Search results for ""Author Jacob"

This volume in the highly-regarded "Research in the Sociology of Health Care" series, deals with both macro-level system issues and micro-level issues involving access to care, factors that impact access, patients as partners in care and changing roles of health providers. It includes: an examination of factors that impact access to care such as racial/ethnic, social, demographic and structural sources, a discussion of changing patterns of care and changing patterns of interaction between patients and providers of care, and an investigation of changing roles of health care providers within the health care delivery system. Key contributions focus on linkages to policy, population concerns and patients and/or providers of care as ways to meet health care needs of people both in the US and in other countries. This volume relates to issues of consumers of health care services, providers of such services and policy perspectives. It also raises issues of the availability of services, access to those services, quality of services and the role of government in services provision.

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This volume deals with the topic of health inequalities and health disparities. The volume is divided into five sections. The first section includes an introductory look at the issue of health care inequalities and disparities and also an introduction to the volume. One of the backdrops to this topic in the United States was The National Healthcare Disparities Report and its focus on the ability of Americans to access health care and variation in the quality of care. Disparities related to socioeconomic status were included, as were disparities linked to race and ethnicity and the report also tried to explore the relationship between race/ethnicity and socioeconomic position, as explained in more detail in the first article in the book. The second article discusses a newer overall approach to issues related to health inequalities and health disparities. The remaining four sections of the book address more specific topics relating to inequalities and disparities. The second section examines racial and ethnic inequalities and disparities. The third section includes articles that address the issue from the perspective of research about health care providers and health care facilities. The last two sections of the book focus on consumers and topics of health care disparities, with Section 4 focused on issues related to substance abuse, mental health and related concerns. Section 5 includes articles looking at issues of vulnerable women, women with breast cancer and people with colorectal cancer. "Inequalities and Disparities in Health Care and Health" is important reading for medical sociologists and people working in other social science disciplines studying health-related issues. The volume also provides vital information for health services researchers, policy analysts and public health researchers. The chapters focus on the topics of health inequalities and health disparities. The book is essential for medical sociologists and others in social science industries studying health-related issues.

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The world is burning. Rume is under attck. The Autumn Lords, rulers of the Tchinee empire, have had their true nature revealed. The Emperor descends into madness. And Fisk and Shoe - unlikely heroes, very likely mercenaries - must find their way to Fisk's wife and child, who he has never seen.There might be quite a lot in their way. A war, for one thing. But Livia is as determined as Fisk to be reunited. And Shoe may have a plan...

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Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. Yet, despite being icons of corporate identity, studios have faded into the background of critical discourse and into the margins of film and media history. In response, In the Studio demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the dynamics that quietly mark the worlds on our screens. Spanning the twentieth century and moving globally, this unique collection tells new stories about studio icons—Pinewood, Cinecittà, Churubusco, and CBS—as well as about the experimental workplaces of filmmakers and artists from Aleksandr Medvedkin to Charles and Ray Eames and Hollis Frampton.

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The true story of the first Black team to win an Ontario Baseball Amateur Association championship. The pride of Chatham’s East End, the Coloured All-Stars broke the colour barrier in baseball more than a decade before Jackie Robinson did the same in the Major Leagues. Fielding a team of the best Black baseball players from across southwestern Ontario and Michigan, theirs is a story that could only have happened in this particular time and place: during the depths of the Great Depression, in a small industrial town a short distance from the American border, home to one of the most vibrant Black communities in Canada.Drawing heavily on scrapbooks, newspaper accounts, and oral histories from members of the team and their families, 1934: The Chatham Coloured All-Stars’ Barrier-Breaking Year shines a light on a largely overlooked chapter of Black baseball. But more than this, 1934 is the story of one group of men who fought for the respect that was too often denied them.Rich in detail, full of the sounds and textures of a time long past, 1934 introduces the All-Stars’ unforgettable players and captures their winning season, so that it almost feels like you’re sitting there in Stirling Park’s grandstands, cheering on the team from Chatham.

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While the story of the reintegration of professional football in 1946 after World War II is a topic that has been covered, there is a little-known aspect of this integration that has not been fully explored.After World War II and up until the mid- to late 1960s, professional football teams scheduled numerous preseason games in the South. Once African American players started dotting the rosters of these teams, they had to face Jim Crow conditions. Early on, black players were barred from playing in some cities. Most encountered segregated accommodations when they stayed in the South. And when African Americans in these southern cities came to see their favorite black players perform, they were relegated to segregated seating conditions.To add to the challenges these African American players and fans endured, professional football gradually started placing franchises in still-segregated cities as early as 1937, culminating with the new AFL placing franchises in Dallas and Houston in 1960. That same year, the NFL followed suit by placing a franchise in Dallas. Now, instead of just visiting a southern city for a day or so to play an exhibition game, African American players that were on the rosters of these southern teams had to live in these still segregated cities. Many of these players, being from the North or West Coast, had never dealt with de jure or even de facto Jim Crow laws.Early on, if these African American players didn’t “toe the line” or fought back (via contract disputes, interracial relationships, requesting better living accommodations in the South, protesting segregated seating, etc.), they were traded, cut, and even blackballed from the league. Eventually, though, as the civil rights movement gained steam in the 1950s and 1960s, African American players were able to protest the conditions in the South with success. Much of what happened in professional football during this time period coincided with or mirrored events in America and the civil rights movement.

