Search results for ""Pantheon""

From coastal Australia to Santorini and Ireland, a slice of warm, character-driven fiction in the tradition of Maeve Binchy and Monica McInerneyTwenty years ago, Ellen O'Shea left her beloved Ireland to make a new life in Australia. Now, living in a small coastal town and struggling to cope with the death of her much-loved Greek husband, Nick, Ellen finds her world turned upside down when an unexpected visitor lands on her doorstep. The arrival of Gerry Clancy, her first love from Ireland, may just be the catalyst that pulls Ellen out of her pit of grief, but it will also trigger a whole new set of complications for her and those she holds dear.Set in Ireland, Greece and small-town coastal Australia, LEAVING OCEAN ROAD is a warm-hearted, poignant story about treasuring our memories while celebrating our new beginnings.'LEAVING OCEAN ROAD is warm, wise and full of humour. Esther Campion is a wonderful new voice in Australian fiction' CATHY KELLY'An intelligent novel. Esther Campion has woven a poignant story about that journey everyone takes to find their beloved place in the world' Better Reading'A delightful tale ... a well-written novel with beautiful descriptions from this new Irish author' Starts at Sixty'Joins the captivating Maeve Binchy in the pantheon of popular Irish novelists' Irish Scene

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Jacqueline Kahanoff: A Levantine Woman is the first intellectual biography of this remarkable Egyptian-Jewish intellectual, whose work has secured her place in literary pantheon as a herald of Levantine, Mediterranean, and transnational culture. Growing up Jewish in cosmopolitan Egypt in the 1920s and 1930s, Jacqueline Kahanoff experienced a bustling Middle East enriched by diverse languages, religions, and peoples who nonetheless were deeply connected to each other through history, business, daily practices, and shared landscape. At the age of twenty-four, Kahanoff immigrated to the United States. Her stories, essays, and short autobiographical novel attest to her penchant to cross boundaries, generations, social classes, sexes, and Western and Eastern constructs. After immigrating to Israel in the early 1950s, she critically addressed the country's "provinciality" and "ethnic nationalism" as seen through her conception of a transnational Levantine culture. Through many writings, Kahanoff set forth her distinctive vision of Israel as a Mediterranean country with a broad, multicultural Levantine identity. Drawing on an extensive array of sources, ranging from interviews with Jacqueline Kahanoff's acquaintances and contemporaries to unpublished writings, David Ohana explores her fascinating life and intellectual journey from Cairo to Tel Aviv. The encompassing vision of a Levantine Israel made Kahanoff the initiator of a different cultural possibility, more extensive than that offered in her time, and also, perhaps, than is offered today.

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The Shenzi Fragments is the first complete translation in any Western language of the extant work of Shen Dao (350-275 B.C.E.). Though his writings have been recounted and interpreted in many texts, particularly in the work of Xunzi and Han Fei, very few Western scholars have encountered the political philosopher's original, influential formulations. This volume contains both a translation and an analysis of the Shenzi Fragments. It explains their distillation of the potent political theories circulating in China during the Warring States period, along with their seminal relationship to the Taoist and Legalist traditions and the philosophies of the Lushi Chunqiu and the Huainanzi. These fragments outline a rudimentary theory of political order modeled on the natural world that recognizes the role of human self-interest in maintaining stable rule. Casting the natural world as an independent, amoral system, Shen Dao situates the source of moral judgment firmly within the human sphere, prompting political philosophy to develop in realistic directions. Harris's sophisticated translation is paired with commentary that clarifies difficult passages and obscure references. For sections open to multiple interpretations, he offers resources for further research and encourages readers to follow their own path to meaning, much as Shen Dao intended. The Shenzi Fragments offers English-language readers a chance to grasp the full significance of Shen Dao's work among the pantheon of Chinese intellectuals.

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In an ambitious reappraisal of Langston Hughes’s work and legacy, Ryan James Kernan reads Hughes’s political poetry in the context of his practice of translation to reveal an important meditation on diaspora. Drawing on heretofore unearthed archival evidence, Kernan shows how Hughes mined his engagements with the poetics of Louis Aragon, Nicolás Guillén, Regino Pedroso, Vladimir Mayakovsky, Federico García Lorca, and Léopold Sédar Senghor, as well as translations of his own poetry, to fashion a radical poetics that engaged Black left internationalist concerns. As he follows Hughes from Harlem to Havana, Moscow, Madrid, and finally to Dakar, Kernan reveals how the writer’s identity and aesthetic were translated within these leftist geographies and metropoles, by others but also collaboratively. As Kernan argues, we cannot know Hughes without knowing him in translation.Through original research and close readings alert to the foreign prosody underlying Hughes’s work, New World Maker recuperates his political writing, which had been widely maligned by Cold War detractors and adherents of New Criticism, and affirms his place as a progenitor of African diasporic literature and within the pantheon of US modernists. Demonstrating the integral part translation played in Hughes’s creative process, this book challenges a number of common assumptions about this canonical thinker and offers important insights for scholars of African diasporic literature, comparative literature, and American, Caribbean, and translation studies.

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Sex, Lies and Handlebar Tape is the astonishing biography of French cycling star Jacques Anquetil. For the first time since his death in 1987, it reveals the extraordinary truth behind the legend, the man and the cyclist.His list of 'firsts' alone makes him worthy of a place in the cycling pantheon: the first man to win the Tour de France five times; the first man to win all three grand tours - the Tour de France, Giro d'Italia and Vuelta a España; and the first man to win both the Tour and Vuelta in the same year.However, the extraordinary life of Anquetil does not stop at his achievements on a bike. He candidly admitted to using drugs, offended legions of fans by confessing that his only motivation for riding was financial and infamously indulged his enthusiasm for the high life. He also seduced and married his doctor's wife, had a child with her daughter and then sustained a ménage à trois with both wife and stepdaughter under the same roof for 12 years. When this 'family' eventually imploded, he attempted to inspire jealousy in his former lovers by having a child with his stepson's ex-wife.Containing exclusive contributions from Anquetil's family, friends, teammates and rivals, Sex, Lies and Handlebar Tape untangles myth from reality and confirms that fact is definitely stranger than fiction.

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The Hindu pantheon is rich in images of the divine feminine - deities representing a wide range of symbolic, social, and meditative meanings. David Kinsley's new book documents a highly unusual group of ten Hindu tantric goddesses, the Mahavidyas, many of whom are strongly associated with sexuality and violence. What is one to make of a goddess who cuts her own head off, or one who prefers sex with a corpse? The Mahavidyas embody habits, attributes, or identities usually considered repulsive or socially subversive and can be viewed as 'antimodels' for women. Yet it is within the context of tantric worship that devotees seek to identify themselves with these forbidding goddesses. The Mahavidyas seem to function as 'awakeners' - symbols which help to project one's consciousness beyond the socially acceptable or predictable. Drawing on a broad range of Sanskrit and vernacular texts as well as extensive research in India, including written and oral interpretations of contemporary Hindu practitioners, Kinsley describes the unusual qualities of each of the Mahavidyas and traces the parallels between their underlying themes. Especially valuable are the many rare and fascinating images he presents - each important to grasping the significance of the goddesses. Written in an accessible, engaging style, Kinsley's book provides a comprehensive understanding of the Mahavidyas and is also an overview of Hindu tantric practice.

