Search results for ""author potter"

Throughout their existence from 1904 until 1981, the Birmingham & Midland Motor Omnibus Co. was an idiosyncratic operator whose operational area ranged from the Welsh Marches and Shropshire in the west to Northamptonshire and Rutland in the east; and from Oxfordshire and Gloucestershire in the south to Staffordshire and Derbyshire in the north. Much of their area was distinctly rural but, in Birmingham and the Black Country, Worcester and Hereford, Stafford and Leicester, intense urban services were operated mainly by double-decker buses and it is these buses that this volume examines. For most of its operational life, BMMO constructed their own chassis fitted with proprietary bodies to their own often novel and frequently advanced designs. During the 1930s around 400 double-deck, rear-entrance REDDs and front-entrance FEDDs were built, plus others for both Trent and Potteries Motor Traction. During the Second World War double-deck buses were allocated to the company by the Ministry of War Transport but, after the end of hostilities, bus production resumed until economic pressures caused the cessation of double-deck manufacture at Carlyle Road Works in 1966. Shortages of buses did result in the purchase of twenty Guy Arab IIIs and 100 Leyland Titan PD2/12s between 1849 and 1954 but, from the 1960s until the company was split up, the rear-entrance Daimler Fleetline was the chassis of choice. This book examines each type of double-decker with a history of the model, a brief technical specification and captioned photographs taken during the type's period in service.

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Kommos, located on the south coast of Crete, is widely known for its important sanctuary of the Greek period for its earlier role as a major Minoan harbortown. Volumes II and III in this series, dealing with the Minoan pottery, have already been published. Volume I, Part I (1995), offered a general introduction to the site, followed by chapters on the archaeological exploration of the area, its geology, fauna and flora, land use, as well as on the Minoan implements and indsutries. Now Volume I, Part II introduces the Kommos town (Joseph W. Shaw), and analyzes and interprets the houses on the hilltop (Maria C. Shaw and Lucia F. Nixon) and hillside (James C. Wright and John McEnroe). There is a catalog of miscellaneous finds from the houses (Mary K. Dabney, Katherine A. Schwab, Maria C. Shaw, John Bennet, Helene Whittaker, David Reese, and Olga Kryszowska), followed by synthetic chapters on town planning and domesetic architecture (Maria C. Shaw) and site development (Joseph W. Shaw). Combined, the interrelated Kommos volumes present an unusually thorough, interdisciplinary interpretation of a prehistoric site in Greece.An excavation by the University of Toronto and the Royal Ontario Museum under the auspices of the American School of Classical Studies in Athens.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Remembered in his native Ireland primarily as a harpsichordist and interpreter of Bach’s music, and in the UK as a conductor of the ground-shaking early music group Musica Reservata, John Beckett also composed avant-garde incidental music, performed on several instruments and was an authoritative, if controversial, conductor. Music was not his only passion: he was interested in films, the theatre, art and pottery, and loved to travel. His varied career included devising music programmes for Radio Éireann, writing for The Bell magazine, working in Dublin’s Pike Theatre, presenting and performing for the BBC Third Programme, composing music for his famous cousin Samuel Beckett, founding Musica Reservata, conducting Bach cantata concerts in Dublin over a ten-year period, and working as a producer and presenter for BBC Radio 3. Despite his reputation as a gruff, confrontational individual with a fondness for Guinness, whiskey and garlic, he made many friends and was familiar with Dublin’s intellectual, musical and bohemian milieu, such as the writers Aidan Higgins, Anthony Cronin, Patrick Kavanagh, Brendan Behan and James Plunkett, composers E.J. Moeran and Frederick May, counter-tenor Alfred Deller, musician John O’Sullivan, Desmond MacNamara, Ralph Cusack, singer and sculptor Werner Schürmann, publisher John Calder and musician David Cairns. Complex, self-deprecating and private, John’s character and achievements are examined with detail garnered from information both published and in archival collections in Ireland and the UK. Recollections from those who knew him at different stages of his life enliven this fascinating biography. The book also examines the development of Musica Reservata, and contains excerpts from unpublished letters written by Samuel Beckett. Extracts from correspondence between John and James Plunkett, Aidan Higgins, Arland Ussher and music critic Charles Acton are also included.

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Embrace the not-so-small world of minis--and your own tiny book!From teeny burritos and miniscule Chanel handbags to furniture no larger than a quarter, this mind-blowing collection of squeal-worthy miniatures features more than 250 of the tiniest creations from all over the world. Kate Ünver, a lifelong collector of nearly 1,000 items, has curated unique and extraordinary miniatures on her Instagram account, @dailymini, since 2012. In The Book of Mini, she selects hundreds of pieces of artwork--many of which have never been seen before--and organizes them into sections on tiny food, diminutive wildlife, petite pottery, and more. Also included are interviews with collectors and artists exploring their methods, influences, and how they came to adore everything mini. Featuring hundreds of photographs and a collectible miniature book, The Book of Mini is a must-have book for the tiny lover in your life.

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This volume accompanies an exhibition of the same name at the Kelsey Museum of Archaeology, February 4-September 30, 2005. Far more than merely a catalogue of the exhibition, it offers for a wide readership an introduction to the art of late prehistory (around 4000 BC) in Iran and Iraq, by bringing together a range of expressive visual tools-seals, sealings, and painted pottery. The focus is on a time before written expressions of belief, mythology, identity, or administrative documentation, but also a time of ripened recourse to other visual strategies of communication that set the stage for writing as we conceive it. A series of 11 imaginative interpretative essays explores the evidence and the methods we can use to approach an understanding of the role of visual imagery (of signs and symbols) in late prehistory, and to ask questions of this material as a means of approaching possible social meanings. The book is lavishly illustrated, and includes catalogue entries for every object included in the exhibition.

