Search results for ""author morris"

This first-person account of a legendary necropolis will delight Francophiles, tourists and armchair travelers, while enriching the experience of taphophiles (cemetery lovers) and aficionados of art and architecture, mystery and romance. Carolyn Campbell's evocative images are complemented by those of renowned landscape photographer Joe Cornish. City of Immortals celebrates the novelty and eccentricity of Pere-Lachaise Cemetery through the engrossing story of the history of the site established by Napoleonic decree along with portraits of the last moments of the cultural icons buried within its walls. In addition to several 'conversations' with some of the high-profile residents, three guided tours are provided along with an illustrated pull-out map featuring the grave sites of eighty-four architects, artists, writers, musicians, dancers, filmmakers and actors, including Oscar Wilde, Jim Morrison of the Doors. Frederic Chopin, Georges Bizet, Edith Piaf, Maria Callas, Isadora Duncan, Eugene Delacroix, Gertrude Stein, Amedeo Modigliani, Sarah Bernhardt, Simone Signoret, Colette and Marcel Proust.

Read more less

A vital contribution to environmental humanities that explores artistic responses to the plastic age Since at least the 1960s, plastics have been a defining feature of contemporary life. They are undeniably utopian—wondrously innovative, cheap, malleable, durable, and convenient. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. Plastics are piling up in landfills, floating in oceans, and contributing to climate change and cancer clusters. They are derived from petrochemicals and enmeshed with the global oil economy, and they permeate our consumer goods and their packaging, our clothing and buildings, our bodies and minds. Plastic reshapes our cultural and social imaginaries. With impressive breadth and compelling urgency, the essays in Life in Plastic examine the arts and literature of the plastic age. Focusing mainly on post-1960s North America, the collection spans a wide variety of genres, including graphic novels, superhero comics, utopic and dystopic science fiction, poetry, and satirical prose, as well as vinyl records and visual arts. Essays by a remarkable lineup of cultural theorists interrogate how plastic—as material and concept—has affected human sensibilities and expression. The collection reveals the place of plastic in reshaping how we perceive, relate to, represent, and re-imagine bodies, senses, environment, scale, mortality, and collective well-being.Ultimately, the contributors to Life in Plastic think through plastic with an eye to imagining our way out of plastic, moving toward a postplastic future.Contributors: Crystal Bartolovich, Syracuse U; Maurizia Boscagli, U of California, Santa Barbara; Christopher Breu, Illinois State U; Loren Glass, U of Iowa; Sean Grattan, U of Kent; Nayoung Kim, Brandeis U; Jane Kuenz, U of Southern Maine; Paul Morrison, Brandeis U; W. Dana Phillips, Towson U in Maryland and Rhodes U in Grahamstown, South Africa; Margaret Ronda, UC-Davis; Lisa Swanstrom, U of Utah; Jennifer Wagner-Lawlor, Pennsylvania State U; Phillip E. Wegner, U of Florida; Daniel Worden, Rochester Institute of Technology.

Read more less

Wildlife management specialists and landscape ecologists offer a new perspective on the important intersection of these fields in the twenty-first century.It's been clear for decades that landscape-level patterns and processes, along with the tenets and tools of landscape ecology, are vitally important in understanding wildlife-habitat relationships and sustaining wildlife populations. Today, significant shifts in the spatial scale of extractive, agricultural, ranching, and urban land uses are upon us, making it more important than ever before to connect wildlife management and landscape ecology. Landscape ecologists must understand the constraints that wildlife managers face and be able to use that knowledge to translate their work into more practical applications. Wildlife managers, for their part, can benefit greatly from becoming comfortable with the vocabulary, conceptual processes, and perspectives of landscape ecologists.In Wildlife Management and Landscapes, the foremost landscape ecology experts and wildlife management specialists come together to discuss the emerging role of landscape concepts in habitat management. Their contributions• make the case that a landscape perspective is necessary to address management questions• translate concepts in landscape ecology to wildlife management• explain why studying some important habitat-wildlife relationships is still inherently difficult• explore the dynamic and heterogeneous structure of natural systems• reveal why factors such as soil, hydrology, fire, grazing, and timber harvest lead to uncertainty in management decisions• explain matching scale between population processes and management• discuss limitations to management across jurisdictional boundaries and balancing objectives of private landowners and management agencies• offer practical ideas for improving communication between professionals• outline the impediments that limit a full union of landscape ecology and wildlife managementUsing concrete examples of modern conservation challenges that range from oil and gas development to agriculture and urbanization, the volume posits that shifts in conservation funding from a hunter constituent base to other sources will bring a dramatic change in the way we manage wildlife. Explicating the foundational similarity of wildlife management and landscape ecology, Wildlife and Landscapes builds crucial bridges between theoretical and practical applications.Contributors: Jocelyn L. Aycrigg, Guillaume Bastille-Rousseau, Jon P. Beckmann, Joseph R. Bennett, William M. Block, Todd R. Bogenschutz, Teresa C. Cohn, John W. Connelly, Courtney J. Conway, Bridgett E. Costanzo, David D. Diamond, Karl A. Didier, Lee F. Elliott, Michael E. Estey, Lenore Fahrig, Cameron J. Fiss, Jacqueline L. Frair, Elsa M. Haubold, Fidel Hernández, Jodi A. Hilty, Joseph D. Holbrook, Cynthia A. Jacobson, Kevin M. Johnson, Jeffrey K. Keller, Jeffery L. Larkin, Kimberly A. Lisgo, Casey A. Lott, Amanda E. Martin, James A. Martin, Darin J. McNeil, Michael L. Morrison, Betsy E. Neely, Neal D. Niemuth, Chad J. Parent, Humberto L. Perotto-Baldivieso, Ronald D. Pritchert, Fiona K. A. Schmiegelow, Amanda L. Sesser, Gregory J. Soulliere, Leona K. Svancara, Stephen C. Torbit, Joseph A. Veech, Kerri T. Vierling, Greg Wathen, David M. Williams, Mark J. Witecha, John M. Yeiser

Read more less

'A must read...!!!' will.i.am'Each encounter is framed and presented with enormous literary skill and grace' David OlusogaWITH A FOREWORD FROM BERNARDINE EVARISTOConversations with some of the most extraordinary Black minds of our age, discussing race, decolonisation, systemic inequalities and the climate crisis.In a series of incisive and intimate encounters, Sarah Ladipo Manyika introduces some of the most distinguished Black thinkers of our times, including Nobel Laureates Toni Morrison and Wole Soyinka, and civic leaders first lady Michelle Obama and Senator Cory Booker.She searches for truth with poet Claudia Rankine and historian Henry Louis Gates, Jr. She discusses race and gender with South African filmmaker Xoliswa Sithole and American actor and playwright Anna Deavere Smith. She interrogates the world around us with pioneering publisher Margaret Busby, parliamentarian Lord Michael Hastings and civil rights activist Pastor Evan Mawarire - who dared to take on President Robert Mugabe and has lived to tell the tale. We also meet the living embodiment of the many threads, ideas and histories in this book through the profile of her fabulous 102-year-old friend, Mrs Willard Harris.In journeys that book-end the collection, Sarah Ladipo Manyika reflects on her own experience of being seen as 'oyinbo' in Nigeria, African in England, Arab in France, coloured in Southern Africa and Black in America, while feeling the least Black and most human among her fellow travellers, explorers all, against the sharp white relief of the South Pole.

Read more less

For a generation of contemporary Anglo-American novelists, the question "Why write?" has been answered with a renewed will to believe in the ethical value of literature. Dissatisfied with postmodernist parody and pastiche, a broad array of novelist-critics—including J.M. Coetzee, Toni Morrison, Zadie Smith, Gish Jen, Ian McEwan, and Jonathan Franzen—champion the novel as the literary genre most qualified to illuminate individual ethical action and decision-making within complex and diverse social worlds. Key to this contemporary vision of the novel's ethical power is the task of knowing and being responsible to people different from oneself, and so thoroughly have contemporary novelists devoted themselves to the ethics of otherness, that this ethics frequently sets the terms for plot, characterization, and theme. In The Novel and the New Ethics, literary critic Dorothy J. Hale investigates how the contemporary emphasis on literature's social relevance sparks a new ethical description of the novel's social value that is in fact rooted in the modernist notion of narrative form. This "new" ethics of the contemporary moment has its origin in the "new" idea of novelistic form that Henry James inaugurated and which was consolidated through the modernist narrative experiments and was developed over the course of the twentieth century. In Hale's reading, the art of the novel becomes defined with increasing explicitness as an aesthetics of alterity made visible as a formalist ethics. In fact, it is this commitment to otherness as a narrative act which has conferred on the genre an artistic intensity and richness that extends to the novel's every word.

