Search results for ""Author PAPERBLANKS""

Nineteen Eighty-Four, George Orwell’s dystopian piece of science fiction, introduced terms such as “Big Brother” and “thoughtcrime” into our social lexicon and is still widely read today. Only one handwritten copy of Nineteen Eighty-Four survives, and we are honoured to partner with Brown University to reproduce it on this journal cover.

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Brilliant fireworks are conjured up by this magnificent journal cover which reproduces the binding La Déclamation Théâtrale (1766), a didactic poem by Claude J. Dorat. Scorned by critics, Dorat persisted in writing an explosion of works. Though his legacy is not that of a major master, one cannot help but admire his incandescent desire to create.

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Our Paperblanks Mystique soft cover notebook is inspired by a cover said to have been designed by Le Gascon, a legendary but little-known 17th-century bookbinder. The original cover that inspired this Flexi journal was made of red Moroccan leather embossed and gilded with rosettes, spirals and dotted lines.

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A mother robin and her child receive vivid homage on this Paperblanks journal cover in an image by Canadian artist Tracy Walker. Her work combines a folk-art naiveté with a timeless mid-century feel, as well as wondrous detail that is sure to elicit smiles upon closer inspection of this book design.

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From sunlight sparkling on water to the startling hues of incomparable architecture, Venice enchants the eye. We have captured some of the splendid daybreak palette of the ancient city with this striking journal. Our Fiamma cover is inspired by a 1600s Renaissance binding which was crafted from red morocco leather with fine gold borders.

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A friendly whale and fish receive vivid homage on this Paperblanks journal cover in an image rendered in audacious and appealing colours. Featuring the work of Canadian illustrator Tracy Walker, this Whale and Friend book cover shows just how profound charm can be.

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In our Moonlight Stories journal, we feature classical characters from children’s literature drawn by artist Tim Bowers. With his bold and timeless use of colour and line, Bowers captures the charm of these iconic characters. Tim Bowers’ art has found a place in countless hearts, young and old.

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This blue and gold Paperblanks Equinoxe Azure journal reproduces a 1688 binding protecting L’office de la Semaine Sainte. The original binding was adorned “à la fanfare,” a handtooled pattern edged in gilt. “Fanfare,” which was a style popular in the seventeenth century, required tremendous skill on the part of the bookbinder and was reserved for books of great importance.

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A key member of the Impressionist movement, Claude Monet (1840–1926) painted more than 250 canvases inspired by the play of light and colour upon the lily pond at his Giverny home. This Paperblanks Embellished Manuscript journal sets an 1888 letter written by Monet to Berthe Morisot, a fellow Impressionist, against a backdrop of one of these famous oil paintings.

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Paperblanks Nocturnelle journal, a reproduction of an antique French binding, is based on a cover designed in 1829 by publishers A. & W. Galignani for The Poetical Works of Thomas Moore. This notebook cover suggests the fine Moroccan leather, structural sturdiness, careful finishing and ridged spine preferred for bindings of that era.

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Jean Grolier (1479–1565) was among history’s most discerning collectors of beautiful books. This Paperblanks Grolier journal is inspired by one of his last great commissions, a gold-tooled marbled brown leather binding with an interlaced curving design of single-line fillets and floral tools filling out the six-pointed star.

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What can we say about women’s shoes that hasn’t been said so eloquently elsewhere? Nothing really, which is why we’re content to let the journal cover tell the story this time around. Paperblanks Fabulous Footwear Sorceress notebook, featuring a boot designed by José Ferragamo García, is a perfectly purse-sized book that not only delights, but is a workhorse in the journalling department.

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Frederick Douglass (1818–1895) was a former slave who became a leading abolitionist and social reformer. When too ill to continue his speaking engagements, he wrote letters of support for the anti-lynching activist and investigative journalist Ida B. Wells (1862–1931) to take his place. With the letter reproduced here, we celebrate the legacies of Douglass and Wells – two of the most revered leaders in African American history.

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A lifelong artist, Gary Grayson’s affinity for both antique prints and modern graphic design is on display in the digital artwork behind this cover. His distinctive style is an eclectic mix of vintage vector, impressionism and pop art.

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Marie Sklodowska Curie (1867–1934) was a Polish and naturalized French scientist best known for her pioneering research on radioactivity. Seemingly contradicting the principle of energy conservation, her discoveries forced a reconsideration of the foundation of physics. For this book cover we have reproduced a page from one of Marie’s notebooks containing her calculations precisely measuring the radium and thorium content of minerals.

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This cover design is based on a binding originally published by Salel Binder in Paris in 1514. The tome, Chroniques, was created at a time when books were evolving and binders were using smaller formats that were easier to bind. Pasteboards replaced wood covers and gold tooling grew in popularity. The exuberance of the Chroniques design reflects the sheer splendour of the Renaissance approach to decoration that influenced architecture, art and all facets of cultural life.

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Laurel Burch was a self-taught artist who created brilliantly coloured, vibrant and moving themes. In this design, her original characters, foliage and other details have been adapted by a Japanese artisan to create a new watercolour painting.

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Nobility and grace are restored in our filigreed cover design. Originally crafted in 1675 by the Queens’ Binder “A,” the balance of open space and intricate elements make it a shining jewel of the period. The binding was created to hold The Government of the Tongue by Richard Allestree, provost of Eton College.

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This cover design is based on a binding originally published by Salel Binder in Paris in 1514. The tome, Chroniques, was created at a time when books were evolving and binders were using smaller formats that were easier to bind. Pasteboards replaced wood covers and gold tooling grew in popularity. The exuberance of the Chroniques design reflects the sheer splendour of the Renaissance approach to decoration that influenced architecture, art and all facets of cultural life.

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Virginia Woolf wrote with insight about the uncertainty of everyday life. Her novel The Waves, drafted in a series of notebooks including the one reproduced here, is made up of soliloquies spoken by the main characters. Today, the notebooks are a part of The New York Public Library’s Henry W. and Albert A. Berg Collection of English and American Literature and are featured in the Polonsky Exhibition of The New York Public Library’s Treasures.

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Photographer Gérard Degeorge has travelled the world, capturing grand pieces of architectural design through the scope of his lens. This cover design comes from his vast collection of photography and is reminiscent of the Alhambra in Granada, Spain. The geometric pattern, floral design and arabesque setting are all suggestive of the art and architecture styles found in the western Islamic world.

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