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This book is for anyone with ambitions to scale their impact at work in Asia. As a leader in Asia, you're standing at the edge of greatness — as an individual, a team, and an organization. This is a fast-growing market that truly resonates with mobile first, with a large and growing population that is incredibly young. Universal access to knowledge and technology is empowering the individual to be a powerful force for positive change in the world. So why do we feel so powerless?Every day, you are under immense pressure to perform at the top of your game. But perfection is such a fragile thing. It's not something you can cling on to, no matter how hard you work. Instead, you end up overwhelmed and burnt out. Somehow, somewhere, you got derailed. Where did you lose your edge? And more importantly, how do you get it back?This book will bring you into the corridors of power in Asia, the pantheon of the gods in the modern world. We dive into the murky depths of the minds of the most powerful individuals in organizations. I hope these incredible stories will not only engage your mind but inspire your corner-office lust when you realize that you, in fact, every one of us, are born for greatness.To dance on the edge of greatness.

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Cervantes’ Architectures is the first book dedicated to architecture in Cervantes’ prose fiction. At a time when a pandemic is sweeping the world, this book reflects on the danger outside by concentrating on the role of enclosed structures as places where humans may feel safe, or as sites of beauty and harmony that provide solace. At the same time, a number of the architectures in Cervantes trigger dread and claustrophobia as they display a kind of shapelessness and a haunting aura that blends with the narrative. This volume invites readers to discover hundreds of edifices that Cervantes built with the pen. Their variety is astounding. The narrators and characters in these novels tell of castles, fortifications, inns, mills, prisons, palaces, towers, and villas which appear in their routes or in their conversations, and which welcome them, amaze them, or entrap them. Cervantes may describe actual buildings such as the Pantheon in Rome, or he may imagine structures that metamorphose before our eyes, as we come to view one architecture within another, and within another, creating an abyss of space. They deeply affect the characters as they feel enclosed, liberated, or suspended or as they look upon such structures with dread, relief, or admiration. Cervantes' Architectures sheds light on how places and spaces are perceived through words and how impossible structures find support, paradoxically, in the literary architecture of the work.

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The Royal Navy battleship HMS Rodney was one of the most famous warships of the Second World War and remains a legend in the pantheon of naval history. In May 1941 Rodney turned Bismarck, the pride of Hitler's navy, into twisted metal, then participated in hard-fought Malta convoys and later supported the D-Day landings. Rodney's vital role, via formidable naval gunfire support, in breaking the morale of German troops during the battle for Normandy, is outlined here. Through the eyewitness accounts of her sailors and marines we discover what it was like to live and fight in a battleship at war. We learn of the many famous fighting admirals who served in, or commanded, Rodney, including Admiral Sir Andrew Cunningham and Admiral Sir John Tovey. The stories of previous British warships to carry the name Rodney, dating back to the 1750s, are covered too, including the vessel that took on the batteries at Sevastopol during the Crimean War. In addition to a fresh perspective on Bismarck's destruction, the author seeks to present new insights into the inter-war mutiny that saw Rodney dubbed 'the Red Ship' and a bomb hit in 1940 that nearly destroyed her.There is even an account of how a group of HMS Rodney's sailors took part in a trailblazing British commando raid. It all makes for a thrilling, epic account of naval warfare.

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'P. J. O'Rourke was the funniest writer of his generation, one of the smartest and one of the most prolific. Now that he belongs to the ages, P.J. takes his rightful place along with Oscar Wilde, Mark Twain and Dorothy Parker in the Pantheon of Quote Gods.' Christopher Buckley from his introductionWhen The Penguin Dictionary of Modern Humorous Quotations was published in 1994, P. J. O'Rourke had more entries than any living writer. And he kept writing funny stuff for another 28 years. Now, for the first time, the best material is collected in one volume. Edited by his longtime friend Terry McDonell, The Funny Stuff is arranged in six sections, organized by subject in alphabetical order from Agriculture to Xenophobia. Not only did P.J. write memorable one-liners, he also meticulously constructed riffs that built to a crescendo of hilarity and outrage - and are still being quoted years later. His prose has the electric verbal energy of Tom Wolfe or Hunter S. Thompson, but P.J. is more flat-out funny. And through it all comes his clear-eyed take on politics, economics, human nature - and fun. The Funny Stuff is a book for P.J. fans to devour but also a book that will bring new readers and stand as testament to one of the truly original American writers of the last 50 years.

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Jacqueline Kahanoff: A Levantine Woman is the first intellectual biography of this remarkable Egyptian-Jewish intellectual, whose work has secured her place in literary pantheon as a herald of Levantine, Mediterranean, and transnational culture. Growing up Jewish in cosmopolitan Egypt in the 1920s and 1930s, Jacqueline Kahanoff experienced a bustling Middle East enriched by diverse languages, religions, and peoples who nonetheless were deeply connected to each other through history, business, daily practices, and shared landscape. At the age of twenty-four, Kahanoff immigrated to the United States. Her stories, essays, and short autobiographical novel attest to her penchant to cross boundaries, generations, social classes, sexes, and Western and Eastern constructs. After immigrating to Israel in the early 1950s, she critically addressed the country's "provinciality" and "ethnic nationalism" as seen through her conception of a transnational Levantine culture. Through many writings, Kahanoff set forth her distinctive vision of Israel as a Mediterranean country with a broad, multicultural Levantine identity. Drawing on an extensive array of sources, ranging from interviews with Jacqueline Kahanoff's acquaintances and contemporaries to unpublished writings, David Ohana explores her fascinating life and intellectual journey from Cairo to Tel Aviv. The encompassing vision of a Levantine Israel made Kahanoff the initiator of a different cultural possibility, more extensive than that offered in her time, and also, perhaps, than is offered today.