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In February 2004, when her American husband, a recently ordained Zen monk, leaves home to train for a year at a centuries-old Buddhist monastery, Tracy Franz embarks on her own year of Zen. An Alaskan alone—and lonely—in Japan, she begins to pay attention.My Year of Dirt and Water is a record of that journey. Allowed only occasional and formal visits to see her cloistered husband, Tracy teaches English, studies Japanese, and devotes herself to making pottery. Her teacher instructs her to turn cup after cup—creating one failure after another. Past and present, East and West intertwine as Tracy is twice compelled to return home to Alaska to confront her mother’s newly diagnosed cancer and the ghosts of a devastating childhood. Revolving through the days, My Year of Dirt and Water circles hard questions: What is love? What is art? What is practice? What do we do with the burden of suffering? The answers are formed and then unformed—a ceramic bowl born on the wheel and then returned again and again to dirt and water.

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The National Trust owns and cares for the most important, varied and valuable collection of antiques in Britain. From Rubens paintings to Paul McCartney's bedroom paraphenalia, its enormous range is unequalled and many of these antiques are still housed in the properties for which they were designed or bought. 'Treasures of the National Trust' is the only book to detail this collection in an accessible and enlightening way. Divided into themed chapters such as Paintings, Sculpture, Tapestry and Needlework, French and English Furniture, European Pottery and Porcelain - 'Treasures' is suitable for those with little knowledge of art history and antiques as well as those more versed in the subjects. Special features illuminate the work of key painters, designers and craftsmen; historical timelines give a quick visual context for the artworks, and cross-referencing ensures that readers can see what else is held at that Trust property. The 'treasures' range from single pieces, such as Rubens' The Garden of Love at Waddesdon and St Michael Overcoming Satan by Flaxman at Ickworth, to collections of multiple pieces, such as the miniatures at Ham House and Petworth's 16th-century maiolica plates and teapots. Some have been chosen for their rare beauty and artistry, others for their value or history, but each will be illuminated for the reader. With sumptuous photography and authoritative text (written in conjunction with the Trust's renowned curators), 'Treasures of the National Trust' will prove an essential reference title on the best of British heritage.

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Mystical, timeless, and full of adventure: embark on the trip of a lifetime to the jewel of Peru with Moon Machu Picchu. Inside you'll find:*Strategic trekking guides, including two to four days on the Inca Trail, five days on the Salcantay, and an Inca Jungle Trail itinerary, plus focused coverage of Cusco, the Sacred Valley, and Lima*Unique experiences beyond the beaten path: Explore seldom-seen ruins like the Ollantaytambo Temple and visit remote Quechua-speaking villages. Go horseback riding on a caballo de paso in the Sacred Valley, mountain biking to the hilltop fortress of Sacsayhuamán, or set up camp on the riverbank after a day of rafting on the Río Apurímac. Sample coca tea and authentic local delicacies, or shop for handmade Peruvian weavings, pottery, and jewelry*Essential planning information on agencies, tour guides, and porters, food and accommodations, packing suggestions, finding the best airfares, and getting around by bus, train, taxi, car, or motorcycle*How to visit Machu Picchu respectfully, with tips from Lima local Ryan Dubé on and helping the local economy, minimizing your impact, and avoiding over-tourism *A guide to hazards, precautions, and gear, including how to avoid altitude sickness*Full-colour photos and easy-to-use maps throughout, plus a convenient foldout map*Thorough background information on the landscape, wildlife, plants, culture, history, and local customs*Handy tools including a Spanish phrasebook, visa information, volunteer and study opportunities, and tips for seniors, families, visitors with disabilities, women travelling alone, and LGBTQ+ travellersWith Moon Machu Picchu's practical advice and insider know-how, you can forge your own path. Doing a tour of South America? Try Moon Cartagena & Colombia's Caribbean Coast, Moon Ecuador & the Galápagos Islands, or Moon Chile.

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When her loving but strict parents pass away, twenty-one-year-old Megan is left penniless and alone. However, for the first time in her life, she finally has the freedom to explore who she really is.She begins to come out of her shell, trying daring new things such as wearing makeup, buying modern clothes and going out dancing. Soon, she starts stepping out with a solid, dependable local man. And when she is taken under the wing of the wealthy Celia Bevington, she discovers that there is so much more to life than working as a paintress in the local pottery factory. But as she gets to know Nathan, a dashing American visitor, she starts to question whether she should be wanting more from life. On top of that, a mysterious silver hairbrush left to her by her late mother is about to lead to revelations that will turn her world upside down . . . When the chance comes to fulfil her every hope, will she find the courage to follow her heart? Readers are already being swept away by A DAUGHTER'S HOPE:'The story will tug at your heartstrings . . . a page turner. Read it!''Margaret has a gift of captivating her readers' and holding their attention. Beautifully told with humour and sadness in equal measure. A brilliant read!''Beautifully written and captivating, I can highly recommend.''This is a beautifully told tale and there's a great feeling of time and place. Margaret Kaine has that storyteller's gift of grabbing the reader's attention and holding on.' 'Margaret Kaine writes with supreme skill. Thank you for a wonderful story, Margaret.''I couldn't put it down and didn't want it to end'A Daughter's Hope was previously published as Song for a Butterfly

