Search results for ""Author Maren"

In the Roman Empire, travelling was something of a central feature, facilitating commerce, pilgrimage, study abroad, tourism, and ethnographic explorations. The present volume investigates for the first time intellectual aspects of this phenomenon by giving equal attention to pagan, Jewish, and Christian perspectives. A team of experts from different fields argues that journeys helped construct cultural identities and negotiate between the local and the particular on the one hand, and wider imperial discourses on the other. A special point of interest is the question of how Rome engages the attention of intellectuals from the Greek East and offers new opportunities of self-fashioning. Pagans, Jews, and Christians shared similar experiences and constructed comparable identities in dialogue, sometimes polemics, with each other. The collection addresses the following themes: real and imagined geography, reconstructing encounters in distant places, between the bodily and the holy, Jesus' travels from different perspectives, and destination Rome. The articles in each section are arranged in chronological order, ranging from early imperial texts to rabbinic and patristic literature.

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During the brief window between the two World Wars, the Rev. Prof. Hermann Beckh led research at The Christian Community Seminary in Stuttgart. In those precious years he published on music, the gospels and the ancient Mysteries. By 1930, in his Contributions to the Priests' Newsletter, he had produced the most far-reaching account of the cosmic order ever written. The typescript of this great work was destined to gather dust in the Berlin Archiv, however, until it was discovered in recent years. Published here for the first time, it is the crowning masterpiece to Beckh's Collected Works. The translated and annotated text is accompanied by Rudolf Frieling's in-depth application of Beckh's principles of the cosmic starry order to the Creed of The Christian Community, and by a number of appreciations and relevant book reviews. Through ever-deepening meditation guided by Rudolf Steiner, and his vast knowledge of Tibetan, Sanskrit, Pali and Avestan sacred texts - scarcely to be equalled in Europe at the time - Beckh came to the first-hand realization that human and cosmic life was ordered. He perceived directly that this cosmic order was: good, as originating from the World-Will; true, as from World-Thinking; and beautiful, as from World-Feeling. All three could be personally experienced in disciplined consciousness that could enter dream, sleep and pre-natal life. This, then, was Beckh's method and inspiration, as shown in this extraordinary work.

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Drawn from the extensive holdings of the Staatliche Museen in Berlin, this collection of jewelry through the ages links cultures and eras to show how the design, wearing, and collecting of personal adornment has evolved over the ages. They range from classic items such as necklaces, rings and earrings to less common items with origins in non-European cultures. The book features jewelry, ranging from the splendid crowns of ancient Greece, gold earrings from Babylon and jewelled collars worn by 13th-century Islamic royalty to more modern pieces such as those contained in the imperial collection of Queen Louise of Prussia, Art Nouveau jewelry designed by Rene Lalique, and work by contemporary designers. This chronologically arranged survey includes numerous brief essays and 400 illustrations with detailed captions, making it an ideal reference for anyone interested in cultural history, the history of jewelry, or the art and craft of jewelry making.

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The Material Culture of the Built Environment in the Anglo-Saxon World, second volume of Daily Living in the Anglo-Saxon World, continues to introduce students of Anglo-Saxon culture to aspects of the realities of the built environment that surrounded Anglo-Saxon peoples through reference to archaeological and textual sources. It considers what structures intruded on the natural landscape the Anglo-Saxons inhabited – roads and tracks, ancient barrows and Roman buildings, the villages and towns, churches, beacons, boundary ditches and walls, grave-markers and standing sculptures – and explores the interrelationships between them and their part in Anglo-Saxon life.

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Transformative Partizipation beschäftigt sich mit Beteiligungsprojekten für verschiedene Großwohnsiedlungen in Deutschland und Österreich. Akteur*innen aus Architektur, Stadtplanung, Soziologie, Geschichtswissenschaft und Kunst denken anhand konkreter Fallbeispiele über aktuelle und historische Formen der Partizipation nach. Sie fragen, welche Ideen und Ziele die jeweiligen Formate prägten und welche Institutionen dabei entstanden. Ein besonderer Fokus liegt dabei auf künstlerischen Formen der Partizipation und deren Potenzial, Reflexionsprozesse über Identität und Image der Siedlungen in Gang zu bringen und so längerfristig zu ihrer Transformation beizutragen. Ziel der Publikation ist es, die Weiterentwicklung partizipativer Konzepte zu unterstützen, ihre Verbreitung zu fördern und ihre Verankerung in der Praxis zu festigen.