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Now is the time to tell the story of an ancient realm, a tragic tale that sets the stage for all the tales yet to come and all those already told...It's a conflicted time in Kurald Galain, the realm of Darkness, where Mother Dark reigns. But this ancient land was once home to many a power… and even death is not quite eternal. The commoners' great hero, Vatha Urusander, is being promoted by his followers to take Mother Dark's hand in marriage, but her Consort, Lord Draconus, stands in the way of such ambitions. The impending clash sends fissures throughout the realm, and as the rumors of civil war burn through the masses, an ancient power emerges from the long dead seas. Caught in the middle of it all are the First Sons of Darkness, Anomander, Andarist, and Silchas Ruin of the Purake Hold...Steven Erikson entered the pantheon of great fantasy writers with his debut Gardens of the Moon. Now he returns with the first novel in a trilogy that takes place millennia before the events of the Malazan Book of the Fallen and introduces readers to Kurald Galain, the warren of Darkness. It is the epic story of a realm whose fate plays a crucial role in shaping the world of the Malazan Empire.

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WINNER OF THE WILLIAM HILL SPORTS BOOK OF THE YEAR AWARDHe was the first black heavyweight champion in history (1908-15) and the most celebrated - and most reviled - African American of his age. In Unforgivable Blackness, prize-winning biographer Geoffrey C. Ward brings to vivid life the real Jack Johnson, a figure far more complex than the newspaper headlines could ever convey.Johnson battled his way from obscurity to the top of the heavyweight ranks and in 1908 won the greatest prize in American sports - one that had always been the preserve of white boxers. At a time when whites ran everything in America, he took orders from no one and resolved to live as if colour did not exist. Because of this, the federal government set out to destroy him and he was forced to endure a year of prison and seven years of exile. As Ward shows, Johnson was seen as a perpetual threat to white and African Americans alike - profligate, arrogant, amoral, a dark menace and a danger to the natural order of things.Unforgivable Blackness is the first full-scale biography of Johnson in more than twenty years. Accompanied by more than fifty photographs and drawing on a wealth of new material - including Johnson's never-before-published prison memoir - it restores Jack Johnson to his rightful place in the pantheon of sporting and social warriors.

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Devotion to religion was the distinguishing characteristic of the Etruscan people, the most powerful civilization of Italy in the Archaic period. From a very early date, Etruscan religion spread its influence into Roman society, especially with the practice of divination. The Etruscan priest Spurinna, to give a well-known example, warned Caesar to beware the Ides of March. Yet despite the importance of religion in Etruscan life, there are relatively few modern comprehensive studies of Etruscan religion, and none in English. This volume seeks to fill that deficiency by bringing together essays by leading scholars that collectively provide a state-of-the-art overview of religion in ancient Etruria. The eight essays in this book cover all of the most important topics in Etruscan religion, including the Etruscan pantheon and the roles of the gods, the roles of priests and divinatory practices, votive rituals, liturgical literature, sacred spaces and temples, and burial and the afterlife. In addition to the essays, the book contains valuable supporting materials, including the first English translation of an Etruscan Brontoscopic Calendar (which guided priests in making divinations), Greek and Latin sources about Etruscan religion (in the original language and English translation), and a glossary. Nearly 150 black and white photographs and drawings illustrate surviving Etruscan artifacts and inscriptions, as well as temple floor plans and reconstructions.

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In Esoteric Egypt, J. S. Gordon reveals how the sacred science and wisdom tradition of ancient Egypt--the Land of Khem--stems from an advanced prehistoric worldwide civilization. Examining the metaphysical structure of our universe as seen by the ancient Egyptians, Greeks, and Celts, he shows that each tradition is merely a variation on the central concepts of the precession of the equinoxes and the obliquity of the ecliptic pole. He explores the connections between the cyclical movements of Orion and Sirius and the story of Osiris and Isis, the importance of the Pleiades and the circumpolar stars, and the ancient tradition of man as a divine being "born from the substance of the stars." He investigates the people who colonized greater Egypt 100,000 years ago, the progenitors of ancient Egyptian civilization descended from the 4th- and 5th-Root Race Atlanteans. Gordon explores the magical and esoteric meanings behind Egyptian sacred ritual and temple art, drawing parallels to the Mystery School process of initiation. Explaining the fundamental unity of the Egyptian pantheon and the structure of the after-death state, he shows that the Egyptians clearly believed in reincarnation and a spiritual evolutionary process. Revealing the ancient sacred science of the Land of Khem, teachings passed down from the earliest times, he examines the psychospiritual nature of the human being and the function of our spiritual identity and our souls.

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The full set of Marvel calendars which ran from 1975–81, collected for the first time in a deluxe oversize edition From 1975–81, Marvel created seven consecutive calendars that were as artistically designed and captivatingly written as any of their comic books. Each of these annual calendars—whether they celebrated the Bicentennial (1976) or spotlighted a specific character such as Spider-Man (1978), Hulk (1979), or Doctor Strange (1980), featured heroes and villains across the pantheon of the Marvel Universe—and all shared inspired features. These included visual call-outs for birthdays of noted Marvel staff and creators; key moments in Marvel history; special events, famous quotes from fan-favorite issues, and other celebratory mentions; with original art from iconic Marvel artists, created especially for these calendars by Jack Kirby, John Buscema, John Byrne, Frank Miller, Walter Simonson, Gil Kane, George Perez, Gene Colan, Jim Starlin, Sal Buscema, Mike Ploog, and dozens more. Never before has all of this astounding art been reprinted, and the complete set of covers, interiors, and gorgeously designed monthly entries are reproduced at their original size in this beautiful, oversized hardcover package. Also included is new commentary, rare promotional materials, and an introduction by longtime Marvel writer/editor/historian Roy Thomas. The years might keep ticking away, but the work collected in this special book remains timeless!

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The end of the Aesir has come, but not as the prophecies foretold. The dread dragon Niddhoggr has devoured the roots of the World Ash, Yggdrasil, and the great tree has toppled onto its side, crashing the realms of mortal and supernatural together. With the gods dead and the fires of ruin consuming the world, your war clan of Viking warriors know what they must do to survive the destruction of the Nine Realms and restore order: they must become the new gods! Ragnarok is a campaign-driven skirmish game in which players form a Viking war clan seeking to prove itself worthy of becoming the new pantheon. The use of a mechanic called Godspark means that battles are no longer determined by merely striking an opponent and dealing damage. Instead, warriors will be pushing, throwing, and crashing their opponents around the battlefield, making their very environment a weapon. As the war clans develop, they may gain glorious new powers that will bring them closer to godhood, or win the respect of the denizens of the realms, allowing them to bring dire wolves, dwarves, and even the dreaded giants into their war clans. With strategic gameplay and epic storytelling, players must write their own sagas and tell of how their war clans have, through blood and steel, clawed their way up from ruin to stand before the halls of Valhalla.