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This book presents an archaeological overview of the presence and development of Egyptian material culture in the context of Augustan Rome. The Augustan period was a crucial turning point for the urban landscape of Rome, which became specifically characterised by a complex, and often flexible repertoire of cultural diver¬sity. Studies in the past have focused primarily on (classical) Greek influences on the development of Augus¬tan material culture, while objects featuring Egyptian styles, themes and materials have remained generally categorised as exoticism, a fashion trend, or signs of so-called ‘Egyptomania’. The research presented and discussed in this book, in contrast, raises the question whether and how ‘Egypt’ constituted an integral part of this Augustan material culture repertoire. By comprising for the first time a comprehensive and interpretative overview of such manifestations of Egypt in Rome, including public monuments, paintings, and architectural elements, as well as pottery, gems, and jewellery from private contexts, the study offers wide-ranging case studies, featuring object reappraisals as well as new archaeological finds and contextual analyses. By focusing on the archaeological data, rather than on the often better-known historical and textual sources, this books offers new arguments and evidence that the role of ‘Egypt’, as represented in the material culture of the city of Rome, was not that of an exotic outsider, but constituted a remarkably diverse and inherent part of the Augustan material culture repertoire and urban landscape.

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Excavations on the site of this remarkable fort in northern Bulgaria (1996–2005) formed part of a long-term programme of excavation and intensive field survey, aimed at tracing the economic as well as physical changes which mark the transition from the Roman Empire to the Middle Ages, a programme which commenced with the excavation and full publication of the early Byzantine fortress/city of Nicopolis ad Istrum.The analysis of well-dated finds and their full publication provides a unique data-base for the late Roman period in the Balkans; they include metal-work, pottery (local and imported fine ware), glass, copper alloy finds, inscriptions and dipinti (on amphorae) as well as quantified environmental reports on animal, birds and fish with specialist reports on the archaeobotanical material, glass analysis and querns.The report also details the results of site-specific intensive survey, a new method developed for use in the rich farmland of the central Balkans. In addition, there is a tailed report on a most remarkable and well-preserved aqueduct which employed the largest siphon ever discovered in the Roman Empire.This publication will provide a substantial database of material and environmental finds, an invaluable resource for the region and for the Roman Empire: material invaluable for studies which seek to place the late Roman urban and military identity within its regional and extra-regional economic setting.

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Shortly before 1200 B.C. the Aegean, and soon afterwards much of the East Mediterranean, was shaken by disturbances and destructions which considerably changed the settlement patterns, as well as the political and social structures of those lands. This led to the decline of the Mycenaean world which eventually caused the so-called Dark Age in Greece. Crete, being an island located on the cross-roads between the Greek Mainland, Sicily and South Italy, and the Levant, may have been particularly affected by the problems referred to in ancient written sources under the name of "the Sea Peoples". The Dark Age in Crete is potentially better represented than in other areas of the Aegean and explorations in the mountainous hinterland of the island have shown site numbers and a density of habitation only vaguely suggested by the excavated samples of sites. This book is based on fifteen years of field research presenting about 120 defensible sites with comprehensive descriptions, sketches, plans and illustrations of surface pottery. Archaeological evidence (in a large part hitherto unpublished) is analysed in detail to reconstruct changes in settlement patterns alongside the political, social, ethnic and economic aspects of the Dark Age society in Crete. The problem of the function of defensible and fortified sites during the Dark Age is examined against a more general background of similar sites on the island from the Neolithic through the Bronze Age. The phenomenon of defensible settlements founded c. 1200 B.C. is discussed here in a wider Mediterranean context with reference to other Aegean islands, Cyprus and the Levant. One chapter presents the historical written sources from the Near East and Egypt which contain references to events that might have caused the dramatic changes suggested in archaeological evidence towards the end of the Bronze Age.

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When Abraham Lincoln moved to Illinois’ Sangamo Country in 1831, he found a pioneer community transforming from a cluster of log houses along an ancient trail to a community of new towns and state roads. But two of the towns vanished in a matter of years, and many of the activities and lifestyles that shaped them were almost entirely forgotten. In The Sangamo Frontier, archaeologist Robert Mazrim unearths the buried history of this early American community, breathing new life into a region that still rests in Lincoln’s shadow. Named after a shallow river that cuts through the prairies of central Illinois, the Sangamo Country—an area that now encompasses the capital city of Springfield and present-day Sangamon County—was first colonized after the War of 1812. For the past fifteen years, Mazrim has conducted dozens of excavations there, digging up pieces of pioneer life, from hand-forged iron and locally made crockery to pewter spoons and Staffordshire teacups. And here, in beautifully illustrated stories of each dig, he shows how each of these small artifacts can teach us something about the lifestyles of people who lived on the frontier nearly two hundred years ago. Allowing us to see past the changed modern landscape and the clichés of pioneer history, Mazrim deftly uses his findings to portray the homes, farms, taverns, and pottery shops where Lincoln’s neighbors once lived and worked. Drawing readers into the thrill of discovery, The Sangamo Frontier inaugurates a new kind of archaeological history that both enhances and challenges our written history. It imbues today’s landscape with an authentic ghostliness that will reawaken the curiosity of anyone interested in the forgotten people and places that helped shape our nation.

