newfound attention in the field of modern psychology and in our collective reach for bettering ourselves emotionally and spiritually. Perfect for:  Artists, graphic designers, fashion and décor designers, set decorators, and any professional who incorporates color into their work  Library and museum curation  Homeowners looking for period design inspiration  Fans of cultural history, color exploration, and interior design  Readers of Architectural Digest, Dwell, Wallpaper, and The World of Interiors

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A NEW YORK TIMES BESTSELLER From the National Book Award-winning author of Just Kids Selected as Book of the Year by the Daily Telegraph, i paper, Metro and Harper's Bazaar ‘Magical’ GUARDIAN 'A gripping tale of the search for meaning in times of turbulence - expressed with Smith’s signature poetic flair' VOGUE 'Extraordinary ... A tense, teasing mix of reality and dream' Sunday Times 'A melancholy mood and poetic language distinguish Smith’s third memoir' BBC ‘Her willingness to look closely at life’s closing chapters makes for a magical book' WASHINGTON POST, 'The 10 books to read in September' Following a run of New Year’s concerts at San Francisco’s legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland, with no design yet heeding signs, including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, heightened mischief, and inescapable sorrow. In a stranger’s words, “Anything is possible: after all, it’s the year of the monkey.” For Patti Smith - inveterately curious, always exploring, tracking thoughts, writing the year evolves as one of reckoning with the changes in life’s gyre: with loss, aging, and a dramatic shift in the political landscape of America. Smith melds the Western landscape with her own dreamscape. Taking us from Southern California to the Arizona desert; to a Kentucky farm as the amanuensis of a friend in crisis; to the hospital room of a valued mentor; and by turns to remembered and imagined places - this haunting memoir blends fact and fiction with poetic mastery. The unexpected happens; grief and disillusionment. But as Patti Smith heads toward a new decade in her own life, she offers this balm to the reader: her wisdom, wit, gimlet eye, and above all, a rugged hope of a better world. Riveting, elegant, often humorous, illustrated by Smith’s signature Polaroids, Year of the Monkey is a moving and original work, a touchstone for our turbulent times.

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A lavishly illustrated, large-format reference book highlighting the work of 101 essential children’s illustrators The illustrated children’s book came of age in the 18th century alongside the rising middle-class demand for economic and social advancement. Inspired by philosopher John Locke’s prescient insights into child development, London publisher John Newbery established the first commercial market for illustrated “juveniles” in the West, and the impact of the model he set for books tailored to the interests and capabilities of young readers has spanned the globe, spurring higher literacy rates, cultural enfranchisement, and a better life for generations of children. In Pictured Worlds, renowned historian Leonard S. Marcus shares his incomparable knowledge of this global cultural phenomenon in the definitive reference work on children’s book illustration. The author of more than 25 award-winning books, Marcus here highlights an international roster of 101 artists of the last 250 years whose touchstone achievements collectively chart the major trends and turning points in the history of children’s book illustration. While some illustrators explored in this lively volume (John Tenniel, Maurice Sendak) have become household names, Marcus’s wide-ranging survey also shines a light on several lesser-known figures whose unique contributions merit a closer look. The result is a sweeping chronicle of a vibrant art form and cultural driver that has touched the lives of literate peoples everywhere. Over 400 illustrations showcase landmark books from Great Britain, the United States, France, Germany, Austria, Italy, Sweden, Czech Republic, Russia, Japan, China, Korea, Bulgaria, Argentina, Cameroon, and more. Each illustrated entry is comprised of an artist’s biography and career overview and a deep-dive look at a pivotal book and its legacy. Featured books include Ivan Bilibin’s The Golden Cockerel, Leo Lionni’s Inch by Inch, Richard Doyle’s In Fairyland, Kveta Pacovská’s One, Five, Many, Helen Oxenbury’s We’re Going On a Bear Hunt, Mitsumasa Anno’s Anno’s Journey, and Zhu Chengliang's A New Year's Reunion, and the books that introduced such iconic characters as Alice, Max, Struwwelpeter, the Little Prince, and Winnie-the-Pooh. At once a celebration of illustrated children’s books and an essential reference work, Pictured Worlds encapsulates, in the author’s words, "the special nature of the illustrated children’s book as a cultural enterprise that is at once a rewarding art form, a bridge across cultures, and a ladder between generations.”

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