Search results for ""Author Ross"

This timely text offers coverage of pollution prevention fundamentals, featuring examples and case studies drawn from the chemical process industries. Topics are presented on three different levels-macro, meso, and micro. The book's multifaceted approach provides a complete picture of current waste minimization theory and practice. Macroscale * Comprehensive analysis of the flow of materials in the United States, from natural resource extraction to consumer product disposal * Overview of waste generation and management for different pollutant types * Assessment of pollution prevention opportunities using industrial ecology and product life cycle frameworks Mesoscale * Detailed coverage of pollution prevention in chemical manufacturing processes * Waste audits, emission inventories, flow sheet analysis, and many other important tools * Waste reduction for unit operations, techniques for measuring economic benefits of pollution prevention, and more Microscale * Case studies of reaction pathway analysis and material design methods Complete with case studies that give the material a real-world edge, plus worked examples to reinforce learning, this text is valuable to both advanced students and practitioners of chemical and civil engineering.

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Where are the limits of medieval art as a field of study? What happens when conventionally trained art historians disregard the chronological, geographical, or cultural parameters that both direct and protect their scholarship? Beginning with Thelma K. Thomas and Alicia Walker’s acute assessment of the need for a “medieval art history for now,” the essays in Out of Bounds ask what happens when the study of medieval art disregards boundaries that it once obeyed. The volume focuses on questions surrounding the production of knowledge and on how scholarly investigation beyond the conventional thematic boundaries of medieval art history is changing, demonstrating how the field can address the ethics of scholarship today by positing a global turn in response to growing demands for socially responsible medieval studies. Collectively, the contributors demonstrate how “going out of bounds” can transform modern understanding of the people, traditions, and relationships that gave rise to medieval works. As such, this book argues for the necessity of reshaping scholarly discourse about the nature and significance of medieval art and generates fresh scholarly interpretations and important new critical tools for teaching and researching the Middle Ages.The contributors to this volume are Suzanne Conklin Akbari, Michele Bacci, Jill Caskey, Eva Frojmovic, Sarah M. Guérin, Christina Maranci, Alice Isabella Sullivan, Thelma K. Thomas, Michele Tomasi, and Alicia Walker.

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RSVP is a sumptuous family saga, packed with sex, love and betrayal.The Granville Midsummer Ball is always an affair to remember. The who's who of Irish society gather at Carrickcross House - the rural family estate - for a night of revelry. But this year's soiree is extra-special: matriarch Honoria is announcing her grandson Rossa's engagement to Ashling Morrison.Ashling has been swept off her feet. Tall, dark and handsome, Rossa's the perfect catch, but is he too good to be true? Why is Honoria so keen to make Ashling - stepdaughter of her life-long enemy Coppelia - part of the Granville clan? Can Rossa's brother Carrick hold on to his position as rightful heir? And will ruthless Coppelia have her way?With the promise of distinguished company, drinking, dancing and murder...who could possibly refuse this invitation? Repondez s'il vous plait.

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Described by Brecht as 'a gangster play that would recall certain events familiar to us all', The Resistible Rise of Arturo Ui is a witty and savage satire of the rise of Hitler – recast by Brecht into a small-time Chicago gangster's takeover of the city's greengrocery trade. Using a wide range of parody and pastiche – from Al Capone to Shakespeare's Richard III and Goethe's Faust – Brecht's compelling parable continues to have relevance wherever totalitarianism appears today. Written during the Second World War in 1941, the play was one of the Berliner Ensemble's most outstanding box-office successes in 1959, and has continued to attract a succession of major actors, including Leonard Rossiter, Christopher Plummer, Antony Sher and Al Pacino. This version, originally translated by George Tabori, has been revised by leading Scottish playwright Alistair Beaton.

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The Career Girls are back. In Love. In Business. In the City. Music mogul Rowena Krebs is now a legend - she's even made it to the Hall of Fame. Her old rival, now best friend, Topaz Rossi, is the designer clad top dog at American Magazines. Both women are happily married - and life seems sweet. But things are changing: Rowena senses a shift, both in business and maybe on the home front. Topaz knows her circulation figures are dropping, but not what is wrong with her husband. And when you wear the crown, hidden enemies lurk in the shadows - waiting for the moment to strike. Never women to be knocked aside, Topaz Rossi and Rowena Krebs are alive and kicking. And they're determined to show it.

