Search results for ""Author Sam"

The discovery of radium by Marie and Pierre Curie in 1898 eventually led to a craze for radium products in the 1920s until their widespread use proved lethal for consumers, patients, and medical practitioners alike. Radium infiltrated American culture, Maria Rentetzi reveals, not only because of its potential to treat cancer but because it was transformed from a scientific object into a familiar, desirable commodity. She explores how Standard Chemical Company in Canonsburg, Pennsylvania - the first successful commercial producer of radium in the United States - aggressively promoted the benefits of radium therapy and its curative properties as part of a lucrative business strategy. Over-the-counter products, from fertilizers to paints and cosmetics to tonics and suppositories, inspired the same level of trust in consumers as a revolutionary pharmaceutical. The radium industry in the United States marketed commodities like Liquid Sunshine and Elixir of Youth at a time when using this new chemical element in the laboratory, in the hospital, in private clinics, and in commercial settings remained largely free of regulation. Rentetzi shows us how marketing campaigns targeted individually to men and women affected not only how they consumed these products of science but also how that science was understood and how it contributed to the formation of ideas about gender. Seduced by Radium ultimately reveals how innovative advertising techniques and seductive, state-of-the-art packaging made radium a routine part of American life, shaping scientific knowledge about it and the identities of those who consumed it.

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Surfing has evolved from a relatively obscure pastime to one of the fastest growing sports in the world. Today, there are millions of surfers across the globe. The Art of Surfing was the first book of its kind to avail participants, both beginner and advanced, with the same training and coaching principles of the more established and traditional sports. It has empowered both recreational and competitive surfers to prepare for and catch the best waves. This thoroughly revised and updated new edition—with 160 color photos—covers boards and equipment, the anatomy of waves, body position and stance, and techniques for everything from paddling to walking the nose. Special chapters on competition and training, biomechanics, and the psychology of surfing round out this first-of-its-kind textbook for the developing surfer. Inside you'll find information on:· The basics of boards and other gear, the anatomy of waves, and a review of basic maneuvers· Advanced techniques for everything, from paddling to turning to walking the nose· Basic and advanced exercises for improving flexibility, balance, and stability· Strength-training and power-building routines· Cardiovascular endurance workouts, as well as cross-training options· Tips on performance nutrition, and the latest advances in sports psychologyA chapter on surf contests rounds out this coaching and training manual. Let The Art of Surfing help you develop a game plan to boost your physical, technical, and mental performance--and prepare to catch the next wave.

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As friends began “going back to the land” at the same time that a health issue emerged, Kathleen Alcalá set out to reexamine her relationship with food at the most local level. Remembering her parents, Mexican immigrants who grew up during the Depression, and the memory of planting, growing, and harvesting fresh food with them as a child, she decided to explore the history of the Pacific Northwest island she calls home. In The Deepest Roots, Alcalá walks, wades, picks, pokes, digs, cooks, and cans, getting to know her neighbors on a much deeper level. Wanting to better understand how we once fed ourselves, and acknowledging that there may be a future in which we could need to do so again, she meets those who experienced the Japanese American internment during World War II, and learns the unique histories of the blended Filipino and Native American community, the fishing practices of the descendants of Croatian immigrants, and the Suquamish elder who shares with her the food legacy of the island itself. Combining memoir, historical records, and a blueprint for sustainability, The Deepest Roots shows us how an island population can mature into responsible food stewards and reminds us that innovation, adaptation, diversity, and common sense will help us make wise decisions about our future. And along the way, we learn how food is intertwined with our present but offers a path to a better understanding of the future. Watch the book trailer: https://www.youtube.com/watch?v=OFG8MpTo_ZU&feature=youtu.be

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Eighteenth-century Britain thought of itself as a polite, sentimental, enlightened place, but often its literature belied this self-image. This was an age of satire, and the century's novels, poems, plays, and prints resound with mockery and laughter, with cruelty and wit. The street-level invective of Grub Street pamphleteers is full of satire, and the same accents of raillery echo through the high scepticism of the period's philosophers and poets, many of whom were part-time pamphleteers themselves. The novel, a genre that emerged during the eighteenth-century, was from the beginning shot through with satirical colours borrowed from popular romances and scandal sheets. This Handbook is a guide to the different kinds of satire written in English during the 'long' eighteenth-century. It focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789. Outlier chapters extend the story back to the first decade of the seventeenth-century, and forward to the second decade of the nineteenth. The scope of the volume is not confined by genre, however. So prevalent was the satirical mode in writing of the age that this book serves as a broad and characteristic survey of its literature. The Oxford Handbook of Eighteenth-Century Satire reflects developments in historical criticism of eighteenth-century writing over the last two decades, and provides a forum in which the widening diversity of literary, intellectual, and socio-historical approaches to the period's texts can come together.

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Diana Quincy returns with the newest novel in the Clandestine Affairs series with a steamy romance about a half-Arab marquess seeking revenge on—and falling for—London’s most famous mapmaker.The new footman doesn’t seem to know his place… London’s most renowned mapmaker is a woman...but nobody knows it. If anyone discovers that Rose Fleming is the power and talent behind the family business, the scandal could ruin them. Rose’s secret is tested by the arrival of a handsome new footman who shows far too much interest in his new mistress. Rose battles an intense attraction to the enigmatic servant, but maintaining a proper distance isn’t easy when you and temptation live under the same roof. She makes him forget he has a score to settle…Few have met the reclusive half-Arab Marquess of Brandon, who is rumored to live with a harem of beauties among his mother’s people near Jerusalem. Brandon couldn’t care less what society thinks of him, or that his fellow peers are disdainful of his common blood, but he won’t stand for being robbed. That’s why he's disguised himself as a footman in the home of a respected mapmaker who cheated Brandon out of his land. But the nobleman's plans for retribution are complicated by his growing attraction for the secretive lady of the house.When Brandon uncovers the shocking truth about Rose’s role in his stolen birthright, can a love born of deception really conquer all?

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The fourth volume in this momentous series commences with the attacks on the Italian island fortress of Pantellaria which led to its surrender and occupation achieved almost by air attack alone. The account continues with the ultimately successful, but at times very hard fought, invasions of Sicily and southern Italy as burgeoning Allied air power, now with full US involvement, increasingly dominated the skies overhead. The successive occupations of Sardinia and Corsica are also covered in detail. This volume, then, is essentially the story of the tactical air forces up to the point when Rome was occupied, just at the same time as the Normandy landings were occurring in north-west France. In its pages are found what can justifiably be considered the story of `the soldiers’ air force’. Frequently overlooked by more immediate newsworthy events elsewhere, their struggle was often of an equally Homeric nature. With regards to the long-range tactical role of the Allied heavy bombers, only the period from May to October is examined herein, while they remained based in North Africa. Thus the period from November 1943 when the US 15th Air Force was formed to pursue the strategic air offensive against the Reich, together with the RAF’s 205 Group of night bombers, will be covered in a future (sixth) volume. Volume Five will deal with the rest of the tactical war in Italy and Greece, over the Adriatic and Aegean, and with the entry into the South of France to join forces advancing southwards from Normandy.