Read more less

For a generation of contemporary Anglo-American novelists, the question "Why write?" has been answered with a renewed will to believe in the ethical value of literature. Dissatisfied with postmodernist parody and pastiche, a broad array of novelist-critics—including J.M. Coetzee, Toni Morrison, Zadie Smith, Gish Jen, Ian McEwan, and Jonathan Franzen—champion the novel as the literary genre most qualified to illuminate individual ethical action and decision-making within complex and diverse social worlds. Key to this contemporary vision of the novel's ethical power is the task of knowing and being responsible to people different from oneself, and so thoroughly have contemporary novelists devoted themselves to the ethics of otherness, that this ethics frequently sets the terms for plot, characterization, and theme. In The Novel and the New Ethics, literary critic Dorothy J. Hale investigates how the contemporary emphasis on literature's social relevance sparks a new ethical description of the novel's social value that is in fact rooted in the modernist notion of narrative form. This "new" ethics of the contemporary moment has its origin in the "new" idea of novelistic form that Henry James inaugurated and which was consolidated through the modernist narrative experiments and was developed over the course of the twentieth century. In Hale's reading, the art of the novel becomes defined with increasing explicitness as an aesthetics of alterity made visible as a formalist ethics. In fact, it is this commitment to otherness as a narrative act which has conferred on the genre an artistic intensity and richness that extends to the novel's every word.

Read more less

In late August 1776, a badly defeated Continental Army retreated from Long Island to Manhattan. By the end of September, George Washington’s inexperienced army had been forced out of New York into New Jersey and, by the end of the year, into Pennsylvania. During this dark night of the American Revolution—“the times that try men’s souls”—Washington began developing the strategy that would win the war. In this illuminating account, Arthur Lefkowitz reveals how George Washington turned defeat into victory.During his retreat across New Jersey, Washington reconceived the war: keep the army mobile, target small parts of the British Army, rely on surprise and deception, form guerrilla units, and avoid large-scale battles. This new strategy first bore fruit in the crossing of the Delaware on Christmas night 1776 and the attack on the British at Trenton and Princeton. From there, Washington took up winter quarters at Morristown, New Jersey, and moved into the mountains, an ideal position from which to check British movements toward Philadelphia or north up the Hudson. The British tried and failed several times to coax Washington into a decisive battle. Stymied, the British were forced to attack Philadelphia by sea, and they would not be able to seize Philadelphia in time to support the British invasion of upstate New York which ended in defeat at Saratoga.Lefkowitz relies on a lifetime of deep research on the Revolutionary War and close knowledge of New Jersey to tell this exciting, important story whose impact rippled throughout the rest of the war.

Read more less

Most would agree that American culture changed dramatically from the 1960s to the 1980s. Yet the 1970s, the decade “in between,” is still somehow thought of as a cultural wasteland. In The Seventies Now Stephen Paul Miller debunks this notion by examining a wide range of political and cultural phenomena—from the long shadow cast by Richard Nixon and the Watergate scandal to Andy Warhol and the disco scene—identifying in these phenomena a pivotal yet previously unidentified social trend, the movement from institutionalized external surveillance to the widespread internalization of such practices.The concept of surveillance and its attendant social ramifications have been powerful agents in U.S. culture for many decades, but in describing how during the 1970s Americans learned to “survey” themselves, Miller shines surprising new light on such subjects as the women’s movement, voting rights enforcement, the Ford presidency, and environmental legislation. He illuminates the significance of what he terms “microperiods” and analyzes relevant themes in many of the decade’s major films—such as The Deer Hunter, Network, Jaws, Star Wars, and Apocalypse Now—and in the literature of writers including John Ashbery, Toni Morrison, Adrienne Rich, and Sam Shepard. In discussing the reverberations of the 1969 Stonewall riots, technological innovations, the philosophy of Michel Foucault, and a host of documents and incidents, Miller shows how the 1970s marked an important period of transition, indeed a time of many transitions, to the world we confront at the end of the millennium.The Seventies Now will interest students and scholars of cultural studies, American history, theories of technology, film and literature, visual arts, and gay and lesbian studies.

Read more less

The finest books produced during the quarter century prior to the outbreak of the Great War were almost invariably printed by the private presses, but post-war, with the development of new technology, the accolade of excellence passed into the hands of a small number of commercial firms, with the Curwen Press very much to the fore. Like those earlier printers, Harold Curwen was inspired by the Morrisian ideal, but he did not adhere to the tenet that 'hand made' was necessarily better than 'machine made', which led him to become one of the pioneering figures in the technical revolution that transformed the printing industry. Harold Curwen joined the family firm in 1908 and by 1916 had instigated a general replanning of the works and, aided by the wartime staff shortage, felt able to push ahead with the installation of modern machinery. He was in the forefront of the development of offset lithography, which ensured that the Curwen Press would be in the vanguard of fine colour printing throughout the next decade. Harold also pioneered, as far as England was concerned, the pochoir technique of hand-stencilling. 1922 was the beginning of the Curwen Press's golden decade, during which it produced The Woodcutter's Dog, the English language edition of Julius Meier-Graefe's two volume biography of Van Gogh for the Medici Society, the exhibition catalogue of books and manuscripts for The First Edition Club, Goldoni's Four Comedies and the delightful little pocket engagement book, The Four Seasons, illustrated by Albert Rutherston. Rutherston was later to illustrate Thomas Hardy's Yuletide in a Younger World, the first of the Ariel Poems for Faber & Gwyer which were to become a feature of the collaboration between the two firms. In addition there was the 'Safety First' Calendar, adorned with Lovat Fraser's cautionary illustrations. Following restructuring in 1933 the Curwen Press had a further forty years of distinguished work ahead both in the printing of books, particularly those illustrated by Barnett Freedman, as well as jobbing work, including some of the finest posters for the London Underground by Bawden, Wadsworth, John Banting, Betty Swanwick, Barnett Freedman and others. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

Read more less

From the esteemed President of Hampton University, an insider account that reveals the secret to HBCU graduates’ remarkable success—a distinguished honor roll which includes Vice President Kamala Harris, Dr. Martin Luther King Jr., Oprah Winfrey, Zora Neale Hurston, Toni Morrison, Ruth Carter, Ta-Nehisi Coates, and many others.In his more-than-four-decade tenure as the President of Hampton University—one of 107 Historically Black Colleges and Universities in America—Dr. William R. Harvey has been a champion of the cultural impact and value of HBCUs, demonstrated by the achievements of their numerous notable alumni. Their success is no coincidence. It is the result of a faultless formula that sets HBCUs apart and helps their students thrive—a formula built on core tenets, including displaying moral and wholesome values at all times, continuously pursuing character growth, and embracing communal responsibilities whenever possible.The mission of Dr. Harvey is to represent Blackness to its highest degree at every opportunity. He is a passionate believer in the remarkability of the Black diaspora in all its complexity and beauty. That conviction drives the timeless lessons he’s adhered to and has instilled in his students: the power of dress to establish respect; the importance of integrity; financial accountability; reverence for elders. It is these tried-and-true lessons and others that have uniquely prepared and propelled HBCU students to success for generations. The Historically Black Colleges and Universities' Guide to Excellence is a thoughtful and knowledgeable account of what it truly takes to successfully navigate a white world as a Black person while retaining one’s core Blackness. Practical and proven, it lays the groundwork for individual and communal Black prosperity.

