Search results for ""Author Robert"

Frederick Aldama’s The Cinema of Robert Rodriguez (2014) was the first full-scale study of one of the most prolific and significant Latino directors making films today. In this companion volume, Aldama enlists a corps of experts to analyze a majority of Rodriguez’s feature films, from his first break-out success El Mariachi in 1992 to Machete in 2010. The essays explore the formal and thematic features present in his films from the perspectives of industry (context, convention, and distribution), the film blueprint (auditory and visual ingredients), and consumption (ideal and real audiences). The authors illuminate the manifold ways in which Rodriguez’s films operate internally (plot, character, and event) and externally (audience perception, thought, and feeling).The volume is divided into three parts: “Matters of Mind and Media” includes essays that use psychoanalytic and cognitive psychology to shed light on how Rodriguez’s films complicate Latino identity, as well as how they succeed in remaking audiences’ preconceptions of the world. “Narrative Theory, Cognitive Science, and Sin City: A Case Study” offers tools and models of analysis for the study of Rodriguez’s film re-creation of a comic book (on which Frank Miller was credited as codirector). “Aesthetic and Ontological Border Crossings and Borderlands” considers how Rodriguez’s films innovatively critique fixed notions of Latino identity and experience, as well as open eyes to racial injustices. As a whole, the volume demonstrates how Rodriguez’s career offers critical insights into the filmmaking industry, the creative process, and the consuming and reception of contemporary film.

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From the time of his first trip to Ireland in 1913 and his last trip in 1928, American artist Robert Henri created masterful paintings of the Irish landscape and people, particularly children. These engaging paintings offer a fascinating window onto the genre about which Henri felt most strongly--portraiture--and also serve as a way to chart his experiments with paint handling and color theories. In Ireland, he was able to focus on his painting without the distractions of life in New York. The periods Henri spent in Ireland were among his most prolific, and the paintings that he produced there among his most accomplished. Essays explore Henri's familiarity with Irish subjects and culture prior to his first trip to Ireland, and focus on the striking portraits that he created during his Irish sojourns.

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The cooperation of Trix and Robert Haussmann with the Röthlisberger carpenters, which started in 1979, yielded numerous successful experiments in artistic and handcrafted furniture. Not comparable to furniture from the retail store, these exclusive designs were sold as a limited edition of 15 pieces each. For the first time, a publication presents the full scope of furniture that was developed in Trix and Robert Haussmann’s “Allgemeine Entwurfsanstalt” for the Röthlisberger Kollektion. The design objects were highly sophisticated in the planning of each detail as well as their realization and required a high level of innovation, new techniques and technical expertise.

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Robert Pippin (1948- ) is a major figure in contemporary philosophy, having published influential work on thinkers including Kant, Hegel, and Nietzsche. He is also an original thinker about – and critic of – film who has written books and numerous articles on canonical subjects such as the Western, Film Noir, and Hitchcock's Vertigo. In Robert Pippin and Film, Dominic Lash demonstrates the ways that film has been crucial to Pippin's thought on important philosophical topics such as political psychology, ethics, and self-knowledge. He also explores the implications of Pippin's methodological commitments to clear language and to maintaining close contact with the details of the films in question. In so doing, Lash brings Pippin's work on film to a wider audience and contributes to current debates both within film studies and beyond. This includes those concerning the relationships between film and philosophy, criticism and aesthetics, and individual subjectivity and political consciousness. Lash focuses on Pippin's major works on film – Hollywood Westerns and American Myth (2010), Fatalism in American Film Noir (2012), The Philosophical Hitchcock (2017), and Filmed Thought (2020) as well as his many shorter writings on film.

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Robert Pinker has written extensively on social policy matters since the early 1960s. His distinct approach to understanding concepts such as welfare pluralism is of particular relevance today as welfare pluralism remains an essential component of the policy mix, giving people access to a greater range and diversity of statutory, voluntary, and private sector services than unitary models of welfare provide. Social Policy and Welfare Pluralism presents the first collection of Robert Pinker’s essays in one edited volume. It includes essays on the ways in which welfare theories and ideologies and public expectations have influenced and shaped the political processes of policy making. Other essays focus on clarifying some of the key concepts that underpin the study of social policy. Pinker also reviews the extent to which the United Kingdom has succeeded in creating a ‘policy mix’ in which normative compromises are negotiated between the claims of market individualism and public sector collectivism. The concluding chapter by Robert Pinker reviews the prospects for social policy in the UK over the next five years.