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Shortlisted for the SAUK Fage & Oliver Prize 2020 'Honorable Mention' for the ALA First Book Award - Scholarship 2021 A path-breaking contribution to the critical literature on African travel writing. Throughout the twentieth century, Nigerians have been writing about their travels within Nigeria using a variety of media and forms, from serialised newspaper travelogues to personal diaries, autobiographies and online narratives.These works offer important insights into how Nigerians have represented Nigeria to itself and to the world. This is the first book to examine the production of Nigerian travel narratives about Nigeria in the century from colonisation to independence. Rebecca Jones argues that we can read these texts both as the products of a local Nigerian print culture, and through their articulations with global travel writing traditions. Focusing on travel writing published from 1914 to 2014 in the Yoruba-speaking region of southwestern Nigeria, home to a well-established and prolific writing and print culture in both Yoruba and English, this cultural history of Nigerian travel comprisesclose readings of these works, and argues that the production of travel writing in the region can be read not simply as a foreign import, but as a cluster of genres with a cohesive local history. Writers discussed include Samuel Ajayi Crowther, I.B. Thomas, E.A. Akintan, Isaac Delano, D.O. Fagunwa, Amos Tutuola, Ben Okri, Babatunde Shadeko, Damilola Ajenifuja, Chibuzor Mirian Azubuike, Pelu Awofeso, Lape Soetan, Teju Cole, Adewale Maja-Pearce, Noo Saro-Wiwa, and the Invisible Borders collective. Nigeria: Premium Times Books

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With the European Union striving to become the world's most competitive economy, the developments in the two closely interconnected areas of European corporate law and European company tax law are of utmost importance. This book focuses on the crucial issues raised by these developments, on their far-reaching implications and on the key challenges to the future legislative choices. The book illustrates the key developments in EU corporate law and EU company tax law, the EU planned initiatives in these areas, and - at a time when member states increasingly tend to use company law and company tax provisions to attract businesses and investments - it suggests how future developments can contribute to the undistorted functioning of the internal market and to the strategic 'Lisbon-objective'. The explanation of these legislative and case-law developments is of use to students and indicates new opportunities for business expansion strategies throughout the European Community. The book concludes that new optional, but attractive, EU company law vehicles and company tax regimes would be, in these two areas, the only legal and effective means towards an undistorted functioning of the internal market and towards the Lisbon-objective. This ultimately gives rise to a far-reaching challenge for all debates on the future patterns of European integration.Luca Cerioni introduces new themes for academic research and discussion subjects for decision-makers and at the same time, uniquely, makes these accessible to a much wider international public of students, businesses and practitioners.

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In theory, the Internet allows all brands to market internationally. But in practice, most companies struggle to compete outside their home market. Written from a marketing practitioner's perspective, International Brand Strategy evens the playing field with clear, actionable techniques to guide any organization going through the process. This book helps companies build sales in foreign markets, but just as important it helps them thrive by maintaining price integrity and building brand equity at the same time. With the guidance provided in International Brand Strategy companies hit the ground running in foreign markets. This provides a competitive advantage from day one, empowers companies to avoid costly mistakes, and saves months of trial and error. The book lays out a unique methodology for managing brands abroad that can be implemented for any product in any market. These methods have proven their value for companies large and small across six continents. The book guides readers with pragmatic models and a wealth of examples from global companies such as Target Canada, Unilever and Apple. International Brand Strategy was written for those who are planning to enter a new market and for those who are already there but wish to improve their brand's performance. It helps the reader recognize some of the most common pitfalls and how to avoid them, provides practical tips to understand the dynamics of price, product and value from a foreign buyer's perspective, and defines a conceptual framework to assess and improve brand equity at home and abroad.

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'Tiffany's rolodex would be the envy of many Hollywood producers' Grazia'A must-read for any pregnant or new mummy' Zita West, midwife and fertility expert'I could not put this book down!' @the_insta_midwife The hilarious, heart-warming and perfect summer read from The Mummy Concierge.Create a unique baby name that no one has ever used before... tickOrganise a delivery room photoshoot with hair and make-up for mum-to-be... tickArrange a royal-themed toddler birthday party with no maximum budget... tickAll in a day's work for the Mummy Concierge.Ti­ffany Norris is the one and only concierge for parenthood in the UK today. She has worked with hundreds of clients, including the royal family, high-profile celebrities and any new parent or parent-to-be who needs her help - and sometimes just a listening ear. The ultimate parent protector, peacekeeper and negotiator, her motto for her job and motherhood is the same: You Do You. With no judgement allowed, she acts as a baby's assistant, therapist and social director. Where demands go way beyond late-night food cravings and into the luxurious world of the super-rich, Tiffany is on hand to help with all kinds of seemingly impossible requests. From opulent nurseries and stylists for new-borns to 3am calls worrying about just not being enough, Tiffany also shares the numerous highs, desperate lows and laugh out loud moments of her own motherhood experience.No need to worry, the Mummy Concierge is here to help.

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'An excellent action-thriller' Daily Telegraph'The action never lets up for a moment' Daily Mail'Very entertaining' Guardian'An old-fashioned blockbuster...Conway writes with brio and ambition' Financial Times'The most incredible spy franchise since Ian Fleming’ Matthew Vaughn_____________________The globe-trotting spy thriller that inspired the upcoming action blockbuster Argylle , featuring a star-studded cast including Henry Cavill, Bryce Dallas Howard, Samuel L. Jackson, and John Cena.One Russian magnate's dream of restoring a nation to greatness has set in motion a chain of events which will take the world to the brink of chaos. Only Frances Coffey, the CIA's most legendary spymaster, can prevent it. But to do so, she needs someone special.Enter Argylle. His life came to a crashing halt as a teenager. Since then he has been treading water, building barriers between himself and the world. Until one moment of compassion and brilliance will bring him to the attention of the most powerful woman in the secret world.Coffey knows all about Argylle's dark past. She knows it haunts him. But she also knows it may give him the skills to join the team going up against one of the most powerful men in the world. His crash course in espionage will take him from the jungles of Thailand to the boulevards of Monaco, from the monasteries of Mount Athos to a forgotten cavern buried deep in the mountains.It is a deathly rollercoaster ride that will either make him - or break him...

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'Jane Urqhuart charts the restless weather of the human heart in the same observant, inventive way the ancient Greeks mapped the constellations.' Washington Post A magnificent, elegiac novel of intersecting memories that explores the meaning of separation and reunion, the sorrows of fractured families, and the profound effect of Ireland's harshly beautiful landscape on lives lived in solitude After a tragic accident leaves Tamara alone on the most westerly tip of Ireland, she begins an affair with a charismatic meteorologist named Niall. It’s the 1950s, and Tamara has settled into civilian life after working as an auxiliary pilot in World War II. At first her romance is filled with passionate secrecy, but when Niall’s younger brother, Kieran, disappears after a bicycle race, Niall, unable to shake the idea that he may be to blame, slowly falls into despondency. Distraught and abandoned after their decade-long relationship, Tamara decides she has no option but to leave. Jane Urquhart’s mesmerizing novel opens as Tamara makes her way from Ireland to New York. During a layover in Gander, Newfoundland, a fog moves in, grounding her plane and stranding her in front of the airport’s mural. As she gazes at the nutcracker-like children, missile-shaped birds, and fruit blossoms, she revisits the circumstances that brought her to Ireland and the family entanglement that has forced her into exile. Slowly she interweaves her life story with Kieran’s as she searches for the truth about Niall.