Read more less

The first African American fiction writer to earn a national reputation, Charles W. Chesnutt remains best known for his depictions of Southern life before and after the Civil War. But he also produced a large body of what might best be called his “Northern” writings, and those works, taken together, describe the intriguing ways in which America was reshaping itself at the turn of the last century. The Northern Stories of Charles W. Chesnutt collects for the first time eighteen Chesnutt stories—several of them first appearing in Northern magazines or newspapers—that portray life in the North in the period between the Civil War and World War I. Living in Ohio from 1883 until his death in 1932, Chesnutt witnessed and wrote about the social, cultural, and racial upheavals taking place in the North during a crucial period of American history. His Northern stories thus reflect his vision of a newly reconstituted America, one recommitted to the ideals of freedom and economic opportunity inherent in our national heritage. The stories, compiled and edited with critical introductions to each by Professor Charles Duncan, offer a new Chesnutt, one fascinated by the evolution of America into an urban, multiracial, economically driven democracy. The Northern Stories of Charles W. Chesnutt presents richly imagined characters, both black and white, working to make better lives for themselves in the turbulent and stimulating universe of the turn-of-the-century North. Indeed, Chesnutt stands virtually alone as the first African American chronicler of Northern culture, anticipating such figures as James Weldon Johnson, Langston Hughes, Ralph Ellison, James Baldwin, and Toni Morrison. This critical edition of The Northern Stories of Charles W. Chesnutt is a significant addition to the body of African American literature.

Read more less

An incisive, thought-provoking, and timely meditation, at once panoramic and synoptic, on American literature for an age of xenophobia, heightened nationalism, and economic disparity. The distinguished cultural critic Ilan Stavans explores the nation's identity through the prism of its books, from the indigenous past to the early settlers, the colonial period, the age of independence, its ascendance as a global power, and its shallow, fracturing response to the COVID-19 pandemic. The central motives that make the United States a flawed experiment--its celebration of do-it-yourself individualism, its purported exceptionalism, and its constitutional government based on checks and balances--are explored through canonical works like Mark Twain's The Adventures of Huckleberry Finn, Walt Whitman's Leaves of Grass, Emily Dickinson's poetry, F. Scott Fitzgerald's The Great Gatsby, the work of Langston Hughes, Zora Neale Hurston, and Toni Morrison, and immigrant voices such as those of Américo Paredes, Henry Roth, Saul Bellow, Isaac Bashevis Singer, Jhumpa Lahiri, and others. This is literary criticism at its best-informed: broad-ranged yet pungent and uncompromising.

Read more less

Roger Robinson’s range is wide: the joys and pains of family life; observations on the threatening edge of violence below the surface energies of Black British territories in London; memories of an older Trinidad and visits that tell him both how he and the country have changed; emblematic poems on the beauty and often bizarre strangeness of the world of animals; quizzical responses to the strange, the heartening, and the appalling in incidents encountered in daily life; reflections on the purposes and costs of making art, as in fine poems on a George Stubbs’ painting, cocaine and Coltrane’s Ascension, and questioning thoughts on the ideologies of Toni Morrison and John Milton. The poems express a fierce anger against injustice, but also convey the irrepressible sense that Roger Robinson cannot help but love people for their humour, oddity and generosity of spirit.'With A Portable Paradise, Roger Robinson shows us that he can be the voice of our communal consciousness, while at the same time always subverting, playing and beguiling with his beautiful verse' Afua Hirsch

Read more less

From the brilliantly demented minds behind The Eric Andre Show and Bad Trip, an insane illustrated compendium about the art of pranking. Eric André is a master of the art of pranking—“an Andy Kaufman for the Four Loko generation,” as Spin magazine once hailed him. For over a decade, he and longtime collaborator Dan Curry have dreamed up and performed a cornucopia of outrageous, often illegal, and always death-defying hijinks for the Adult Swim series The Eric Andre Show, as well as in the hit movie Bad Trip. Now, in their very first book, Eric and Dan reveal the secret fuel behind their surrealistic prank machine. Get ready to gorge your thirsty peepers on epic stories of shame, redemption, and glory behind pranks so dumb they’re brilliant…and beyond the realm of criticism. But wait, there’s more! This pranktastic potpourri includes: -Tips for prankers of any skill level, from the importance of a “safe word” to why you should always keep the camera rolling, even after the prank is over. -All new pranks to try at home such as “Jell-O Surprise,” “Benadryl Steaks,” “Amateur Graverobber” and “The Jim Morrison.” -Wild behind-the-scenes stories about the most classic pranks from The Eric Andre Show and Bad Trip. -Learn about the dark existential dread behind everyone’s favorite mac-and-cheese-spurting DJ, Kraft Punk. -Discover how Eric avoided getting stabbed when a penis-in-a-finger-trap prank went horribly wrong. -Exclusive never-before-filmed pranks deemed too hot for TV. -Inspirational quotes from philosophers so obscure that they might not even exist. Artfully designed, loaded with funny photos, and a gracious foreblurb by Jack Black, Dumb Ideas is an essential manual for getting a laugh out of friends, family, and complete strangers—and staying out of jail while doing it.

Read more less

As a child, Michael Charles Tobias encountered a wolf caged in a zoo. Gazing upon the pacing, desperate animal, Tobias asked his Father, "Why is he in jail?" For over half a century, Tobias has roamed the earth in search of an answer. This memoir is a testimony to Tobias' field research, expeditions, deliberations, and some answers to that haunting question. Systems ecologist, philosopher, historian of ideas, anthropologist, ethicist and philanthropist, Tobias has emerged as one of the most influential and far-reaching ecological philosophers of this generation. The Earth in Fragments: A Memoir by Michael Charles Tobias chronicles many of his most incisive areas of research, activism and philosophical inflections. Much of the data, conveyed in a personal and enlightening series of recollections, lends incisive clarity to the emergence and escalating challenges of the environmental and life sciences fields. Tobias shares glimpses into many of the often ethically-harrowing research conundrums confronting him and his wife, Jane Gray Morrison, as they have effectively endeavoured throughout the globe, focusing upon animal rights and conservation biology initiatives. Their more than 50 books and 75 films have shed a powerful spotlight on many of the most pressing issues of our time. The anecdotes pour forth, from an ancient monastery in the Sinai, across the Himalayas, to the Arctic and Antarctic, where Tobias was among the first to draw global attention to the crises mounting across the Last Continent. We see him behind the scenes, directing the ambitious ten-hour drama, "Voice of the Planet" in two-dozen countries, examining the Gaia Hypothesis; conducting a project in the heart of the 1989 catastrophic oil spill in Alaska; his irrepressible quest to understand the runaway train of human overpopulation across the planet in his book and accompanying PBS film "World War III." We follow his probing philosophical meditations-in-action as an animal liberationist from California, Mali, Kenya, China, Greece and Russia. We see his appeal for a "new human nature" in cutting-edge scientific research calling for an interspecies revolution that is at once pantheistic, ethically holistic, and as imaginative and ecologically paradoxical as it is pragmatic. The reader is led through a dazzling and provocative labyrinth of deeply moving eco-science in countries like New Zealand, Madagascar, Brazil, Chile's Rapa Nui, and throughout Europe, West Africa and Asia. From the Ecuadorian Amazon to Haiti; from Mozambique, Yemen, and Namibia to Borneo, Tobias and Morrison have worked to bring critical conservation strategies and policy priorities to government leaders and scientists throughout the world. With insights from palaeontology, Renaissance art history, deep demography, and the most recent advances in biodiversity conservation and biosemiotics, Tobias leads readers on an exquisite and uplifting journey that, while describing much devastation, provides hopeful glimpses into a near future that is not only possible, but essential for the well-being of the world, as viewed, lived and chronicled by one man at the heart of the Anthropocene.