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The works of the Tiffany Studios revolutionized interior design in turn-of-the-century America. All of the company's works-from stained-glass windows to blown-glass vases; lamp shades to inkwells-bore the unique stamp of one man, Louis Comfort Tiffany, who created the Tiffany Studios and supervised every aspect of their production. Many of these official studio pieces are well known today-avidly sought by museums and collectors worldwide. Special ones among them, as well as other lesser known pieces-the "lost" works of Louis Tiffany himself-are, in a real sense, the core of his astonishing achievement. They comprise his personal oeuvre-the objects made from his original designs for exhibition, for private commissions, or for use in Tiffany's own homes. This book reevaluates Tiffany's art in terms of his personal work-including pieces in all the media that attracted him over the course of his prolific career; stained glass, of course, but also mosaics, blown glass, pottery, jewelry, and enamels. Tiffany's pioneering efforts in interior design are covered, as are his easel paintings and his dream of creating a permanent residential retreat for working artists. Hugh F. McKean also provides much intimate insight into Tiffany's personality, his domestic life, his financial dealings, and his unusual philosophy of art. Lavishly illustrated, the book presents a vivid display of Tiffany's wide-ranging aesthetic. The result is a rare portrait of Tiffany the man-and of the prodigious imagination that almost single-handedly transformed the day-to-day image of a nation and an era.

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Extensive archaeological investigations were undertaken over two decades in Hinxton, south Cambridgeshire by OA East on behalf of the Wellcome Trust. The excavated areas lay in the Cam valley, a ‘borderland zone’ crossed by Icknield Way; the ridgeway route and the River Cam providing natural corridors of movement and communication.Hinxton’s post-glacial valley landscape of indigenous woodland, streams and seasonally flooded pools attracted Palaeolithic and Mesolithic communities to the area. Fills of one pool yielded a Terminal Palaeolithic ‘Long/Bruised Blade’ assemblage of national significance.Tree clearance to permit exploitation of the fertile valley sides began in the Early Neolithic. The increasingly ‘ritual’ or ceremonial significance of the landscape is indicated by a Late Neolithic/Early Bronze Age shaft containing a substantial assemblage of worked flint and Beaker pottery. During the later prehistoric and Early Roman periods, two square enclosures – the largest related to mortuary practices – were followed by a small timber shrine. Burial of selected individuals, both in graves and as disarticulated remains, occurred sporadically throughout prehistory.Agricultural exploitation of the valley seems to have been almost continuous from the Early Neolithic until the Middle Roman period, after which the land lay largely fallow. Conquest period large corrals linked to major trackways potentially demonstrate stock management on a scale commensurate with supplying the nearby fort and Roman town at Great Chesterford.The immediate landscape was not resettled until the Anglo-Saxon period. Post-Roman activity at Hinxton is the subject of a companion volume (Part II).

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George Stubbs (1724-1806), now recognized as one of the greatest and most original artists of the eighteenth century, stands out from other practitioners in the field of animal painting. His most frequent commissions were for paintings of horses, dogs, and wild animals, and his images invariably arrest attention and frequently strike a deeply poetic note. Stubbs did not emerge as a painter until he was in his mid-thirties, but then his genius flowered astonishingly. He steadily celebrates English sporting and country life and reveals himself—in his “incidental” portraits of jockeys and grooms, for example—as a perceptive observer of different levels of social behavior. Among his many experiments with technique were his chemical experiments with painting in enamels, first on copper and later on earthenware “tablets,” manufactured for him in Wedgwood's potteries.This is the first full catalogue of Stubbs's paintings and drawings. Along with the full catalogue entries, the book offers a lengthy study of Stubbs's art and career. Published for the Paul Mellon Centre for Studies in British Art

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This volume contains the histories of the 22 parishes in the hundreds of Brightwells Barrow and Rapsgate, extending from the Cotswold escarpment above Gloucester to the Thames at Lechlade and including much of the Churn, Coln, andLeach valleys. Although Cranham and Chedworth parishes had extensive ancient beechwoods and Kempsford and Lechlade wide meadows bordering the Thames, most of the area was formerly one of traditional Cotswold agriculture based onlarge open fields and downland sheep-pastures. After enclosure large sheep-farms grew turnips and grass leys, but the late- 19th-century depression caused many to be taken in hand and converted to new uses like dairying. Pocketsof industry included cloth-mills in Bibury and elsewhere, a paper-mill at Quenington, and potteries at Cranham. The towns of Fairford and Lechlade did not develop industrially, serving mainly as markets and as stages on the Londonroad. At Lechlade goods, particularly cheese, were consigned by river to London. The manors, mainly monastic in the Middle Ages, passed later to families which ranged from aristocrats like the Thynnes and Cravens to local gentrylike the Partridges, Sheppards, and Kebles. In the 19th century new owners from com-merce included a Jewish financier, the founder of the Horlicks firm, and Lanca-shire cotton-manufacturers. Much of the area, particularly the large estates based on Williamstrip Park and Hatherop Castle and the villages along the Churn valley, shows the influence of 19th-century owners. Less typical parishes include Brimpsfield and Cranham, where early settlement was scattered, and Chedworth, with an influx in the late 17th century and the 18th of independent craftsmen.