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A chronological portfolio of the 333 best designs that became available to homes across the globe thanks to the advent of mass production. This collection demonstrates how by the middle of the 20th century production had increased worldwide and manufacturers became conscious of the concept of good design for all. From Lego bricks and the Frisbee to door handles and sewing machines, chairs, tables, scooters and airplanes these classics have a timeless quality and have barely changed since their invention. Each object is accompanied by a detailed text with precise information about each product, each designer, each manufacturer and their history. It includes designs by Charles and Ray Eames, Jean Prouvé, Arne Jacobsen, Alvar Aalto and Achille Castiglioni among many others.

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This textbook offers an introduction to abelian varieties, a rich topic of central importance to algebraic geometry. The emphasis is on geometric constructions over the complex numbers, notably the construction of important classes of abelian varieties and their algebraic cycles.The book begins with complex tori and their line bundles (theta functions), naturally leading to the definition of abelian varieties. After establishing basic properties, the moduli space of abelian varieties is introduced and studied. The next chapters are devoted to the study of the main examples of abelian varieties: Jacobian varieties, abelian surfaces, Albanese and Picard varieties, Prym varieties, and intermediate Jacobians. Subsequently, the Fourier–Mukai transform is introduced and applied to the study of sheaves, and results on Chow groups and the Hodge conjecture are obtained.This book is suitable for use as the main text for a first course on abelian varieties, for instance as a second graduate course in algebraic geometry. The variety of topics and abundant exercises also make it well suited to reading courses. The book provides an accessible reference, not only for students specializing in algebraic geometry but also in related subjects such as number theory, cryptography, mathematical physics, and integrable systems.

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Across the globe politics as usual are being rejected and faith in neoliberalism is fracturing beyond repair. Leading political theorist Nancy Fraser, in conversation with Jacobin publisher Bhaskar Sunkara, dissects neoliberalism's current crisis and argues that we might wrest new futures from its ruins.The global political, ecological, economic, and social breakdown-symbolized, but not caused, by Trump's election-has destroyed faith that neoliberal capitalism is beneficial to the majority. Fraser explores how this faith was built through the late twentieth century by balancing two central tenets: recognition (who deserves rights) and distribution (who deserves income). When these began to fray, new forms of outsider populist politics emerged on the left and the right. These, Fraser argues, are symptoms of the larger crisis of hegemony for neoliberalism, a moment when, as Gramsci had it, "the old is dying and the new cannot be born."Explored further in an accompanying interview with Jacobin publisher Bhaskar Sunkara, Fraser argues that we now have the opportunity to build progressive populism into an emancipatory social force, one that can claim a new hegemony.

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1612: Matthew Edgworth is a man on the margins, a trickster on the inside and the outside of society. But this hardened rogue is shaken by his encounters with the occult and challenged by his dealings with four powerful women, each of whom in very different ways forces him into a journey of radical self-discovery. Matthew is employed by Viscount Rochester as a spy and a fixer, and to enable his master’s affair with Frances Howard. But a servant with a store of secrets is a dangerous threat. When Frances seems impressed by his unusual skills, Matthew imagines that he can work for them both – until he realises that Frances is as ruthless as he is. But by then he’s trapped in a scandalous intrigue that goes to the heart of the Jacobean court, and he’ll be hanged for murder, unless he can succeed in one final deadly deception. The Invisible Exchange is a dangerous and darkly humorous view from the Jacobean underworld of one of the great scandals of the Jacobean age: Frances Howard’s affair with Viscount Rochester and the strange murder of Sir Thomas Overbury whilst a prisoner in the Tower of London. The evocation of every layer of London life – from its taverns and brothels, gambling dens and prisons to the grand houses and palaces of the court and the aristocracy – is vivid and compelling.