Read more less

Blazing hot meets icy cool in a momentous year in US historyOn New Year’s Day in 1967, the 200 million Americans who lived in the United States were about to experience a fascinating, exciting, and sometimes bewildering twelve months that for many formed an iconic portion of their lives. Despite the fact that the coming year produced no Black Friday, Pearl Harbor, or 9/11 attack, the nation still underwent dramatic changes in everything from support for the Vietnam War to approval of candidates for the 1968 presidential election to attitudes toward sex with strangers and what constitutes the status quo.Almost without significant forewarning, Americans in 1967 witnessed a simultaneous cooling of Cold War tensions with the Soviet Union while the war in Vietnam exploded into a white-hot conflict that inflicted nearly two hundred American battle deaths a week. Meanwhile, young people at home were alternately listening to the “cool” sound of the Beatle’s new “Sgt. Pepper” album and Jim Morrison’s plea to get ever higher in “Light my Fire.” On television an emotional, passionate James T. Kirk shared an Enterprise bridge with the cool and logical Mr. Spock.Victor Brooks explores what happened—and in some cases, did not happen—to these two hundred million Americans in a national roller coaster ride that was the year 1967. He chronicles a society that proportionally had far more young people than was the case five decades later, with a widely publicized generation gap that produced more arguments, tension, and anguish between young and old Americans than any 21st century counterpart. 1967 is a fascinating, wide-ranging exploration including topics ranging from the first Super Bowl, the beginning of the 1968 presidential campaign, the social impact of the “Summer of Love” in San Francisco, and the American combat experience in an expanding war in Vietnam. The book represents a reunion of sorts for Baby Boomers as well as a guidebook for younger readers on how their elders coped with one of the definitive years of a pivotal decade.

Read more less

In this ingenious and diverse collection of 366 stories, events and facts about language, David Crystal presents a selection of insights from literary and linguistic writers, poets and global institutions, together with the weird and wonderful creations of language enthusiasts to enliven each day of the year. The day-by-day treatment illustrates the extraordinary breadth of the subject, from ‘Morse Code Day’ to ‘Talk Like William Shatner Day’, from forensic phonetics used to catch serial killers to heroines of speed reading, and covers writers from many different eras and cultures, including William Shakespeare, Oscar Wilde, Emily Dickinson, Toni Morrison, R. K. Narayan, Wole Soyinka and many more. Some days focus on pronunciation, orthography, grammar or vocabulary. Others focus on the way language is used in science, religion, politics, broadcasting, publishing, the Internet and the arts. There are days that acknowledge the achievements of language study, such as in language teaching, speech therapy, deaf education and forensic science, as well as technological progress, from the humble pencil to digital software. Several days celebrate individual languages, such as those recognised as ‘official’ by the United Nations, but not forgetting those spoken by small communities, along with their associated cultural identities. A celebration of the remarkable creativity of all who have illuminated our understanding of language, this book is ideal for anyone wanting to add an extra point of interest to their language day.

Read more less

It was the age of Jim Crow, riddled with racial violence and unrest. But in the world of Our Gang, black and white children happily played and made mischief together. They even had their own black and white version of the KKK, the Cluck Cluck Klams—and the public loved it. The story of race and Our Gang, or The Little Rascals, is rife with the contradictions and aspirations of the sharply conflicted, changing American society that was its theater. Exposing these connections for the first time, Julia Lee shows us how much this series, from the first silent shorts in 1922 to its television revival in the 1950s, reveals about black and white American culture—on either side of the silver screen. Behind the scenes, we find unconventional men like Hal Roach and his gag writers, whose Rascals tapped into powerful American myths about race and childhood. We meet the four black stars of the series—Ernie “Sunshine Sammy” Morrison, Allen “Farina” Hoskins, Matthew “Stymie” Beard, and Billie “Buckwheat” Thomas—the gang within the Gang, whose personal histories Lee pursues through the passing years and shifting political landscape. In their checkered lives, and in the tumultuous life of the series, we discover an unexplored story of America, the messy, multiracial nation that found in Our Gang a comic avatar, a slapstick version of democracy itself.

Read more less

Winner, 2023 Columbia University Press Distinguished Book AwardFinalist, 2023 Pauli Murray Book Prize in Black Intellectual History, African American Intellectual History SocietyShortlisted, Historical Nonfiction Legacy Award, Hurston / Wright FoundationRalph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.

Read more less

Anxious to write that Great American Novel but don't know where to begin? Help is on the way with our Writer's Block! This guide to beating writer's block comes packaged in the shape of an actual block: 3" x 3" x 3", with 672 pages and more than 200 photographs throughout. Next time you're stuck, just flip open The Writer's Block to any page to find an idea or exercise that will jump-start your imagination. Many of these assignments come straight from the creative writing classes of celebrated novelists like Ethan Canin, Richard Price, Toni Morrison, and Kurt Vonnegut: Joyce Carol Oates explains how she uses running to destroy writer's block. Elmore Leonard describes how he often finds ideas just by reading the newspaper. E. Annie Proulx discusses finding inspiration at garage sales. Isabel Allende tells why she always begins a new novel on January 8th. John Irving explains why he prefers to write the last sentence first. Fresh, fun, and irreverent, The Writer's Block also features advice from contemporary editors and literary agents, lessons from the awful novels of Joan Collins and Robert James Waller, a filmography of movies concerning writer's block (e.g., The Shining, Barton Fink), and countless other surprises. With this chunky little book at your side, you may never experience writer's block again!

Read more less

We all know the basic structure of a sentence: a subject and verb pair expressing a complete thought and ending with proper punctuation. But that classroom definition doesn’t begin to describe the ways in which these elements can combine to resonate with us as we read, to make us stop and think, laugh or cry. In 25 Great Sentences and How They Got That Way, master teacher Geraldine Woods unpacks powerful examples of what she instead prefers to define as “the smallest element differentiating one writer’s style from another’s, a literary universe in a grain of sand”. And that universe is very large: the hundreds of memorable sentences gathered here come from sources as wide-ranging as Edith Wharton and Yogi Berra, Toni Morrison and Yoda, T. S. Eliot and Groucho Marx. Culled from fiction, nonfiction, drama, poetry, song lyrics, speeches and even ads, these exemplary sentences are celebrated for the distinctive features—whether of structure, diction, connection/comparison, sound or extremes—that underlie their beauty, resonance and creativity. With dry humour and an infectious enjoyment that makes her own sentences a pleasure to read, Woods shows us the craft that goes into the construction of a memorable sentence. Each chapter finishes with an enticing array of exercises for those who want to test their skill at a particular one of the featured twenty-five techniques, such as onomatopoeia or parallelism. This is a book that will be treasured by language enthusiasts everywhere.

Read more less

Mexico features prominently in the literature and personal legends of the Beat writers, from its depiction as an extension of the American frontier in Jack Kerouac’s On the Road to its role as a refuge for writers with criminal pasts like William S. Burroughs. Yet the story of Beat literature and Mexico takes us beyond the movement’s superstars to consider the important roles played by lesser-known female Beat writers. The first book-length study of why the Beats were so fascinated by Mexico and how they represented its culture in their work, this volume examines such canonical figures as Kerouac, Burroughs, Ginsberg, Lamantia, McClure, and Ferlinghetti. It also devotes individual chapters to women such as Margaret Randall, Bonnie Bremser, and Joanne Kyger, who each made Mexico a central setting of their work and interrogated the misogyny they encountered in both American and Mexican culture. The Beats in Mexico not only considers individual Beat writers, but also places them within a larger history of countercultural figures, from D.H. Lawrence to Antonin Artaud to Jim Morrison, who mythologized Mexico as the land of the Aztecs and Maya, where shamanism and psychotropic drugs could take you on a trip far beyond the limits of the American imagination.

Read more less

For anyone interested in interiors, there is so much inspiration available online and in magazines these days of carefully curated spaces and contemporary homes. But what sort of spaces do interior designers themselves live in?British Designers at Home is for anyone curious to find out more about designers, and glean ideas and practical information for their own homes. This engaging and visually enticing book profiles over 20 of the most important names in British design and decoration in their own personal spaces.Names include: Alidad; Edward Bulmer; Emma Burns; Nina Campbell; Jane Churchill; Octavia Dickinson; Mike Fisher; Veere Grenney; Beata Heuman; Gavin Houghton; Roger Jones; Kit Kemp; Robert Kime; Rita Konig; Penny Morrison; Paolo Moschino; Wendy Nicholls; Guy Oliver; Colin Orchard; Carlos Sânchez-García; Daniel Slowik; Justin van Breda; Sarah Vanrenen and Philip Vergeylen.Each designer has been profiled and photographed at home – alongside details of their working life and the story of how they became interested in design, they talk at length about the house itself and the thinking behind its design and decoration. From the unexpected to that classic British look, this is an exciting look at modern British interiors.