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Includes 114 illustrations, some in colour. Recent scholarship on the Roman Empire has focused on the nature of its economy, including sites that served as nodules of commercial exchange. Aila was such a port city on the Red Sea on the southeastern frontier of the Empire, now within modern Aqaba in Jordan. The city of Aila emerged in the late 1st century BC within the Nabataean kingdom, a client state of the Roman Empire. The port continued to flourish into the early Islamic period, handling trade between the Empire and south Arabia, east Africa, and India. The Roman Aqaba Project aimed to reconstruct Aila’s economy diachronically. The project research design included a regional archaeological and environmental survey, excavation of the ancient city, and analysis of material remains relevant to Aila's economy. Six field seasons were conducted between 1994 and 2002, providing a detailed picture of the economic history of the city. Excavation revealed major elements of the city, such as domestic quarters, industrial facilities, fortifications, and a monumental building interpreted as an early Christian church. This first of three projected volumes of the project’s final report focuses on the regional environment and the regional survey. Analysis of the environment employs a wide range of evidence to analyse the physiography, geology, soils, seismic history, climate and natural resources. Various lines of evidence are employed to reconstruct the paleoclimate, which seems to have remained essentially hyperarid since early historical times. The report also includes results of an intensive archaeological survey of Wadi Araba, the shallow valley extending north from Aqaba to the Dead Sea. The project surveyed the southeastern the valley, recording 334 archaeological sites, most previously unrecorded. These of these were small and unobtrusive and ranged in date from Paleolithic to Late Islamic, but especially common were sites of the Chalcolithic/Early Bronze Age and the Early Roman/Nabataean periods, suggesting more intensive occupation in these periods. The volume also includes chapters on artifacts collected by the survey, including chipped stone tools, pottery, and Nabataean inscriptions. Aila apparently lacked any significant agricultural hinterland. The city was largely dependent on imports from more distant sources.

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Percy Manning (1870-1917) was an Oxford antiquary who amassed enormous collections about the history of Oxford and Oxfordshire, which now constitute a valuable resource in Oxford University’s libraries and museums. Manning was interested in all periods of history and prehistory, collecting Stone Age tools, Roman coins, medieval tiles, and relics of ways of life that were disappearing in his own day, such as decorated police truncheons and local pottery. He methodically documented and explored the archaeology of the county. He collected literally thousands of prints depicting Oxford and places throughout Oxfordshire as records of changes in the built environment, and moved beyond material objects to uncover and document superstitions, folklore and customs, especially where he thought they were disappearing. He sought out May songs and morris dancers, reviving the Headington Quarry Morris Dancers in 1899. There is scarcely a community in the county which is not reflected somewhere in his collections. This volume provides the first detailed biography of Manning, together with studies examining specific parts of his collections in greater detail. Other chapters demonstrate how the collections can be used as springboards for in-depth study and for fresh approaches to the history of Oxfordshire. Particular emphasis is placed on Manning’s ground-breaking research into the folklore of the county in conjunction with its material culture. Download the following papers in Open Access: The Lost Undercroft at Ducklington’s Inn and Other Medieval Oxford Tavern-undercrofts in Context – David Clark: Download Manning’s Curiosity Projected into the 21st Century – Brian Durham: Download Percy Manning’s Archaeological Survey of Oxfordshire – Alison Roberts: Download

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The story of Liverpool is, in many ways, the story of its docks. Before the docks, trade was limited by the tides and at the mercy of the Mersey's currents. After dock construction began, the city became a hub of Britain's worldwide trading network. Cheshire Salt, Lancashire coal and textiles, Staffordshire pottery and Birmingham metal goods were all export staples and played an important part - until the 1807 abolition - in the infamous African slave trade. At the same time, sugar, rum, cotton and timber were exported in huge quantities. Through the expansion of the empire and the opportunities presented by steam power, the docks continued to grow and prosper. Even after the setbacks and bombing of the Second World War, trade rapidly recovered. However, the pace of change increased in the late 1950s and not to Liverpool's benefit. Passenger liners lost out to airliners (Cunard ships last called here in 1964) and changes in cargo handling led to the displacement of six traditional cargo liners for every new container vessel. There was competition from new container ports like Felixstowe as well as a range of local difficulties. With many contemporary illustrations of people, ships, buildings and machinery, Michael Stammers chronicles not just the rise and fall of Mersey shipping but also the way the docks have bounced back. Redevelopment, restoration and new modes of commerce have put Liverpool’s docks back in the black and the docks continue to be a significant part of the Liverpool of today, albeit a very different-looking docks to the port of over sixty years ago.

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A landmark study of ancient Greek and Roman cults, from the nocturnal mysteries at Eleusis to the cults of Dionysus and Mithras. Mystery cults are one of the most intriguing areas of Greek and Roman religion. In the nocturnal mysteries at Eleusis, participants dramatically re-enacted the story of Demeter's loss and recovery of her daughter Persephone; in Bacchic cult, bands of women ran wild in the Greek countryside to honour Dionysus; in the mysteries of Mithras, men came to understand the nature of the universe and their place within it through frightening initiation ceremonies and astrological teachings. These cults were an important part of life in the ancient Mediterranean world, but their actual practices were shrouded in secrecy, and much of what they were about has remained unclear until now. This is the first book to describe and explain all the major mystery cults of the ancient world, cult by cult, reconstructing the rituals and exploring their origins. It makes plentiful use of artistic and archaeological evidence, as well as ancient literature and epigraphy. Greek painted pottery, Roman frescoes, inscribed gold tablets from Greek and South Italian tombs and the excavated sites of ancient religious sanctuaries all contribute to our understanding of ancient mystery cults. Making use of the most recent work on these cults, the book is also informed by crucial current work on the anthropology and cognitive science of religion. Not only is this clearly written book a significant contribution to the study of these cults, but it is also accessible to a general readership. More than any other book on ancient religion, it allows the reader to understand what it was like to participate in these life-transforming religious events.