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The chapters in this volume celebrate the fortieth anniversary of the seminal work British Politics in the Age of Anne by looking at how Holmes’s writing has influenced later historians in various fields, including ones not directly addresses by Holmes, such as gender, jacobite and urban history. This volume celebrates the fortieth anniversary of the seminal work British Politics in the Age of Anne by Geoffrey Holmes Demonstrates how Holmes’s writing has influenced later generations of historians in various fields Investigates how this 1967 book was established as a masterpiece of historical research and writing and how it quickly became the accepted interpretation of the politics of the early eighteenth century, replacing previous work based on the methodology of Sir Lewis Namier This new book also shows how topics which Holmes’s only touched upon, such as gender, jacobite and urban history, have also been greatly influenced by his work Also available to buy as part of the Parliamentary History journal package: www.blackwellpublishing.com/parh

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This volume commences with the the books and manuscripts given at the foundation of King's College in 1495, continues with the collections which accrued to Marischal College from its foundation in 1593, and comes together with the fusion of the two colleges in 1860 in the modern University of Aberdeen.From the beginning, the scope and focus of the University was international, and its developing collections represent a microcosm of the world of knowledge as it changed over the centuries. The University Colleges of Aberdeen have a distinct intellectual tradition: pragmatically tolerant in times of persecution; dissident from the religious and political policies of the Lowlands; looking outwards to the world of northern Europe and to the territories of the Jacobite diaspora.The book introduces one of the oldest continually-evolving academic library collections of the Anglophone world, surveys its history and includes a series of studies of items or collections of particular interest.

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In early 1618, Anne Cecil (nee Lake), Lady Roos, accused Frances Cecil, countess of Exeter, of having committed adultery and incest with her husband, the countess's step grandson, William Cecil, Lord Roos. The countess had attempted to poison her twice, first with a poisoned enema, and later with a poisoned syrup of roses. With the help of the countess, Lord Roos secretively fled England for Catholic Italy, leaving his wife and family behind. Now, the murderous countess was again planning to poison Lady Roos, and perhaps also her father, Sir Thomas Lake, the king's Secretary of State. The countess vehemently denied these sensational charges, fell on her knees before the king, and asked for justice and restoration of her damaged honour. The accusations and the countess's defence quickly became a public scandal. The king and council investigated and ordered the matter be solved in the Court of Star Chamber. The Lake and Cecil families promptly sued and counter-sued each other for slander. The trials attracted much attention, not least because Lake's position as Secretary hung in the balance, and because King James decided to emulate the Biblical King Solomon and sit as a judge himself. While the feud and entangled scandals make for sensational reading, they also offer unexplored windows into the culture, society, and politics of Jacobean England. These were events with resounding reverberations and profound impacts on the Jacobean court, involving both its domestic and foreign spheres. Here Johanna Luthman scrutinises the scandals in detail for the first time. Employing a diverse range of methodologies and critical lenses, including those from the history of medicine and gender, and an analysis of several court cases that have not yet been studied, Luthman demonstrates the importance of incorporating the history of these scandals into an understanding of complex and fraught world of the court of King James VI. In so doing, the book offers new perspectives from which to understand the period, and will be necessary reading for all those interested in Jacobean history, as well as the history of gender, family, medicine, and scandal more generally.

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Irish troops had fought for Louis XIV in the 1670s, under Irish officers who had little choice but to fight in foreign service, with the blessing of Charles II. With the accession of James II, and the religious politics of who might earn the English crown, they became embroiled in the Jacobite succession crisis, fighting in Ireland, then sent to France under Lord Mountcashel in 1689. With the fall of Limerick in 1691, Patrick Sarsfield led the second 'flight' of 'Wild Geese' to the continent, to fight in a war for the French, against the Grand Alliance of Europe, in the vain hope that their loyalty might warrant French support in a return to Ireland under a Jacobite king. From the Nine Years War, through the War of the Spanish Succession, and beyond, their descendents would be present at Fontenoy, Culloden and in the Americas, forever destined to fight for a cause and land which had changed beyond recognition. D.P.Graham explains the origins of the brigade and its regiments, the personalities who led them and formed their reputation, and the circumstances of their final dissolution in the aftermath of French Revolution.

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Aiden Murray-Navy lieutenant, secret Jacobite, and second-born son to the Duke of Atholl-never expected to inherit his family's title. But when his brother dies suddenly, Aiden is forced to give up his career aspirations and return home. When he arrives, he lays his eyes on a bonny, blue-eyed lass at a masquerade ball and decides he must have her. The illegitimate daughter of the Earl Marischal, Lady Maggie Keith has dedicated her life to helping battered women in the sleepy burgh of Stonehaven. But when her father is accused of treason, Maggie is forced to travel to London. But she is ill equipped to face vindictive courtiers and manipulative nobles, and humiliation threatens to crush her determination.Suddenly finding himself thrust into the responsibilities of a marquess, Aiden's desire to help the lass is thwarted by rifts between Jacobites and government loyalists. When Maggie is wrongly accused of a plot to assassinate the queen, can the ardent warrior of Scotland cast aside his family loyalties and rescue the woman who has stolen his heart?

