Search results for ""author sam"

In this provocative history, David Tucker argues that "irregular warfare"-including terrorism, guerrilla warfare, and other insurgency tactics-is intimately linked to the rise and decline of Euro-American empire around the globe. Tracing the evolution of resistance warfare from the age of the conquistadors through the United States' recent ventures in Afghanistan and Iraq, Revolution and Resistance demonstrates that contemporary conflicts in the Middle East, Africa, and Asia are simply the final stages in the unraveling of Euro-American imperialism. Tucker explores why it was so difficult for indigenous people and states to resist imperial power, which possessed superior military technology and was driven by a curious moral imperative to conquer. He also explains how native populations eventually learned to fight back by successfully combining guerrilla warfare with political warfare. By exploiting certain Euro-American weaknesses-above all, the instability created by the fading rationale for empire-insurgents were able to subvert imperialism by using its own ideologies against it. Tucker also examines how the development of free trade and world finance began to undermine the need for direct political control of foreign territory. Touching on Pontiac's Rebellion of 1763, Abd el-Kader's jihad in nineteenth-century Algeria, the national liberation movements that arose in twentieth-century Palestine, Vietnam, and Ireland, and contemporary terrorist activity, Revolution and Resistance shows how changing means have been used to wage the same struggle. Emphasizing moral rather than economic or technological explanations for the rise and fall of Euro-American imperialism, this concise, comprehensive book is required reading for anyone seeking to understand the character of contemporary conflict.

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John Cleland is among the most scandalous figures in British literary history, both celebrated and attacked as a pioneer of pornographic writing in English. His first novel, "Memoirs of a Woman of Pleasure", or "Fanny Hill", is one of the enduring literary creations of the eighteenth century, despite over two-hundred years of legal prohibition. Yet the full range of his work is still too little known. In this study, Hal Gladfelder combines groundbreaking archival research into Cleland's tumultuous life with incisive readings of his sometimes extravagant, sometimes perverse body of work, positioning him as a central figure in the development of the novel and in the construction of modern notions of authorial and sexual identity in eighteenth-century England. Rather than a traditional biography, "Fanny Hill in Bombay" presents a case history of a renegade authorial persona, based on published works, letters, private notes, and newly discovered legal testimony. It retraces Cleland's career from his years as a young colonial striver with the East India Company in Bombay through periods of imprisonment for debt and of estrangement from collaborators and family, shedding light on his paradoxical status as literary insider and social outcast. As novelist, critic, journalist, and translator, Cleland engaged with the most challenging intellectual currents of his era yet at the same time was vilified as a pornographer, atheist, and sodomite. Reconnecting Cleland's writing to its literary and social milieu, this study offers new insights into the history of authorship and the literary marketplace and contributes to contemporary debates on pornography, censorship, the history of sexuality, and the contested role of literature in eighteenth-century culture.

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The countryside, towns and cities of Britain are full of churches. They represent some of the most iconic, beautiful and occasionally bizarre buildings in the country. They have a lot to say about our history, our art and our ideas. But how do you read them? Through charming illustrations, Rice's Church Primer reveals the basic grammar and vocabulary of church architecture throughout the United Kingdom. As Matthew Rice says, 'Once you can speak any language, conversations can begin, but without it communications can only be brief and brutish. The same is the case with Architecture: an inability to describe the component parts of a building leaves one tongue-tied and unable to begin to discuss what is or is not exciting, dull or peculiar about it.' Rice's Church Primer explains the language of architecture in churches, from the restrained Norman style of William the Conqueror to the gilded excesses of the Baroque. The primer begins with an explanation of the basic 'Grammar' of churches: elevation, plan, fronts, vaults and towers. This allows the reader to easily understand what follows. Next comes the 'Vocabulary' of styles in chronological order, from ancient Saxon churches to modern cathedrals. Each period covers component parts like doors, windows, towers, pews, panelling and pulpits. Finally, there is a map pinpointing some of the best churches around the country, so you can practise your newfound fluency in real life. With Matthew Rice's elegant and witty illustrations to guide you, suddenly you'll understand why naves are necessary, why towers are built as tall as possible and why sometimes even the most respectable church needs a good flying buttress.

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BRIDGES THE GAP BETWEEN SAS AND R, ALLOWING USERS TRAINED IN ONE LANGUAGE TO EASILY LEARN THE OTHER SAS and R are widely-used, very different software environments. Prized for its statistical and graphical tools, R is an open-source programming language that is popular with statisticians and data miners who develop statistical software and analyze data. SAS (Statistical Analysis System) is the leading corporate software in analytics thanks to its faster data handling and smaller learning curve. SAS for R Users enables entry-level data scientists to take advantage of the best aspects of both tools by providing a cross-functional framework for users who already know R but may need to work with SAS. Those with knowledge of both R and SAS are of far greater value to employers, particularly in corporate settings. Using a clear, step-by-step approach, this book presents an analytics workflow that mirrors that of the everyday data scientist. This up-to-date guide is compatible with the latest R packages as well as SAS University Edition. Useful for anyone seeking employment in data science, this book: Instructs both practitioners and students fluent in one language seeking to learn the other Provides command-by-command translations of R to SAS and SAS to R Offers examples and applications in both R and SAS Presents step-by-step guidance on workflows, color illustrations, sample code, chapter quizzes, and more Includes sections on advanced methods and applications Designed for professionals, researchers, and students, SAS for R Users is a valuable resource for those with some knowledge of coding and basic statistics who wish to enter the realm of data science and business analytics.

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A comprehensive guide to implementing SAE methods for poverty studies and poverty mapping There is an increasingly urgent demand for poverty and living conditions data, in relation to local areas and/or subpopulations. Policy makers and stakeholders need indicators and maps of poverty and living conditions in order to formulate and implement policies, (re)distribute resources, and measure the effect of local policy actions. Small Area Estimation (SAE) plays a crucial role in producing statistically sound estimates for poverty mapping. This book offers a comprehensive source of information regarding the use of SAE methods adapted to these distinctive features of poverty data derived from surveys and administrative archives. The book covers the definition of poverty indicators, data collection and integration methods, the impact of sampling design, weighting and variance estimation, the issue of SAE modelling and robustness, the spatio-temporal modelling of poverty, and the SAE of the distribution function of income and inequalities. Examples of data analyses and applications are provided, and the book is supported by a website describing scripts written in SAS or R software, which accompany the majority of the presented methods. Key features: Presents a comprehensive review of SAE methods for poverty mapping Demonstrates the applications of SAE methods using real-life case studies Offers guidance on the use of routines and choice of websites from which to download them Analysis of Poverty Data by Small Area Estimation offers an introduction to advanced techniques from both a practical and a methodological perspective, and will prove an invaluable resource for researchers actively engaged in organizing, managing and conducting studies on poverty.

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When Franklin D. Roosevelt promised "a new deal for the American people," he gave hope to millions of Americans impoverished by the Great Depression. The Roosevelt administration's relief programs, implemented in a period of crisis characterized by the "Black Friday" stock market crash, widespread bank failures, and massive unemployment, marked the turning point in the making of modern America. Yet in spite of extensive aid provided on federal and state levels, the enormity of the economic problems throughout the country left much of the president's pledge unfulfilled. In this interpretive overview, Roger Biles discusses the factors contributing to the Great Depression and analyzes the federal government's emerging role in public welfare. Focusing on various segments of society, he assesses New Deal programs in terms of their impact on the lives of the American people, including the working class, women, African Americans, and urban dwellers. While drawing on scholarship of the past twenty years, he offers fresh insights into the social effects of Roosevelt's policies and stimulates new thinking on the question of whether the reforms preserved the foundations of American federalism or represented a second American revolution. In conclusion Biles weighs the New Deal's successes and failures, both of which he finds to be part of the same story, "a story that can only be understood with an appreciation for the context of the Depression years." A New Deal for the American People explores that context with sensitivity. This clearly written and highly readable study will engage both specialists and general readers interested in a balanced account of one of the most important programs of twentieth-century America, Roosevelt's New Deal.