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People are becoming more aware of the environment and their impact on it. Over the past decades we have become an increasingly consumerist based society. From a world in which recycling was common, single use became the norm. This throwaway society is unsustainable. Sustainable gardening results in the creation of an environmentally friendly area in which natural predators thrive and soils are naturally replenished. Discover innovative and simple ways of recycling everything from water to materials in the garden. Practical examples show recycling in action turning unwanted items into useful features such as bottle edging, footpaths made from tyres, garden forks into table lamps, broken pottery to mosaics and tree roots into lush garden stumperies. Recycling, reusing and upcycling in the garden can make a difference helping you save money by using less water, making your own compost, choosing energy efficient equipment and by giving everyday items a totally new function. Instead of a throwaway society, we are increasingly looking at ways of reducing our use of increasingly scarce resources, turning plastic into paths, using solar energy and conserving water. Natural recycling of plant material and sustainable gardening is increasingly popular. This book helps search for creative ideas that can conserve resources, and save you money. Water is no longer cheap, so the book suggests many ways that you can re-use water and get free rainwater. The book helps you with places you may not think of looking for free and cheap material, such as reclamation yards, factories, restaurants and hospitals. Let your imagination run free without needing much skill and without breaking the bank.

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Gnathia ware is a painted Hellenistic type of ware with yellow, red and white decorations on the black surface of the vessels. Due to a decoration technique simpler than that on the previous Red-figure vases, Gnathia ware became the most widespread type of Hellenistic ware, and also the first type of south Italian ware that was exported in large quantities outside of the main area of production. Gnathia ware takes its name from ancient Gnathia, today Egnazia (a town on the Adriatic coast between Bari and Brindisi) in south-east Italy, where it was first discovered in 1845. The aims of this study are fourfold: to present Gnathia ware on the East Adriatic coast, to define local Issaean Gnathia production from manufacturing to distribution (including the typology of shapes and decorations), to identify other pottery workshops along the East Adriatic coast and, finally to understand the trade and contacts in the Adriatic during the Hellensitic period. Although the aims of the study may seem ambitious, once all of the material was gathered into a single study, it provided sufficient information to set the objective. It is noteworthy that the study presents the current state of research, so additional work needs to be done. However, work on the default task and the information obtained by the analysis of Gnathia and related ware facilitated greater insight into the history of the Adriatic area in the Hellenistic period. Further, the provenance of the material allowed for the reconstruction of contacts in the Adriatic and neighbouring regions. The questions of contacts and trade may seem peripheral to the main objective of the study, i.e., Gnathia and related ware, but they are vital to an understanding of the historical context of this area. So an additional aim of the study is to open up the East Adriatic region to scholars who are studying the history and economy of the Mediterranean basin in the Hellenistic period.

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In Boston’s North End, four immigrant women leave childhood behind—but never one another. For four young immigrant women living in Boston’s North End in the early 1900s, escaping tradition doesn’t come easy. But at least they have one another and the Saturday Evening Girls Club, a social pottery-making group offering respite from their hectic home lives—and hope for a better future. Ambitious Caprice dreams of opening her own hat shop, which clashes with the expectations of her Sicilian-born parents. Brilliant Ada secretly takes college classes despite the disapproval of her Russian Jewish father. Stunning Maria could marry anyone yet guards her heart to avoid the fate of her Italian Catholic mother, broken down by an alcoholic husband. And shy Thea is torn between asserting herself and embracing an antiquated Jewish tradition. The friends face family clashes and romantic entanglements, career struggles and cultural prejudice. But through their unfailing bond, forged through their weekly gathering, they’ll draw strength—and the courage to transform their immigrant stories into the American lives of their dreams.

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A Bronze Age barrow, one of several in the Rhee valley, was encircled by two concentric rings of posts in the early to middle Iron Age, and a single crouched inhumation was buried nearby. A small group of roundhouses and granaries was built on the clays c.100m from the river, and nearly 200 possible grain storage pits were dug on chalk deposits next to the river. Some of the pits contained human burials and animal bone groups of the pit burial tradition common in central southern and south-eastern England Significant assemblages of Chinnor-Wandlebury pottery and animal bone, including examples of rarely-found wild species, were also found. The site was unoccupied in the late Iron Age and Roman periods but still farmed, as evidenced by animal pens, field ditches and sparse domestic debris probably spread by manuring. During the later 6th century AD, a small open farming settlement of six sunken-featured buildings was established, akin to many similar settlements investigated in South Cambridgeshire. A substantial ditch enclosed the settlement in the 8th or 9th century, and occupation had shifted to Harston village by the 10th century.

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We all have things we d like to do one day but work, family, school, money, and responsibilities get in the way. This invaluable guide to fun, fantastic, and life-affirming activities features an eclectic range of ideas such as self-improvement, sports-related endeavors, natural wonders, cultural experiences, culinary delights, and more. From glassblowing in the Czech Republic to swimming with dolphins in New Zealand, The Bucket List is the perfect gift for the passionate traveler an around-the-world, continent-by-continent listing of beaches, museums, monuments, islands, inns, restaurants, mountains, and more. Each activity is location-specific and as geographically unique as bird-watching in Kenya or driving through clouds in Sri Lanka, as well as other to-dos that can be done anywhere, such as sketching a sunset behind an architectural monument. In addition to classic outdoor pursuits, the book contains advice on how to achieve some of the most popular goals for people of all ages: direct a movie, learn to play an instrument, make pottery, protect an endangered species, name a star, try a new cuisine, or learn a new language. Whether you are more active or laid-back, serious-minded or lighthearted, you are bound to discover new, stimulating activities.

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Journey to Arizona through over 240 scenic photographic images and 36 stories imparting unusual and bizarre regional happenings throughout history. Read about the Native American ruins and the ancient civilizations that inhabited their stone walls, leaving behind pottery shards, handmade tools, and astonishing petroglyphs etched on boulders. Discover forgotten places, now decaying and abandoned, with accompanying stories behind their rise and fall. Visit six Southwestern mining towns famous for riches, scandals, and hope for new lives. These towns were booming in their heyday, but because of greed, natural disasters, and drying-up mines, they became ghost towns. Meet Wild West outlaws who ended up dead and buried somewhere in the desert. Discover mysterious conundrums either found buried beneath the dirt floor, roaming the barren desert, or made from odd objects, and witness the unusual weather conditions that plague the Southwest. Find ghosts, mummies, and fossils talked about in urban legends of the desert and lost treasures and castles in the mountains. Includes directions and visitor information. Arizona awaits your arrival.