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The three plays collected in this volume depict the faults, errors and foibles of ordinary people with exuberant humour, savage satire and acute observations. Volpone portrays a rich Venetian who pretends to be dying so that his despised acquaintances will flock to his bedside with extravagant gifts in hope of an inheritance. The Alchemist also deals with greed and gullibility, as a rascally trio of confidence tricksters, claiming to have the legendary Philosopher's Stone, fool a series of victims who are hoping to make some easy money. And in a wonderfully energetic portrait of Jacobean life, Bartholomew Fair shows a diverse group of Londoners sampling the delights and temptations of the Fair - and the traders, prostitutes and cutpurses who set out to exploit them.

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The Dutch Courtesan is a riotous tragicomedy that explores the delights and perils afforded by Jacobean London. While Freevill, an educated young Englishman and the play's nominal hero, frolics in the city's streets, taverns and brothels, Franceschina, his cast-off mistress and the Dutch courtesan of the play's title,laments his betrayal and plots revenge. Juxtaposing Franceschina's vulnerable financial position against the unappealing marital prospects available to gentry women, the play undermines the language of romance, revealing it to be rooted in the commerce and commodification. Marston's commentary on financial insecurity and the hypocritical repudiation of foreignness makes The Dutch Courtesan truly a document for our time.

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Code switching seems to be natural for most multilingual speakers because they can switch from different languages freely depending on what is available in their linguistic repertoire. This collection of studies aims to bring current Malaysian code switching and language alternation research to the attention of a worldwide readership. In so doing we attempt to follow the path taken by our late friend, colleague and mentor, Professor Rodolfo Jacobson. The approach and conceptual framework adopted by the contributors in this volume tends to focus more towards the functional rather than the purely linguistic or grammatical. Research into Malaysian code switching demonstrates the need to seek out ways of merging these approaches, rather than keeping them separate, and several of the chapters in this volume attempt such a merger of approaches and methods.

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This Jacobean city comedy is a curiosity in that it presents a real-life character, the notorious cross-dresser Moll Frith, who probably was among the first audiences of 'her' play before she was taken up for public misconduct. Middleton and Dekker's 'roaring girl' may outrage her society with her pipe, bluster and swagger, but she turns out to be the moral centre of the play. Her code of honour leads her to call the bluff on rogues and conspicuous consumers, to thrash a hypocritical gallant in a duel, and to act as go-between for the young lovers thwarted by parental tyranny. This wry dramatisation of female deviancy exposing male ineffectuality is as much to the point today as it was in King James's England. An appendix helps the modern reader to appreciate the canting terms used by the low-life characters.

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A groundbreaking approach to the problem of realism in Tudor art In Tudor and Jacobean England, visual art was often termed “lively.” This word was used to describe the full range of visual and material culture—from portraits to funeral monuments, book illustrations to tapestry. To a modern viewer, this claim seems perplexing: what could “liveliness” have meant in a culture with seemingly little appreciation for illusionistic naturalism? And in a period supposedly characterised by fear of idolatry, how could “liveliness” have been a good thing? In this wide-ranging and innovative book, Christina Faraday excavates a uniquely Tudor model of vividness: one grounded in rhetorical techniques for creating powerful mental images for audiences. By drawing parallels with the dominant communicative framework of the day, Tudor Liveliness sheds new light on a lost mode of Tudor art criticism and appreciation, revealing how objects across a vast range of genres and contexts were taking part in the same intellectual and aesthetic conversations. By resurrecting a lost model for art theory, Faraday re-enlivens the vivid visual and material culture of Tudor and Jacobean England, recovering its original power to move, impress and delight. Distributed for the Paul Mellon Centre for Studies in British Art

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A central problem in differential geometry is to relate algebraic properties of the Riemann curvature tensor to the underlying geometry of the manifold. The full curvature tensor is in general quite difficult to deal with. This book presents results about the geometric consequences that follow if various natural operators defined in terms of the Riemann curvature tensor (the Jacobi operator, the skew-symmetric curvature operator, the Szabo operator, and higher order generalizations) are assumed to have constant eigenvalues or constant Jordan normal form in the appropriate domains of definition.The book presents algebraic preliminaries and various Schur type problems; deals with the skew-symmetric curvature operator in the real and complex settings and provides the classification of algebraic curvature tensors whose skew-symmetric curvature has constant rank 2 and constant eigenvalues; discusses the Jacobi operator and a higher order generalization and gives a unified treatment of the Osserman conjecture and related questions; and establishes the results from algebraic topology that are necessary for controlling the eigenvalue structures. An extensive bibliography is provided. Results are described in the Riemannian, Lorentzian, and higher signature settings, and many families of examples are displayed.