Read more less

When bad behaviour threatens to derail lessons and undermine teaching, it’s easy to feel like you’ve run out of solutions. Enter: Nikki Cunningham-Smith. With her comforting sense of humour, wealth of experience and ability to see positives in even the most nightmarish of classroom scenarios, Nikki encourages early career teachers to reflect on their practice, take care of their mental health and implement behaviour management strategies that really work. Feel Free to Smile draws on anecdotes from Nikki's time as a teacher in alternative provision settings, as well as contributions from fellow professionals and current NQTs such as Ross Morrison McGill, Vivienne Porritt, Kemi Oloyede and Sarah Mullin. It provides practical strategies, tips and quick fixes for dealing with difficult behaviour and keeping your cool in testing situations. With advice on all aspects of behaviour, as well as reflective questions and space to jot down your thoughts, this book is the perfect companion if you’re feeling daunted by challenging behaviour and looking for an experienced voice to help lead the way.

Read more less

THE NEW YORK TIMES #1 BESTSELLER OPRAH BOOK CLUB PICK'One of the best books I have ever read in my entire life. I haven't felt this way since I first read Beloved . . .' Oprah Winfrey Lose yourself in the stunning debut novel everyone is talking about - the unmissable historical story of injustice and redemption that resonates powerfully todayHiram Walker is a man with a secret, and a war to win. A war for the right to life, to family, to freedom.Born into bondage on a Virginia plantation, he is also born gifted with a mysterious power that he won't discover until he is almost a man, when he risks everything for a chance to escape. One fateful decision will carry him away from his makeshift plantation family and into the heart of the underground war on slavery... 'A transcendent work from a crucial political and literary artist' Diana Evans 'I've been wondering who might fill the intellectual void that plagued me after James Baldwin died. Clearly it is Ta-Nehisi Coates' Toni Morrison

Read more less

Drawing on sources as diverse as Supreme Court decisions, nightclub comedy, congressional records, and cultural theory, Obscene Gestures explores the many contradictory vectors of twentieth-century moralist controversies surrounding literary and artistic works from Henry Miller’s Tropic of Cancer to those of Toni Morrison, Alice Walker, Kathy Acker, Robert Mapplethorpe, 2 Live Crew, Tony Kushner, and others. Patrick S. Lawrence dives into notorious obscenity debates to reconsider the divergent afterlives of artworks that were challenged or banned over their taboo sexual content to reveal how these controversies affected their critical reception and commercial success in ways that were often determined at least in part by racial, gender, or sexual stereotypes and pernicious ethnographic reading practices. Starting with early postwar touchstone cases and continuing through the civil rights, feminist, and LGBTQ+ movements, Lawrence demonstrates on one level that breaking sexual taboos in literary and cultural works often comes with cultural cachet and increased sales. At the same time, these benefits are distributed unequally, leading to the persistence of exclusive hierarchies and inequalities. Obscene Gestures takes its bearings from recent studies of the role of obscenity in literary history and canon formation during the late nineteenth and early twentieth centuries, extending their insights into the postwar period when broad legal latitude for obscenity was established but when charges of obscenity still carried immense symbolic and political weight. Moreover, the rise of social justice movements around this time provides necessary context for understanding the application of legal precedents, changes in the publishing industry, and the diversification of the canon of American letters. Obscene Gestures, therefore, advances the study of obscenity to include recent developments in the understanding of race, gender, and sexuality while refining our understanding of late-twentieth-century American literature and political culture.

Read more less

A vital contribution to environmental humanities that explores artistic responses to the plastic age Since at least the 1960s, plastics have been a defining feature of contemporary life. They are undeniably utopian—wondrously innovative, cheap, malleable, durable, and convenient. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. Plastics are piling up in landfills, floating in oceans, and contributing to climate change and cancer clusters. They are derived from petrochemicals and enmeshed with the global oil economy, and they permeate our consumer goods and their packaging, our clothing and buildings, our bodies and minds. Plastic reshapes our cultural and social imaginaries. With impressive breadth and compelling urgency, the essays in Life in Plastic examine the arts and literature of the plastic age. Focusing mainly on post-1960s North America, the collection spans a wide variety of genres, including graphic novels, superhero comics, utopic and dystopic science fiction, poetry, and satirical prose, as well as vinyl records and visual arts. Essays by a remarkable lineup of cultural theorists interrogate how plastic—as material and concept—has affected human sensibilities and expression. The collection reveals the place of plastic in reshaping how we perceive, relate to, represent, and re-imagine bodies, senses, environment, scale, mortality, and collective well-being.Ultimately, the contributors to Life in Plastic think through plastic with an eye to imagining our way out of plastic, moving toward a postplastic future.Contributors: Crystal Bartolovich, Syracuse U; Maurizia Boscagli, U of California, Santa Barbara; Christopher Breu, Illinois State U; Loren Glass, U of Iowa; Sean Grattan, U of Kent; Nayoung Kim, Brandeis U; Jane Kuenz, U of Southern Maine; Paul Morrison, Brandeis U; W. Dana Phillips, Towson U in Maryland and Rhodes U in Grahamstown, South Africa; Margaret Ronda, UC-Davis; Lisa Swanstrom, U of Utah; Jennifer Wagner-Lawlor, Pennsylvania State U; Phillip E. Wegner, U of Florida; Daniel Worden, Rochester Institute of Technology.

Read more less

I took off my wedding ring - a gold band with half a line of 'Morning Song' by Sylvia Plath etched inside - and for weeks afterwards, my thumb would involuntarily reach across my palm for the warm bright circle that had gone. I didn't throw the ring into the long grass, like women do in the movies, but a feeling began bubbling up nevertheless, from my stomach to my throat: it could fling my arms out. I was free.A few years into her marriage and feeling societal pressure to surrender to domesticity, Joanna Biggs found herself longing for a different kind of existence. Was this all there was? She divorced without knowing what would come next.Newly untethered, Joanna returned to the free-spirited writers of her youth and was soon reading in a fever - desperately searching for evidence of lives that looked more like her own, for the messiness and freedom, for a possible blueprint for intellectual fulfillment.In A Life of One's Own, Mary Wollstonecraft, George Eliot, Zora Neale Hurston, Virginia Woolf, Simone de Beauvoir, Sylvia Plath, Toni Morrison, and Elena Ferrante are all taken down from their pedestals, their work and lives seen in a new light. Joanna wanted to learn more about the conditions these women needed to write their best work, and how they addressed the questions she herself was struggling with: Is domesticity a trap? Is life worth living if you have lost faith in the traditional goals of a woman? Why is it so important for women to read one another?This is a radical and intimate examination of the unconventional paths these women took - their pursuits and achievements but also their disappointments and hardships. And in exploring the things that gave their lives the most meaning, we find fuel for our own singular intellectual paths.

Read more less

Give this beautiful set as a thoughtful gift for anyone looking to improve their mood, reduce stress, and live each day with gratitude.This gift set includes: Gratitude: A Day and Night Reflection Journal: This 90-day journal will help center your day around positive feelings and gratitude. It’s the perfect place to record and celebrate anything that you are grateful for and to preserve important memories. Mini Book of Gratitude: With over 150 quotes, inspirations, and contemplations on gratitude from writers and speakers ranging from the Buddha to Toni Morrison to Oscar Wilde, this mini book is lovely inspiration to stop and savor each moment. Gratitude 3 oz Scented Tin Candle: Scented with essential oils of grapefruit and rose, the delicate and inviting aroma of this candle will fill your senses and heart with happiness and gratitude. This hand-poured candle is filled with the finest ingredients of soy and coco wax, which provide an even, clean 18-hour burn and an enhanced aromatherapy experience. With a compact size and lid, it is ideal for use in smaller spaces or as a travel candle.