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A collection of illustrations showcasing many previously unpublished paintings of the artist Eric Ravilious. Eric Ravilious (1903-1942) is now firmly one of the most popular artists of his period. He was a painter of watercolours and murals, a book illustrator in wood engraving and lithography, and a designer of transfer-ware pottery. He applied a dry and precise style of working to imaginative and romantic subject matter from the world around him and from his imaginative transformations of the art and imagery of the past. From 1940, he was an Official War Artist, painting memorable pictures of ships, aircraft and coastal defences before his tragic death in a flying accident off Iceland. This book includes illustrations of many previously unpublished paintings, including a number from private collections, as well as surveying his other artistic activities. The text also draws on many letters and other documents, again previously unpublished, and is the most comprehensive account of Ravilious' career ever published. It positions the artist in relation to the English art of his time, and more recent critical and cultural issues. The book accompanied a centenary exhibition at the Imperial War Museum, London.

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The Arts & Crafts Movement had a profound effect on twentieth century design. It was a precursor to the minimalism of the day, yet imbued with a quiet eloquence based in careful, exquisite design. The natural materials, the subtlely organic forms began to shape living spaces across the country. In California, whose population was swelling in the late 19th and early 20th centuries, so-called "Mission Furniture" seemed perfectly at home amidst the Spanish influenced architecture of the past and the bungalows that were beginning to line the streets. This new book is a survey of the influence of the Arts & Crafts Movement in the home. Drawn from an exhibit at the California Heritage Museum in Santa Monica, it covers everything from furniture to pottery, from lighting to books. Each item is illustrated in its setting, giving it a decorative context. In addition the items appear in individual full color photographs, showing its detail. Among the interesting collections is a group of chairs that virtually shows the evolution of the mission style. This book will delight and inform.

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In celebration of Louisiana State University's sesquicentennial, Treasures of LSU trumpets the numerous and diverse riches found throughout the Baton Rouge campus and beyond. The 101 distinguished artworks, architectural gems, research collections, and scientific and cultural artifacts highlighted here represent only a small fraction of the material resources that surround and engage LSU faculty, staff, and students on a daily basis. As LSU chancellor emeritus Paul W. Murrill declares in his foreword, ""All reflect expressions of superb quality. All encourage, in one way or another, the human spirit to soar.""Some of these treasures act as artistic backdrops to everyday campus life. In Unity Ascending, the striking Frank Hayden sculpture, greets all who enter the LSU Student Union. Vibrant Depression-era murals decorate the corridors of Allen Hall. Other treasures reside in out-of-the-way places. The Department of Geology and Geophysics houses the Henry V. Howe Type Collection of shelled microorganisms -- tiny, beautifully varied fossils that frequently aid geologists in determining the ages of rocks and features of ancient environments. The LSU Museum of Natural Science, in Foster Hall, holds one of the largest and most prestigious research collections of bird specimens in the world.An LSU cadet uniform and a hand-spun Acadian quilt from the LSU Textile & Costume Museum; an enchanting silky-camellia specimen from the collections of the LSU Herbarium, founded in 1869; pottery by Walter Anderson and portraits by William Hogarth and Joshua Reynolds from the LSU Museum of Art -- all showcase the immense variety of LSU's assets. Other featured treasures include a historic dogtrot house at the LSU Rural Life Museum, John James Audubon's double elephant folio Birds of America from the E. A. McIlhenny Natural History Collection at Hill Memorial Library, and cherished campus landmarks like the Indian Mounds, the French House, and Mike the Tiger's habitat.Full-page color photographs set off the treasures to stunning effect. Interpretive essays by LSU faculty, staff, and students explain the origins, history, and sometimes myths surrounding each item. Published by LSU Press during its seventy-fifth year of operation, Treasures of LSU is itself a treasure that inspires pleasure and amazement in discovering the wealth and diversity of LSU's resources and affirms the university's numerous cultural contributions to the world community.

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The Great British Dig brings history and archaeology closer to home than ever before. Each week a team of archaeologists (led by presenter Hugh Dennis) descend on streets and gardens the length and breadth of the country to discover the treasures we have been living right on top of without realising. In this official tie-in book, on-screen expert Dr Chloë Duckworth digs deeper into the sites the show visited, as well as giving practical tips and advice for anyone who wants to have a go themselves. Uncovering a lost world of human stories just a few shovelfuls beneath our feet, Chloë explores the team’s techniques in fascinating detail, offering new insights and explanations about the discoveries made. As well as revealing the actual frontier of the Roman Empire in Britain, the Tudor palace of an Elizabethan spymaster, a revolutionary Victorian prison, a Second World War military base, and a prehistoric village under a school playing field, Chloë includes lots of information for anyone wanting to give it a go themselves. The book is packed with features, tip boxes and practical advice about digging in your own back garden, researching your local area for clues about what might have been there centuries ago, and dating things you may find. Highly illustrated, the book includes images never seen on screen, as well as archive photos and illustrations that bring history to life, and identification guides to bones, pottery, tools, coins and other things you might come across yourself. Foreword by Hugh Dennis, presenter of The Great British Dig.