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Jacobson ha creado un mundo en donde un hombre y una mujer se enamoran a partir de la más absoluta desmemoria de sus respectivos pasados, vinculados tan sólo por una gran catástrofe pasada ?una especie de segundo Holocausto? cuyos detalles desconocen y a la que todo el mundo se refiere comúnmente como Lo que sucedió, si es que sucedió. A diferencia de novelas donde se esboza un terrible futuro totalitario, como las de George Orwell o Aldous Huxley, en la sociedad futura de Jacobson, muy en línea con la nuestra, la tiranía proviene de una blanda imposición de lo normal, de la proliferación del gusto por lo mismo, hasta que toda diferencia queda lentamente abolida.

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The contributors to this text are Grindea (piano), Havas (strings), Tausky (conducting), Nieman (composing), Gruner (voice), Howard (speech), Ben-Or (Alexander Technique), Lehrer (psychology), de Peyer (clarinet) and Jacobsen (tension control). The reprinted text also carries an additional chapter on guitar playing by Joseph O'Connor.

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Towards Lagrangian Mechanics.- Smooth Manifolds.- Lagrangian Mechanics on Manifolds.- Variational Methods: the Action Principle.- Important Special Systems.- Hamilton Equations.- Symplectic Geometry.-  Canonical Transformations.- The Hamilton-Jacobi Theory.-  Integrable Systems and All That.- Introduction to Perturbative Methods.

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'When we read Tolstoy, it feels easy. This is life itself' Howard Jacobson 'No other writer wrote so often, or so imaginatively, about the actual moment of dying' Orlando Figes Tolstoy's stories contain many of the most acutely observed moments in his monumental body of work. This new selection of his shorter works, sensitively translated by the award-winning Boris Dralyuk, showcases the peerless economy with which Tolstoy could render the passions and conflicts of a life. These are works that take us from a self-interested judge's agonising deathbed to the bristling social world of horses in a stable yard, from the joyful vanity of youth to the painful doubts of sickness and old age. With unwavering precision, Tolstoy's eye brings clarity and richness to the simplest materials.

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Whither Quo Vadis? offers an engaging account of how the Roman world and its history are represented in film and the way in which the different adaptations reflect the shifting historical situations and ideological concerns of their own times. Explores five surviving film adaptations – Guazzoni's of 1912; D’Annunzio/Jacoby of 1925; Mervyn LeRoy's of 1951; the Italian TV mini-series of 1985 by Franco Rossi; and Kawalerowicz’s 2001 Polish version Examines how these different versions interpret, select from, and modify the novel and the ancient sources on which it is based Offers an exceptionally clear view of how films have presented ancient Rome and how modern conditions determine its reception Looks at rare and archival material which has not previously received close scholarly attention

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The Nick Hern Books RSC Classics - a series of rarely performed plays from the 16th and 17th centuries, published alongside their resurrection by the Royal Shakespeare Company in Stratford-upon-Avon and the West End. Eastward Ho! is a collaboratively written City Comedy by Ben Jonson, John Marston and George Chapman, which sees true love and virtue triumphing over social-climbing, deception and trickery. Teeming with energy and larger than life characters, Eastward Ho! sees Touchstone, a London goldsmith, preparing to marry off his two daughters. Touchstone's two apprentices lead the wooing until the rakish fop Sir Petronel Flash arrives on the scene. Eastward Ho! was first performed at the Blackfriars Theatre, London, in 1605. This edition of the play is edited with an introduction by Helen Ostovich and preface by Gregory Doran. The plays in the RSC Classics series reflect the diversity of styles, themes and subjects of the Elizabethan and Jacobean stage, and include a 'new' addition to the Shakespeare canon.

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This expanded and updated guide to the buildings of Worcestershire encompasses the entire county, from the dramatic Malvern Hills through the Severn Valley to the fringes of the Cotswolds. Medieval Worcestershire is represented by the fine Gothic cathedral of Worcester, the splendid remains of the abbeys and priories, and the many parish churches with their rich inheritance of Norman work. Timber-framed houses are abundant. But Worcestershire is also a county of red brick and sandstone, with such fine country houses as Jacobean Westwood, Hanbury Hall, Hagley Hall, and Witley Court. Among the towns are Stourport, the only English town created by the canals, the genteel spa resort at Great Malvern, and the leafy New Town at Redditch.

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An illustrated map and guide to the Cotswolds’ most beautiful spots, A Cotswold Garden Companion covers everything from Jacobean gems and classics of the English landscape movement to some of the finest contemporary gardens around today. Readers will meet royal gardeners, car-park gardeners, plant hunters and inveterate collectors, as well as discovering all manner of horticultural highlights, from national collections of walnuts, foxgloves and flowering cherries, to the strawberry beds that inspired William Morris’s fabric designs – not to mention a sprinkling of garden shops and plant nurseries just too good to miss. Presented in an attractive slip case, A Cotswold Garden Companion is clear and easy to use and appealing to art lovers and garden lovers alike.