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Jack Rossi is Dare Island’s new police chief. The laid-back North Carolina community is just what he needs to recover from a rocky marriage and a big-city police department. He’s learned his lesson: no more high-profile women or high-pressure jobs. The last thing he wants is an unconventional alt girl rocking his world. Grad student Lauren Patterson made headlines when she kept a bank robbery from going bad. She’s fled to Dare Island to clear her head and focus on writing her story. However, sexy Jack Rossi is a distraction that’s too hot to ignore, and it’s igniting an affair too combustible to resist—or quit. But when their pasts come looking for them, Jack and Lauren find themselves fighting for the future they deserve, whatever the price.

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The supermodel did not arrive when Twiggy first donned false eyelashes; the concept began more than 100 years previously, with a young artists' model whose face captivated a generation.Saved from the drudgery of a working-class existence by a young Pre-Raphaelite artist, Lizzie Siddal rose to become one of the most famous faces in Victorian Britain and a pivotal figure of London's artistic world, until tragically ending her young life in a laudanum-soaked suicide in 1862. In the twenty-first century, even those who do not know her name always recognise her face: she is Millais's doomed Ophelia and Rossetti's beatified Beatrice.With many parallels in the modern-day world of art and fashion, this biography takes Lizzie from the background of Dante Rossetti's life and, finally, brings her to the forefront of her own.

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The daring exploits of motorcycle race legends Valentino Rossi, Barry Sheene, Casey Stoner and John Surtees are all gloriously celebrated in MotoGP: The Illustrated History.Updated for 2023 and packed with more than 150 stunning photographs, this authoritative and long-overdue illustrated history celebrates high performance motorbike racing since the start of the world championship in 1949.Each racing decade is dissected and discussed, as are the big incidents, top personalities and technological innovations. To complete the book, motorcycle racing's greatest names – including John Surtees, Giacomo Agostini, Kenny Roberts, Valentino Rossi, Casey Stoner and Marc Marquez – provide exclusive personal insights and accounts of what it is like to race at speeds of 200mph. MotoGP: The Illustrated History is a unique book which brilliantly conveys the exhilarating spirit of this stunning sport.

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Ton Creus Virgili (Sabadell, 1944-2010) fou mestre d'escola i llicenciat en història. La seva passió per la literatura va començar a Sabadell durant els anys cinquanta, amb els còmics de l'època, Verne i Salgari. Combinà la seva professió de mestre amb la d'escriptor. Ha publicat les novelles següents: Eren rossos (2000), El sot del cavall (2002) Premi Ciutat de Badalona de Narrativa Juvenil i L'home del quiosc (2003).Una novella d?acció trepidant en una Barcelona del futur, destruïda i connectada als ordinadors, en la qual les vides dels homes estan totalment controlades pel govern.Max Nin: quaranta-dos anys, és informàtic i expert en llenguatge SAN.Ophèlia Burns: no deu passar dels setze anys, és negra, jove, atlètica, té un somriure de dentífric, vesteix una granota verda i treballa a TRÀFIC DAS.Lucía Mendoza: d?edat indefinida, ulls verds, cabells rossos tallats molt curts i una mirada intelligent,és veïna de Max Nin.Any 2054: assassinen la veïna de Max Nin al ca

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A tragic death leads Claire Clairmont to be haunted by her past and the ''summer of 1816'' she shared with Byron and Shelley in this first in an intriguing new historical trilogy.1873, Florence. Claire Clairmont, the last survivor of the ''haunted summer of 1816'' Byron/Shelley circle, is living out her final years in genteel poverty, but the appearance of British tourist, William Michael Rossetti, brings hope that she may be able to sell some of her memorabilia to earn enough cash to support her and her niece/companion, Paula. But Rossetti''s presence in Florence heralds a cycle of events that links the summer of 1816 - when Claire conceived an ill-fated child with George Gordon, Lord Byron, when Mary Shelley wrote Frankenstein, and when four tempestuous lives came together - to a tragic death. As Claire begins to unravel the truth, she must go back to that summer of passion to discover the identity of her old enemy.

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Features a preface by Isabella Rossellini. Fantastically colourful illustrations. Extremely entertaining. "I want to go on Puut and Dali's next adventure!" Jennifer Garner "It's such an originale book! Bellissimo e Fun...no... more than fun, funissimo!" Isabella Rossellini Princess Puut - a Glamour Gal who's lost her grip - is the fantastically wicked, witty, and fun-loving brainchild of Emmy Award-winning production designer, Scott Chambliss. Reeling from the stunning blow that she's been thrown off the television cablewaves, ultra-glamorous Princess Puut - the former Maahvelous Infomercial Superstar and current Wandering Has-Been - one night has a peculiar dream. As a result, she enlists the company and comfort of Dali, her smart, sexy confidant, on a journey of scandal, style, and self-discovery that plops them in the heart of romantic, implausible Venice, Italy - minus the smell.