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Legislative elections are the defining institution of a representative democracy. They determine how the power to govern society is distributed among political actors, regardless of whether those actors are political parties, ethnic groups, or business interests. Yet the rules that decide how thousands, if not millions, of popular votes are translated into a relatively small number of parliamentary seats vary widely across, and sometimes within, countries. Elections by Design—based on a skillful blend of statistical analyses and detailed case studies—seeks to uncover how electoral rules are chosen within the Russian Federation, and by whom. To enhance our understanding of electoral system choice, Moraski investigates the origins of the legislative electoral systems in the eighty-nine regions of the Russian Federation. These subnational units serve as a natural experiment by allowing an opportunity to observe the creation of representative institutions in a state transitioning from authoritarian rule. The regions also offer a rare glimpse into the dynamics of electoral system choice where political parties do not necessarily guide the decisions. Despite the unique qualities of Russia's political transition, Elections by Design reveals insights that can be applied to other transitioning states. Moraski emphasizes that institutional choice remains a political process, despite scholars' recommendations that certain electoral systems are better for democracy than others. At the same time, he shows how electoral system choice at the regional level can frustrate party development and democracy at the national level. This study is particularly valuable at a time when American politicians seek to spread the seeds of democracy to areas where people differ along ethnic or religious lines and where a federal framework is needed to bring dissenting interests to the negotiating table.

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When Franklin D. Roosevelt promised "a new deal for the American people," he gave hope to millions of Americans impoverished by the Great Depression. The Roosevelt administration's relief programs, implemented in a period of crisis characterized by the "Black Friday" stock market crash, widespread bank failures, and massive unemployment, marked the turning point in the making of modern America. Yet in spite of extensive aid provided on federal and state levels, the enormity of the economic problems throughout the country left much of the president's pledge unfulfilled. In this interpretive overview, Roger Biles discusses the factors contributing to the Great Depression and analyzes the federal government's emerging role in public welfare. Focusing on various segments of society, he assesses New Deal programs in terms of their impact on the lives of the American people, including the working class, women, African Americans, and urban dwellers. While drawing on scholarship of the past twenty years, he offers fresh insights into the social effects of Roosevelt's policies and stimulates new thinking on the question of whether the reforms preserved the foundations of American federalism or represented a second American revolution. In conclusion Biles weighs the New Deal's successes and failures, both of which he finds to be part of the same story, "a story that can only be understood with an appreciation for the context of the Depression years." A New Deal for the American People explores that context with sensitivity. This clearly written and highly readable study will engage both specialists and general readers interested in a balanced account of one of the most important programs of twentieth-century America, Roosevelt's New Deal.

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In this innovative history, Paige Raibmon examines the political ramifications of ideas about “real Indians.” Focusing on the Northwest Coast in the late nineteenth century and early twentieth, she describes how government officials, missionaries, anthropologists, reformers, settlers, and tourists developed definitions of Indian authenticity based on such binaries as Indian versus White, traditional versus modern, and uncivilized versus civilized. They recognized as authentic only those expressions of “Indianness” that conformed to their limited definitions and reflected their sense of colonial legitimacy and racial superiority. Raibmon shows that Whites and Aboriginals were collaborators—albeit unequal ones—in the politics of authenticity. Non-Aboriginal people employed definitions of Indian culture that limited Aboriginal claims to resources, land, and sovereignty, while Aboriginals utilized those same definitions to access the social, political, and economic means necessary for their survival under colonialism.Drawing on research in newspapers, magazines, agency and missionary records, memoirs, and diaries, Raibmon combines cultural and labor history. She looks at three historical episodes: the participation of a group of Kwakwaka’wakw from Vancouver in the 1893 World’s Columbian Exposition in Chicago; the work of migrant Aboriginal laborers in the hop fields of Puget Sound; and the legal efforts of Tlingit artist Rudolph Walton to have his mixed-race step-children admitted to the white public school in Sitka, Alaska. Together these episodes reveal the consequences of outsiders’ attempts to define authentic Aboriginal culture. Raibmon argues that Aboriginal culture is much more than the reproduction of rituals; it also lies in the means by which Aboriginal people generate new and meaningful ways of identifying their place in a changing modern environment.

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Sigmund Freud infamously referred to women's sexuality as a “dark continent” for psychoanalysis, drawing on colonial explorer Henry Morton Stanley’s use of the same phrase to refer to Africa. While the problematic universalism of psychoanalysis led theorists to reject its relevance for postcolonial critique, Ranjana Khanna boldly shows howbringing psychoanalysis, colonialism, and women together can become the starting point of a postcolonial feminist theory. Psychoanalysis brings to light, Khanna argues, how nation-statehood for the former colonies of Europe institutes the violence of European imperialist history. Far from rejecting psychoanalysis, Dark Continents reveals its importance as a reading practice that makes visible the psychical strife of colonial andpostcolonial modernity. Assessing the merits of various models of nationalism, psychoanalysis, and colonialism, it refashions colonial melancholy as a transnational feminist ethics.Khanna traces the colonial backgrounds of psychoanalysis from its beginnings in the late nineteenth century up to the present. Illuminating Freud’s debt to the languages of archaeology and anthropology throughout his career, Khanna describes how Freud altered his theories of the ego as his own political status shifted from Habsburg loyalist to Nazi victim. Dark Continents explores how psychoanalytic theory was taken up in Europe and its colonies in the period of decolonization following World War II, focusing on its use by a range of writers including Jean-Paul Sartre, Simone de Beauvoir, Octave Mannoni, Aimé and Suzanne Césaire, René Ménil, Frantz Fanon, Albert Memmi, Wulf Sachs, and Ellen Hellman. Given the multiple gendered and colonial contexts of many of these writings, Khanna argues for the necessity of a postcolonial, feminist critique ofdecolonization and postcoloniality.

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Felt provides a nonlinear look at the engagement of the postwar avant-garde with Eastern spirituality, a context in which the German artist Joseph Beuys appears as an uneasy shaman. Centered on a highly publicized yet famously inconclusive 1982 meeting between Beuys and the Dalai Lama, arranged by the Dutch artist Louwrien Wijers, Chris Thompson explores the interconnections among Beuys, the Fluxus movement, and Eastern philosophy and spiritual practice. Building from the resonance of felt, the fabric, in both Tibetan culture and in Beuys’s art, Thompson takes as his point of departure Deleuze and Guattari’s discussion in A Thousand Plateaus of felt as smooth space that is “in principle infinite, open, and unlimited in every direction,” its structure determined by chance as opposed to the planned, woven nature of most fabrics. Felt is thus seen as an alternative to the model of the network: felt’s anarchic form is not reducible to the regularity of the net, grid, or mesh, and the more it is pulled, tweaked, torn, and agitated, the greater its structural integrity.Felt thus invents its methodology from the material that represents its object of inquiry and from this advances a reading of the avant-garde. At the same time, Thompson demonstrates that it is sometimes the failures of thought, the disappointing meetings, even the untimely deaths that open portals through which life flows into art and allows new conjunctions of life, art, and thought. Thompson explores both the well-known engagement of Fluxus artists with Eastern spirituality and the more elusive nature of Beuys’s own late interest in Tibetan culture, arriving at a sense of how such noncausal interactions—interhuman intrigue—create culture and shape contemporary art history.