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Secrets Hidden in Stone! The Field of Maidens, an eerie stretch along the nation of Geb’s southern border, lies studded with the petrified remains of invaders from centuries past. Long neglected and largely abandoned, the area takes on new significance when a traitor claws her way back from the dead and races toward her master concealed in the statue-filled badlands. At the same time, foreign invaders have infiltrated the stony sentinels to move against Geb. The player characters must piece together clues, unravel tangled motives, and bring to light machinations that threaten to destabilize the nation from the Field of Maidens. “Field of Maidens” is a Pathfinder adventure for four less-than-good-hearted 8th-level characters. The adventure continues the Blood Lords Adventure Path, a six-part, monthly campaign in which the characters rise from skilled troubleshooters to join the Blood Lords who rule a land of the dead. The adventure also details the celestial matriarchy of Holomog and examines the undead shadows that plague the world’s dark places. New items, spells, monsters, and more await your examination in "Field of Maidens”! Each monthly full-color softcover Pathfinder Adventure Path volume contains an in-depth adventure scenario, stats for several new monsters, and support articles meant to give Game Masters additional material to expand their campaign. Pathfinder Adventure Path volumes use the Open Game License and work with both the Pathfinder RPG and the world’s oldest fantasy RPG.

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In this gorgeous, queer standalone fantasy, a young musician sets out to expose her rival for illegal use of magic only to discover the deception goes deeper than she could have imagined—perfect for fans of An Enchantment of Ravens!Music runs in Sofi’s blood. Her father is a Musik, one of only five musicians in the country licensed to compose and perform original songs. In the kingdom of Aell, where winter is endless and magic is accessible to all, there are strict anti-magic laws ensuring music remains the last untouched art. Sofi has spent her entire life training to inherit her father’s title. But on the day of the auditions, she is presented with unexpected competition in the form of Lara, a girl who has never before played the lute. Yet somehow, to Sofi’s horror, Lara puts on a performance that thoroughly enchants the judges. Almost like magic. The same day Lara wins the title of Musik, Sofi’s father dies, and a grieving Sofi sets out to prove Lara is using illegal magic in her performances. But the more time she spends with Lara, the more Sofi begins to doubt everything she knows about her family, her music, and the girl she thought was her enemy. As Sofi works to reclaim her rightful place as a Musik, she is forced to face the dark secrets of her past and the magic she was trained to avoid—all while trying not to fall for the girl who stole her future.

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A picture-book journey through the Boundary Waters Canoe Area Wilderness in winter, snowshoeing the frozen lakes and silent forest with family, encountering the wonders of northern wildlife in the cold season In winter the Boundary Waters, way up north in Minnesota, is not the same place you canoed last summer—but still it beckons and welcomes you. Grab a pack, strap on snowshoes, make a path (Oh! they take some getting used to!), and venture out across the frozen lakes and through the snowy woods. The vast wintery world here is so still and quiet, you might think you’re all alone—but no! Who made these tracks? A deer? A hare? A fox? And far off there’s a musher, making tracks with his sled dogs.It’s a magical place. The bright sun brilliant on the snow, the sparkling silence—wait, is that a wolf calling? Try to answer! And when the dark descends, the stars and pine trees holding up the night, your nose gets cold and it’s back to camp, to your warm winter tent, where Father feeds the stove with wood you gathered, Mother snuggles into her big sleeping bag, and you curl up in the fire’s glow and know that in your dreams and memories you will return again and again to this one winter up north. A wintery adventure that unfolds in pictures, John Owens’s delightful book gives readers a chance to discover—or rediscover—another season full of wonder in the Boundary Waters Canoe Area Wilderness.

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In this book leading cultural anthropologist Anton Blok sheds new light on the lives and achievements of pioneers who revolutionized science and art over the past five centuries, demonstrating that adversity rather than talent alone was crucial to their success. Through a collective biography of some ninety radical innovators, including Erasmus, Spinoza, Newton, Bach, Sade, Darwin, Melville, Mendel, Cézanne, Curie, Brâncusi, Einstein, Wittgenstein, Keynes, and Goodall, Blok shows how a significant proportion in fact benefited from social exclusion. Beethoven’s increasing deafness isolated him from his friends, creating more time for composing and experimenting, while Darwin’s chronic illness gave him an excuse to avoid social gatherings and get on with his work. Adversity took various forms, including illegitimate birth, early parental loss, conflict with parents, bankruptcy, chronic illness, physical deficiencies, neurological and genetic disorders, minority status, peripheral origins, poverty, exile, and detention. Blok argues, however, that all these misfortunes had the same effect: alienation from mainstream society. As outsiders, innovators could question conventional beliefs and practices. With little to lose, they could take chances and exploit opportunities. With governments, universities and industry all emphasizing the importance of investing in innovation, typically understood to mean planned and focussed research teams, this book runs counter to conventional wisdom. For far more often, radical innovation in science and art is entirely unscripted, resulting from trial and error by individuals ready to take risks, fail, and start again.

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Get to know yourself with these insightful quizzes designed to help you find your perfect partner!You swipe, go out with friends, and agonize over the profile pictures, and yet you’re still waiting to meet your other half. But it’s most important to get to know yourself before getting into a relationship. It’s time to take a closer look at what you need and want for your love life so you can go out and find it! This collection of insightful and in-depth quizzes will help you figure out who you are and what you truly want from a relationship. With five different types of quizzes—standard self-interview quizzes, game-inspired quizzes like Never Have I Ever, Would You Rather quizzes (where you choose between two options), as well as checklists and multiple-choice quizzes—this book has a variety of thought-provoking questions to get you thinking about your future partner. Sample questions include: –What have you enjoyed most in past relationships? –If you had a free afternoon, would you prefer to spend it alone? –How important are public displays of affection, like hugs and hand-holding? –What sort of boundaries do you need to set? –How do you tend to handle arguments? You have to know yourself completely before you are able to recognize the right person for you. What’s My Type? helps you discover and prioritize qualities that you might not realize are important so you can identify what you’re looking for in the perfect partner!

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The comprehensive source on attorney licensing and how to reform it. In Shaping the Bar, Joan Howarth describes how the twin gatekeepers of the legal profession—law schools and licensers—are failing the public. Attorney licensing should be laser-focused on readiness to practice law with the minimum competence of a new attorney. According to Howarth, requirements today are both too difficult and too easy. Amid the crisis in unmet legal services, record numbers of law school graduates—disproportionately people of color—are failing bar exams that are not meaningful tests of competence to practice. At the same time, after seven years of higher education, hundreds of thousands of dollars of law school debt, two months of cramming legal rules, and success on a bar exam, a candidate can be licensed to practice law without ever having been in a law office or even seen a lawyer with a client. Howarth makes the case that the licensing rituals familiar to generations of lawyers—unfocused law degrees and obsolete bar exams—are protecting members of the profession more than the public. Beyond explaining the failures of the current system, this book presents the latest research on competent lawyering and examples of better approaches. This book presents the path forward by means of licensing changes to protect the public while building an inclusive, diverse, competent, ethical profession. Thoughtful and engaging, Shaping the Bar is both an authoritative account of attorney licensing and a pragmatic handbook for overdue equitable reform of a powerful profession.