Read more less

Two missing persons. One apparent suicide. Three cases pushing PI Jessie Cole and crime reporter Ben Morrison closer to the edge. Lacey Geiger could be a very rich woman. If Jessie Cole can find her. The beneficiary of a sizable estate, Lacey vanished years ago after escaping an abusive childhood and is veiled now behind a new identity. Jessie has two weeks to find her. It’s enough time to discover that Lacey is hiding from so much more than anyone realized. But she isn’t the only one with secrets. And Jessie’s not the only one searching for the truth. A concerned daughter has asked for help finding her mother—a woman said to have been murdered thirty years ago. And Jessie’s colleague Ben, an amnesiac still struggling with the bloody memories of a shattered life, is nearer to piecing together a very dark picture. Especially when someone he detests is found dead, hanging from a tree by a riverbank. Now as the mysteries, puzzles, and lies of three investigations are unearthed, Jessie and Ben will risk everything to bring all that is hidden into the light.

Read more less

Birth is one of the most fraught and polarized issues of our time, at the center of debates on abortion, gender, work, and medicine. But birth is not solely an issue; it is a fundamental part of the human condition, and, alongside death, the most consequential event in human life. Yet it remains dramatically unexplored. Although we have long intellectual traditions of wrestling with mortality, few have ever heard of natality, the term political theorist Hannah Arendt used to describe birth’s active role in our lives. In this ambitious, revelatory book, Jennifer Banks begins with Arendt’s definition of natality as the “miracle that saves the world” to develop an expansive framework for birth’s philosophical, political, spiritual, and aesthetic significance. Banks focuses on seven renowned western thinkers—Arendt, Friedrich Nietzsche, Mary Wollstonecraft, Mary Shelley, Sojourner Truth, Adrienne Rich, and Toni Morrison—to reveal a provocative countertradition of birth. She narrates these writers’ own experiences alongside the generative ways they contended with natality in their work. Passionately intelligent and wide-ranging, Natality invites readers to attend to birth as a challenging and life-affirming reminder of our shared humanity and our capacity for creative renewal.

Read more less

A radical defense of a solitary life What single person hasn't suffered? Everyone, it seems, must be (or must want to be) in a couple. To exist outside of the couple is to assume an antisocial position that is ruthlessly discouraged because being in a couple is the way most people bind themselves to the social. Singles might just be the single most reviled sexual minorities today. Single: Arguments for the Uncoupled offers a polemic account of this supremacy of the couple form, and how that supremacy blocks our understanding of the single. Michael Cobb reads the figurative language surrounding singleness as it traverses an eclectic set of literary, cultural, philosophical, psychoanalytical, and popular culture objects from Plato, Freud, Ralph Ellison, Herman Melville, Virginia Woolf, Barack Obama, Emily Dickinson, Morrissey, Georgia O'Keeffe, and Hannah Arendt to the Bible, Sex and the City, Bridget Jones' Diary, Beyoncé's “Single Ladies (Put a Ring On It),” and HBO's Big Love. Within these flights of fancy, poetry, fiction, strange moments in film and video, paintings made in the desert, bits of song, and memoirs of hiking in national parks, Cobb offers an inspired, eloquent rumination on the single, which is guaranteed to spark conversation and consideration.

Read more less

A radical defense of a solitary life What single person hasn't suffered? Everyone, it seems, must be (or must want to be) in a couple. To exist outside of the couple is to assume an antisocial position that is ruthlessly discouraged because being in a couple is the way most people bind themselves to the social. Singles might just be the single most reviled sexual minorities today. Single: Arguments for the Uncoupled offers a polemic account of this supremacy of the couple form, and how that supremacy blocks our understanding of the single. Michael Cobb reads the figurative language surrounding singleness as it traverses an eclectic set of literary, cultural, philosophical, psychoanalytical, and popular culture objects from Plato, Freud, Ralph Ellison, Herman Melville, Virginia Woolf, Barack Obama, Emily Dickinson, Morrissey, Georgia O'Keeffe, and Hannah Arendt to the Bible, Sex and the City, Bridget Jones' Diary, Beyoncé's “Single Ladies (Put a Ring On It),” and HBO's Big Love. Within these flights of fancy, poetry, fiction, strange moments in film and video, paintings made in the desert, bits of song, and memoirs of hiking in national parks, Cobb offers an inspired, eloquent rumination on the single, which is guaranteed to spark conversation and consideration.

Read more less

The first in-depth biography of one of music's most fascinating, colourful and innovative characters. This book is the most comprehensive history yet of the life, music and cultural significance of the last of the great black music pioneers and the era which spawned him. Clinton stands alongside James Brown, Jimi Hendrix and Sly Stone as one of the most influential black artists of all time who, along with his vast P-Funk army took black funk into the US charts and sold out stadiums by the mid 1970s with his mind-blowing shows and legendary Mothership extravaganzas. The book contains first hand interview material with Clinton, Bootsy Collins, Jerome "Bigfoot" Brailey, Junie Morrison, Bobby Gillespie, Afrika Bambaataa, Jalal Nuriddin (Last Poets), Juan Atkins, John Sinclair, Rob Tyner (MC5), Ed Sanders (The Fugs), Chip Monck ("The Voice of Woodstock") plus other P-Funk associates and friends. The book presents an insiders' view of the rise of Parliament and Funkadelic from the doowop era and LSD-crazed early shows through to P-Funk's huge rise, the era of the Mothership and beyond.

Read more less

A FINALIST FOR THE 2022 PULITZER PRIZE FOR FICTIONPalmares hails the return of a major voice in literature - 'the best American novelist whose name you may not know' (Atlantic). Gayl Jones was first discovered and edited by Toni Morrison, and her talent was praised by writers including Maya Angelou, James Baldwin and John Updike. After a handful of acclaimed novels, she withdrew from the publishing world. Now Jones returns with her first new novel in over two decades.AN EPIC TALE OF LOVE AND LIBERATION SET IN SEVENTEENTH-CENTURY COLONIAL BRAZILFrom plantation to plantation, Almeyda, a young slave girl, hears whispers, rumours of Palmares, a hidden settlement where fugitive slaves live free. But can this promised land exist? And what price is paid for 'freedom'?In Palmares, Gayl Jones brings to life a world full of unforgettable characters, reimagining extraordinary historical events and combining them with mythology and magic. The result is a sweeping saga spanning a quarter of a century. Of Gayl Jones, the New Yorker noted, '[Her] great achievement is to reckon with both history and interiority, and to collapse the boundary between them.' Like nothing else before it, Palmares embodies this gift.

Read more less

A rare look at the life and music of renowned Russian composer Nikolai Rimsky-KorsakovDuring his lifetime, Nikolai Rimsky-Korsakov (1844–1908) was a composer whose work had great influence not only in his native Russia but also internationally. While he remains well-known in Russia—where many of his fifteen operas and various orchestral pieces are still in the standard repertoire—very little of his work is performed in the West today beyond Scheherezade and arrangements of The Flight of the Bumblebee. In Western writings, he appears mainly in the context of the Mighty Handful, a group of five Russian composers to which he belonged at the outset of his career. Rimsky-Korsakov and His World finally gives the composer center stage and due attention.In this collection, Rimsky-Korsakov’s major operas, The Snow Maiden, Mozart and Salieri, and The Golden Cockerel, receive multifaceted exploration and are carefully contextualized within the wider Russian culture of the era. The discussion of these operas is accompanied and enriched by the composer’s letters to Nadezhda Zabela, the distinguished soprano for whom he wrote several leading roles. Other essays look at more general aspects of Rimsky-Korsakov’s work and examine his far-reaching legacy as a professor of composition and orchestration, including his impact on his most famous pupil Igor Stravinsky.The contributors are Lidia Ader, Leon Botstein, Emily Frey, Marina Frolova-Walker, Adalyat Issiyeva, Simon Morrison, Anna Nisnevich, Olga Panteleeva, and Yaroslav Timofeev.The Bard Music FestivalBard Music Festival 2018Rimsky-Korsakov and His WorldBard CollegeAugust 10–12 and August 17–19, 2018