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What does it mean for a child to be a "reader" and how did American culture come to place such a high value on this identity? Reading Children offers a history of the relationship between children and books in Anglo-American modernity, exploring long-lived but now forgotten early children's literature, discredited yet highly influential pedagogical practices, the property lessons inherent in children's book ownership, and the emergence of childhood itself as a literary property. The nursery and schoolroom version of the social contract, Crain argues, underwrote children's entry not only into reading and writing but also into a world of commodity and property relations. Increasingly positioned as an indispensable form of cultural capital by the end of the eighteenth century, literacy became both the means and the symbol of children's newly recognized self-possession and autonomy. At the same time, as children's legal and economic status was changing, "childhood" emerged as an object of nostalgia for adults. Literature for children enacted the terms of children's self-possession, often with explicit references to property, contracts, or inheritances, and yet also framed adult longing for an imagined past called "childhood." Dozens of colorful illustrations chart the ways in which early literature for children was transformed into spectacle through new image technologies and a burgeoning marketplace that capitalized on nostalgic fantasies of childhood conflated with bowdlerized fantasies of history. Reading Children offers new terms for thinking about the imbricated and mutually constitutive histories of literacy, property, and childhood in the eighteenth and nineteenth centuries that ground current anxieties and long-held beliefs about childhood and reading.

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It is not uncommon to hear states and their leaders criticized for "mixing oil and politics." The U.S.-led Iraq War was criticized as a "war for oil." When energy exporters overtly use energy as a tool to promote their foreign policy goals, Europe and the United States regularly decry the use of energy as a "weapon" rather than accept it as a standard and legitimate tool of diplomacy. In Energy Politics, Brenda Shaffer argues that energy and politics are intrinsically linked. Modern life—from production of goods, to means of travel and entertainment, to methods of waging war—is heavily dependent on access to energy. A country's ability to acquire and use energy supplies crucially determines the state of its economy, its national security, and the quality and sustainability of its environment. Energy supply can serve as a basis for regional cooperation, but at the same time can serve as a source of conflict among energy seekers and between producers and consumers. Shaffer provides a broad introduction to the ways in which energy affects domestic and regional political developments and foreign policy. While previous scholarship has focused primarily on the politics surrounding oil, Shaffer broadens her scope to include the increasingly important role of natural gas and alternative energy sources as well as emerging concerns such as climate change, the global energy divide, and the coordinated international policy-making required to combat them. Energy Politics concludes with examinations of how politics and energy interact in six of the world's largest producers and consumers of energy: Russia, Europe, the United States, China, Iran, and Saudi Arabia.

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This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters—and potentially those in other arts—have both challenged and accommodated themselves to an ongoing process of cultural stratification.

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Henry David Thoreau has suffered from a largely uncritical admiration of his roles as naturalist, economist, political theorist, and expository writer. The evidence this book presents substantially modifies our understanding of his performance of those roles. It draws heavily on the largely unknown territory of Thoreau's seven thousand pages of journals as well as his poetry, while at the same time subjecting passages from such familiar work as Walden to fresh interpretation. Dark Thoreau argues that Thoreau elected to associate himself with the American romantic movement as a form of rebellion from a Concord from which he was alienated. However, the affirmations of transcendentalism were often unavailable to him, so that he (and his writing) suffered the tensions of disharmony: animal life proved savage and sensual, the primitive wilderness alarming, and after the Indian failed him, only the militant John Brown furnished a surrogate Thoreau could enthusiastically support. Thoreau's frustrations manifested themselves not only in passive lamentations but also in expressions of aggression. The terms in which he cast his anger were often imagistically violent, involving a desire to injure, suffocate, drown, and blow up that which he despised. Even his most affirmative assertions about the world were likely to be tinged with doubt. Our preoccupation with Thoreau as the symbol of man in harmony with a benign wilderness has tended to divert us from the full dimensions of his mind. The present account of the dark Thoreau will require subsequent readers to add his savagery and pessimism to their sense of the man, to complicate this saint of the woods by accepting his doubt, his anger, and his fallibility.

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Named Best Baseball Book of 2020 by Sports Collectors Digest 2021 SABR Seymour Medal Finalist In the summer of 1932, at the beginning of the turbulent decade that would remake America, baseball fans were treated to one of the most thrilling seasons in the history of the sport. As the nation drifted deeper into the Great Depression and reeled from social unrest, baseball was a diversion for a troubled country—and yet the world of baseball was marked by the same edginess that pervaded the national scene. On-the-field fights were as common as double plays. Amid the National League pennant race, Cubs’ shortstop Billy Jurges was shot by showgirl Violet Popovich in a Chicago hotel room. When the regular season ended, the Cubs and Yankees clashed in what would be Babe Ruth’s last appearance in the fall classic. After the Cubs lost the first two games in New York, the series resumed in Chicago at Wrigley Field, with Democratic presidential candidate Franklin Roosevelt cheering for the visiting Yankees from the box seats behind the Yankees’ dugout. In the top of the fifth inning the game took a historic turn. As Ruth was jeered mercilessly by Cubs players and fans, he gestured toward the outfield and then blasted a long home run. After Ruth circled the bases, Roosevelt exclaimed, “Unbelievable!” Ruth’s homer set off one of baseball’s longest-running and most intense debates: did Ruth, in fact, call his famous home run? Rich with historical context and detail, The Called Shot dramatizes the excitement of a baseball season during one of America’s most chaotic summers.

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In France as elsewhere in recent years, legislative debates over single-parent households, same-sex unions, new reproductive technologies, transsexuality, and other challenges to long-held assumptions about the structure of family and kinship relations have been deeply divisive. What strikes many as uniquely French, however, is the extent to which many of these discussions—whether in legislative chambers, courtrooms, or the mass media—have been conducted in the frequently abstract vocabularies of anthropology and psychoanalysis. In this highly original book, Camille Robcis seeks to explain why and how academic discourses on kinship have intersected and overlapped with political debates on the family—and on the nature of French republicanism itself. She focuses on the theories of Claude Lévi-Strauss and Jacques Lacan, both of whom highlighted the interdependence of the sexual and the social by positing a direct correlation between kinship and socialization. Robcis traces how their ideas gained recognition not only from French social scientists but also from legislators and politicians who relied on some of the most obscure and difficult concepts of structuralism to enact a series of laws concerning the family. Lévi-Strauss and Lacan constructed the heterosexual family as a universal trope for social and psychic integration, and this understanding of the family at the root of intersubjectivity coincided with the role that the family has played in modern French law and public policy. The Law of Kinship contributes to larger conversations about the particularities of French political culture, the nature of sexual difference, and the problem of reading and interpretation in intellectual history.

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For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his Treatise on Painting, first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied interpretations of Leonardo's ideas in French, Italian, Spanish, English, German, Dutch, Flemish, Greek, and Polish speaking environments where the Trattato was an important resource for the academic instruction of artists, one of the key sources drawn upon by art theorists, and widely read by a diverse network of artists, architects, biographers, natural philosophers, translators, astronomers, publishers, engineers, theologians, aristocrats, lawyers, politicians, entrepreneurs, and collectors. The cross-cultural approach employed here demonstrates that Leonardo's Treatise on Painting is an ideal case study through which to chart the institutionalization of art in Europe and beyond for 400 years. The volume includes original essays by scholars studying a wide variety of national and institutional settings. The coherence of the volume is established by the shared subject matter and interpretative aim: to understand how Leonardo's ideas were used. With its focus on the active reception of an important text overlooked in studies of the artist's solitary genius, the collection takes Leonardo studies to a new level of historical inquiry. Leonardo da Vinci's most significant contribution to Western art was his interpretation of painting as a science grounded in geometry and direct observation of nature. One of the most important questions to emerge from this study is, what enabled the same text to produce so many different styles of painting?