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What was the life of a cow in early modern England like? What would it be like to milk that same cow, day-in, day-out, for over a decade? How did people feel about and toward the animals that they worked with, tended, and often killed? With these questions, Erica Fudge begins her investigation into a lost aspect of early modern life: the importance of the day-to-day relationships between humans and the animals with whom they worked. Such animals are and always have been, Fudge reminds us, more than simply stock; they are sentient beings with whom one must negotiate. It is the nature, meaning, and value of these negotiations that this study attempts to recover. By focusing on interactions between people and their livestock, Quick Cattle and Dying Wishes restores animals to the central place they once had in the domestic worlds of early modern England. In addition, the book uses human relationships with animals—as revealed through agricultural manuals, literary sources, and a unique dataset of over four thousand wills—to rethink what quick cattle meant to a predominantly rural population and how relationships with them changed as more and more people moved to the city. Offering a fuller understanding of both human and animal life in this period, Fudge innovatively expands the scope of early modern studies and how we think about the role that animals played in past cultures more broadly.

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Write efficient, smart, and optimized code for containerized applications on public and private clouds at a generic level. This book shows you how to set up microservices that are robust, scalable, and capable of running on GKE (Google Kubernetes Service), AKS (Azure Kubernetes Service), ECS (Elastic Container Service), or even on a vanilla K8S cluster. The book covers the nuts and bolts of container orchestration engines (COEs) and explains how to install and configure them. It also covers creation and deployment of a sample application on COEs. You will learn how to integrate different applications such as OAuth and how to test them and secure them using Istio Citadel. You also will be taught how to create HPA rules for microservices and scale only those microservices that require it, making your stack intelligent. In the concluding chapter, the book explains how to build a SaaS solution from scratch, running on the cloud with automated deployments accessed publicly via a secured ingress K8S controller.By the end of the book, you will have a good understanding of developing microservices and how to design and create a software solution on the cloud.What You Will Learn Build software on Kubernetes in the most optimized way Interact with Kubernetes using client SDKs in Python, Go, nodejs, etc. Create a testing and deployment CI/CD system for software stacks Secure your application using Istio, without writing code Access microservices using ingress controllers and scale them using HPA rules Who This Book Is For Software and system engineers and developers

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An account of Salome's dance and its centrality within modernist performance Offers a new account of the Salome myth that underlines its centrality to modernist performance across different genres and forms, including drama, dance, and silent film Draws on interdisciplinary methodologies from literary and performance studies to illustrate the importance of dance to modernist writing about Salome, providing a set of both conceptual and historical co-ordinates within modernism more broadly Builds a conceptual framework drawing on the writings of Aby Warburg, Friedrich Nietzsche, and Jacques Ranci re in order to analyse key 'scenes' and sites of performance in the genealogy of this particular choreographic theme Engages in fresh readings of plays by canonical playwrights Wilde, Yeats, Beckett alongside the work of lesser-known performers and filmmakers in order to destabilise the gendered and aesthetic hierarchies often germane to literary histories of the period This book explores Salome's quintessential veiled dance through readings of fictional and poetic texts, dramatic productions, dance performances and silent films, arguing for the central place of this dancer and her many interpreters to the wider formal and aesthetic contours of modernism. Lo e Fuller, Maud Allan, Oscar Wilde, Ida Rubinstein, Alla Nazimova, Djuna Barnes, Germaine Dulac, Edward Gordon Craig, W. B. Yeats, Ninette de Valois and Samuel Beckett are foregrounded for their innovative engagements with this paradigmatic fin-de-si cle myth, showing how the ephemeral stuff of dance became a constitutive element of the modernist imagination during this period.

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Examines the intersection of Samuel Beckett's thirty-second playlet Breath with the visual artsSamuel Beckett, one of the most prominent playwrights of the twentieth century, wrote a thirty-second playlet for the stage that does not include actors, text, characters or drama but only stage directions. 'Breath' (1969) is the focus and the only theatrical text examined in this study, which demonstrates how the piece became emblematic of the interdisciplinary exchanges that occur in Beckett's later writings, and of the cross-fertilisation of the theatre with the visual arts. The book attends to fifty breath-related artworks (including sculpture, painting, new media, sound art, performance art) and contextualises Beckett's 'Breath' within the intermedial and high-modernist discourse thereby contributing to the expanding field of intermedial Beckett criticism.Key FeaturesExamines Beckett's ultimate venture to define the borders between a theatrical performance and purely visual representationJuxtaposes Beckett's 'Breath' with breath-related artworks by prominent visual artists who investigate the far-reaching potential of the representation of respiration by challenging modernist essentialismThe focus on this primary human physiological function and its relation to arts and culture is highly pertinent to studies of human performance, the nature of embodiment and its relation to cultural expressionFacilitates new intermedial discourses around the nature and aesthetic possibilities of breath, the minimum condition of existence, at the interface between the visual arts and performance practices and their relation to questions of spectacle, objecthood and materiality

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Winner of the ERA award for Early Years _______________ On average, children from low income backgrounds enter reception with lower scores in literacy and mathematics than their peers. This book provides early years practitioners with the skills to narrow this gap. In the early years, children's cognitive development is largely shaped by their home environment, but research shows that on average, children who are entitled to free school meals start primary school with lower scores in reading and mathematics than their peers. As an early years practitioner, you can influence these children's learning within your setting, and help them to achieve the same levels as their more affluent peers. That's what this book aims to do: help you to narrow the gap. This unique book shows you how to provide a 'safety net' for children who are most at risk of underachievement. You will be taught about the different factors that positively impact upon children's learning (including adult interaction and literacy and mathematical experiences) and how they link to good practice within the EYFS. From tips for creating a rich, and diverse play environment for them to enjoy, to suggestions on how to carefully guide activities and experiences, this book will help you to establish a strong, long term education programme. You will be amazed at the impact you will have upon these children simply by making small changes to your practice and planning, and you might even increase your setting's chance of gaining an 'outstanding' Ofsted grade.

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How to Read the Victorian Novel provides a unique introduction to the genre. Using examples from the classics, like The Pickwick Papers, David Copperfield, Jane Eyre, The Woman in White, and Middlemarch, it demonstrates just how unfamiliar their familiarity is. The book attempts to break free of the sense that the Victorian novel is somehow old fashioned, moralizing, and formally careless by emphasizing the complexity, difficulty, and rare pleasures of the Victorian writers’ strenuous efforts both to entertain and to teach; to create serious “art” and to appeal to wide audiences; to respond both to the demands of publishing and also to their own rich imaginative engagement with a world heading into modernity at full speed. Broad in its scope, the text surveys a wide variety of literary types and explores the cultural and historical developments of the novel form itself. The book also poses a series of “big questions” pertaining to money, capitalism, industry, race, gender, and, at the same time, to formal issues, such as plotting, perspective, and realist representation. In addition, it locates the qualities that give to the great variety of Victorian novels a “family resemblance,” the material conditions of their production, their tendency to multiply plots, their obsession with class and money, their problematic handling of gender questions, and their commitment to realist representation. How to Read the Victorian Novel challenges our comfortable expectations of the genre in order to explore intensively a burgeoning and changing literary form which mirrors a burgeoning and changing society.