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This collection of original essays honors the influential work of Robert W. Hanning. Contributors cover a wide range of fields within medieval studies, from Anglo-Saxon England to twelfth-century European intellectual culture, and from Chaucer's age to nineteenth- and twentieth-century medievalism, including a rich section on Italian Renaissance humanism and visual art. Drawing from a variety of primary sources, the essays in this volume are united in their emphases on the complex ways in which these sources are situated in their own time, mediated historically through other texts and other readers, and read within the context of contemporary social questions and disciplinary structures. This collection will be appreciated by all scholars and students of medieval studies. Contributors: Robert M. Stein, Sandra Pierson Prior, Nicholas Howe, Monika Otter, Sarah Spence, Charlotte Gross, Nancy F. Partner, H. Marshall Leicester, Jr., Christopher Baswell, Suzanne Conklin Akbari, Peter W. Travis, Margaret Aziza Pappano, William Askins, George D. Economou, Elizabeth Robertson, Laura L. Howes, John M. Ganim, Sealy Gilles, Sylvia Tomasch, Warren Ginsberg, Joan M. Ferrante, Joseph A. Dane, and David Rosand.

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Shattering longstanding myths, this new biography reveals the robust and positive life of one of the nineteenth century's greatest composers This candid, intimate, and compellingly written new biography offers a fresh account of Robert Schumann’s life. It confronts the traditional perception of the doom-laden Romantic, forced by depression into a life of helpless, poignant sadness. John Worthen’s scrupulous attention to the original sources reveals Schumann to have been an astute, witty, articulate, and immensely determined individual, who—with little support from his family and friends in provincial Saxony—painstakingly taught himself his craft as a musician, overcame problem after problem in his professional life, and married the woman he loved after a tremendous battle with her father. Schumann was neither manic depressive nor schizophrenic, although he struggled with mental illness. He worked prodigiously hard to develop his range of musical styles and to earn his living, only to be struck down, at the age of forty-four, by a vile and incurable disease.Worthen’s biography effectively de-mystifies a figure frequently regarded as a Romantic enigma. It frees Schumann from 150 years of mythmaking and unjustified psychological speculation. It reveals him, for the first time, as a brilliant, passionate, resolute musician and a thoroughly creative human being, the composer of arguably the best music of his generation.

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The story of how Robert Bruce outwitted Edward I, the shrewd and ruthless King of England, defeated his son Edward II, and in doing so regained Scotland's independence. Professor Barrow describes the dazzling and tragic career of William Wallace, the English military occupation of Scotland that was its consequence, and the emergence of Robert Bruce as the centre of Scottish resistance. The author pieces together from the surviving evidence a vivid and almost day-by-day account of Bruce's daring tactics, his crowning at Scone in March 1306, his defeat by the English three months later, and his life as a fugitive.

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Despite widespread interest in Robert Devereux, 2nd Earl of Essex, little has been written about him in decades past. In Elizabeth I's Last Favourite, Sarah-Beth Watkins brings the story of his life, and death, back into the public eye. In the later years of Elizabeth I's reign, Robert Devereux became the ageing queen's last favourite. The young upstart courtier was the stepson of her most famous love, Robert Dudley, Earl of Leicester. Although he tried, throughout his life, to live up to his stepfather's memory, Essex would never be the man he was. His love for the queen ran in tandem with undercurrents of selfishness and greed. Yet, Elizabeth showered him with affection, gifts and the tolerance only a mother could have for an errant son. In return, for a time, Essex flattered her and pandered to her every whim. But, one disastrous commission after another befell the earl, from his military campaigns, to voyages seeking treasure, to his stint as spymaster. Ultimately, his relationship with the queen would suffer and his final act of rebellion would force Elizabeth I to ensure her last favourite troubled her no more.