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A look at the extraordinary ways the brain turns thoughts into actions—and how this shapes our everyday livesWhy is it hard to text and drive at the same time? How do you resist eating that extra piece of cake? Why does staring at a tax form feel mentally exhausting? Why can your child expertly fix the computer and yet still forget to put on a coat? From making a cup of coffee to buying a house to changing the world around them, humans are uniquely able to execute necessary actions. How do we do it? Or in other words, how do our brains get things done? In On Task, cognitive neuroscientist David Badre presents the first authoritative introduction to the neuroscience of cognitive control—the remarkable ways that our brains devise sophisticated actions to achieve our goals. We barely notice this routine part of our lives. Yet, cognitive control, also known as executive function, is an astonishing phenomenon that has a profound impact on our well-being.Drawing on cutting-edge research, vivid clinical case studies, and examples from daily life, Badre sheds light on the evolution and inner workings of cognitive control. He examines issues from multitasking and willpower to habitual errors and bad decision making, as well as what happens as our brains develop in childhood and change as we age—and what happens when cognitive control breaks down. Ultimately, Badre shows that cognitive control affects just about everything we do.A revelatory look at how billions of neurons collectively translate abstract ideas into concrete plans, On Task offers an eye-opening investigation into the brain’s critical role in human behavior.

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Fiction, far from being the opposite of truth, is wholly bent on finding it out, and writing novels is a way to know the real world as objectively as possible. In Five Fictions in Search of Truth, Myra Jehlen develops this idea through readings of works by Flaubert, James, and Nabokov. She invokes Proust's famous search for lost memory as the exemplary literary process, which strives, whatever its materials, for a true knowledge. In Salammbo, Flaubert digs up Carthage; in The Ambassadors, James plumbs the examined life and touches at its limits; while in Lolita, Nabokov traces a search for truth that becomes a trespass. In these readings, form and style emerge as fiction's means for taking hold of reality, which is to say that they are as epistemological as they are aesthetic, each one emerging by way of the other. The aesthetic aspects of a literary work are just so many instruments for exploring a subject, and the beauty and pleasure of a work confirm the validity of its account of the world. For Flaubert, famously, a beautiful sentence was proven true by its beauty. James and Nabokov wrote on the same assumption--that form and style were at once the origin and the confirmation of a work's truth. In Five Fictions in Search of Truth, Jehlen shows, moreover, that fiction's findings are not only about the world but immanent within it. Literature works concretely, through this form, that style, this image, that word, seeking a truth that is equally concrete. Writers write--and readers read--to discover an incarnate, secular knowledge, and in doing so they enact a basic concurrence between literature and science.

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Tracing the intersection of religion, race, and power in Texas from Reconstruction through the rise of the Religious Right and the failed presidential bid of Governor Rick Perry, Rough Country illuminates American history since the Civil War in new ways, demonstrating that Texas's story is also America's. In particular, Robert Wuthnow shows how distinctions between "us" and "them" are perpetuated and why they are so often shaped by religion and politics. Early settlers called Texas a rough country. Surviving there necessitated defining evil, fighting it, and building institutions in the hope of advancing civilization. Religion played a decisive role. Today, more evangelical Protestants live in Texas than in any other state. They have influenced every presidential election for fifty years, mobilized powerful efforts against abortion and same-sex marriage, and been a driving force in the Tea Party movement. And religion has always been complicated by race and ethnicity. Drawing from memoirs, newspapers, oral history, voting records, and surveys, Rough Country tells the stories of ordinary men and women who struggled with the conditions they faced, conformed to the customs they knew, and on occasion emerged as powerful national leaders. We see the lasting imprint of slavery, public executions, Jim Crow segregation, and resentment against the federal government. We also observe courageous efforts to care for the sick, combat lynching, provide for the poor, welcome new immigrants, and uphold liberty of conscience. A monumental and magisterial history, Rough Country is as much about the rest of America as it is about Texas.

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Much has been written about the profound impact the post-World War II baby boomers had on American religion. But the lifestyles and beliefs of the generation that has followed--and the influence these younger Americans in their twenties and thirties are having on the face of religion--are not so well understood. It is this next wave of post-boomers that Robert Wuthnow examines in this illuminating book. What are their churchgoing habits and spiritual interests and needs? How does their faith affect their families, their communities, and their politics? Interpreting new evidence from scores of in-depth interviews and surveys, Wuthnow reveals a generation of younger adults who, unlike the baby boomers that preceded them, are taking their time establishing themselves in careers, getting married, starting families of their own, and settling down--resulting in an estimated six million fewer regular churchgoers. He shows how the recent growth in evangelicalism is tapering off, and traces how biblical literalism, while still popular, is becoming less dogmatic and more preoccupied with practical guidance. At the same time, Wuthnow explains how conflicts between religious liberals and conservatives continue--including among new immigrant groups such as Hispanics and Asians--and how in the absence of institutional support many post-boomers have taken a more individualistic, improvised approach to spirituality. Wuthnow's fascinating analysis also explores the impacts of the Internet and so-called virtual churches, and the appeal of megachurches. After the Baby Boomers offers us a tantalizing look at the future of American religion for decades to come.

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Fiction, far from being the opposite of truth, is wholly bent on finding it out, and writing novels is a way to know the real world as objectively as possible. In Five Fictions in Search of Truth, Myra Jehlen develops this idea through readings of works by Flaubert, James, and Nabokov. She invokes Proust's famous search for lost memory as the exemplary literary process, which strives, whatever its materials, for a true knowledge. In Salammbo, Flaubert digs up Carthage; in The Ambassadors, James plumbs the examined life and touches at its limits; while in Lolita, Nabokov traces a search for truth that becomes a trespass. In these readings, form and style emerge as fiction's means for taking hold of reality, which is to say that they are as epistemological as they are aesthetic, each one emerging by way of the other. The aesthetic aspects of a literary work are just so many instruments for exploring a subject, and the beauty and pleasure of a work confirm the validity of its account of the world. For Flaubert, famously, a beautiful sentence was proven true by its beauty. James and Nabokov wrote on the same assumption--that form and style were at once the origin and the confirmation of a work's truth. In Five Fictions in Search of Truth, Jehlen shows, moreover, that fiction's findings are not only about the world but immanent within it. Literature works concretely, through this form, that style, this image, that word, seeking a truth that is equally concrete. Writers write--and readers read--to discover an incarnate, secular knowledge, and in doing so they enact a basic concurrence between literature and science.

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In a famous passage in The Red and the Black, the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naive notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Gunter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel Garcia Marquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.

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The Embodied Image The Embodied Image: Imagination and Imagery in Architecture Juhani Pallasmaa All artistic and architectural effects are evoked, mediated and experienced through poeticised images. These images are embodied and lived experiences that take place in ‘the flesh of the world’, becoming part of us, at the same time that we unconsciously project aspects of ourselves on to a conceived space, object or event. Artistic images have a life and reality of their own and they develop through unexpected associations rather than rational and causal logic. Images are usually thought of as retinal pictures but profound poetic images are multi-sensory and they address us in an embodied and emotive manner. Architecture is usually analysed and taught as a discipline that articulates space and geometry, but the mental impact of architecture arises significantly from its image quality that integrates the various aspects and dimensions of experience into a singular, internalised and remembered entity. The material reality is fused with our mental and imaginative realm. The book is organised into five main parts that look at in turn: the image in contemporary culture; language, thought and the image; the many faces of the image; the poetic image; and finally the architectural image. The Embodied Image is illustrated with over sixty images in pairs, which are diverse in subject. They range from scientific images to historic artistic and architectural masterpieces. Artworks span Michelangelo and Vermeer to Gordon Matta- Clark and architecture takes in Modern Masters such as Mies van der Rohe, Le Corbusier and Alvar Aalto, as well as significant contemporary works by Steven Holl and Daniel Libeskind.