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________________________________The first book in Diana Gabaldon's LORD JOHN GREY series, set in the same world as her OUTLANDER novelsIt's 1758 and Europe is in turmoil - the Seven Years War is taking hold and London is ripe with deceit. The enigmatic Lord John Grey, a nobleman and high-ranking officer in His Majesty's Army, pursues a clandestine love affair and a deadly family secret. Grey's father, the Duke of Pardloe, shot himself just days before he was to be accused of being a Jacobite traitor. Now, seventeen years on, the family name has been redeemed; but an impending marriage revives the scandal. Lord John knows that as Whitehall whispers, rumours all too often lead their victims to the wails of Newgate prison - and to the gallows. From barracks and parade-grounds to the bloody battlefields of Prussia, Grey faces danger and forbidden passions in his search for the truth. But it is in the stony fells of the Lake District that he finds the man who may hold the key to his quest: the enigmatic Jacobite prisoner Jamie Fraser. Eighteenth-century Europe is brought startlingly to life in this compelling adventure mystery.

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This study examines how Henrik Ibsen, August Stringberg and J.P. Jacobsen struggled with the classical themes of myth and religion, and the modern concepts of Freud and Darwin. The reconciliation of these counterpoints in their work forms the focus of this analysis.

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Volume II provides an advanced approach to the extended gibonacci family, which includes Fibonacci, Lucas, Pell, Pell-Lucas, Jacobsthal, Jacobsthal-Lucas, Vieta, Vieta-Lucas, and Chebyshev polynomials of both kinds. This volume offers a uniquely unified, extensive, and historical approach that will appeal to both students and professional mathematicians. As in Volume I, Volume II focuses on problem-solving techniques such as pattern recognition; conjecturing; proof-techniques, and applications. It offers a wealth of delightful opportunities to explore and experiment, as well as plentiful material for group discussions, seminars, presentations, and collaboration.In addition, the material covered in this book promotes intellectual curiosity, creativity, and ingenuity. Volume II features: A wealth of examples, applications, and exercises of varying degrees of difficulty and sophistication. Numerous combinatorial and graph-theoretic proofs and techniques. A uniquely thorough discussion of gibonacci subfamilies, and the fascinating relationships that link them. Examples of the beauty, power, and ubiquity of the extended gibonacci family. An introduction to tribonacci polynomials and numbers, and their combinatorial and graph-theoretic models. Abbreviated solutions provided for all odd-numbered exercises. Extensive references for further study. This volume will be a valuable resource for upper-level undergraduates and graduate students, as well as for independent study projects, undergraduate and graduate theses. It is the most comprehensive work available, a welcome addition for gibonacci enthusiasts in computer science, electrical engineering, and physics, as well as for creative and curious amateurs.

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An outstanding roster of higher education scholars and practitioners come together to offer latest expertise on strategic and operational planning with emphasis on the importance of contextual planning?that is planning based in the unique circumstances and environment of each individual institution--as the only planning approach that will yield successful results. The contributors include: Paul T. Brinkman, Ellen Earle Chaffee, Burton R. Clark, David William Cohen, Eric L. Dey, David D. Dill, Elaine El-Khawas, Rhonda Martin Epper, Peter T. Ewell, Ira Fink, Dorothy E. Finnegan, Fred J. Galloway, Harvey A. Goldstein, William H. Graves, Patricia J. Gumport, Raymond M. Haas, Terry W. Hartle, Robert G. Henshaw, Richard B. Heydinger, Sylvia Hurtado, Sarah Williams Jacobson, Dennis P. Jones, George Keller, R. Sam Larson, Bruce A. Loessin, Michael I. Luger, Theodore J. Marchese, Lisa A. Mets, James R. Mingle, Anthony W. Morgan, James L. Morrison, Anna Neumann, John L. Oberlin, Anne S. Parker, Marvin W. Peterson, Brian Pusser, Frans van Vught, and Ian Wilson.

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Shakespeare's Theater: A Sourcebook brings together in one volume the most significant Elizabethan and Jacobean texts on the morality of the theater. A collection of the most significant Elizabethan and Jacobean texts on the morality of the theater. Includes attacks on the stage by moralists, defences by actors and playwrights, letters by magistrates, mayors and aldermen of London, and extracts from legislation. Demonstrates just how heated debates about the theater became in the late sixteenth and early seventeenth centuries. A general introduction and short prefaces to each piece situate the writers and debates in the literary, social, political and religious history of the time. Brings together in one volume texts that would otherwise be hard to locate. Student-friendly - uses modern spelling and includes vocabulary glosses and annotation.