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Six years after the Marikana massacre, we have still seen minimal change for mineworkers and mining communities. Although much has been written about the days leading up to August 16, 2012, and how little has been done, few have analyzed the policies and system that make such a tragedy possible. Lonmin Platinum Mine and the events of August 16th are a microcosm of the mining sector and how things can go wrong when society leaves everything to government and ""big business"". Business as Usual after Marikana is a comprehensive analysis of mining in South Africa. Written by respected academics and practitioners in the field, it looks into the history, policies, and business practices that brought us to this point.

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This collection of articles places the frequently discussed question of the introvert Self into a new interdisciplinary context: rather than tracing a linear development from social forms of life with an outward orientation to individual introspection, it argues for significant overlaps between interior and exterior dimensions, between the Self and society. A team of internationally renowned experts from different fields examines Pagan, Jewish and Christian voices on an equal basis and explores the complexity of their messages. Philosophical texts are analyzed next to letters, legal sources, Bible interpretation and material evidence. Not only is the experience of individuals examined, but also instructions from authoritative figures in a position to shape constructions of the Self. The book is divided into three parts; namely, "Constructing the Self", a field usually treated by philosophers, "Self-Fashioning", generally associated with literature, and "Self and Individual in Society", commonly the domain of historians. This volume shows the complexity of each category and their overlaps by engaging unexpected sources in each section and interrogating internal as well as external dimensions.

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Lost for decades, the manuscript of Hermann Beckh's final lectures on the subject of music present fundamentally new insights into its cosmic origins. Beckh characterises the qualities of musical development, examines select musical works (that represent for him the peak of human ingenuity), and throws new light on the nature and source of human creativity and inspiration. Published here for the first time, the lectures demonstrate a distinctive approach founded on the raw material of musical perception. Beckh discusses the whistling wind, the billowing wave, the song of the birds and particularly the theme of longing. Never losing the ground from under his feet, he penetrates perennial themes: from the yearning for real spontaneity and the 'Mystery background' uniting heaven and earth, to spiritual knowledge that can meet the demands of the twenty-first century. Out of the cosmic context, Beckh writes to the individual situation. From there, he seeks again the re-won cosmic context. He does not write as a musical specialist and then turn to universal human concerns; rather, Beckh writes from universal human concerns and reveals music as of special concern to everyone. In addition to the transcripts of fifteen lectures, this book contains a valuable introduction and editorial footnotes. It also features appendices including Beckh's essay 'The Mystery of the Night in Wagner and Novalis'; reminiscences of Beckh by August Pauli and Harro Ruckner; Donald Francis Tovey's 'Wagnerian harmony and the evolution of the Tristan-chord', and several contemporaneous reviews of Beckh's published works.

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Is the pícaro, the roguish hero of early modern Spanish adventure fiction, a 'real man'? What position does he hold in the gender hierarchy of his fictional social context? Why is the pícara so 'non-female'? What effect has her gender constitution on her fictional social context?In terms of a gendered subject, the picaresque figure has hardly been analyzed so far. Although scholars have recognized it as a transgressive and subversive model, the 'queer' effect of the figure is yet to be examined. With regard to the categories of class, generation, topography, and gender, the contributions assembled in this volume explore Spanish, French, English, and German novels narratologically from the perspective of culture and gender theories.

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Shortlisted for The 2019 Oxford-Weidenfeld Prize for Translation. Heroines from Abroad introduces a vibrant new voice to the English language. Christine Marendon's enigmatic, meditative poems, translated here from the German and collected for the first time, draw on dreams, fairy tales and childhood memories to tap into a world beyond conscious reach. Marendon's poems do not present ideas so much as embody states of mind. Something is realised through the poem, rather than said within it. Here, the voice is more important than the particularities of what is said - language, not words. For the translator, Heroines from Abroad is the fruit of seven years' steady work. The poems' clarity and subtle force, the `crystalline, precise quality of their lyricism' (Sasha Dugdale), are testament to that humble, unhurried collaboration in words.

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Abelard in Four Dimensions: A Twelfth-Century Philosopher in His Context and Ours by John Marenbon, one of the leading scholars of medieval philosophy and a specialist on Abelard's thought, originated from a set of lectures in the distinguished Conway Lectures in Medieval Studies series and provides new interpretations of central areas of Peter Abelard's philosophy and its influence. The four dimensions of Abelard to which the title refers are that of the past (Abelard's predecessors), present (his works in context), future (the influence of his thinking up to the seventeenth century), and the present-day philosophical culture in which Abelard's works are still discussed and his arguments debated. For readers new to Abelard, this book provides an introduction to his life and works along with discussion of his central ideas in semantics, ethics, metaphysics, and philosophy of religion. For specialists, the book contains new arguments about the authenticity and chronology of Abelard's logical work, fresh evidence about his relations with Anselm and Hugh of St. Victor, a new understanding of how he combines the necessity of divine action with human freedom, and reinterpretations of important passages in which he discusses semantics and metaphysics. For all historians of philosophy, it sets out and illustrates a new methodological approach, which can be used for any thinker in any period and will help to overcome the divisions between "historians" based in philosophy departments and scholars with historical or philological training.