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Following The People and the Books, which "covers more than 2,500 years of highly variegated Jewish cultural expression" (Robert Alter, The New York Times Book Review), poet and literary critic Adam Kirsch now turns to the story of modern Jewish literature. From the vast emigration of Jews out of Eastern Europe to the Holocaust to the creation of Israel, the twentieth century transformed Jewish life. The same was true of Jewish writing: the novels, plays, poems and memoirs of Jewish writers provided intimate access to new worlds of experience. Kirsch surveys four themes that shaped the twentieth century in Jewish literature and culture: Europe, America, Israel and the endeavour to reimagine Judaism as a modern faith. With discussions of major books by over thirty writers—ranging from Franz Kafka to Philip Roth, Elie Wiesel to Tony Kushner, Hannah Arendt to Judith Plaskow—he argues that literature offers a new way to think about what it means to be Jewish in the modern world. With a wide scope and diverse, original observations, Kirsch draws fascinating parallels between familiar writers and their less familiar counterparts. While everyone knows the diary of Anne Frank, for example, few outside of Israel have read the diary of Hannah Senesh. Kirsch sheds new light on the literature of the Holocaust through the work of Primo Levi, explores the emergence of America as a Jewish home through the stories of Bernard Malamud and shows how Yehuda Amichai captured the paradoxes of Israeli identity. An insightful and engaging work from "one of America’s finest literary critics" (The Wall Street Journal), The Blessing and the Curse brings the Jewish experience vividly to life.

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“boyd’s new book is layered and smart . . . It’s Complicated will update your mind.”—Alissa Quart, New York Times Book Review “A fascinating, well-researched and (mostly) reassuring look at how today's tech-savvy teenagers are using social media.”—People “The briefest possible summary? The kids are all right, but society isn’t.”—Andrew Leonard, Salon What is new about how teenagers communicate through services such as Facebook, Twitter, and Instagram? Do social media affect the quality of teens’ lives? In this eye-opening book, youth culture and technology expert danah boyd uncovers some of the major myths regarding teens' use of social media. She explores tropes about identity, privacy, safety, danger, and bullying. Ultimately, boyd argues that society fails young people when paternalism and protectionism hinder teenagers’ ability to become informed, thoughtful, and engaged citizens through their online interactions. Yet despite an environment of rampant fear-mongering, boyd finds that teens often find ways to engage and to develop a sense of identity. Boyd’s conclusions are essential reading not only for parents, teachers, and others who work with teens but also for anyone interested in the impact of emerging technologies on society, culture, and commerce in years to come. Offering insights gleaned from more than a decade of original fieldwork interviewing teenagers across the United States, boyd concludes reassuringly that the kids are all right. At the same time, she acknowledges that coming to terms with life in a networked era is not easy or obvious. In a technologically mediated world, life is bound to be complicated.

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To take a journey, travelers must know where they are, where they are going, and how to get there. Moral theology examines the same three truths. The Christian Moral Life is a handbook for moral theology that uses the theme of a journey to explain its key ethical concepts. First, humans begin with their creation in the image of God. Secondly, the goal of the journey is explained as a loving union with God, to achieve a share in his eternal happiness. Third and finally, the majority of the book examines how to attain this goal. Within the journey motif, the book covers the moral principles essential for attaining true happiness. Based on an examination of the moral methodology in the bible, the book discusses the importance of participating in divine nature through grace in order to attain eternal happiness. It further notes the role of law, virtue, and the gifts of the Holy Spirit in guiding and transforming humans into friends of God, who participate in his happiness. Following this section on moral theology in general, the book analyzes the individual virtues to give more concrete guidance. The entire project builds upon the insights of great Christian thinkers, such as Thomas Aquinas, Thérèse of Lisieux, and John Paul II, to uncover the moral wisdom in scripture and to show people how to be truly happy both in this life and the next. This book will be of great interest to undergraduate students of moral theology, priests and seminarians, parents and teachers seeking to raise and to form happy children, and anyone interested in discovering the meaning of true happiness.

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The sibling stands out as a ubiquitous—yet unacknowledged—conceptual touchstone across the European long nineteenth century. Beginning in the late eighteenth century, Europeans embarked on a new way of classifying the world, devising genealogies that determined degrees of relatedness by tracing heritage through common ancestry. This methodology organized historical systems into family trees in a wide array of new disciplines, transforming into siblings the closest contemporaneous terms on trees of languages, religions, races, nations, species, or individuals. In literature, a sudden proliferation of siblings—often incestuously inclined—negotiated this confluence of knowledge and identity. In all genealogical systems the sibling term, not quite same and not quite other, serves as an active fault line, necessary for and yet continuously destabilizing definition and classification.In her provocative book, Stefani Engelstein argues that this pervasive relational paradigm shaped the modern subject, life sciences, human sciences, and collective identities such as race, religion, and gender. The insecurity inherent to the sibling structure renders the systems it underwrites fluid. It therefore offers dynamic potential, but also provokes counterreactions such as isolationist theories of subjectivity, the political exclusion of sisters from fraternal equality, the tyranny of intertwined economic and kinship theories, conflicts over natural kinds and evolutionary speciation, and invidious anthropological and philological classifications of Islam and Judaism. Integrating close readings across the disciplines with panoramic intellectual history and arresting literary interpretations, Sibling Action presents a compelling new understanding of systems of knowledge and provides the foundation for less confrontational formulations of belonging, identity, and agency.

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Ananda Abeysekara contends that democracy, along with its cherished secular norms, is founded on the idea of a promise deferred to the future. Rooted in democracy's messianic promise is the belief that religious--political identity-such as Buddhist, Hindu, Sinhalese, Christian, Muslim, or Tamil--can be critiqued, neutralized, improved, and changed, even while remaining inseparable from the genocide of the past. This facile belief, he argues, is precisely what distracts us from challenging the violence inherent in postcolonial political sovereignty. At the same time, we cannot simply dismiss the democratic concept, since it permeates so deeply through our modernist, capitalist, and humanist selves. In The Politics of Postsecular Religion, Abeysekara invites us to reconsider our ethical-political legacies, to look at them not as problems, but as aporias, in the Derridean sense-that is, as contradictions or impasses incapable of resolution. Disciplinary theorizing in religion and politics, he argues, is unable to identify the aporias of our postcolonial modernity. The aporetic legacies, which are like specters that cannot be wished away, demand a new kind of thinking. It is this thinking that Abeysekara calls mourning and un-inheriting. Un-inheriting is a way of meditating on history that both avoids the simple binary of remembering and forgetting and provides an original perspective on heritage, memory, and time. Abeysekara situates aporias in the settings and cultures of the United States, France, England, Sri Lanka, India, and Tibet. In presenting concrete examples of religion in public life, he questions the task of refashioning the aporetic premises of liberalism and secularism. Through close readings of Nietzsche, Heidegger, Arendt, Derrida, Butler, and Agamben, as well as Foucault, Asad, Chakrabarty, Balibar, and Zizek, he offers readers a way to think about the futures of postsecular politics that is both dynamic and creative.

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Few ideas are as important and pervasive in the discourse of the twentieth century as the idea of culture. Yet culture, Christopher Herbert contends, is an idea laden from its inception with ambiguity and contradiction. In Culture and Anomie, Christopher Herbert conducts an inquiry into the historical emergence of the modern idea of culture that is at the same time an extended critical analysis of the perplexities and suppressed associations underlying our own exploitation of this term. Making wide reference to twentieth-century anthropologists from Malinowski and Benedict to Evans-Pritchard, Geertz, and Lévi-Strauss as well as to nineteenth-century social theorists like Tylor, Spencer, Mill, and Arnold, Herbert stresses the philosophically dubious, unstable character that has clung to the "culture" idea and embarrassed its exponents even as it was developing into a central principle of interpretation. In a series of detailed studies ranging from political economy to missionary ethnography, Mayhew, and Trollope's fiction, Herbert then focuses on the intellectual and historical circumstances that gave to "culture" the appearance of a secure category of scientific analysis despite its apparent logical incoherence. What he describes is an intimate relationship between the idea of culture and its antithesis, the myth or fantasy of a state of boundless human desire—a conception that binds into a single tradition of thought such seemingly incompatible writers as John Wesley, who called this state original sin, and Durkheim, who gave it its technical name in sociology: anomie. Methodologically provocative and rich in unorthodox conclusions, Culture and Anomie will be of interest not only to specialists in nineteenth-century literature and intellectual history, but also to readers across the wide range of fields in which the concept of culture plays a determining role.