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Spenser investigates the past secrets of an elusive tech billionaire in this latest instalment of Robert B. Parker's beloved series, and the first written by celebrated writer Mike Lupica.The beautiful wife of one of the world's richest men comes to Spenser in the hope that he can find out what skeletons lurk in her husband's closet. Though he is a generous philanthropist and loving family man, she is concerned - he has recently become secretive, bordering on paranoid, and she wants Spenser to find out why. As Spenser digs into the billionaire's past, he realises that the man may have done terrible things to rise to the top - but he also may have had good reason to. What he discovers will cause him to question his own views on morality - and place him in grave danger.

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Here is a real treat for lovers of English – the very first dictionary in our language. Contrary to popular opinion, this honour goes not to Samuel Johnson, whose definitive tome appeared in 1755, but to Robert Cawdrey, who published his Table Alphabeticall in 1604. Written for the benefit of Ladies, Gentlewomen or any other unskilfull persons, this was not a book for scholars but was aimed squarely at the non-fiction best-seller list of its day. It is a treasure-house of meaning, bristling with arresting and eminently quotable definitions. For example geometrie is the ‘art of measuring the earth’, and hecticke is ‘inflaming the hart, and soundest parts of the bodie’, while barbarian is ‘a rude person’, and a concubine is a ‘harlot, or light huswife’. Cawdrey did set out to create an exhaustive catalogue of the language but rather a guide which would unlock the mystery of hard usual English wordes, borrowed from the Hebrew, Greeke, Latine, or French for educated gentlefolk encountering new words which English was then absorbing at a phenomenal rate. Every entry in this list of 2,543 words sheds interesting light on early modern life and the development of the language. This edition, prepared from the sole surviving copy of the first edition, now in the Bodleian Library, also includes an extensive introduction setting the dictionary in its historical, social and literary context, and exploring the unusual and interesting career of its little-known author. Published eight years ahead of the first of the first Italian dictionary and 35 years ahead of the first French dictionary, this work shows Cawdrey as a man ahead of his time and foreshadows the phenomenal growth of English and its eventual triumph as the new global lingua franca.

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An expansive and revelatory study of Robert Smithson’s life and the hidden influences on his iconic creations This first biography of the major American artist Robert Smithson, famous as the creator of the Spiral Jetty, deepens understanding of his art by addressing the potent forces in his life that were shrouded by his success, including his suppressed early history as a painter; his affiliation with Christianity, astrology, and alchemy; and his sexual fluidity. Integrating extensive investigation and acuity, Suzaan Boettger uncovers Smithson’s story and, with it, symbolic meanings across the span of his painted and drawn images, sculptures, essays, and earthworks up to the Spiral Jetty and beyond, to the circumstances leading to what became his final work, Amarillo Ramp.While Smithson is widely known for his monumental earthwork at the edge of the Great Salt Lake, Inside the Spiral delves into the arc of his artistic production, recognizing it as a response to his family’s history of loss, which prompted his birth and shaped his strange intelligence. Smithson configured his personal conflicts within painterly depictions of Christ’s passion, the rhetoric of science fiction, imagery from occult systems, and the impersonal posture of conceptual sculpture. Aiming to achieve renown, he veiled his personal passions and transmuted his professional persona, becoming an acclaimed innovator and fierce voice in the New York art scene.Featuring copious illustrations never before published of early work that eluded Smithson’s destruction, as well as photographs of Smithson and his wife, the noted sculptor Nancy Holt, and recollections from nearly all those who knew him throughout his life, Inside the Spiral offers unprecedented insight into the hidden impulses of one of modern art’s most enigmatic figures. With great sensitivity to the experiences of loss and existential strife that defined his distinct artistic language, this biographical analysis provides an expanded view of Smithson’s iconic art pilgrimage site and the experiences and works that brought him to its peculiar blood red water.