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In 1995 Chinese animated filmmaking ceased to be a state-run enterprise and was plunged into the free market. Using key animated films as his case studies, Shaopeng Chen examines new generation Chinese animation in its aesthetic and industrial contexts. He argues that, unlike its predecessors, this new generation does not have a distinctive national identity, but represents an important stage of diversity and exploration in the history of Chinese animation. Chen identifies distinct characteristics of new generation filmmaking, including an orientation towards young audiences and the recurring figure of the immortal monkey-like Sun Wukong. He explores how films such as Lotus Lantern/Baolian Deng (1999) responded to competition from American imports such as The Lion King (1994), retaining Chinese iconography while at the same time adopting Hollywood aesthetics and techniques. Addressing the series Boonie Bears/Xiong Chumo (2014-5), Chen focuses on the films’ adaptation from the original TV series, and how the films were promoted across generations and by means of both online and offline channels. Discussing the series Kuiba/Kui Ba (2011, 2013, 2014), Chen examines Vasoon Animation Studio’s ambitious attempt to create the first Chinese-style high fantasy fictional universe, and considers why the first film was a critical success but a failure at the box-office. He also explores the relationship between Japanese anime and new generation Chinese animation. Finally, Chen considers how word-of-mouth social media engagement lay behind the success of Monkey King: Hero is Back (2015).

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Emma can't believe her luck when she finds an open pawn shop on Christmas Eve in Manhattan. She's there to sell the beautiful bracelet her ex-boyfriend gave her when a familiar looking watch catches her eye. It's the same engraved watch she gave her college boyfriend, Fletcher, years ago. On a whim, she trades for the watch and wonders at the timing. Practical Emma thinks it's just a coincidence, but her best friend Bronwyn believes it's the magic of synchronicity that caused Emma to find the watch. Fletcher was the one that got away, and somehow Emma never quite moved on. When Bronwyn finds out that Fletcher is in snowy Vermont at a romantic inn for the week, she can't help but give synchronicity a push. She signs Emma up to help the inn keeper as the children's activity coordinator. Emma agrees that a week filled with quaint shops and maple syrup would do her good... and maybe Fate really does have a Christmas gift in store for her. That is until she sees Fletcher with his daughter and fiancée. Suddenly, the fairytale trip seems doomed to fail... much like the innkeeper's dwindling cashflow. It will take a miracle to save her heart and the inn. And that just might be what Fate has in mind. Christmas in Vermont is a delightful and charming love story about the magic of second chances during the most festive time of year.

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Eleven critical issues in the study of bilingualism: Insightful analyses by renowned expert François Grosjean The majority of people living around the world today are able to speak more than one language, yet many aspects of the nature and experience of bilingualism raise unresolved questions for researchers. Who exactly is bilingual? What is the extent of bilingualism? How do infant bilinguals who acquire two languages at the same time manage to separate them? Does language processing work differently when bilinguals are interacting with monolinguals and with bilinguals? When a speaker changes their language, do they also change aspects of their personality? In The Mysteries of Bilingualism, eminent scholar François Grosjean provides a comprehensive examination of individual bilingualism that delves into unanswered questions and challenges many of the myths and misconceptions surrounding bilingualism. Through insightful analyses of eleven key questions, this book offers a unique combination of personal reflection, literature review, personal testimony, and case studies to explore these mysteries. Altogether, this text offers: Comprehensive explorations of the linguistic aspects of bilingualism, including who is bilingual, describing bilinguals, accented speech, and language loss Practical discussions of speech and language processing, including language choice and mixed speech perception and production In-depth examinations of personality and culture in relation to bilingualism and biculturalism Perfect for undergraduate and graduate students of bilingualism, multilingualism, second language acquisition, and applied linguistics, The Mysteries of Bilingualism offers an up-to-date view of the leading research questions in the study of bilingualism today.

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‘This book is straightforward, factual and to the point. Any Leader responsible for business growth should read it! A blueprint full of practical ideas and tools to inspire you into action’—Craig Donaldson - Chief Executive Officer, Metro Bank (RANKED NUMBER ONE IN GLASSDOOR’S HIGHEST RATED CEO 2016) If you asked a cross-section of business leaders, business owners and entrepreneurs what their biggest business challenge is, you would probably hear the same recurring thought: growing their business in a sustainable, predictable, yet profitable way – quickly. It’s a reality that most businesses and individuals never reach their full potential, always yearning for the ‘thing’ that will catapult them into significance, but never really finding it. Whether you’re an entrepreneur starting out, or a director, executive or business leader climbing the corporate ladder, the building blocks of Built to Grow are universally applicable. Developed in the real world laboratory of thousands of businesses in twenty-seven countries spanning over two decades, Built to Grow is a proven, time-tested model to unlock the real potential in your business. Avoid the common pitfalls of a trial and error approach to business growth. Built to Grow is full of practical strategies, tools and ideas, backed up with real world case studies to illustrate what can be achieved - leaving you equipped to transform your businesses performance and drive tangible results. Built to Grow is destined to become your handbook, your ‘go to’ guide, your roadmap to accelerated, sustained and profitable business growth.

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A guide to stunning your interviewer with perfect answers to stumping questions In today's competitive job market, a stellar interview lends you an edge over the competition, which can make or break your chances at a new career. Answering Tough Interview Questions For Dummies, 2nd Edition teaches you how to perform professionally and productively under stressful interview conditions. With this handy guide, you'll learn to breeze through tricky questions and accentuate your most impressive qualities. This updated second edition features a ten-step guide to having a great interview, ten tips for projecting confidence, ten techniques for trouble-shooting your job search, 200 tough sample interview questions with detailed advice and model answers, proven strategies to combat nerves, and guidelines for perfecting your social media presence and handling questions that may arise from an online search. There is no need to enter an interview feeling unprepared with this guide by your side. Rob Yeung's holistic approach helps you make a positive first impression Shows you how to prepare to answer questions regarding your online presences (and how to avoid embarrassing search results) Provides essential preparation so that you can familiarize yourself with tricky questions before embarking on the stressful interviewing process Whether you're an entry-level worker or a mid-level professional, Answering Tough Interview Questions For Dummies prepares you to blow the competition away with your poised and professional responses.

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Read four sample poems for free - just click the Extracts tab above.Peter Carpenter's poetry is radiant with quiet surprises, important moments captured in the folds of an old document wallet, in back gardens or on winter sea-fronts, buried in the sand or hidden by the noise of a football crowd. Such moments take flight to uncover a distinctive take on both 'the here and now' and the echoes of public and private histories. After the Goldrush is thus of its time and about time, in the attentive, skilful hands of a poet truly hitting his stride.One year's the historyOf Europe, time runs barefoot on the cinder-trackAt the White City (from 'Namings')"… a new voice, precise and distinct, and therefore, doubly welcome."George Szirtes "In short, Peter Carpenter is a masterly portrait-painter." Matthew Jarvis, English "always original and enjoyable poems…there's something modestly dazzling about Peter Carpenter's writing, but also something wonderfully spare and taut… it reminds me in places of the modern pastorals of R.F. Langley… the tone jinks and darts from the tender to the sardonic, the wry to the comic."CJ Allen, Staple "Peter Carpenter has the ability to pull the rug from under your feet at the very moment when you think you've got his number."Jeremy Page, The Frogmore Papers Peter Carpenter is co-director of Worple Press and was recently Creative Writing Fellow at the University of Reading. His fourth collection of poetry is Catch from Shoestring; and he recently contributed to Iain Sinclair's London: City of Disappearances (Penguin).