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In the 19th century, nationalism and democracy were on the rise in Europe, transforming old nation-states and leading to the creation of powerful new ones. Basel, with its legendary wealth, its 400-year-old university, and its tradition of humanist learning, clung to its ancient status as an independent city-republic within the loose Swiss Confederation. It owed its prosperity to its situation at the crossroads of France, the German states and the states of Southern Europe and to a vast network of international and intercontinental trading connections developed by its enterprising elite families. Its citizens looked out at the changes taking place around them and feared for their privileges, their prosperity and the political autonomy of their miniature state. By mid-century, Basel had become a focus of resistance to the optimistic and confident modernism of the time. Lionel Gossman's sweeping work tells the story of Basel, this seemingly anachronistic hybrid of commercialism and classical republicanism, and of four major thinkers who retreated there: the historian Jacob Burkhardt, the philologist and anthropologist Johann Jakob Bachofen, the theologian Franz Overbeck, and the philosopher Friedrich Nietzsche. Focusing on the native Baselers, Burckhardt and Bachofen, Gossman offers the most comprehensive interpretive biographies and analyses of these figures and their work available in English. At the same time, he shows how their ideas are tightly interwoven with the culture, tradition and destiny of this unique and beautiful city. Today, as the developments these men decried continue to gain momentum, their "unseasonable ideas" emerge as fresh, provocative and troublingly ambiguous in their implications as they were 150 years ago.

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Muscular, fearless, youthful, athletic—the World War II soldier embodied masculine ideals and represented the manhood of the United States. In The Male Body at War, Christina Jarvis examines the creation of this national symbol, from military recruitment posters to Hollywood war films to the iconic flag-raisers at Iwo Jima. A poignant selection of illustrations brings together comics, advertisements, media images, and government propaganda intended to impress U.S. citizens and foreign nations with America's strength. Jarvis recognizes, however, that the male body was more than a mere symbol. During the war, the nation literally invested its survival in the corps of servicemen, and the armed forces set about crafting them into soldiers. Drawing upon medical journals, War Department documents, and government health reports, Jarvis scrutinizes the ways in which physical inspections defined male bodies by fitness and race while training molded those bodies for action. At the same time, she gives servicemen a voice through war memoirs and a survey of over 130 veterans. Her searching analysis reveals not only how the men mediated popular culture and military regimen to forge an understanding of their own masculinity but how, in the face of dead and wounded comrades, they tempered such body-centered ideals with an emphasis on compassion and tenderness. Theoretically sophisticated and methodologically innovative, The Male Body at War makes a major contribution to the literature on the body as a cultural construction. With its compelling narrative and engaging style, it will appeal to a broad range of readers with interests in gender studies as well as to students of American history and culture.

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In the introductory pages of my last published book, The Beatles Finally Let It Be, I paraphrased the ending of the James Bond films from the sixties by stating that "The Beatles Album Series Shall Return..." When I wrote those words, I thought I knew what book would be next, but when travel restrictions were imposed due to Covid 19, I needed to work on a book that I could research from home. I quickly determined that there was a lot of information on the Beatles' activities during 1967 and 1968 that was available online. That led me to switch plans and produce a book covering Magical Mystery Tour and Yellow Submarine. As the songs for both projects were recorded after Sgt. Pepper and before The White Album, the pairing seemed quite natural, particularly since the four new Beatles songs appearing on the Yellow Submarine album would have made for a very small book! You will notice that, unlike the first four books published in the Beatles Album Series, the British section precedes the American section. The previous books covered albums that were essentially the same in both countries, so I started with the American records because they were the ones I grew up with and because the United States was the Beatles' biggest market. For this book, I started with England because the Capitol Magical Mystery Tour LP was an expansion of the British EP. When I get around to the remaining books in the series, which will cover the Beatles albums released before 1967, they will also start with the British perspective followed by what went on in America.,

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In 1955, Henri Cartier-Bresson published The Europeans, a collection of photographs taken over a period of five years. His portrait of the continent documented a landscape shadowed by war, where people lived among ruins and still bore the mark of hunger. For this book, first published forty-five years later, the celebrated photographer brought together a far broader range of images, spanning the years from the late 1920s to the early 1990s. Cartier-Bresson travelled across Europe, from the Scandinavian shield to the Balkan karst, from the Breton granites to the Irish bogs, in order to capture what it means to be European. Beyond nationalism and the particular characteristics of each culture and nation, he found evidence of a greater identity, a family likeness shared by the people and the landscape. The Europeans recorded here inhabit both city and countryside, where we see them at work, in the streets, travelling and gossiping. Sometimes they are lone figures; a photograph may show only a single gaze, a glimpse of a face. Often, however, Cartier-Bresson turns his camera to couples, twin figures, mirrored individuals, linked solitudes. He captures crowds, gathering both to celebrate and to protest. Unified by the clarity and compassion of his vision, Cartier-Bresson's photographs speak of the same daily ceremony, of the ongoing business of living for people across Europe, whether Polish priests in alb or cassock, or Abruzzi peasants shrouded in the black of their coats and hats. With his remarkable ability to capture the fragile reality of European life, Henri Cartier-Bresson underscores his reputation as one of the twentieth century's most influential and original photographers.

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Aboriginalities immerses you into the fascinating universe of Aboriginal painting — an art form that is both ancestral and contemporary, always rooted in spirituality. Far more than a simple physical and sensory experience, Aboriginal art invites us to rethink our connection to the earth and the universe. As a window on the spiritual, Aboriginal art tells the story of the creation of the world ‐ called "Dreamtime"* — and the original link between humans and the earth. The numerous motifs (dotted lines, spirals, zigzags, crosshatching...) are passed down from generation to generation by members of the same community, concealing centuries‐old secrets as well as a map of their territory. This ancestral and highly symbolic art form was originally concealed: drawn in the sand or applied on rocks on territories forbidden to laypersons. But in the early 1970s, amidst struggles for the recognition of an Aboriginal identity, the Papunya Tula community translated their cultural practices and symbolic knowledge through paint. Using non‐traditional methods borrowed from Western culture (acrylics, brushes, cardboard and later canvas), the indigenous people of Australia found a modern way to express their cultural, political, social and economic struggles. Vibrant and colourful, the exhibition Aboriginalities is built around part of the private collection of Marie Philippson, who has been passionate about modern culture and Aboriginal art for over 20 years. The exhibition shows over 120 paintings and objects, reflecting the extraordinary formal inventiveness of Aboriginal artists. At several intersections throughout the exhibition, a dozen works from the RMFAB's modern art collection echo the subjects addressed by these "Dreamtime" artists, questioning our relationship to the visible and the invisible.