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A special release marking the 50th anniversary of the first TV appearance of the Master in January 1971. The Master's finally done it. He's won. He summons his other selves to a celebration of his ultimate victory. And they come - from across time and dimensions. But he's forgotten to invite someone. And Missy's not happy. Has the Master really conquered the universe? Or has something more awful been unleashed? Something that even all the Masters cannot stop? Missy is determined to reveal the truth. Because one fact about the Master's existence never changes. No-one can trust the Master. Not even the Master. Cast: Geoffrey Beevers (The Master), Mark Gatiss (The Master), Derek Jacobi (The Master), Alex Macqueen (The Master), Milo Parker (The Master), Eric Roberts (The Master), John Simm (The Master), Michelle Gomez (Missy), Jon Culshaw (Kamelion), Katy Manning (Jo Grant), Aurora Burghart (Achim/Carola), Zaqi Ismail (Sardo), Abigail McKern (Kitty), Glen McCready (Butler/Castellan/Drones), Gina McKee (The Lumiat). Other parts played by members of the cast.

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At this stalled and disillusioned juncture in postcolonial history—when many anticolonial utopias have withered into a morass of exhaustion, corruption, and authoritarianism—David Scott argues the need to reconceptualize the past in order to reimagine a more usable future. He describes how, prior to independence, anticolonialists narrated the transition from colonialism to postcolonialism as romance—as a story of overcoming and vindication, of salvation and redemption. Scott contends that postcolonial scholarship assumes the same trajectory, and that this imposes conceptual limitations. He suggests that tragedy may be a more useful narrative frame than romance. In tragedy, the future does not appear as an uninterrupted movement forward, but instead as a slow and sometimes reversible series of ups and downs.Scott explores the political and epistemological implications of how the past is conceived in relation to the present and future through a reconsideration of C. L. R. James’s masterpiece of anticolonial history, The Black Jacobins, first published in 1938. In that book, James told the story of Toussaint L’Ouverture and the making of the Haitian Revolution as one of romantic vindication. In the second edition, published in the United States in 1963, James inserted new material suggesting that that story might usefully be told as tragedy. Scott uses James’s recasting of The Black Jacobins to compare the relative yields of romance and tragedy. In an epilogue, he juxtaposes James’s thinking about tragedy, history, and revolution with Hannah Arendt’s in On Revolution. He contrasts their uses of tragedy as a means of situating the past in relation to the present in order to derive a politics for a possible future.

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'A gripping thriller' THE TIMES'Dark and enthralling' ANDREW TAYLOR'Goes right to the heart of the Jacobean court' TRACY BORMAN---Gunpowder and treason changed England forever. But the tides are turning and revenge runs deep in this masterful historical thriller for fans of C.J. Sansom, Andrew Taylor's Ashes of London, Kate Mosse and Blood & Sugar.1606. England stands divided in the wake of the failed Gunpowder Plot. As a devastating tidal wave sweeps the Bristol Channel, rumours of new treachery reach the King. In Newgate prison, Daniel Pursglove receives an unexpected - and dangerous - offer. Charles FitzAlan, close confidant of King James, will grant his freedom - if Daniel can infiltrate the underground Catholic network in Bristol and unmask the one conspirator still at large. Where better to hide a traitor than in the chaos of a drowned city? Daniel goes to Bristol to investigate, but soon finds himself at the heart of a dark Jesuit conspiracy - and in pursuit of a killer.DANIEL PURSGLOVE BOOK ONE ---'Colourful and compelling' SUNDAY TIMES'Devilishly good' DAILY MAIL'Spies, thieves, murderers and King James I? Brilliant' CONN IGGULDEN'The intrigues of Jacobean court politics simmer beneath the surface in this gripping and masterful crime novel' KATHERINE CLEMENTS'Shadows and menace lurk round almost every corner... Brilliant writing and more importantly, riveting reading' SIMON SCARROW'Beautifully written with a dark heart, Maitland knows how to pull you deep into the early Jacobean period' RHIANNON WARD

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The meeting of East and West in the Crusader States was the theme of a symposium held at Hernen Castle in 1997. It was the continuation of a similar symposium which has been published in the Orientalia Lovaniensia Analecta 75. Various communities (Arabs, Armenians, Ethiopians, Greeks, Syrians and Latins) and various religions (the Church of Rome, the Orthodox Church of Constantinople, the Jacobites, the Muslims and others) play their part in the various Crusader States, sometimes in the effort to ecumenism, sometimes in the form of confrontations. Coins and seals in the Latin Kingdom of Jerusalem betray Eastern and Western influences. Daily life is reflected in historical texts, and in exempla and miracula. The fall of Edessa is described in the Lament of Edessa by Nerses Snorhali, which is here for the first time translated into English. Even icon-painting in Egypt reflects crusader influence.