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"As a painter and as one interested in education in relation to painting and drawing, the writer has become personally interested in the problem of subject matter in art... Since there is controversy in regards to this tendency in painting, research directed toward the source of ideas involved in the work, it is felt, will help to make clear the intention of the artists. This research will deal with the attitudes of these artists toward their own work and their relation to tradition as they express it." —Robert Goodnough (1950). The absence of traditional subject matter was a primary issue for painters in mid-twentieth-century America whose imagery lacked representational references; it was also a problem for those struggling to understand modern art. Robert Goodnough (1917–2010), then a New York University graduate student and an artist deeply involved with these issues, responded to the situation in a 1950 research paper, "Subject Matter of the Artist: An Analysis of Contemporary Subject Matter in Painting as Derived from Interviews with Those Artists Referred to as the Intrasubjectivists." Goodnough's paper constitutes the first scholarly work on the artists who became known as the Abstract Expressionists and includes interviews with William Baziotes, Willem de Kooning, Adolph Gottlieb, Robert Motherwell, Barnett Newman, Jackson Pollock, and Mark Rothko. This previously unpublished study is presented here for the first time alongside related writings by Goodnough.

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One day in spring 1964, the young American poet Robert Bly left his rural farmhouse and drove 150 miles to the University of Minnesota library in Minneapolis to obtain the latest book by the young Swedish poet Tomas Transtromer. When Bly returned home that evening with a copy of Transtromer's The Half-Finished Heaven, he found a letter waiting for him from its author. With this remarkable coincidence as its beginning, what followed was a vibrant correspondence between two poets who would become essential contributors to global literature. Airmail collects more than 290 letters, written from 1964 until 1990, when Transtromer suffered a stroke that has left him partially paralysed and diminished his capacity to write. Across their correspondence, the two poets are profoundly engaged with each other and with the larger world: the Vietnam War, European and American elections, and the struggles of affording a life as a writer. Airmail also offers remarkable insights into the processes of translating literature from one language into another. As Bly began to render Transtromer's poetry into English and Transtromer began to translate Bly's poetry into Swedish, their collaboration soon turned into a friendship that has lasted fifty years. Insightful, brilliant, and often funny, Airmail provides a rare portrait of two artists who have become integral to each other's particular genius. Based on the original Swedish edition published in 2001, this publication marks the first time letters by Transtromer and Bly have been made available in Britain. Robert Bly's translations of Tomas Transtromer appear in The Half-Finished Heaven: The Best Poems of Tomas Transtromer, published by Graywolf Press. Transtromer's complete poetry is available in English in Robin Fulton's translation, New Collected Poems, published by Bloodaxe Books (and by New Directions in the US under the title The Great Enigma: New Collected Poems).

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"The availability of a paperback version of Boyle's philosophical writings selected by M. A. Stewart will be a real service to teachers, students, and scholars with seventeenth-century interests. The editor has shown excellent judgment in bringing together many of the most important works and printing them, for the most part, in unabridged form. The texts have been edited responsibly with emphasis on readability. . . . Of special interest in connection with Locke and with the reception of Descarte's Corpuscularianism, to students of the Scientific Revolution and of the history of mechanical philosophy, and to those interested in the relations among science, philosophy, and religion. In fact, given the imperfections in and unavailability of the eighteenth-century editions of Boyle’s works, this collection will benefit a wide variety of seventeenth-century scholars." --Gary Hatfield, University of Pennsylvania

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In Designs for Living, Roger H. Seifter, Randy M. Correll, Grant F. Marani, and Gary L. Brewer, who lead the residential practice at Robert A.M. Stern Architects, present fifteen houses the firm has completed over the past ten years. From contemporary interpretations of the shingle style to robust Mediterranean designs, the houses are stylistically diverse reflecting RAMSA’s deep knowledge of history and precedent. Each partner provides insight into the design process and his individual approach to working with clients. Houses are located in dramatic settings from Napa and Sonoma to the spectacular coastline of the Hamptons and New England. Whether overlooking the ocean or nestled into the mountainside, these remarkable houses reveal the architects’ emphasis on the importance of context and their dedication to exploring the nature of place and environment. Each house invokes the vernacular architectural heritage particular to its region while gracefully reflecting its natural surroundings. Connecting contemporary lifestyles to traditional American aesthetics, these residences are exceptional both for their timelessness and their ability to evoke a conversation with the past - a dialogue the RAMSA partners believe lies at the heart of architecture.