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Text in German. The Villa Lante in Bagnaia near Viterbo is outstanding among 16th-century Italian gardens. It is not particularly large, but it is the undisputed highlight of this epoch, the heyday of Italian horticulture, not just because it is outstandingly well maintained, but also because of its unique formal qualities and its extremely complex iconographic programme. The present monograph attempts to establish what triggers the intense sense of beauty with which visitors to the gardens are confronted. It is immediately clear that it is essential to analyse the form of the garden -- here the extremely precise treatment of central perspective as a device is of considerable interest -- but close attention has also to be paid to the significance of the individual elements and the connections between them. This examination brings an elaborate accumulation of various sign systems to light, which seem to have the astonishing characteristic of not being entirely reconcilable, indeed they appear to build in contradictions as a basic constant. From this develops a panorama of the late 16th century, presenting the tangled pathways of perception of the gardens in all their complex relations, from the various late Renaissance garden types, via philosophy, the response to antiquity, perception of nature, perspective, harmony, literature, theatre and religion, and on to models of time and the forms it takes. Against this background the garden of the Villa Lante, which belonged to the scholarly cardinal and inquisitor Francesco Gambara, proves to be a difficult -- and perhaps not entirely successful -- balancing act between Renaissance traditions and the thrust of the Counter-Reformation, but showing at the same time, as a kind of 'apotheosis of the artwork', a surprising affinity with the present day.

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Evolutionary Lifestyle Fitness Strategies for All #1 New Release in Physical Education and Stretching Exercise & FitnessAdaptive Training explores an alternate perspective on health and fitness focusing on how we are a product of the environment. So change your surroundings to maximize your health and fitness beyond the gym.Explore your amazingly adaptable body. Tight hip flexors, rounded shoulders and a hunched back are all products of our daily lifestyles. We are adaptoids; our bodies are designed to adapt to our surroundings, and understanding this is the key to unlocking perfect performance. Adaptive Training takes you through the fundamentals of understanding adaptive training while providing a detailed physical fitness program to help you build an environment that facilitates a healthy and empowering new lifestyle fitness journey with new lifestyle fitness equipment.Unlock your true potential. The best way to learn a language is through immersion, and the same is true for developing and maintaining a new lifestyle fitness. A few hours a week training at the gym or elsewhere is great, but what if your environment outside of the gym is also challenging your body? You will see results that are only possible through the innovative fitness method called “Adam” which stands for Adaptive Immersion Training. Change your environment with intent, and your body will adapt with amazing results.Inside, you’ll learn: How the environment shapes your body to be adaptive How and why you should divide training throughout the day The missing fundamentals of human movement and lifestyle fitness equipment If you liked Built from Broken, The Comfort Crisis, or What Doesn’t Kill You, you’ll love Adaptive Training.

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Cross the Alps in a cable car, cruise Lake Geneva, and tour a medieval château: with Rick Steves, Switzerland is yours! Inside Rick Steves Switzerland you'll find:Comprehensive coverage for spending a week or more exploring SwitzerlandRick's strategic advice on how to get the most out of your time and money, with rankings of his must-see favoritesTop sights and hidden gems, from bustling Zürich to the cozy small-town atmosphere of AppenzellHow to connect with culture: Chat with friendly Swiss locals at a mountain retreat, swim in the alpine waters of the Aare River, and treat yourself to delicious cheese fondueBeat the crowds, skip the lines, and avoid tourist traps with Rick's candid, humorous insightThe best places to eat, sleep, and relax over wine and Swiss chocolateSelf-guided walking tours of lively neighborhoods and mountain townsDetailed maps for exploring on the goScenic railroad journeys such as the Golden Pass, Gotthard Panorama Express, Bernina Express, Glacier Express, and ChurUseful resources including a packing list, German, French, and Italian phrase guides, a historical overview, and recommended reading, plus tips for visiting Switzerland in the winterOver 400 bible-thin pages include everything worth seeing without weighing you downComplete, up-to-date information on Zürich, Luzern, Central Switzerland, Bern, Murten, Avenches, Gimmelwald and the Berner Oberland, Zermatt and the Matterhorn, Appenzell, Lausanne, Château de Chillon, Montreux, Gruyères, Lugano, Pontresina, Samedan, St. Moritz, and moreMake the most of every day and every dollar with Rick Steves Switzerland.

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We think we know Betty and Veronica from Archie comics, but we don’t. Far more than just Archie’s girlfriends, this book shows how the girls adapted to be compelling, relevant characters for each new generation over the past eighty years. Betty, Veronica, and the rest of the Riverdale gang appear to be frozen in time in Archie comics. They are perpetual high schoolers, recycling the same basic plotlines over and over in their wholesome, small-town American world. However, there is much more to Betty and Veronica than the broad archetypes and clichéd storytelling suggests. In Betty and Veronica: The Leading Ladies of Riverdale, Tim Hanley explores the complexity behind these two iconic characters. We know Betty and Veronica as Archie's girlfriends, but that's just the beginning—they are their own women with evolving motivations and aims. From fighting over Archie to tackling women’s lib to chasing down serial killers on Riverdale, their friendship has endured and grown through decades of shifting characterizations and social change. Exploring their past offers unique insights into the ways life has progressed for young women over the past eighty years, and shows us the hidden strengths and secret depths of these pop culture icons. Featuring full-color comic book cover art that spans nearly eight decades of publishing—along with behind-the-scenes accounts of creative decisions, historical insights, and examinations of their different incarnations—this book provides a vibrant exploration of Betty and Veronica’s many adventures along their long, intriguing journey in popular culture.

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Radar and communication systems play an important role in civil and military applications. They are always under development and new versions continually come to the market. Though the basic operation principles have stayed nearly the same over the last 100 years, new technology has allowed for advancements in the development of components, and new systems find specific applications. Superconducting materials are widely used, for example in motors, magnets, cavities, and transformers, and are sometimes also used for typical components of radar and communication systems, like antennas, filters, and logical elements. Superconducting components significantly change the operation of whole systems, and thorough understanding of operational principles is of paramount importance for correct design. In this book, the recent developments of cryogenic receivers over the last 20 years are outlined. Special attention is given to the very specialised technologies, like Rapid Single Flux Quantum (RSFQ) logics, or electrically small active antennas based on SQUID/bi-SQUID/SQIF operational principles. The classical applications, like superconducting filters or cryogenically cooled Low Noise Amplifiers (LNA), are considered in detail. Though the book is considered as a review on recent developments of cryogenic receivers to facilitate an understanding of operational principles, many examples with estimations are given. The reliability of cryogenic receivers strongly depends on the mechanical and cryogenic designs, and many practical examples and solutions are also presented. Future trends or possible research areas are considered as well. This book will be helpful for graduate students as well as engineers working with cryogenic, radar and communication systems.

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Some say they deserve their fate. But isn't everyone entitled to justice?Forensic psychologist Paula Maguire is in a race against time to solve a deadly crime in THE SILENT DEAD, the third novel in Claire McGowan's terrific, hard-hitting crime series. The perfect read for fans of Val McDermid and Elly Griffiths. 'Astonishing, powerful and immensely satisfying' - Peter James Victim: Male. Mid-thirties. 5'7". Cause of death: Hanging. Initial impression - murder. ID: Mickey Doyle. Suspected terrorist and member of the Mayday Five.The officers at the crime scene know exactly who the victim is. Doyle was one of five suspected bombers who caused the deaths of sixteen people.The remaining four are also missing and when a second body is found, decapitated, it's clear they are being killed by the same methods their victims suffered.Forensic psychologist Paula Maguire is assigned the case but she is up against the clock - both personally and professionally.With moral boundaries blurred between victim and perpetrator, will Paula be able to find those responsible? After all, even killers deserve justice...What readers are saying about The Silent Dead:'Great atmosphere - it's tense and chilling. I simply did not want to put this book down. Superb fast-paced plot and wonderful storytelling''A gripping story covering grief and frustration as it explores the moral dilemma of people failed by the system to may just be taking justice into their own hands. A great read''Absorbing story that constantly holds your attention. Steady, tense layering, building up to the nerve-wrecking end'

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When Julie Welch called in her first ever football report at the Observer, an entire room of men fell silent. Heart in her mouth, Julie waited for the voice on the other end of the line to declare it passable. She'd done it. She was the first ever female football reporter. In The Fleet Street Girls, Julie looks back at the steps that led to that moment, from the National Union of Journalists nearly calling a strike when she dared to write an article as a mere secretary (despite allowing men who weren't journalists to write for the same pages), and many other battles in between. Julie also shines a light on the other trail-blazing women who were climbing the ladder against all odds, from Lynn Barber (of An Education fame) to Wendy Holden, a war correspondent for the Daily Telegraph, and many more, as well as some of the secretaries whom the men overlooked but who actually knew everything. Pioneers one and all. The Fleet Street Girls is a fascinating story of the hopes and despairs, triumphs and tribulations of a group of women in the glitzy heyday of journalism, where they could be interviewing Elton John one moment and ducking flying bullets or fighting off the sex pests the next. At a time when Fleet Street was the biggest, cosiest all-male club you can imagine, and the interests of half the human race were consigned to 'The Women's Page' in the paper, we follow Julie and her contemporaries through dramas, excitement and sheer fun in their battle to make sure women's voices were heard.