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Infatuation. Reincarnation. Damnation.‍Gem Echols is a nonbinary Seminole teen living in the tiny town of Gracie, Georgia. Known for being their peers’ queer awakening, Gem leans hard on charm to disguise the anxious mess they are beneath. The only person privy to their authentic self is another trans kid, Enzo, who’s a thousand long, painful miles away in Brooklyn.But even Enzo doesn’t know about Gem’s dreams, haunting visions of magic and violence that have always felt too real. So how the hell does Willa Mae Hardy? The strange new girl in town acts like she and Gem are old companions, and seems to know things about them they’ve never told anyone else.When Gem is attacked by a stranger claiming to be the Goddess of Death, Willa Mae saves their life and finally offers some answers. She and Gem are reincarnated gods who’ve known and loved each other across lifetimes. But Gem — or at least who Gem used to be — hasn’t always been the most benevolent deity. They’ve made a lot of enemies in the pantheon — enemies who, like the Goddess of Death, will keep coming.It’s a good thing they’ve still got Enzo. But as worlds collide and the past catches up with the present, Gem will discover that everyone has something to hide.

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The first comprehensive history of the Sami people of the Nordic countries and northwestern Russia. There is no single volume which encompasses an integrated social and cultural history of the Sami people from the Nordic countries and northwestern Russia. Neil Kent's book fills this lacuna. In the first instance, he considers how the Sami homeland is defined: its geography, climate, and early contact with other peoples. He then moves on to its early chronicles and the onset of colonisation, which changed Sami life profoundly over the last millennium. Thereafter, the nature of Sami ethnicity is examined, in the context of the peoples among whom the Sami increasingly lived, as well as the growing intrusions of the states who claimed sovereignty over them. The Soviet gulag, the Lapland War and increasing urbanisation all impacted upon Sami life. Religion, too, played an important role from pre-historic times, with their pantheon of gods and sacred sites, to their Christianisation. In the late twentieth century there has been an increasing symbiosis of ancient Sami spiritual practice with Christianity. Recently the intrusions of the logging and nuclear industries, as well as tourism have come to redefine Sami society and culture. Even the meaning of who exactly a Sami is is scrutinised, at a time when some intermarry and yet return to Sapmi, where their children maintain their Sami identity.

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Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales. In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator. Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Once, when Thor’s hammer is stolen, Thor must disguise himself as a woman—difficult with his beard and huge appetite—to steal it back. More poignant is the tale in which the blood of Kvasir—the most sagacious of gods—is turned into a mead that infuses drinkers with poetry. The work culminates in Ragnarok, the twilight of the gods and rebirth of a new time and people. Through Gaiman’s deft and witty prose emerge these gods with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

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An encyclopedic collaboration between award-winning Mexican American scholar Ilan Stavans and illustrator Eko, A Pre-Columbian Bestiary features lively and informative descriptions of forty-six religious, mythical, and imaginary creatures from the Nahua, Aztec, Maya, Tabasco, Inca, Aymara, and other cultures of Latin America.From the siren-like Acuecuéyotl and the water animal Chaac to the class-conscious Oc and the god of light and darkness Xólotl, the magnificent entities in this volume belong to the same family of real and invented creatures imagined by Dante, Franz Kafka, C. S. Lewis, Jorge Luis Borges, Umberto Eco, and J. K. Rowling. They are mined from indigenous religious texts, like the Popol Vuh, and from chronicles, both real and fictional, of the Spanish conquest by Diego Durán, Bernal Díaz del Castillo, and Fernando de Zarzamora, among others. In this playful compilation, Stavans distills imagery from the work of magic realist masters such as Juan Rulfo and Gabriel García Márquez; from songs of protest in Mexico, Guatemala, and Peru; and from aboriginal beasts in Jewish, Muslim, European, British, and other traditions. In the spirit of imaginative invention, even the bibliography is a mixture of authentic and concocted material.An inspiring record of resistance and memory from a civilization whose superb pantheon of myths never ceases to amaze, A Pre-Columbian Bestiary will delight anyone interested in the history and culture of Latin America.

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On the night of Sunday, April 23, 1961 Judy Garland made history. That’s no hyperbole. Surrounded by a throng of ecstatic fans (3,165 to be exact), the legendary performer delivered a concert in Carnegie Hall the live recording of which became, upon release, an unlikely pop cultural phenomenon. Judy at Carnegie Hall, the two-disc set that captured all 25 numbers she performed that night, went on to spend more than 70 weeks on the Billboard charts, win four Grammy Awards--including Album of the Year (making it the first live music album and the first album by a female performer to win the category)--and become, in the process, the fastest-selling two-disc set in history. What the recording highlights, and what’s made it an enduring classic in a class of its own, is the palpable connection between the songstress and her fans. "Indeed," The New York Times reported in its review of the evening’s proceedings, "what actually was to have been a concert--and was--also turned into something not too remote from a revival meeting." By looking at her song choices, her stage banter, the album’s cultural impact, and her place in the gay pantheon, this book argues that Judy’s palpable connection with her fans is precisely what her Capitol Records’ two-disc album captured.

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The Habsburgs are the most famous dynasty in continental Europe. From the thirteenth to the twentieth centuries, they ruled much of Central Europe, and for two centuries were also rulers of Spain. Through the Spanish connection, they acquired lands around the Mediterranean and a chunk of the New World, spreading eastwards to include the Philippines. Reaching from South-East Asia to what is now Ukraine, the Habsburg Empire was truly global. In this Very Short Introduction Martin Rady looks at the history of the Habsburgs, from their tenth-century origins in Switzerland, to the dissolution of the Habsburg Empire in 1918. He introduces the pantheon of Habsburg rulers, which included adventurers, lunatics, and at least one monarch who was so malformed that his true portrait could never be exhibited. He also discusses the lands and kingdoms that made up the Habsburg Empire, and the decisive moments that shaped their history. Dynasty, Europe, global power, and the idea of the multi-national state all converge on the history of the Habsburg Empire. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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Scandalous gossip, wild parties, and forbidden love - witness what the gods do after dark in this stylish and contemporary reimagining of one of mythology's best-known stories.'Steamy, often laugh-out-loud funny and emotional' Jennifer L. Armentrout, # 1 New York Times bestselling author of From Blood and Ash____________________________________Persephone, young goddess of spring, is new to Olympus. Her mother, Demeter, has raised her in the mortal realm, but after Persephone promises to train as a sacred virgin, she's allowed to live in the fast-moving, glamorous world of the gods.When her roommate, Artemis, takes her to a party, her entire life changes: she ends up meeting Hades and feels an immediate spark with the charming yet misunderstood ruler of the Underworld.Now Persephone must navigate the confusing politics and relationships that rule Olympus, while also figuring out her own place - and her own power.This edition of Smythe's original Eisner-nominated webcomic Lore Olympus features a brand-new, exclusive short story, and brings the Greek pantheon into the modern age in a sharply perceptive and romantic graphic novel.This volume collects episodes 1-25 of the #1 WEBTOON comic Lore Olympus.Sunday Times bestseller, October 2022Best Webcomic Award, Eisner Awards, 2023Best Webcomic Award, Eisner Awards, 2022Best Graphic Novel & Comic, Goodreads Choice Awards, 2021Best Digital Book of the Year, Harvey Awards, 2021