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A essential reference work for the history of the Church of England and Anglican canon law. This volume is a major new scholarly edition of some of the most important sources in the history of the Anglican Church. It includes all the canons produced by the Church of England, from the opening of the Reformation parliamentin 1529 to 1947. Most of the material comes from the sixteenth and early seventeenth centuries, among which the canons of 1529, 1603 and 1640, and Cardinal Pole's legatine constitutions of 1556, are of particular importance. Butthe volume also includes the first scholarly editions of the deposited canons of 1874 and 1879 and the proposed canons of 1947. In addition, it includes both the Irish canons of 1634 and the Scottish canons of 1636. The canons areaccompanied by a substantial number of supplementary texts and appendixes, illustrating their sources and development; Latin texts are accompanied by parallel English translations, and the editor provides a full scholarly apparatus, which is particularly valuable for its identification of the sources of the various canons. The texts are preceded by an extended introduction, which provides not only an up-to-date analysis of the framing and significance ofeach set of canons, but also critical discussions of the origins and development of canon law and the system of ecclesiastical courts. It is an essential work of reference for anyone interested in the history of the Church of England since the Reformation, or in Anglican canon law. GERALD BRAYis Anglican Professor of Divinity at Beeson Divinity School, Samford University.

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Honorable Mention, 2018 MLA Prize for a First Book Against the defensive backdrop of countless apologetic justifications for the value of literature and the humanities, Futile Pleasures reframes the current conversation by returning to the literary culture of early modern England, a culture whose defensive posture toward literature rivals and shapes our own. During the Renaissance, poets justified the value of their work on the basis of the notion that the purpose of poetry is to please and instruct, that it must be both delightful and useful. At the same time, many of these writers faced the possibility that the pleasures of literature may be in conflict with the demand to be useful and valuable. Analyzing the rhetoric of pleasure and the pleasure of rhetoric in texts by William Shakespeare, Roger Ascham, Thomas Nashe, Edmund Spenser, and John Milton, McEleney explores the ambivalence these writers display toward literature’s potential for useless, frivolous vanity. Tracing that ambivalence forward to the modern era, this book also shows how contemporary critics have recapitulated Renaissance humanist ideals about aesthetic value. Against a longstanding tradition that defensively advocates for the redemptive utility of literature, Futile Pleasures both theorizes and performs the queer pleasures of futility. Without ever losing sight of the costs of those pleasures, McEleney argues that playing with futility may be one way of moving beyond the impasses that modern humanists, like their early modern counterparts, have always faced.

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Honorable Mention, 2018 MLA Prize for a First Book Against the defensive backdrop of countless apologetic justifications for the value of literature and the humanities, Futile Pleasures reframes the current conversation by returning to the literary culture of early modern England, a culture whose defensive posture toward literature rivals and shapes our own. During the Renaissance, poets justified the value of their work on the basis of the notion that the purpose of poetry is to please and instruct, that it must be both delightful and useful. At the same time, many of these writers faced the possibility that the pleasures of literature may be in conflict with the demand to be useful and valuable. Analyzing the rhetoric of pleasure and the pleasure of rhetoric in texts by William Shakespeare, Roger Ascham, Thomas Nashe, Edmund Spenser, and John Milton, McEleney explores the ambivalence these writers display toward literature’s potential for useless, frivolous vanity. Tracing that ambivalence forward to the modern era, this book also shows how contemporary critics have recapitulated Renaissance humanist ideals about aesthetic value. Against a longstanding tradition that defensively advocates for the redemptive utility of literature, Futile Pleasures both theorizes and performs the queer pleasures of futility. Without ever losing sight of the costs of those pleasures, McEleney argues that playing with futility may be one way of moving beyond the impasses that modern humanists, like their early modern counterparts, have always faced.

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Jews, Christians, and Muslims all have a common belief in the sanctity of a core holy scripture, and commentary on scripture (exegesis) was at the heart of all three traditions in the Middle Ages. At the same time, because it dealt with issues such as the nature of the canon, the limits of acceptable interpretation, and the meaning of salvation history from the perspective of faith, exegesis was elaborated in the Middle Ages along the faultlines of interconfessional disputation and polemical conflict. This collection of thirteen essays by world-renowned scholars of Judaism, Christianity, and Islam explores the nature of exegesis during the High and especially the Late Middle Ages as a discourse of cross-cultural and interreligious conflict, paying particular attention to the commentaries of scholars in the western and southern Mediterranean from Iberia and Italy to Morocco and Egypt. Unlike other comparative studies of religion, this collection is not a chronological history or an encyclopedic guide. Instead, it presents essays in four conceptual clusters (“Writing on the Borders of Islam,” “Jewish-Christian Conflict,” “The Intellectual Activity of the Dominican Order,” and “Gender”) that explore medieval exegesis as a vehicle for the expression of communal or religious identity, one that reflects shared or competing notions of sacred history and sacred text. This timely book will appeal to scholars and lay readers alike and will be essential reading for students of comparative religion, historians charting the history of religious conflict in the medieval Mediterranean, and all those interested in the intersection of Jewish, Christian, and Muslim beliefs and practices.

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At this stalled and disillusioned juncture in postcolonial history—when many anticolonial utopias have withered into a morass of exhaustion, corruption, and authoritarianism—David Scott argues the need to reconceptualize the past in order to reimagine a more usable future. He describes how, prior to independence, anticolonialists narrated the transition from colonialism to postcolonialism as romance—as a story of overcoming and vindication, of salvation and redemption. Scott contends that postcolonial scholarship assumes the same trajectory, and that this imposes conceptual limitations. He suggests that tragedy may be a more useful narrative frame than romance. In tragedy, the future does not appear as an uninterrupted movement forward, but instead as a slow and sometimes reversible series of ups and downs.Scott explores the political and epistemological implications of how the past is conceived in relation to the present and future through a reconsideration of C. L. R. James’s masterpiece of anticolonial history, The Black Jacobins, first published in 1938. In that book, James told the story of Toussaint L’Ouverture and the making of the Haitian Revolution as one of romantic vindication. In the second edition, published in the United States in 1963, James inserted new material suggesting that that story might usefully be told as tragedy. Scott uses James’s recasting of The Black Jacobins to compare the relative yields of romance and tragedy. In an epilogue, he juxtaposes James’s thinking about tragedy, history, and revolution with Hannah Arendt’s in On Revolution. He contrasts their uses of tragedy as a means of situating the past in relation to the present in order to derive a politics for a possible future.

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Stepping Left simultaneously unveils the radical roots of modern dance and recalls the excitement and energy of New York City in the 1930s. Ellen Graff explores the relationship between the modern dance movement and leftist political activism in this period, describing the moment in American dance history when the revolutionary fervor of "dancing modern" was joined with the revolutionary vision promised by the Soviet Union. This account reveals the major contribution of Communist and left-wing politics to modern dance during its formative years in New York City. From Communist Party pageants to union hall performances to benefits for the Spanish Civil War, Graff documents the passionate involvement of American dancers in the political and social controversies that raged throughout the Depression era. Dancers formed collectives and experimented with collaborative methods of composition at the same time that they were marching in May Day parades, demonstrating for workers’ rights, and protesting the rise of fascism in Europe. Graff records the explosion of choreographic activity that accompanied this lively period—when modern dance was trying to establish legitimacy and its own audience. Stepping Left restores a missing legacy to the history of American dance, a vibrant moment that was supressed in the McCarthy era and almost lost to memory. Revisiting debates among writers and dancers about the place of political content and ethnicity in new dance forms, Stepping Left is a landmark work of dance history.