Read more less

A rare look at the life and music of renowned Russian composer Nikolai Rimsky-KorsakovDuring his lifetime, Nikolai Rimsky-Korsakov (1844–1908) was a composer whose work had great influence not only in his native Russia but also internationally. While he remains well-known in Russia—where many of his fifteen operas and various orchestral pieces are still in the standard repertoire—very little of his work is performed in the West today beyond Scheherezade and arrangements of The Flight of the Bumblebee. In Western writings, he appears mainly in the context of the Mighty Handful, a group of five Russian composers to which he belonged at the outset of his career. Rimsky-Korsakov and His World finally gives the composer center stage and due attention.In this collection, Rimsky-Korsakov’s major operas, The Snow Maiden, Mozart and Salieri, and The Golden Cockerel, receive multifaceted exploration and are carefully contextualized within the wider Russian culture of the era. The discussion of these operas is accompanied and enriched by the composer’s letters to Nadezhda Zabela, the distinguished soprano for whom he wrote several leading roles. Other essays look at more general aspects of Rimsky-Korsakov’s work and examine his far-reaching legacy as a professor of composition and orchestration, including his impact on his most famous pupil Igor Stravinsky.The contributors are Lidia Ader, Leon Botstein, Emily Frey, Marina Frolova-Walker, Adalyat Issiyeva, Simon Morrison, Anna Nisnevich, Olga Panteleeva, and Yaroslav Timofeev.The Bard Music FestivalBard Music Festival 2018Rimsky-Korsakov and His WorldBard CollegeAugust 10–12 and August 17–19, 2018

Read more less

Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, decor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.

Read more less

Contributions by Simone A. Alexander, José Felipe Alvergue, Valerie Babb, Pamela Bordelon, Taylor Hagood, Joyce Marie Jackson, Delia Malia Konzett, Jane Landers, John Wharton Lowe, Gary Monroe, Noelle Morrissette, Paul Ortiz, Lyrae Van Clef-Stefanon, Genevieve West, and Belinda Wheeler The state of Florida has a rich literary and cultural history, which has been greatly shaped by many different ethnicities, races, and cultures that call the Sunshine State home. Little attention has been paid, however, to the key role of African Americans in Floridian history and culture. The state’s early population boom came from immigrants from the US South, and many of them were African Americans. Interaction between the state’s ethnic communities has created a unique and vibrant culture, which has had, and continues to have, a significant impact on southern, national, and hemispheric life and history. Black Hibiscus: African Americans and the Florida Imaginary begins by exploring Florida’s colonial past, focusing particularly on interactions between maroons who escaped enslavement, and on Albery Whitman’s The Rape of Florida, which also links Black people and Native Americans. Contributors consider film, folklore, and music, as well as such key Black writers as Zora Neale Hurston, James Weldon Johnson, Gwendolyn Bennett, Colson Whitehead, and Edwidge Danticat. The volume features Black Floridians’ role in the civil rights movement and Black contributions to the celebrated Florida Writers’ Project. Contributors include literary scholars, historians, film critics, art historians, anthropologists, musicologists, political scientists, artists, and poets.

Read more less

The New York Times bestselling Cork O’Connor Mystery Series returns with this “genuinely thrilling and atmospheric novel” (The New York Times Book Review) as Cork races against time to save his wife, a mysterious stranger, and an Ojibwe healer from bloodthirsty mercenaries. The ancient Ojibwe healer Henry Meloux has had a vision of his death. As he walks the Northwoods in solitude, he tries to prepare himself peacefully for the end of his long life. But peace is destined to elude him as hunters fill the woods seeking a woman named Dolores Morriseau, a stranger who had come to the healer for shelter and the gift of his wisdom. Meloux guides this stranger and his great niece, Cork O’Connor’s wife, to safety deep into the Boundary Waters, his home for more than a century. On the last journey he may ever take into this beloved land, Meloux must do his best to outwit the deadly mercenaries who follow. Meanwhile, in Aurora, Cork works feverishly to identify the hunters and the reason for their relentless pursuit, but he has little to go on. Desperate, Cork begins tracking the killers but his own skills as a hunter are severely tested by nightfall and a late season snowstorm. He knows only too well that with each passing hour time is running out. But his fiercest enemy in this deadly game of cat and mouse may well be his own deep self-doubt about his ability to save those he loves. New and longtime “fans will be enthralled” (Publishers Weekly, starred review) by this gripping and richly told addition to a masterful series.

Read more less

How Latinx artists engage in sonic subcultures to reject neoliberal definitions of belonging What is the connection between the British rock star Morrissey and the Latinx culture of transnational “unbelonging”? What is the relevance of “dyke chords” in Chicana feminist punk and lesbian dissolution? In what ways can dissonant sounds challenge systems of dominance? Unbelonging answers these questions and more through an exploration into Mexican and US-based Latinx artists’, writers’, and creators’ use of the discordant sounds of punk, metal, and rock to give voice to the aesthetic of “unbelonging,” a rejection of consumerist and nationalist mentalities. Iván A. Ramos argues that racial identity and belonging have historically required legible forms of performance. Sound has been the primary medium that amplifies and is used to assign cultural citizenship and, for Latinx individuals, legibility is essential to music perceived as traditional and authentic to their national origins. In the context of twentieth-century neoliberal policies, which cemented the concept of “citizen” within logics of consumerism and capitalism, Ramos turns to focus on Latinx artists, writers, and audiences, who produce experimental and often “inauthentic” performances and installations in sonic subcultures to reject new definitions of economic citizenship. Organized around studies of a number of artists, all whom are explored through the methodological frameworks of sound studies, performance studies, and queer theory, Unbelonging unearths how their very different genres of music share a unifying theme of dissonance. With the backdrop of neoliberalism’s attempt to define citizenship in relation to economic and cultural legibility, Unbelonging offers an urgent analysis of how these oft-overlooked queer and feminist performers and fans used sonic illegibility to challenge gender norms, official definitions of citizenship, and narratives of assimilation. Ultimately, these forms of inauthenticity move beyond negation and become ways to imagine alternative realities.

Read more less

A selection of essential writings to understand the radical feminism movement of the 1960s and 1970s The second wave of feminism was one of the most significant political and cultural developments of the 1960s and 1970s. Yet the role radical feminism played within the women's movement remains hotly contested. For some, radical feminism has made a lasting contribution to our understanding of male privilege, and the ways the power imbalance between men and women affects the everyday fabric of women's lives. For others, radical feminism represents a reflexive hostility toward men, sex, and heterosexuality, and thus is best ignored or forgotten. Rather than have the movement be interpreted by others, Radical Feminism permits the original work of radical feminists to speak for itself. Comprised of pivotal documents written by U.S. radical feminists in the 1960s and 1970s, Radical Feminism combines both unpublished and previously published manifestos, position papers, minutes of meetings, and newsletters essential to an understanding of radical feminism. Consisting of documents unavailable to the general public, and others in danger of being lost altogether, this panoramic collection is organized around the key issues of sex and sexuality, race, children, lesbianism, separatism, and class. Barbara A. Crow rescues the groundbreaking original work of such groups as The Furies, Redstockings, Cell 16, and the Women's Liberation Movement. Contributors include Kate Millet, Susan Brownmiller, Shulamith Firestone, Rosalyn Baxandall, Toni Morrison, Ellen Willis, Anne Koett, and Vivan Gornick. Gathered for the first time in one volume, these primary sources of radical feminism fill a major gap in the literature on feminism and feminist thought. Radical Feminism is an indispensable resource for future generations of feminists, scholars, and activists.

Read more less

Black Venus is a feminist study of the representations of black women in the literary, cultural, and scientific imagination of nineteenth-century France. Employing psychoanalysis, feminist film theory, and the critical race theory articulated in the works of Frantz Fanon and Toni Morrison, T. Denean Sharpley-Whiting argues that black women historically invoked both desire and primal fear in French men. By inspiring repulsion, attraction, and anxiety, they gave rise in the nineteenth-century French male imagination to the primitive narrative of Black Venus.The book opens with an exploration of scientific discourse on black females, using Sarah Bartmann, the so-called Hottentot Venus, and natural scientist Georges Cuvier as points of departure. To further show how the image of a savage was projected onto the bodies of black women, Sharpley-Whiting moves into popular culture with an analysis of an 1814 vaudeville caricature of Bartmann, then shifts onto the terrain of canonical French literature and colonial cinema, exploring the representation of black women by Baudelaire, Balzac, Zola, Maupassant, and Loti. After venturing into twentieth-century film with an analysis of Josephine Baker’s popular Princesse Tam Tam, the study concludes with a discussion of how black Francophone women writers and activists countered stereotypical representations of black female bodies during this period. A first-time translation of the vaudeville show The Hottentot Venus, or Hatred of Frenchwomen supplements this critique of the French male gaze of the nineteenth and early twentieth centuries.Both intellectually rigorous and culturally intriguing, this study will appeal to students and scholars in the fields of nineteenth- and twentieth-century French literature, feminist and gender studies, black studies, and cultural studies.