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'Brings both house and garden vividly to life... A magnificent achievement' Gardens Illustrated 'A finely crafted work... it is an important record of the history of one of the country's most splendid estates' The English Garden The Palladian house of Stourhead, in Wiltshire, occupies a plateau above the confluence of three valleys. When you cross the south lawn and descend the tree-hung slopes, you glimpse a lake adorned with classical temples. Continue and you will find an allegorical grotto; a gothick hideaway; a Pantheon of demi-gods and, on high, a deserted temple to Apollo. To the west Alfred's Tower commands views over three counties, a gaunt landmark to English monarchy and patriotism. This is how in Georgian times Henry Hoare – known as Henry the Magnificent – would have explored the garden he designed. Generations of the Hoare family, bankers who combined service with enlightened patronage and philanthropy, have developed and cultivated the garden at Stourhead, and for many its breathtaking vistas are paradise. Dudley Dodd charts the owners of Stourhead and the history of the landscape, house and art collection. He describes how flights of folly, individual flair, taste and careful stewardship have nurtured a national treasure, which is among the finest English landscape gardens and, since 1946, a jewel of The National Trust. The stunning new pictures by the renowned photographer Marianne Majerus provide an up to date record of this enduring Elysium.

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Before the Civil War, American writers such as Catharine Maria Sedgwick and Harriet Beecher Stowe had established authorship as a respectable profession for women. But though they had written some of the most popular and influential novels of the century, they accepted the taboo against female writers, regarding themselves as educators and businesswomen. During and after the Civil War, some women writers began to challenge this view, seeing themselves as artists writing for themselves and for posterity. Writing for Immortality studies the lives and works of four prominent members of the first generation of American women who strived for recognition as serious literary artists: Louisa May Alcott, Elizabeth Stuart Phelps, Elizabeth Stoddard, and Constance Fenimore Woolson. Combining literary criticism and cultural history, Anne E. Boyd examines how these authors negotiated the masculine connotation of "artist," imagining a space for themselves in the literary pantheon. Redrawing the boundaries between male and female literary spheres, and between American and British literary traditions, Boyd shows how these writers rejected the didacticism of the previous generation of women writers and instead drew their inspiration from the most prominent "literary" writers of their day: Emerson, James, Barrett Browning, and Eliot. Placing the works and experiences of Alcott, Phelps, Stoddard, and Woolson within contemporary discussions about "genius" and the "American artist," Boyd reaches a sobering conclusion. Although these women were encouraged by the democratic ideals implicit in such concepts, they were equally discouraged by lingering prejudices about their applicability to women.

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A converted stone farmhouse on the Irish coast is about to receive its first guests in this warmly captivating story for fans of Maeve Binchy and Monica McInerneyWith its brightly painted front door, white-sash windows and garden path sweeping down toward the sea, Lizzie O's guesthouse promises a welcome escape from the world. Aisling and Mick Fitzgerald are travelling all the way from Tasmania to celebrate their wedding anniversary, but Aisling is burdened with a secret that could ruin their marriage. Declan Byrne, exhausted from an unhealthy routine of long hours, takeaway and too much red wine, has spontaneously taken the week off to visit the village of his childhood summers. Katie Daly returns to West Cork after an absence of 35 years to care for her ageing mother only to find she must confront her painful past. Finally, Mia Montgomery is taking this holiday without telling her husband.Each of this group of strangers is at a crossroads. And one week in the middle of winter may change all of their lives.'A profoundly moving read... a skilled storyteller possessed of a supreme ability for building characters about whom we care and whose words are a balm. I look forward to reading more of Esther Campion' Living Arts Canberra'Warm, wise and full of humour... a wonderful new voice in Australian fiction' CATHY KELLY'Joins the captivating Maeve Binchy in the pantheon of popular Irish novelists' Irish Scene

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This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media.Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers.Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.

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There’s no sound quite like it, or as viscerally terrifying: the ominous rattle of the timber rattlesnake. It’s a chilling shorthand for imminent danger, and a reminder of the countless ways that nature can suddenly snuff us out. Yet most of us have never seen a timber rattler. Though they’re found in thirty-one states, and near many major cities, in contemporary America timber rattlesnakes are creatures mostly of imagination and innate fear. Ted Levin aims to change that with America’s Snake, a portrait of the timber rattlesnake, its place in America’s pantheon of creatures and in our own frontier history—and of the heroic efforts to protect it against habitat loss, climate change, and the human tendency to kill what we fear. Taking us from labs where the secrets of the snake’s evolutionary history are being unlocked to far-flung habitats whose locations are fiercely protected by biologists and dedicated amateur herpetologists alike, Levin paints a picture of a fascinating creature: peaceable, social, long-lived, and, despite our phobias, not inclined to bite. The timber rattler emerges here as emblematic of America and also, unfortunately, of the complicated, painful struggles involved in protecting and preserving the natural world. A wonderful mix of natural history, travel writing, and exemplary journalism, America’s Snake is loaded with remarkable characters—none more so than the snake at its heart: frightening, perhaps; endangered, certainly; and unquestionably unforgettable.

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This title deals with the myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East. It is a comprehensive A to Z of the classic stories of gods and goddesses, heroes, warriors and mythical beasts, with copious cross-references. Over 1000 alphabetical entries describe the central mythical figures of each culture and their importance to the ancient civilizations of their day. It is beautifully illustrated with over 1000 images spanning fifteen centuries of fine art, from the ancient world to the present, including specially commissioned artworks. It presents superb pictorial spreads on the mythical themes and symbols central to each culture. Timeless in scope and appeal, it is a classic and enduring reference work by two expert authorities. In this important volume, the mythologies of the ancient world are brought to life. In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt, through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive guide to the myths and legends of two great continents is timeless in its universal appeal.

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'This "sincere speed-written, blood-spattered tribute" strings together the raciest anecdotes...and does it rather well' SUNDAY TIMES'Mick Wall has written in a rough and unsentimental style that suits his subject' THE TIMESLou Reed died in 2013. This is the critically acclaimed biography of the songwriter, Velvet Underground member and musician.Rock 'n' roll was Lou Reed's life. From recording one of the most critically acclaimed albums of all time with THE VELVET UNDERGROUND & NICO (1967), to heavy drug abuse and performing in front of the Pope, Lou Reed's story is one of great peaks and deep lows. Forever dedicated to his art, he became one of modern music's most legendary and seismic figures. Although a controversial, outspoken and undoubtedly misunderstood musician, Lou Reed's influence on popular culture cannot be overstated. He brought avant-garde to the mainstream with the Velvet Underground and his solo work was pronounced a revelation. Hit albums such as TRANSFORMER, SALLY CAN'T DANCE and BERLIN have cemented his name in the rock pantheon. A testament to his strength of character and true spirit, he was a creative and performer until the end, playing benefit gigs, featuring on new releases and, most poignantly, declaring that he was looking forward to 'being on stage performing, and writing more songs to connect with your hearts and spirits and the universe well into the future.' A true icon of rock 'n' roll - his legacy will live on in this book.