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The Scottish poet Robert Burns has been idolised and eulogised. He has been sainted, painted, tarted-up and toasted. He is famous as the author of 'Auld Lang Syne', and he has long been the patron saint of the heartsore and the hungover. But what about the poems? Beneath the cult of Burns Nights and patriotic yawps, there is the work itself, among the purest and most truthful created in any age.This is a Burns collection like no other, introduced, arranged and contextualised by the award-winning novelist and essayist Andrew O'Hagan. Above all, it is an accessible edition made for the pleasure of reading that brings Burns' timeless work to full, riotous, colourful life.

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Leipzig is not just a city famous for music and books but also a focal point for painting. This book showcases the latest generation of artists from Leipzig: Martin Kobe (1973), Mirjam Völker (1977), Robert Seidel (1983) and Titus Schade (1984). They are continuing the great tradition of painting in Leipzig. They all studied at Leipzig's famous art academy, the Hochschule für Grafik und Buchkunst. Kobe was a master-class student of Arno Rink, while Völker, Seidel and Schade studied with Neo Rauch. The four artists are united by their virtuosity and the particular attention they pay to landscape and architecture. Text in English, Dutch and German.

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For a brief moment in the summer of 1900, Robert Charles was arguably the most infamous black man in the United States. After an altercation with police on a New Orleans street, Charles killed two police officers and fled. During a manhunt that extended for days, violent white mobs roamed the city, assaulting African Americans and killing at least half a dozen. When authorities located Charles, he held off a crowd of thousands for hours before being shot to death. The notorious episode was reported nationwide; years later, fabled jazz pianist Jelly Roll Morton recalled memorializing Charles in song. Yet today, Charles is almost entirely invisible in the traditional historical record. So who was Robert Charles, really? An outlaw? A black freedom fighter? And how can we reconstruct his story? In this fascinating work, K. Stephen Prince sheds fresh light on both the history of the Robert Charles riots and the practice of history-writing itself. He reveals evidence of intentional erasures, both in the ways the riot and its aftermath were chronicled and in the ways stories were silenced or purposefully obscured. But Prince also excavates long-hidden facts from the narratives passed down by white and black New Orleanians over more than a century. In so doing, he probes the possibilities and limitations of the historical imagination.

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2022 Atlantean Award, Robert E. Howard FoundationYou may not know the name Robert E. Howard, but you probably know his work. His most famous creation, Conan the Barbarian, is an icon of popular culture. In hundreds of tales detailing the exploits of Conan, King Kull, and others, Howard helped to invent the sword and sorcery genre.Todd B. Vick delves into newly available archives and probes Howard’s relationships, particularly with schoolteacher Novalyne Price, to bring a fresh, objective perspective to Howard's life. Like his many characters, Howard was an enigma and an outsider. He spent his formative years visiting the four corners of Texas, experiences that left a mark on his stories. He was intensely devoted to his mother, whom he nursed in her final days, and whose impending death contributed to his suicide in 1936 when he was just thirty years old.Renegades and Rogues is an unequivocal journalistic account that situates Howard within the broader context of pulp literature. More than a realistic fantasist, he wrote westerns and horror stories as well, and engaged in avid correspondence with H. P. Lovecraft and other pulp writers of his day. Vick investigates Howard’s twelve-year writing career, analyzes the influences that underlay his celebrated characters, and assesses the afterlife of Conan, the figure in whom Howard's fervent imagination achieved its most durable expression.

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Over six decades of brilliant prints and paintings from the most prominent Northwest Coast artist of his generation.Finalist for the Roderick Haig-Brown Regional Prize, a BC & Yukon Book Prize Since leaving Haida Gwaii to study art in Vancouver—where he carved argillite with Bill Reid in a department store and hand-sold prints on the UBC campus—Guud sans glans, Robert Davidson has moved between two worlds. As a host of Potlatches, carver of masks and totem poles, and performer and teacher of traditional Haida songs and dances, he has been one of the driving forces in the resurgence of Haida culture in the aftermath of colonization. As an artist working in serigraphs, acrylic, wood, silver, and aluminum to preserve and breathe new life into Haida formline, he has become among the most respected, celebrated, and thrilling artists in the country, if not the world.Echoes of the Supernatural is the first publication in over forty years to offer a comprehensive visual retrospective of his astonishing career. It includes new photography of over 150 prints, as well as images of over fifty paintings; numerous painted woven hats, painted and carved sculptures, jewellery, aluminum sculpture; and dozens of archival photos. His long-time gallerist Gary Wyatt, who worked closely with Davidson in shaping the book and received full access to his archives, details the artist’s life and career, and offers insights on the work based on extensive new interviews. A foreword by Karen Duffek situates the contours of Davidson’s practice within the broader Northwest Coast art world.