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For fans of FIFTY SHADES OF GREY and BARED TO YOU comes the emotionally charged final instalment in the erotic and addictive DESIRES UNLOCKED trilogy.Valentina Rosselli is heartbroken - she has lost Theo, her true love, seemingly forever. Yet, with the help of good friend Leonardo, Valentina gradually rediscovers her liberated sexual self, unlocking her deepest erotic desires and reaching a level of passion she'd never thought possible. And then a shock from the past sends her reeling...In Berlin in 1984, Tina Rosselli risks everything for a steamy, highly charged romance with a charismatic young cellist. Their brief but explosive affair will affect Tina for the rest of her life. As the stories of the two women converge in the trilogy's thrilling and intensely passionate conclusion, both must surrender themselves: to desire, and to love.

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Internal criticism of the Bauhaus For a long time, the topic of far-left currents within Bauhaus was one of controversy. Thanks to recent research on the Communist Student Fraction (Kostufra), the leftist students are finally coming into focus. Their magazine: bauhaus. sprachrohr der studierenden. organ der kostufra was a venue for unsparing critique of events, curricula, and teachers. The journal was published between 1930 and 1932 in Dessau and Berlin in 15 hectographed issues in a loose-leaf collection and is critically discussed here for the first time by researchers from art and cultural studies, architecture, and editorial studies. It clearly demonstrates that the experimental value of Bauhaus cannot be separated from its political radicalism. First detailed reappraisal of communism in Bauhaus With contributions by Peter Bernhard, Marcel Bois, Magdalena Droste, Elizabeth Otto, Patrick Rössler, and others

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This collection of thoughtful and timely essays offers refreshing and intelligent new perspectives on postwar American liberalism. Sophisticated yet accessible, Making Sense of American Liberalism challenges popular myths about liberalism in the United States. The volume presents the Democratic Party and liberal reform efforts such as civil rights, feminism, labor, and environmentalism as a more united, more radical force than has been depicted in scholarship and the media emphasizing the decline and disunity of the left. Distinguished contributors assess the problems liberals have confronted in the twentieth century, examine their strategies for reform, and chart the successes and potential for future liberal reform. Contributors are Anthony J. Badger, Jonathan Bell, Lizabeth Cohen, Susan Hartmann, Ella Howard, Bruce Miroff, Nelson Lichtenstein, Doug Rossinow, Timothy Stanley, and Timothy Thurber.

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Complexity research draws on complexity in various disciplines. This Handbook provides a comprehensive and current overview of applications of complexity theory in economics. The 15 chapters, written by leading figures in the field, cover such broad topic areas as conceptual issues, microeconomic market dynamics, aggregation and macroeconomics issues, econophysics and financial markets, international economic dynamics, evolutionary and ecological-environmental economics, and broader historical perspectives on economic complexity.This Handbook presents perspectives at a broad and high level of current cutting edge research in complexity, and will be of great interest to academics concerned with all aspects of economics and in particular economic theory, macroeconomics and evolutionary economics.

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Ranging from studies on Sufism and the Koran to discussion of nineteenth and twentieth-century Arabic literature, these essays on the law and literature of Islamic society illustrate the unique vision of one of the world's great Orientalists. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Is there such a thing as “Impressionist sculpture”? Since 1881 when Edgar Degas presented Little Dancer Aged Fourteen at the Sixth Impressionist Exhibition in Paris, the term has existed along with the discourse around it. This book is dedicated to the extensive examination of the question what it would mean to translate the characteristics of Impressionist painting, such as light, colour, ephemerality, and the ethereal, into sculpture. The book features a selection of artists including Edgar Degas, Auguste Rodin, and Medardo Rosso and examines the artistic processes that traverse genres in which one medium is enhanced by others. This valuable, fascinating resource offers a unique addition to the scholarship on the Impressionist era.

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Andre Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinema, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protege of Francois Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."