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Before the Civil War, American writers such as Catharine Maria Sedgwick and Harriet Beecher Stowe had established authorship as a respectable profession for women. But though they had written some of the most popular and influential novels of the century, they accepted the taboo against female writers, regarding themselves as educators and businesswomen. During and after the Civil War, some women writers began to challenge this view, seeing themselves as artists writing for themselves and for posterity. Writing for Immortality studies the lives and works of four prominent members of the first generation of American women who strived for recognition as serious literary artists: Louisa May Alcott, Elizabeth Stuart Phelps, Elizabeth Stoddard, and Constance Fenimore Woolson. Combining literary criticism and cultural history, Anne E. Boyd examines how these authors negotiated the masculine connotation of "artist," imagining a space for themselves in the literary pantheon. Redrawing the boundaries between male and female literary spheres, and between American and British literary traditions, Boyd shows how these writers rejected the didacticism of the previous generation of women writers and instead drew their inspiration from the most prominent "literary" writers of their day: Emerson, James, Barrett Browning, and Eliot. Placing the works and experiences of Alcott, Phelps, Stoddard, and Woolson within contemporary discussions about "genius" and the "American artist," Boyd reaches a sobering conclusion. Although these women were encouraged by the democratic ideals implicit in such concepts, they were equally discouraged by lingering prejudices about their applicability to women.

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Plato dismissed Greek mythology as ‘old wives’ chatter’ but such chatter, from the Minotaur to the Trojan Horse, from Zeus to Prometheus, Heracles to the Argonauts, has been of immense influence for thousands of years. Those tales of deities and beasts, and of heroes and villains, must have possessed some quality to have lasted so long. Thousands of years on, we still refer in our every day lives to Achilles, Pandora and Narcissus. From Hades in the Underworld to Pegasus in flight, Greek Myths & Legends is an accessible introduction to the world of such characters as the Titans, Aphrodite and Poseidon. The book tells the story of Greek mythology from its creation myths and gods to its tales of mortals. Along the way we see the development of the pantheon of the major Greek deities, the dynastic struggles among the early gods, the creation of the Underworld and we learn how Ariadne, Medea and Perseus, among many others, fit into the mythic universe. The book also examines how Greek myths have survived in written texts, ceramics, art and architecture, and the legacy of Greek mythology in Roman culture and the Middle Ages, as well as its revival in the Renaissance and its enduring appeal today. Illustrated with 180 colour and black-&-white photographs, artworks and maps, Greek Myths & Legends is an engaging, highly informative exploration of a fascinating world and will appeal to anyone interested in legends and ancient cultures.

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A three-time World Series winner and an early inductee into the Hall of Fame, lauded by Babe Ruth as the finest defensive outfielder he ever saw, and described as “perfection on the field” by the great Grantland Rice, Tris Speaker enjoys the peculiar distinction of being one of the least-known legends of baseball history. Tris Speaker: The Rough-and-Tumble Life of a Baseball Legend is the first book to tell the full story of Speaker’s turbulent life and to document in sharp detail the grit and glory of his pivotal role in baseball’s dead-ball era. Playing for the Boston Red Sox and the Cleveland Indians in the early part of the twentieth century, Tris “Spoke” Speaker put up numbers that amaze us even today: his record for career doubles—792—may never be approached, let alone broken. Timothy M. Gay gives a rousing account of some of the best baseball ever played—and of some of the darkest moments that ever tainted a game and hastened the end of a career. Gay’s four years of research on Speaker unearthed a document that suggests that cheating induced by gambling was far more widespread in early baseball than officials have acknowledged. Gay’s book captures the bygone spirit of the big leagues’ rough-and-tumble early years and restores one of baseball’s true greats—and a truly larger-than-life personality—to his rightful place in the American sports pantheon.

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Ray Davies: Not Like Everybody Else is a critical biography of Ray Davies, with a focus on his music and his times. The book studies Davies’ work from the Kinks’ first singles through his 2006 solo album, from his rock musicals in the early 1970s to his one-man stage show in the 1990s, and from his films to his autobiography. Based on interviews with his closest associates, as well as studies of the recordings themselves, this book creates the most thorough picture of Davies’ work to date. Kitts situates Davies’ work in the context of the British Invasion and the growth of rock in the '60s and '70s, and in the larger context of English cultural history. For fans of rock music and the music of the Kinks, this book is a must have. It will finally place this legendary innovator in the pantheon of the great rock artists of the past half-century.Thomas M. Kitts, Professor of English and Chair of the Division of English/Speech at St. John’s University, NY, is the co-editor of Living on a Thin Line: Crossing Aesthetic Borders with The Kinks, the author of The Theatrical Life of George Henry Boker, articles on American literature and popular culture, reviews of books, CDs, and performances, and a play Gypsies. He is the book review editor of Popular Music and Society and the editor of The Mid-Atlantic Almanack.

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Since the 1960s, Martin Luther King, Jr., has personified black leadership with his use of direct action protests against white authority. A century ago, in the era of Jim Crow, Booker T. Washington pursued a different strategy to lift his people. In this compelling biography, Norrell reveals how conditions in the segregated South led Washington to call for a less contentious path to freedom and equality. He urged black people to acquire economic independence and to develop the moral character that would ultimately gain them full citizenship. Although widely accepted as the most realistic way to integrate blacks into American life during his time, Washington’s strategy has been disparaged since the 1960s. The first full-length biography of Booker T. in a generation, Up from History recreates the broad contexts in which Washington worked: He struggled against white bigots who hated his economic ambitions for blacks, African-American intellectuals like W. E. B. Du Bois who resented his huge influence, and such inconstant allies as Theodore Roosevelt. Norrell details the positive power of Washington’s vision, one that invoked hope and optimism to overcome past exploitation and present discrimination. Indeed, his ideas have since inspired peoples across the Third World that there are many ways to struggle for equality and justice. Up from History reinstates this extraordinary historical figure to the pantheon of black leaders, illuminating not only his mission and achievement but also, poignantly, the man himself.