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This book takes the student from the Newtonian mechanics typically taught in the first and the second year to the areas of recent research. The discussion of topics such as invariance, Hamiltonian-Jacobi theory, and action-angle variables is especially complete; the last includes a discussion of the Hannay angle, not found in other texts. The final chapter is an introduction to the dynamics of nonlinear nondissipative systems. Connections with other areas of physics which the student is likely to be studying at the same time, such as electromagnetism and quantum mechanics, are made where possible. There is thus a discussion of electromagnetic field momentum and mechanical“hidden” momentum in the quasi-static interaction of an electric charge and a magnet. This discussion, among other things explains the“(e/c)A” term in the canonical momentum of a charged particle in an electromagnetic field. There is also a brief introduction to path integrals and their connection with Hamilton's principle, and the relation between the Hamilton-Jacobi equation of mechanics, the eikonal equation of optics, and the Schrödinger equation of quantum mechanics.The text contains 115 exercises. This text is suitable for a course in classical mechanics at the advanced undergraduate level.

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A SPECTATOR AND SCOTSMAN BOOK OF THE YEAR 'So well researched, pacily written and sympathetic to the Auld Cause that it almost makes one a Jacobite' Andrew Roberts, Spectator ‘Enthralling . . . Throws us straight into the fresh air, heather, rain and midges of the Hebrides, followed by the swamps and creeks of North America . . . Full of unforgettable glimpses’ The Times The year is 1746. The Jacobite rebellion has failed catastrophically and Scotland is reeling in the devastating aftermath of the battle of Culloden. Far to the west, on an island in the Outer Hebrides, twenty-four-year-old Flora Macdonald is woken in the dead of night by a messenger with urgent intelligence. Bonnie Prince Charlie is outside, begging for her help. With Flora's assistance, the Stuart prince is disguised as an Irish maid and smuggled to the Isle of Skye, evading government troops. Flora’s bravery and determination will see her immortalised in ballads and proclaimed a Scottish heroine. But her efforts also result in her capture and detention in London. Released the following year and returning to Skye, Flora goes on to marry and emigrate to North Carolina, only then to be caught up in the American Revolutionary War. In Pretty Young Rebel, award-winning biographer Flora Fraser tells the remarkable story of Flora Macdonald. It is a tale of adventure and daring, wit and charm, struggle and survival, and of a woman who showed extraordinary courage in the face of great danger.

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Ambientada a mitad del siglo XVIII, tras la rebelión jacobita de 1745,Secuestrado (1886) es una novela en la que Robert Louis Stevenson (1850-1894), quien había mostrado ya su capacidad de fabulación en El Dr. Jekyll y Mr. Hyde y La Isla del Tesoro, toma la novela histórica romántica de Walter Scott y la transforma en la novela moderna de aventuras y acción. Cuando el joven David Balfour queda huérfano, acude a ver a su tío, al que no conoce, en busca de ayuda y una posible herencia. Es el inicio de una serie de trepidantes peripecias, que incluyen su secuestro y un naufragio, por mar y por las tierras de las Highlands escocesas, en las queDavid contará con la compañía del proscrito jacobita Alan Breck Stewart, uno más de esos pintorescos personajes de carácter que brillan con luz propia en las novelas del autor.Traducción de Miguel Ángel Pérez Pérez

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This work looks at the impact of five "archetypal" figures on literature and culture of the 1790s in Britain. The figures covered are: Tewdrig, the hermit-king; Vortigen, the Dark-Age traitor, the Polish General Kosciusko; Iolo Morganwg; and the Jacobin demagogue John Thelwall.

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London 2: South is a uniquely comprehensive guide to the twelve southern boroughs. Its riverside buildings range from the royal splendours of Hampton Court and Greenwich and the Georgian delights of Richmond, to the monuments of Victorian commerce in Lambeth and Southwark. But the book also charts lesser known suburbs, from former villages such as Clapham to still rural, Edwardian Chislehurst, as well as the results of twentieth-century planners' dreams from Roehampton to Thamesmead. Full accounts are given of London landmarks as diverse as Southwark Cathedral, Soane's Dulwich Picture Gallery and the arts complex of the South Bank. The outer boroughs include diverse former country houses - Edward IV's Eltham Palace, the Jacobean Charlton House, and the Palladian Marble Hill. The rich Victorian churches and school buildings are covered in detail, as are the exceptional structures of Kew Gardens.

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The Tragedy of Mariam, the Fair Queen of Jewry is a Jacobean closet drama by Elizabeth Tanfield Cary. First published in 1613, it was the first work by a woman to be published under her real name. Never performed during Cary's lifetime, and apparently never intended for performance, the Senecan revenge tragedy tells the story of Mariam, the second wife of Herod. The play exposes and explores the themes of sex, divorce, betrayal, murder, and Jewish society under Herod's tyrannous rule. The wide-ranging introduction discusses the play in the context of closet drama, female dramatists and feminist criticism, providing an ideal edition for study and teaching. This is a major edition of an unusual and provocative play not widely available elsewhere.

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