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In this crackling alternate history thriller set in the years after World War II-the riveting sequel to The Darkest Hour-London detective John Rossett joins forces with his Nazi boss to save the commander's kidnapped daughter as the Germans race to make the first atomic bomb. With the end of the war, the victorious Germans now occupy a defeated Great Britain. In London, decorated detective John Henry Rossett, now reporting to the Nazi victors, lies in a hospital bed recovering from gunshot wounds. Desperate to avoid blame over the events that led to the shooting, his boss, Ernst Koehler, covers up the incident. But when Koehler's wife and daughter are kidnapped by American spies, the terrified German turns to the only man he trusts to help him-a shrewd cop who will do whatever is necessary to get the job done: John Rossett. Surviving his brush with death, Rossett agrees to save his friend's daughter. But in a chaotic new world ruled by treachery and betrayal, doing the right thing can get a man killed. Caught between the Nazi SS, the violent British resistance, and Americans with very uncertain loyalties, Rossett must secretly make his way out of London and find Ruth Hartz, a Jewish scientist working in Cambridge. Spared from death because of her intellect and expertise, she is forced to work on developing the atom bomb for Germany. Though she knows it could end any hope of freedom in Europe and maybe even the world, Ruth must finish the project-if she, too, wants to survive.

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This useful volume presents the major works of the five leading Pre-Raphaelite poets. Foremost in the collection, and included in their entirety are D. G. Rossetti's The House of Life, C. G. Rossetti's "Monna Innominata," William Morris's "Defence of Guenevere," Swinburne's Atalanta in Calydon, and Meredith's "Modern Love." Complementing these major poems is a fine, generous selection of the poets' shorter pieces that are typical of their work as a whole. For this second edition, Cecil Lang has substituted two early Swinburne poems, "The Leper" and "Anactoria," for Fitzgerald's The Rubáiyát of Omar Khayyám. These poems, which the editor describes as "shocking," show a new aspect of Swinburne not discussed previously. Lang's Introduction describes briefly the founding of the Pre-Raphaelite Brotherhood, discusses each of the Pre-Raphaelite poets, both individually and in relation to the others, and grapples with the questions of definition of Pre-Raphaelitism and the similarities between its painting and poetry. The book is appropriately illustrated with thirty-two works by D. G. Rossetti, John Ruskin, William H. Hunt, and other Pre-Raphaelite artists. This is the only anthology available that provides a representative selection of the work of these important poets. It will be indispensable to students of Victorian poetry and appreciated by readers interested in the Pre-Raphaelites.

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Elvis Cole is caught up in a high-profile murder case - and between the cops and the lawyers, it's going to be a rough ride...On his own turf in L.A., PI Elvis Cole is embroiled in a controversial, high-profile murder case.A wealthy restaurateur is accused of murdering his wife, and his hot-shot defence lawyer hires Cole to find proof that the detective on the case, Angela Rossi, fooled around with the evidence. Yet as Elvis investigates Rossi for the defence team, he begins to be more suspicious of the media-loving lawyers than the cops. And as the investigation continues, Cole is drawn deeper and deeper into the intrigue and dangers surrounding the case of the missing woman.

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Those Who from Afar Look Like Flies is an anthology of poems and essays that aims to provide an organic profile of the evolution of Italian poetry after World War II. Beginning with the birth of Officina and Il Verri, and culminating with the crisis of the mid-seventies, this tome features works by such poets as Pasolini, Pagliarani, Rosselli, Sanguineti and Zanzotto, as well as such forerunners as Villa and Cacciatore. Each section of this anthology, organized chronologically, is preceded by an introductory note and documents every stylistic or substantial change in the poetics of a group or individual. For each poet, critic, and translator a short biography and bibliography is also provided.

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The North Kharga Oasis Survey (NKOS) presents the results of archaeological exploration carried out over seven years in the northern part of Kharga Oasis, the largest and most southern oasis of Egypt’s Western Desert. This area had seen limited archaeological exploration until 2001, when NKOS began. NKOS has discovered and documented sites dating to all eras, ranging from the Prehistoric to the Late Antique. They include temporary camps, rock art sites, settlements, tombs, temples, industrial areas, Roman forts, fields, complex irrigation systems, and a network of routes that connect the sites together, as well as linking Kharga to the Nile Valley, Dakhla Oasis, Sudan, and beyond. The distribution, types of sites, and water acquisition strategies illustrate the changing interactions between humans and the landscape, which has fluctuated between wet and dry over time. Illustrated with maps, plans, drawings and photographs, the archaeological heritage of North Kharga is revealed for the first time.

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