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Do our ways of talking about contemporary terrorism have a history in the science, technology, and culture of the Cold War? Human Programming explores this history in a groundbreaking work that draws connections across decades and throughout American culture, high and low. Scott Selisker argues that literary, cinematic, and scientific representations of the programmed mind have long shaped conversations in U.S. political culture about freedom and unfreedom, and about democracy and its enemies. Selisker demonstrates how American conceptions of freedom and of humanity have changed in tandem with developments in science and technology, including media technology, cybernetics, behaviorist psychology, and sociology. Since World War II, propagandists, scientists, and creative artists have adapted visions of human programmability as they sought to imagine the psychological manipulation and institutional controls that could produce the inscrutable subjects of totalitarian states, cults, and terrorist cells. At the same time, writers across the political spectrum reimagined ideals of American freedom, democracy, and diversity by way of contrast with these posthuman specters of mental unfreedom. Images of such “human automatons” circulated in popular films, trials, travelogues, and the news media, giving form to the nebulous enemies of the postwar and contemporary United States: totalitarianism, communism, total institutions, cult extremism, and fundamentalist terrorism. Ranging from discussions of The Manchurian Candidate and cyberpunk science fiction to the cases of Patty Hearst and the “American Taliban” John Walker Lindh, Human Programming opens new ways of understanding the intertwined roles of literature, film, science, and technology in American culture.

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Until now, celebrated photographer Robert Frank’s daring and unconventional work as a filmmaker has not been awarded the critical notice it deserves. In this timely volume, George Kouvaros surveys Frank’s films and videos and places them in the larger context of experimentation in American art and literature since World War II.Born in 1924, Frank emigrated from Switzerland to the United States in 1947 and quickly made his mark as a photojournalist. A 1955 Guggenheim Foundation fellowship allowed him to travel across the country, photographing aspects of American life that had previously received little attention. The resulting book, The Americans, with an Introduction by Jack Kerouac, is generally considered a landmark in the history of postwar photography. During the same period, Frank befriended other artists and writers, among them Allen Ginsberg, Peter Orlovsky, and Gregory Corso, all of whom are featured in his first film, Pull My Daisy, which is narrated by Kerouac. This film set the terms for a new era of experimental filmmaking.By examining Frank’s films and videos, including Pull My Daisy, Me and My Brother, and Cocksucker Blues, in the framework of his more widely recognized photographic achievements, Kouvaros develops a model of cross-media history in which photography, film, and video are complicit in the search for fresh forms of visual expression. Awakening the Eye is an insightful, compelling, and, at times, moving account of Frank’s determination to forge a personal connection between the circumstances of his life and the media in which he works.

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In Front Lines, Miguel Martínez documents the literary practices of imperial Spain's common soldiers. Against all odds, these Spanish soldiers produced, distributed, and consumed a remarkably innovative set of works on war that have been almost completely neglected in literary and historical scholarship. The soldiers of Italian garrisons and North African presidios, on colonial American frontiers and in the traveling military camps of northern Europe read and wrote epic poems, chronicles, ballads, pamphlets, and autobiographies—the stories of the very same wars in which they participated as rank-and-file fighters and witnesses. The vast network of agents and spaces articulated around the military institutions of an ever-expanding and struggling Spanish empire facilitated the global circulation of these textual materials, creating a soldierly republic of letters that bridged the Old and the many New Worlds of the sixteenth and seventeenth centuries. Martínez asserts that these writing soldiers played a key role in the shaping of Renaissance literary culture, which for its part gave to them the language and forms with which to question received notions of the social logic of warfare, the ethics of violence, and the legitimacy of imperial aggression. Soldierly writing often voiced criticism of established hierarchies and exploitative working conditions, forging solidarities among the troops that often led to mutiny and massive desertion. It is the perspective of these soldiers that grounds Front Lines, a cultural history of Spain's imperial wars as told by the common men who fought them.

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In 1939, Vogue magazine invited commercial designer Raymond Loewy and eight of his contemporaries—including Walter Dorwin Teague, Egmont Arens, and Henry Dreyfuss—to design a dress for the "Woman of the Future" as part of its special issue promoting the New York World's Fair and its theme, "The World of Tomorrow." While focusing primarily on her clothing and accessories, many commented as well on the future woman's physique, predicting that her body and mind would be perfected through the implementation of eugenics. Industrial designers' fascination with eugenics—especially that of Norman Bel Geddes—began during the previous decade, and its principles permeated their theories of the modern design style known as "streamlining." In Eugenic Design, Christina Cogdell charts new territory in the history of industrial design, popular science, and American culture in the 1930s by uncovering the links between streamline design and eugenics, the pseudoscientific belief that the best human traits could—and should—be cultivated through selective breeding. Streamline designers approached products the same way eugenicists approached bodies. Both considered themselves to be reformers advancing evolutionary progress through increased efficiency, hygiene and the creation of a utopian "ideal type." Cogdell reconsiders the popular streamline style in U.S. industrial design and proposes that in theory, rhetoric, and context the style served as a material embodiment of eugenic ideology. With careful analysis and abundant illustrations, Eugenic Design is an ambitious reinterpretation of one of America's most significant and popular design forms, ultimately grappling with the question of how ideology influences design.

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A history of dance’s pathologization may startle readers who find in dance performance grace, discipline, geometry, poetry, and the body’s transcendence of itself. Exploring dance’s historical links to the medical and scientific connotations of a “pathology,” this book asks what has subtended the idealization of dance in the West. It investigates the nineteenth-century response, in the intersections of dance, literature, and medicine, to the complex and long-standing connections between illness, madness, poetry, and performance. In the nineteenth century, medicine becomes a major cultural index to measure the body’s meanings. As a particularly performative form of madness, nineteenth-century hysteria preserved the traditional connection to dance in medical descriptions of “choreas.” In its withholding of speech and its use of body code, dance, like hysteria, functions as a form of symptomatic expression. Yet by working like a symptom, dance performance can also be read as a commentary on symptomatology and as a condition of possibility for such alternative approaches to mental illness as psychoanalysis. By redeeming as art what is “lost” in hysteria, dance expresses non-hysterically what only hysteria had been able to express: the somatic translation of idea, the physicalization of meaning. Medicine’s discovery of “idea” manifesting itself in the body in mental illness strikingly parallels a literary fascination with the ability of nineteenth-century dance to manifest “idea,” suggesting that the evolution of medical thinking about mind-body relations as they malfunction in madness, as well as changes in the cultural reception of danced representations of these relations, might be paradigmatic shifts caused by the same cultural factors: concern about the body as a site of meaning and about vision as a theater of knowledge.

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This volume collects twenty-three interviews given over the course of the last two decades by Jacques Derrida. It illustrates the extraordinary breadth of his concerns, touching upon such subjects as the teaching of philosophy, sexual difference and feminine identity, the media, AIDS, language and translation, nationalism, politics, and Derrida's early life and the history of his writings. Often, as in the interview on Heidegger, or that on drugs, or on the nature of poetry, these interviews offer not only an introduction to other discussions, but something available nowhere else in his work. When did feminist discourse become an indispensable consideration for deconstruction? What was the impact on Derrida's work of his being an Algerian Jew growing up during World War II? Is there an ineradicable gap between language-based attitude such as those found in a deconstruction and subjectivity-oriented critical models such as those developed by Foucault and Lacan? Such questions as these are answered with great thoughtfulness and intensity. Derrida's oral style is patient, generous, and helpful. His tone varies with the questioners and the subject matter—militant, playful, strategic, impassioned, analytic: difference in modulation can sometimes be heard within the same dialogue. The informality of the interview process frequently leads to the most succinct and lucid explications to be found of many of the most important and influential aspects of Derrida's thought. Sixteen of the interviews appear here for the first time in English, including an interview, conducted especially for this volume, concerning the recent exchange of letters in the New York Review of Books.