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Critical analysis of the dramatisation of homosexuality in British fiction about the Second World War is noticeable only by its relative absence from the field. Whereas feminist literary criticism has broadened the canon of war fiction to include narratives by and about women, queer scholars have seldom focused on literary representations of homosexuality during the war. Natalie Marena Nobitz closes a glaring gap in the critical attention of four novels dealing with the disruption of gender roles and institutionalised heteronormativity: Walter Baxter's Look Down in Mercy (1951), Mary Renault's The Charioteer (1953), Sarah Waters' The Night Watch (2006) and Adam Fitzroy's Make Do and Mend (2012).

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Abelard in Four Dimensions: A Twelfth-Century Philosopher in His Context and Ours by John Marenbon, one of the leading scholars of medieval philosophy and a specialist on Abelard's thought, originated from a set of lectures in the distinguished Conway Lectures in Medieval Studies series and provides new interpretations of central areas of Peter Abelard's philosophy and its influence. The four dimensions of Abelard to which the title refers are that of the past (Abelard's predecessors), present (his works in context), future (the influence of his thinking up to the seventeenth century), and the present-day philosophical culture in which Abelard's works are still discussed and his arguments debated. For readers new to Abelard, this book provides an introduction to his life and works along with discussion of his central ideas in semantics, ethics, metaphysics, and philosophy of religion. For specialists, the book contains new arguments about the authenticity and chronology of Abelard's logical work, fresh evidence about his relations with Anselm and Hugh of St. Victor, a new understanding of how he combines the necessity of divine action with human freedom, and reinterpretations of important passages in which he discusses semantics and metaphysics. For all historians of philosophy, it sets out and illustrates a new methodological approach, which can be used for any thinker in any period and will help to overcome the divisions between "historians" based in philosophy departments and scholars with historical or philological training.

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Marena struggles to remember the past: a time before the Zero Tolerance Party murdered her mother and put her father under house arrest. A time before they installed listening devices in every home and outlawed writing. A time when she was free. But it feels like the only thing the new, repressive government wants is to have Marena forget. When the Minister of Education, Helmsley Greengritch, cracks down on Marena's youth training facility, she knows she has to fight back. In the spirit of her revolutionary mother, she forms her own resistance group--the White Rose. With nothing but words and a hunger for freedom, Marena fights for what she knows is right, only to discover the ZT Party's horrifying plans for the country. A thrilling story of resistance and the power of art, The Silenced draws upon the true story of Sophie Scholl and the White Rose group's resistance to the Nazi party.

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Page-turning, fact-based fiction for independent readers, inspired by real-life OceanX explorers and discoveries Marena Montoya is learning how marine mammals talk to each other. But her bigger challenge is learning how to communicate with her new study partner, Samuel, as sea mammal rescues-and their own lives-will depend on it. A baby sea otter and a dolphin need Marena and Samuel's help, but when the team investigates strange sounds under the ocean, they become the ones in need of rescue. Trapped and in trouble, can Marena and Samuel escape on their own? Or will they need a little help from a sea mammal friend?

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De woorden van Otto de Graaf tollen als ballen in een bingomachine door haar hoofd: verandering, mooier en slimmer werken, redesign, implementeren, ontwikkeling, interne en externe communicatie...de blauwe kikker. De blauwe kikker? Prinses Marenne staart naar een plastic map met een stapel A4'tjes erin. Het bovenste blaadje is er vaak uitgehaald. Er zit een flauwe verticale vouwlijn aan de linkerkant van de pagina. Dat er geen betere hulpmiddelen zijn voor het opbergen van papier dan deze map... denkt ze mistroostig. Prinses Marenne staart naar de blauwe kikker die de voorkant siert. In dit hedendaagse sprookje beschrijven Nicoline Mulder en Fokke Wijnstra op spannende en speelse wijze de projectmanagementavonturen van Prinses Marenne. Haar gesprekken met opdrachtgever Otto de Graaf, haar wijze vader Koning Tita, grote broer Bas Berend en neef Arthur geven inzicht in dilemma's van moderne projectmanagers. Dit sprookje verleidt de lezer op een plezierige wijze tot nadenken, het inspire

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