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'Absolutely hilarious' - Neil Gaiman'One of the funniest musical commentators that you will ever read . . . loud and thoroughly engrossing' - Alan Moore'A man on a righteous mission to persuade people to "lay down your souls to the gods rock and roll".' - The Sunday Times'As funny and preposterous as this mighty music deserve' - John HiggsThe history of heavy metal brings brings us extraordinary stories of larger-than-life characters living to excess, from the household names of Ozzy Osbourne, Lemmy, Bruce Dickinson and Metallica (SIT DOWN, LARS!), to the brutal notoriety of the underground Norwegian black metal scene and the New Wave Of British Heavy Metal. It is the story of a worldwide network of rabid fans escaping everyday mundanity through music, of cut-throat corporate arseholes ripping off those fans and the bands they worship to line their pockets. The expansive pantheon of heavy metal musicians includes junkies, Satanists and murderers, born-again Christians and teetotallers, stadium-touring billionaires and toilet-circuit journeymen. Award-winning comedian and life-long heavy metal obsessive Andrew O'Neill has performed his History of Heavy Metal comedy show to a huge range of audiences, from the teenage metalheads of Download festival to the broadsheet-reading theatre-goers of the Edinburgh Fringe. Now, in his first book, he takes us on his own very personal and hilarious journey through the history of the music, the subculture, and the characters who shaped this most misunderstood genre of music.

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Before Talib Kweli became a world-renowned hip-hop artist, he was a Brooklyn kid who liked to cut class, spit rhymes, and wander the streets of Greenwich Village with a motley crew of artists, rappers, and DJs who found hip-hop more inspiring than their textbooks (much to the chagrin of the educator parents who had given their son an Afrocentric name in hope of instilling in him a more traditional sense of pride and purpose). Kweli's was the first generation to grow up with hip-hop as an established culture-a genre of music that has expanded to include its own pantheon of heroes, rich history and politics, and distinct worldview. Eventually, childhood friendships turned into collaborations, and Kweli gained notoriety as a rapper in his own right. From working with some of hip-hop's greatest-including Mos Def, Common, Kanye West, Pharrell Williams, and Kendrick Lamar-to selling books out of the oldest African-American bookstore in Brooklyn, and ultimately leaving his record label and taking control of his own recording career, Kweli tells the winding, always compelling story of the people and events that shaped his life as well as the culture of hip-hop that informs American culture at large. Vibrate Higher illuminates Talib Kweli's upbringing and artistic success and gives life to hip-hop as a political force-one that galvanized the Black Lives Matter movement and serves as a continual channel for resistance against the rising tide of white nationalism.

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Beginning with the publication of The Back Country in 1968, Gary Snyder's long-cherished association with New Directions continued through the publication of his poetry books: the Pulitzer Prize-winning and bestselling Turtle Island (1974), and Myths & Texts (1978), as well as his prose works, Earth House Hold (1969) and The Real Work (1980), all essential titles on the New Directions list. Snyder's No Nature: New and Selected Poems, a finalist for the National Book Award, was published in 1993 by Pantheon, and his long-anticipated epic poem Mountains and Rivers without End was published by Counterpoint in 1997. Snyder has had a seminal place among American landscape writers. "As a poet," he once wrote, "I hold the most archaic values on earth." He has long been associated with Beat writers such as Jack Kerouac, Allen Ginsberg, and other poets such as Kenneth Rexroth, Robert Creeley, and Robert Duncan. His poetics are founded in Poundian modernism, Chinese and Japanese poetry, and ancient oral native traditions. Look Out is a collection personally compiled by Gary Snyder for New Directions, containing poems and essays from all his New Directions books. It offers first-time readers a chance to see the evolution of his thought and poetry, spanning two decades, and old-time fans the opportunity to behold all the favorites, in a new Bibelot edition. Also included here is Snyder's Introduction, as well as a new poem written about the late New Directions founder James Laughlin.

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This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth--one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing--such as photographs, postcards, books, and collectibles--that in turn remade the public's understanding of Romantic writers. Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.

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American artist Barkley L. Hendricks (1945 2017) revolutionized contemporary portraiture with his vivid depictions of Black subjects beginning in the late 1960s. This book contextualizes Hendricks s portraits at different stages of the country s history and places him in the pantheon of innovative twentieth-century artists. Hendricks developed his signature style at a time of significant social and cultural change in the United States, especially with regard to Black artists, and amid a perceived bifurcation between abstraction and representation. He produced portraits from the late 1960s through the early 1980s. Following a hiatus during which he made landscapes, basketball paintings, works on paper, and photographs, he resumed his portraiture practice from 2002 until his death in 2017. Hendricks s portrait paintings, often derived from photographs of friends and family, hired models, or figures he encountered on the street, were inspired by the artist s research, international travels, and visits to museums like The Frick Collection, where he studied centuries-old European paintings by artists such as Rembrandt, Van Dyck, Bronzino, and others. This publication presents some of the most inventive and striking examples from Hendricks s first period of portrait painting, including 'limited-palette' canvases featuring Black figures dressed in white against white backgrounds a self-portrait, and boldly colorful works that spotlight their subjects spectacular styles and poses. An assessment of this great artist acknowledges his significant contributions to the canon of American art and portraiture in general.

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Warrior's choose a life that requires them to stand between the predators and the innocents of the world and hold the line with [their own] blood. The Warrior’s Manifesto is a concise and potent declaration of principles that chronicles the soul of the warrior by exploring the what, the why, and the way of those who protect and defend. Whether serving in the trenches or securing our streets, warriors choose a life that requires them to “stand between the predators and the innocents of the world and hold the line with [their own] blood,” as Modell writes. The Warrior’s Manifesto is a compelling defense of the role played by warriors in society. It will inspire those who answer the call to shield others, professionally or personally—and all those who appreciate what that means. “A magnificent treatise. Belongs in the pantheon of great books about good vs. evil.”—David Kahn, US chief instructor, Israeli Krav Maga Assoc., author “Compels the reader to believe that the warrior spirit is indomitable and thus remains undaunted.”—Robert Dreeben, twenty-seven-year veteran, NYPD “Raises provocative questions and answers them with depth and boldness.”—Detective Anthony Amoroso NYC regional director, New York Tactical Officers Association “A must-read for any rank or level of experience. Inspires and leaves you feeling proud [of] a very special group of people—warriors.”—James Schramm, police officer (retired); Senior trainer, Armament Systems and Procedures

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A poignantly funny account of humorist and ""Greatest Living American Author"" Neal Pollack's years as a marijuana addict. Beginning innocently enough in his 20s when pot made everything—food, music, sex—better. Getting married, having a kid, and enjoying professional success didn't tamp down Pollack's addiction. As cannabis grew stronger and more widely available, Pollack's dependence was shadowed by the expansion and acceptance of the marijuana Big Business.By 2014, Neal was a correspondent for a national marijuana newspaper, mostly because it meant free pot. Diving into the wild, wicked world of weed with both lungs, Pollack proceeds to smoke, vape, and eat his way to oblivion, leading to terrible public meltdowns and other embarrassing behavior. After his mother dies in 2017, he spirals out of control, finally hitting bottom during a reckless two-day gambling and drug-filled binge, culminating in a public crack-up at the World Series in Dodger Stadium. Three weeks later, he quit. Sober after joining a 12-step program, Neal outed himself publicly as a marijuana addict in a 2018 New York Times op-ed piece, leading to his decision to document his addiction experience as a cautionary tale for the millions of recreational users in the hazy age of legalized marijuana.Often hilarious and equally self-deprecating, Neal continues his insightful probing of his life with Alternadad (Pantheon, 2007) through Stretch: The Unlikely Making of a Yoga Due (Harper Perennial, 2010).