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The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature. The pantheon of renowned melancholics—from Shakespeare's Hamlet to Walter Benjamin—includes no women, an absence that in Juliana Schiesari's view points less to a dearth of unhappy women in patriarchal culture than to the lack of significance accorded to women's grief. Through penetrating readings of texts from Aristotle to Kristeva, she illuminates the complex history of the symbolics of loss in Renaissance literature. Schiesari first considers the development of the concept of melancholia in the writings of Freud and then surveys recent responses by such theorists as Luce Irigaray, KaJa Silverman, and Julia Kristeva. Schiesari provides fresh interpretations of works by Aristotle, Hildegard of Bingen, and Ficino and she considers women's poetry of the Italian Renaissance, key works by Tasso and Shakespeare, and the writings of Walter Benjamin and Jacques Lacan. According to Schiesari, male melancholia was celebrated during the Renaissance as a sign of inspired genius, at the same time as public rituals of mourning led by women were suppressed. The Gendering of Melancholia will be stimulating reading for scholars and students in the fields of feminist criticism, psychoanalytic and literary theory, and Renaissance studies, and for anyone interested in Western cultural history.

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The moment of contact between two peoples, two alien societies, marks the opening of an epoch and the joining of histories. What if it had happened differently?The stories that indigenous peoples and Europeans tell about their first encounters with one another are enormously valuable historical records, but their relevance extends beyond the past. Settler populations and indigenous peoples the world over are engaged in negotiations over legitimacy, power, and rights. These struggles cannot be dissociated from written and oral accounts of “contact” moments, which not only shape our collective sense of history but also guide our understanding of current events.For all their importance, contact stories have not been systematically or critically evaluated as a genre. Myth and Memory explores the narratives of indigenous and newcomer populations from New Zealand and across North America, from the Lost Colony of Roanoke on the Atlantic seaboard of the United States to the Pacific Northwest and as far as Sitka, Alaska. It illustrates how indigenous and explorer accounts of the same meetings reflect fundamentally different systems of thought, and focuses on the cultural misunderstandings embedded in these stories. The contributors discuss the contemporary relevance, production, and performance of Aboriginal and European contact narratives, and introduce new tools for interpreting the genre. They argue that we are still in the contact zone, striving to understand the meaning of contact and the relationship between indigenous and settler populations.

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This was a time of civil war, anarchy, intrigue, and assassination. Between 193 and 284 the Roman Empire knew more than twenty-five emperors, and an equal number of usurpers. All of them had some measure of success, several of them often ruling different parts of the Empire at the same time. Rome's traditional political institutions slid into vacuity and armies became the Empire's most powerful institutions, proclaiming their own imperial champions and deposing those they held to be incompetent. Yet despite widespread contemporary dismay at such weak government this period was also one in which the boundaries of the Empire remained fairly stable; the rights and privileges of Roman citizenship were extended equally to all free citizens of the Empire; in several regions the economy remained robust in the face of rampant inflation; and literary culture, philosophy, and legal theory flourished. Historians have been discussing how and why this could have been for centuries. Olivier Hekster takes you to the heart of these debates and illustrates the arguments with key contemporary documents. His compelling account will engage students at all levels of study. Key Features * issues of historical significance are identified and thematically discussed * important modern debates are placed together and explored * key passages of text along with key images are gathered and accessible in one volume * includes essay questions, chronology, further reading, bibliography, and useful website resources

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What does it mean to be Jewish? What is an anti-Semite? Why does the enigmatic identity of the men who founded the first monotheistic religion arouse such passions? We need to return to the Jewish question. We need, first, to distinguish between the anti-Judaism of medieval times, which persecuted the Jews, and the anti-Judaism of the Enlightenment, which emancipated them while being critical of their religion. It is a mistake to confuse the two and see everyone from Voltaire to Hitler as anti-Semitic in the same way. Then we need to focus on the development of anti-Semitism in Europe, especially Vienna and Paris, where the Zionist idea was born. Finally, we need to investigate the reception of Zionism both in the Arab countries and within the Diaspora. Re-examining the Jewish question in the light of these distinctions and investigations, Roudinesco shows that there is a permanent tension between the figures of the ‘universal Jew’ and the ‘territorial Jew’. Freud and Jung split partly over this issue, which gained added intensity after the creation of the State of Israel in 1948 and the Eichmann trial in 1961. Finally, Roudinesco turns to the Holocaust deniers, who started to suggest that the Jews had invented the genocide that befell their people, and to the increasing number of intellectual and literary figures who have been accused of anti-Semitism. This thorough re-examination of the Jewish question will be of interest to students and scholars of modern history and contemporary thought and to a wide readership interested in anti-Semitism and the history of the Jews.

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Social Movements in Global Politics is a timely new account of the unconventional, ‘extra-institutional’ activities of social movements. In the face of impending global crises and stubborn conflicts, a conventional view of politics risks leaving us confused and fatalistic, feeling powerless because we are unaware of all that can be achieved by political means. By contrast, a variety of recent social movements, ranging from those of women, gays and lesbians and anti-racists, to environmentalists, the Occupy movement and the Arab Spring, demonstrate the enormous potential of political action beyond the institutional sphere of politics. At the same time, religious fundamentalists, racial supremacists and ultra-nationalists make clear that movements are not necessarily progressive and are often at odds with one another. West highlights the many ways in which national and global institutions depend on a broader context of extra-institutional action or what is, in effect, the formative dimension of politics. He explores some of the major contributions of social movements: from the genealogy of liberal democratic nation-states, sixties’ radicalism and the ‘new social movements’ to the politics of sexuality, gender and identity, the politicization of nature and climate, and alter-globalization. The book also considers current theoretical approaches and sets out the basis for a critical theory of social movements. This is a fresh and original account of social movements in politics and will be essential reading for any students and scholars interested in the challenges and the unpredictable potential of political action.

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At a time when so many cracks have emerged within the imagined community of ‘the West', this important new book, by one of the leading social scientists in Europe, examines the intellectual history of comparing Europe and the United States. Claus Offe considers the perspectives adopted by three of Europe’s greatest social scientists – Alexis de Tocqueville, Max Weber and Theodor W. Adorno – in their comparative writings on Europe. While traveling, studying and working in the US, all three constantly looked back to their European origins, trying to decipher from their American experience what the future may hold for Europe, be it for better or worse. Alexis de Tocqueville, the French aristocrat, observed the functioning of American democracy with a mix of admiration, envy and deep concerns about the fate of liberty in the ‘democratic age'. Max Weber, the German sociologist, reported enthusiastically about the youthful energy he found in the United States, which, however, he saw as gradually succumbing to the stifling tendencies of European bureaucratization. Theodor W. Adorno, the critical theorist and refugee from Nazi Germany, observed with a sense of despair the workings of the American ‘culture industry’ which he equated to the totalitarian experience of Europe, only to switch to a much more favorable picture upon his return to Germany. Europe and the US are conventionally assumed to share the same trajectory and develop according to some common pattern of ‘occidental rationalism', with the observed differences resulting from mere lags and relative advances on one side or the other. In this insightful book, Offe questions the relevance of this paradigm to transatlantic relations today.

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