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Robert De Niro at Work is the first critical study to examine how Robert de Niro, perhaps the finest screen actor of his generation, works with screenplays to imagine, prepare and denote his performance. In categorising the various ways in which De Niro works with a screenplay, this book will re-examine the relationship between actor and text. This book considers the screenplay as above all a working document and a material object, present at every stage of the filmmaking process. The working screenplay goes through various iterations in development and exists in many versions on set, each adapted and personalised for the specific use of the individual and their role. As the archive reveals, nobody works more closely with the script than the actor, and no actor works more on a script than De Niro.

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The first book in the Insurrection trilogy, which tells the thrilling story of Robert the Bruce.1286 A.D. Scotland is in the grip of the worst winter in living memory. Some say the Day of Judgement has arrived.The King of Scotland rides out from Edinburgh into the stormy night. On the road he is murdered by one of his own men, leaving the succession to the throne wide open. Civil war threatens as the powerful Scottish families jostle for power, not knowing that King Edward I of England has set his own plans for conquest in motion.But all is not destined to go Edward's way. Through the ashes of war, through blood feuds and divided loyalties, a young squire will rise to defy England's greatest king. His name is Robert Bruce. Insurrection is the first in an addictive and action-packed trilogy in the tradition of Conn Iggulden, Bernard Cornwell and Manda Scott.

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In A Manual of the Writings in Middle English, Amis and Amiloun, Robert of Cisyle, and Sir Amadace are classified by Lillian Herlands Hornstein as Legendary Romances of Didactic Intent. Amis, produced in the East Midlands in the late thirteenth century was well known throughout Europe, but according to Edward Foster, the Middle English version is especially lively, entertaining, and perplexing. Robert of Cisyle was also a common and popular story; like the medieval tragedies recounted in Chaucer's The Monk's Tale, it recounts the story of the fall of a great man and his ultimate triumph once he has been thoroughly humiliated. The stress in Sir Amadace is on material things: Amadace's original plight is material, his succor of the unburied knight is material, the white knight's assistance to him is material, his redemption is material . . . , and his ultimate happiness is material. Second, revised edition

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Jason Bourne is on the run. The NSA believes Bourne controls the cyber weapon devised by his old friend, General Boris Karpov, capable of penetrating the heart of America's final defence: nuclear launch codes. Flushed from cover, hunted by assassins and nearly killed, Bourne must join forces with his bitterest enemy, Keyre, the Somali terrorist, whose organization Bourne once decimated. From the Greek island of Skyros to Somalia and the underbelly of Moscow, Bourne must unravel the mystery of Boris Karpov's last legacy, a weaponized code that may very well bring about the unthinkable: a violent end to America.

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One of a series designed to provide a new, accessible approach to the works of great poets and playwrights. Each text includes general notes on the text; discussion of themes, issues and context; and suggestions for further reading.

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In the latest Spenser thriller, the legendary Boston PI and his young protégé Mattie Sullivan take on a billionaire money manager running a network of underaged girls for his rich and powerful clients Ten years ago, Spenser helped a teenage girl named Mattie Sullivan find her mother's killer and take down an infamous Southie crime boss. Now Mattie - a college student with a side job working for the tough but tender private eye - dreams of being an investigator herself. Her first big case involves a fifteen-year-old girl assaulted by a much older man at one of Boston's most prestigious private clubs. The girl, Chloe Turner, only wants the safe return of her laptop and backpack. But like her mentor and boss, Mattie has a knack for asking the right questions of the wrong people. Soon Spenser and Mattie find ties between the exploitation of dozens of other girls from working class families to an eccentric billionaire and his sadistic henchwoman with a mansion on Commonwealth Avenue. The mystery man's wealth, power and connections extend well beyond Massachusetts - maybe even beyond the United States. Spenser and trusted ally Hawk must again watch out for Mattie as she unravels a massive sex-trafficking ring that will take them from Boston to Boca Raton to the Bahamas, crossing paths with local toughs, a highly-trained security company, and an old enemy of Spenser - the Gray Man - for a final epic showdown.