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The year 2006 marks the hundredth anniversary of book publication of the final volume of the Psammead trilogy-Five Children and It (1902), The Phoenix and the Carpet (1904), and The Story of the Amulet (1906)-a remarkable series of fantasy novels for children by an equally remarkable writer, Edith Nesbit. In this trilogy, Nesbit combined fantasy and history with the domestic realism and humor of her Bastable books-The Story of the Treasure Seekers (1899), The Wouldbegoods (1901), and The New Treasure Seekers (1904)-the books that established her reputation as one of England's preeminent writers for children. By doing so, she not only earned popularity with several generations of child readers, but she also established her claim to a position in the pantheon of important writers for children. The essays collected in this volume celebrate the completion of the Psammead trilogy. Written by both established and new scholars in England, Canada, and the United States, these essays employ differing critical strategies and place Nesbit in various contexts to assess her achievement. In producing books with memorable comic moments, character-testing adventures, plausible child characters with real feelings and real limitations, and interesting and challenging thematic material, Nesbit produced in the Psammead trilogy books that children still read with enjoyment. Such fantasies truly are classics of children's literature. Teachers and students of children's literature and of British literature and culture will find this a valuable guide to critically reviewing and enjoying Nesbit's works.

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A fantasy-adventure graphic novel that explores Afro-Brazilian legends and mythologyIn ancient times, when heaven and Earth were united as two halves of a gourd, deities and heroes walked among men. They fought battles with fury and taught the ways of the ashe (the energy of creation), land, iron, and fire. They reigned and loved with great intensity. Some descended from the luminous Orun, to live their lives and fulfill their destinies, while others were born in the aiye, and through their great deeds became Orishas, changing forever the history of two continents.Tales of the Orishas fuses the pantheon of the African Diasporic religion of Candomble with the Silver Age comic aesthetics of Jack Kirby into a riveting tale of high adventure. The story centers around a celestial battle between the gods of Brazil, who are worshipped by the Bahia people, and a fearsome conquering force led by a dark and malevolent overlord. Only Shango, the god of fire and thunder, can lead his people into victory while the fate of creation hangs in the balance. Masterfully executed and painstakingly researched, Hugo Canuto brings these legends to life with incredible designs and a vibrant palette. Tales of the Orishas is a bright and brilliant tale that showcases mythology as a powerful tool to remind us that there is something greater to unite the peoples who sail on the blue star called Earth.

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Situating the French Revolution in the context of early modern globalization for the first time, this book offers a new approach to understanding its international origins and worldwide effects. A distinguished group of contributors shows that the political culture of the Revolution emerged out of a long history of global commerce, imperial competition, and the movement of people and ideas in places as far flung as India, Egypt, Guiana, and the Caribbean. This international approach helps to explain how the Revolution fused immense idealism with territorial ambition and combined the drive for human rights with various forms of exclusion. The essays examine topics including the role of smuggling and free trade in the origins of the French Revolution, the entwined nature of feminism and abolitionism, and the influence of the French revolutionary wars on the shape of American empire.The French Revolution in Global Perspective illuminates the dense connections among the cultural, social, and economic aspects of the French Revolution, revealing how new political forms—at once democratic and imperial, anticolonial and centralizing—were generated in and through continual transnational exchanges and dialogues.Contributors: Rafe Blaufarb, Florida State University; Ian Coller, La Trobe University; Denise Z. Davidson, Georgia State University; Suzanne Desan, University of Wisconsin–Madison; Lynn Hunt, University of California, Los Angeles; Andrew Jainchill, Queen's University; Michael Kwass, The Johns Hopkins University; William Max Nelson, University of Toronto; Pierre Serna, Université Paris I Panthéon-Sorbonne; Miranda Spieler, University of Arizona; Charles Walton, Yale University

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The ultimate cult progressive band - as revered as Yes or Genesis by those that have 'found' them. Poorly served by literature, very little long-form material has been written about the band. Though the band have never reformed, several members have taken part in the UK-based tribute group Three Friends. They lasted only a decade and never lit up the world's charts, but progressive rock connoisseurs always knew what today's audiences are now beginning to discover: that Gentle Giant belong in the pantheon of great bands of the era. At times edgy and experimental but also capable of great beauty (not to mention some of the greatest riffs known to man), the group's explorations of medieval music gave their sound unique character. But it was the thrilling complexity of their compositions - which Frank Zappa might have called the "statistical density" of their writing - together with the instrumental ability of its players that make their music as potent today as they were at their peak nearly 50 years ago. This book takes a microscopic look at each of Gentle Giant's eleven studio albums and provides fresh assessments of the many live and 'odds'n'sods' recordings, as well as rounding up existent DVD/Blu-ray documentary and performance footage. In doing so, it tells the story of one of progressive music's most fascinating groups and the thrilling - and occasionally tortuous - ride the Shulman brothers and key band-mates like Kerry Minnear and Gary Green experienced along the way.

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I aim to startle as well as please," Muriel Spark has said, and in these eight marvelous ghost stories she manages to do both to the highest degree. As with all matters in the hands of Dame Muriel her spooks are entirely original. A ghost in her pantheon can be plaintive or a bit vengeful, or perhaps may not even be aware of being a ghost at all. One in fact is the ghost of a man who isn't even dead yet. Another takes the bus home from work, believing she is still alive, though she is haunted by an odious tune stuck in her head (which her murderer had been relentlessly humming), and distressed by a "feeling of incompletion." And a reflective ghost recalls her mortal days of enjoying "the glory of the world, as if it would never pass. Spark has a flair for confiding ghosts: "I must explain that I departed this life nearly five years ago. But I did not altogether depart this world. There were those odd things still to be done which one's executors can never do properly." In her case the odd things include cheerily hailing her murderer, "Hallo George!" and driving him mad. The remarkably nonchalant stories here include some of her most wicked and famous"The Seraph and the Zambesi," "The Hanging Judge," and "The Portobello Road"and they all gleam with that special Spark sheen, the quality The Times Literary Supplement has hailed as "gloriously witty and polished."

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