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Despite plague, fire, political upheaval and religious strife, in the 17th century English people of all kinds used mediation and arbitration routinely to help resolve their differences. Kings and poor widows were parties. Kings and yeomen arbitrated. Francis Bacon, Edward Coke, Samuel Pepys, Robert Hooke and James I himself all took what they called arbitrament for granted as the best way of resolving all kinds of disputes they could not manage themselves. The redoubtable Lady Anne Clifford was exceptional; she successfully withstood the insistent demands of James I to arbitrate in her land dispute with her husband and family. Women appear as often as men in many of the primary sources and have a chapter to themselves. There are five parts: Part One describes the background; Part Two the subject matter: land, family and business; Part Three the people: parties and arbitrators; Part Four the law, and Part Five draws conclusions. The 17th century saw great changes in English life, but few and only towards its end in the ways in which parties managed their disputes by arbitrament, usually asking an even number of third parties, first to arrange a settlement as mediators and, if that failed, to adjudicate as arbitrators. Parties relied on bonds to ensure each other's performance of the submission and award. But, as the century drew to its close, lawyers advised their clients to take advantage of the courts' offer to accept a claim and, with the parties' consent, to refer it to arbitration, with arbitrators appointed by the court. That process came to be called a rule of court and the Government established it by the Arbitration Act 1698.

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After the 1854 abolition of slavery in Peru, a new generation of plantation owners turned to a system of peasant tenantry to maintain cotton production through the use of cheap labor. In Peasants on Plantations Vincent C. Peloso analyzes the changing social and economic relationships governing the production of cotton in the Pisco Valley, a little-studied area of Peru’s south coast. Challenging widely held assumptions about the system of relations that tied peasants to the land, Peloso’s work examines the interdependence of the planters, managers, and peasants—and the various strategies used by peasants in their struggle to resist control by the owners. Grounded in the theoretical perspectives of subaltern studies and drawing on an extremely complete archive of landed estates that includes detailed regular reports by plantation managers on all aspects of farming life, Peasants on Plantations reveals the intricate ways peasants, managers, and owners manipulated each other to benefit their own interests. As Peloso demonstrates, rather than a simple case of domination of the peasants by the owners, both parties realized that negotiation was the key to successful growth, often with the result that peasants cooperated with plantation growth strategies in order to participate in a market economy. Long-term contracts gave tenants and sharecroppers many opportunities to make farming choices, to assert claims on the land, compete among themselves, and participate in plantation expansion. At the same time, owners strove to keep the peasants in debt and well aware of who maintained ultimate control. Peasants on Plantations offers a largely untold view of the monumental struggle between planters and peasants that was fundamental in shaping the agrarian history of Peru. It will interest those engaged in Latin American studies, anthropology, and peasant and agrarian studies.

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Elected the architectural book of the year by the International Artbook and Film Festival in Perpignan, France, Frédéric Chaubin’s Cosmic Communist Constructions Photographed explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990.Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi).A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the “speaking architecture” widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad).In their puzzle of styles, their outlandish strategies, these buildings are extraordinary remnants of a collapsing system. In their diversity and local exoticism, they testify both to the vast geography of the USSR and its encroaching end of the Soviet Union, the holes in a widening net. At the same time, they immortalize many of the ideological dreams of the country and its time, from an obsession with the cosmos to the rebirth of identity.

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The main purpose of this book is to validate a reading of Joyce in negative terms. Central to the enquiry is an examination of the roles of irony and of indeterminacy. Irony, interpreted in metaphysical rather than merely rhetorical terms, is envisaged as deriving from two separate if related orientations, one associated with Friedrich Schlegel, the other with Gustave Flaubert. Insofar as Joyce's work (including "Ulysses") owes more to the latter than the former, it forgoes the genial humour central to Schlegel's theories, and embraces instead the ironic detachment and formal control of a Flaubertian perspective. Such irony (which entails a suspicion of sentiment and a related dehumanisation of character, as in some of the stories in Dubliners) becomes normative in Joyce, and along with a similarly deflationary parody pervades "Ulysses". In addition, a persistent indeterminacy is established as early as 'The Dead', so that it becomes impossible in that story to adjudicate between not just contradictory but mutually exclusive interpretations. Such indeterminacy is pushed to further extremes in "Ulysses", with its notorious proliferation of narrative perspectives. As a corollary to the work's encyclopaedic inclusiveness and quotidian particularism, every detail tends to assume the same significance as every other; the consequence being that (in Gyorgy Lukacs' famous formulation) we lose all sense of any 'hierarchy of meaning'. From that it is but a step to Franco Moretti's assessment that in "Ulysses" everyday existence remains 'inert, opaque - meaningless', and that in fact the whole point is to represent the meaningless precisely 'as meaningless'. Indeterminacy, in effect, ushers in the possibility of nihilism. The analysis of "Ulysses" culminates with the attempt (unavailing in both cases) to discover in either Bloom or Molly a genuine source of countervailing affirmation. The study concludes with a brief consideration of the polysemic vocabulary of "Finnegans Wake" as a logical extrapolation of the poetics of indeterminacy.

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From serene Buddhist temples to the world's busiest intersection, experience the cosmopolitan culture, deeply embedded history, and legendary cuisine of Japan's top cities. Inside Moon Tokyo, Kyoto & Hiroshima you'll find:Flexible itineraries for 1 to 5 days in Tokyo, Kyoto and Hiroshima that can be combined into a longer tripMust-see highlights and unique experiences: Stroll Kyoto's Philosopher's Path, learn about Hiroshima's history at the Peace Park, and marvel at the towering bronze Buddha in Nara's Toda-ji temple. Get a taste of Tokyo's epic nightlife, stay in a traditional ryokan, or soak up views of Mount FujiThe best local flavours: Indulge in a beautiful, multi-course kaiseiki, and feast on fresh sushi or savory ramen. Make your way through the largest fish market in Toyko, sample sake, and get acquainted with Japanese whiskeys at a tasting roomIdeas for side trips from each city, including Yokohama, Nara, and KobeExpert insight from American expat and longtime Tokyo local Jonathan DeHartFull-colour photos and detailed maps throughoutBackground information on the landscape, history, and conduct and cultural customs of each cityHelpful resources on Covid-19 and travelling to JapanHandy tools such as visa information, train travel tips, a Japanese phrasebook, and recommendations for seniors, LGBTQ+ travellers, travellers of color, families with children, and moreExperience the best of these three cities at your own pace with Moon Tokyo, Kyoto & Hiroshima.Spending more time exploring the whole country? Grab a copy of Moon Japan. Just hanging out in Tokyo? Check out Moon Tokyo Walks.

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