Read more less

A biting, funny, up-to-the-minute collection of essays by a major political thinker that gets to the heart of what feminist criticism can do in the face of everyday politics. Stormy Daniels offered a #metoo moment, and Anderson Cooper missed it. Conservatives don’t believe that gender is fluid, except when they’re feminizing James Comey. “Gaslighting” is our word for male domination but a gaslight also lights the way for a woman’s survival. Across two dozen trenchant, witty reflections, Bonnie Honig offers a biting feminist account of politics since Trump. In today’s shock politics, Honig traces the continuing work of patriarchy, as powerful, mediocre men gaslight their way across the landscape of democratic institutions. But amid the plundering and patriarchy, feminist criticism finds ways to demand justice. Shell-Shocked shows how women have talked back, acted out, and built anew, exposing the practices and policies of feminization that have historically been aimed not just at women but also at racial and ethnic minorities. The task of feminist criticism—and this is what makes it particularly well-suited to this moment—is to respond to shock politics by resensitizing us to its injustices and honing the empathy needed for living with others in the world as equals. Feminist criticism’s penchant for the particular and the idiosyncratic is part of its power. It is drawn to the loose threads of psychological and collective life, not to the well-worn fabrics with which communities and nations hide their shortcomings and deflect critical scrutiny of their injustices. Taking literary models such as Homer’s Penelope and Toni Morrison’s Cee, Honig draws out the loose threads from the fabric of shock politics’ domination and begins unraveling them. Honig’s damning, funny, and razor sharp essays take on popular culture, national politics, and political theory alike as texts for resensitizing through a feminist lens. Here are insightful readings of film and television, from Gaslight to Bombshell, Unbelievable to Stranger Things, Rambo to the Kavanaugh hearings. In seeking out the details that might break the spell of shock, this groundbreaking book illustrates alternative ways of living and writing in a time of public violence, plunder, and—hopefully—democratic renewal.

Read more less

The Female Complaint is part of Lauren Berlant’s groundbreaking “national sentimentality” project charting the emergence of the U.S. political sphere as an affective space of attachment and identification. In this book, Berlant chronicles the origins and conventions of the first mass-cultural “intimate public” in the United States, a “women’s culture” distinguished by a view that women inevitably have something in common and are in need of a conversation that feels intimate and revelatory. As Berlant explains, “women’s” books, films, and television shows enact a fantasy that a woman’s life is not just her own, but an experience understood by other women, no matter how dissimilar they are. The commodified genres of intimacy, such as “chick lit,” circulate among strangers, enabling insider self-help talk to flourish in an intimate public. Sentimentality and complaint are central to this commercial convention of critique; their relation to the political realm is ambivalent, as politics seems both to threaten sentimental values and to provide certain opportunities for their extension. Pairing literary criticism and historical analysis, Berlant explores the territory of this intimate public sphere through close readings of U.S. women’s literary works and their stage and film adaptations. Her interpretation of Uncle Tom’s Cabin and its literary descendants reaches from Harriet Beecher Stowe to Toni Morrison’s Beloved, touching on Shirley Temple, James Baldwin, and The Bridges of Madison County along the way. Berlant illuminates different permutations of the women’s intimate public through her readings of Edna Ferber’s Show Boat; Fannie Hurst’s Imitation of Life; Olive Higgins Prouty’s feminist melodrama Now, Voyager; Dorothy Parker’s poetry, prose, and Academy Award–winning screenplay for A Star Is Born; the Fay Weldon novel and Roseanne Barr film The Life and Loves of a She-Devil; and the queer, avant-garde film Showboat 1988–The Remake. The Female Complaint is a major contribution from a leading Americanist.

Read more less

Exploring how the figure of the “wild child” in contemporary fiction grapples with contemporary cultural anxieties about reproductive ethics and the future of humanity In the eighteenth century, Western philosophy positioned the figure of “the child” at the border between untamed nature and rational adulthood. Contemporary cultural anxieties about the ethics and politics of reproductive choice and the crisis of parental responsibility have freighted this liminal figure with new meaning in twenty-first-century narratives.In Wild Child, Naomi Morgenstern explores depictions of children and their adult caregivers in extreme situations—ranging from the violence of slavery and sexual captivity to accidental death, mass murder, torture, and global apocalypse—in such works as Toni Morrison’s A Mercy, Cormac McCarthy’s The Road, Lionel Shriver’s We Need to Talk about Kevin, Emma Donoghue’s Room, and Denis Villeneuve’s film Prisoners. Morgenstern shows how, in such narratives, “wild” children function as symptoms of new ethical crises and existential fears raised by transformations in the technology and politics of reproduction and by increased ethical questions about the very decision to reproduce. In the face of an uncertain future that no longer confirms the confidence of patriarchal humanism, such narratives displace or project present-day apprehensions about maternal sacrifice and paternal protection onto the wildness of children in a series of hyperbolically violent scenes.Urgent and engaging, Wild Child offers the only extended consideration of how twenty-first-century fiction has begun to imagine the decision to reproduce and the ethical challenges of posthumanist parenting.

Read more less

Benjamin Morrison is about to start junior year of high school and while his family is challenging, he is pretty content with his life, with his two best friends, and being a part of the robotics club. Until an experiment at science camp has completely unexpected consequences. He is going to be a father. Something his mother was not expecting after he came out as gay and she certainly wasn’t expecting that he would want to raise the baby as a single father. But together they come up with a plan to prepare Ben for fatherhood and fight for his rights. The weight of Ben’s decision presses down on him. He’s always tired, his grades fall, and tension rises between his mum and stepfather. He’s letting down his friends in the robotics club whose future hinges on his expertise. If it wasn’t for his renewed friendship (and maybe more) with a boy from his past, he wouldn’t be able to face the daily ridicule at school or the crumbling relationship with his best friends. With every new challenge, every new sacrifice he has to make, Ben questions his choice. He’s lived with a void in his heart where a father’s presence should have been, and the fear of putting his own child through that keeps him clinging to his decision. When the baby might be in danger, Ben’s faced with a heart-wrenching realisation: sometimes being a parent means making the hard choices even if they are the choices you don't want to make...

Read more less

In this brilliantly combative study, Robyn Wiegman challenges contemporary clichés about race and gender, a formulation that is itself a cliché in need of questioning. As part of what she calls her "feminist disloyalty," she turns a critical, even skeptical, eye on current debates about multiculturalism and "difference" while simultaneously exposing the many ways in which white racial supremacy has been reconfigured since the institutional demise of segregation. Most of all, she examines the hypocrisy and contradictoriness of over a century of narratives that posit Anglo-Americans as heroic agents of racism’s decline. Whether assessing Uncle Tom’s Cabin, lynching, Leslie Fiedler’s racialist mapping of the American novel, the Black Power movement of the 60s, 80s buddy films, or the novels of Richard Wright and Toni Morrison, Wiegman unflinchingly confronts the paradoxes of both racism and antiracist agendas, including those advanced from a feminist perspective. American Anatomies takes the long view: What epistemological frameworks allowed the West, from the Renaissance forward, to schematize racial and gender differences and to create social hierarchies based on these differences? How have those epistemological regimes changed—and not changed—over time? Where are we now? With painstaking care, political passion, and intellectual daring, Wiegman analyzes the biological and cultural bases of racial and gender bias in order to reinvigorate the discussion of identity politics. She concludes that, for very different reasons, identity proves to be dangerous to minority and majority alike.

Read more less