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This is an introduction to the life and work of Kate Roberts, the most important woman writer ever to have emerged from Wales. It offers a comprehensive account of her life, from her birth into a life of poverty and hardship in the slate-quarrying region of Snowdonia to her death almost a hundred years later in Denbigh; in between, she had attended University, at a time when very few Welsh women did, worked as an impassioned and inspirational teacher in the south Wales valleys, run a major printing press and published the main Welsh national newspaper, Y Faner, helped to found Plaid Cymru, the Welsh Nationalist Party, campaigned tirelessly for the Welsh language, challenged gender stereotypes and restrictions in traditional patriarchal Wales, and produced a body of literary work in the Welsh language which makes her rank alongside Saunders Lewis as the greatest Welsh writer of the twentieth century.

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The first book by the New Yorkbased AD100 architect Elizabeth Roberts compiles photographs, sketches, and even vignettes of fiction, to showcase her award-winning workOver the past decades, Elizabeth Roberts Architects has built a practice of specificity. Whether breathing new life into a historic townhouse or imparting a sense of place into a ground-up contemporary home, Roberts dissolves the boundaries between architecture, interior design, and objects. Her sensitive approach and timeless aesthetic have earned her firm not only wide acclaim and AD100 status, but also a devoted following.The 18 projects featured in this bookamong them chic city townhouses and brownstones, contemporary mountain retreats, and a restored country farmhouse, as well as commercial and cultural commissions, and ERA's designs for wallpaper and furniturereflect Roberts's dedication to reframing the distinctions between history and modernity. Varied in their typologies, all are

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Carolina Garcia-Ramirez is a rising star in national politics, taking on the establishment with her progressive agenda. Tough, outspoken, and driven, the young congresswoman has ignited a new conversation in Boston about race, poverty, health care, and the environment. Now facing her second campaign, she finds herself not only fighting a tight primary with an old guard challenger but also contending with numerous death threats coming from hundreds of suspects. When her chief of staff reaches out to Spenser for security and help finding the culprits of what he believes to be the most credible threats, Garcia-Ramirez is less than thrilled. Since her first grassroots run, she's used to the antipathy and intimidation women of color often face when seeking power. To her, it's all noise. But it turns out an FBI agent disagrees, warning Spenser that Garcia-Ramirez might be in real danger this time. It doesn't take long for Spenser to cross paths with an extremist group called The Minutemen, led by a wealthy Harvard grad named Bishop Graves. Although Graves is a social media sensation, pushing an agenda of white supremacy and toxic masculinity, he denies he's behind the attacks. As the primary nears and threats become a deadly plot, it's up to Spenser, Hawk, and a surprise trusted ally to ensure the congresswoman is safe. This is Spenser doing what he does best, living by a personal code and moral compass that can't ever be broken.

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The world's leading French to English and English to French bilingual dictionary.A joint collaboration between Collins and Le Robert, revised and updated to cover all the latest vocabulary in both languages perfect for professionals and advanced learners of French.With more than 310,000 words, meanings and phrases and 500,000 translations.This edition has been revised to include all the latest vocabulary in English and French from a wide range of fields, including new additions from the fields of the Internet, the environment and economics (e.g. instagrammable, rewilding, fintech, dialogueur, écovolontariat, cryptoactif)Culture boxes explain the origins of phrases from literature, film and popular culture to aid translation and improve your understanding of French language and cultureLong and complex entries benefit from a clear structure and layout, with key phrases, idioms and set grammatical structures highlightedAcclaimed Language in Use supplement contains hundreds of examples of

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