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A celebration of the best of the National Trust's exquisite ceramic collection. This publication introduces the rich and varied ceramics in the National Trust's vast and encyclopaedic collection. This collection numbers approximately 75,000 artefacts, housed in 250 historic properties in England, Wales and Northern Ireland. One hundred key pieces have been selected from this rich treasure trove, each contributing to our knowledge of ceramic patronage and history, revealing the very personal stories of ownership, display, taste and consumption. The selection includes the following Continental wares: 'Red-figure' wares; Italian armorial tableware; Dutch Delft from the Greek A factory, owned by Adrianus Kocx; Chinese Kraak ware; Dehua ware; Japanese Kakiemon-style and Imari-style tableware and garnitures; Meissen table sculpture by Johann Joachim Kandler; tableware attributed to Adam Friedrich von Lowenfinck; Castelli faience from the Grue workshop. It also includes wares from the following porcelain manufactories: Doccia; Vienna; Vincennes; Sèvres; Dihl and Feulliet. English pottery and porcelain includes delftware; salt-glazed stoneware; creamware; Wedgwood Black Basalt and Etruscan ware; Chelsea, Bow, Worcester and Derby porcelain; Minton China; De Morgan, and Martin ware. From the Americas, the selection includes Pueblo ware. Many are published for the first time, sometimes illustrated in their original interiors. Collectively, the selection surveys patterns of ceramic collecting by the British aristocracy and gentry over a four hundred year period.

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Studies of Iron Age artefacts from Britain tend to be dominated either by the study of metalwork, or pottery. This book presents a study not only of a different material, but also a different type of object: glass beads. These are found in a range of different sizes, shapes, colours, and employ a variety of different decorative motifs. Through an analysis of glass beads from four key study regions in Britain, the book aims not only to address regional differences in appearance and chronology, but also to explore the role that this object played within the networks and relationships that constructed Iron Age society. It seeks to understand how they were used during their lives and how they came to be deposited within the archaeological record, in order to establish the social processes that glass beads were bound within. The results indicate that glass beads were a strongly regionalised artefact, potentially reflecting differing local preferences for colour and motif. In addition, glass beads, in combination with several other types of object, were integral to Middle Iron Age dress. Given that the first century BC is often seen as a turning point in terms of settlements and material culture, this supports the possibility of strong continental exchange during an earlier period for either glass beads or raw materials. However, by the Late Iron Age in the first century BC and early first century AD, their use had severely diminished.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Twentieth-century painter, designer and wood engraver Eric Ravilious was responsible for a whole host of different works, including book illustrations, woodcuts and ceramic designs for the Wedgwood pottery firm. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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In Houses in a Landscape, Julia A. Hendon examines the connections between social identity and social memory using archaeological research on indigenous societies that existed more than one thousand years ago in what is now Honduras. While these societies left behind monumental buildings, the remains of their dead, remnants of their daily life, intricate works of art, and fine examples of craftsmanship such as pottery and stone tools, they left only a small body of written records. Despite this paucity of written information, Hendon contends that an archaeological study of memory in such societies is possible and worthwhile. It is possible because memory is not just a faculty of the individual mind operating in isolation, but a social process embedded in the materiality of human existence. Intimately bound up in the relations people develop with one another and with the world around them through what they do, where and how they do it, and with whom or what, memory leaves material traces.Hendon conducted research on three contemporaneous Native American civilizations that flourished from the seventh century through the eleventh CE: the Maya kingdom of Copan, the hilltop center of Cerro Palenque, and the dispersed settlement of the Cuyumapa valley. She analyzes domestic life in these societies, from cooking to crafting, as well as public and private ritual events including the ballgame. Combining her findings with a rich body of theory from anthropology, history, and geography, she explores how objects—the things people build, make, use, exchange, and discard—help people remember. In so doing, she demonstrates how everyday life becomes part of the social processes of remembering and forgetting, and how “memory communities” assert connections between the past and the present.

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In Origins of Agriculture in Western Central Asia, archaeologist David R. Harris addresses questions of when, how, and why agriculture and settled village life began east of the Caspian Sea. The book describes and assesses evidence from archaeological investigations in Turkmenistan and adjacent parts of Iran, Uzbekistan, and Afghanistan in relation to present and past environmental conditions and genetic and archaeological data on the ancestry of the crops and domestic animals of the Neolithic period. It includes accounts of previous research on the prehistoric archaeology of the region and reports the results of a recent environmental-archaeological project undertaken by British, Russian, and Turkmen archaeologists in Turkmenistan, principally at the early Neolithic site of Jeitun (Djeitun) on the southern edge of the Karakum desert. This project has demonstrated unequivocally that agropastoralists who cultivated barley and wheat, raised goats and sheep, hunted wild animals, made stone tools and pottery, and lived in small mudbrick settlements were present in southern Turkmenistan by 7,000 years ago (c. 6,000 BCE calibrated), where they came into contact with hunter-gatherers of the "Keltiminar Culture." It is possible that barley and goats were domesticated locally, but the available archaeological and genetic evidence leads to the conclusion that all or most of the elements of the Neolithic "Jeitun Culture" spread to the region from farther west by a process of demic or cultural diffusion that broadly parallels the spread of Neolithic agropastoralism from southwest Asia into Europe. By synthesizing for the first time what is currently known about the origins of agriculture in a large part of Central Asia, between the more fully investigated regions of southwest Asia and China, this book makes a unique contribution to the worldwide literature on transitions from hunting and gathering to agriculture.

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This book is a study of the Lapita Cultural Complex, a region spanning both Melanesia and Western Polynesia. The Lapita culture has been interpreted as the archaeological manifestation of a diaspora of Austronesian-speaking people (specifically of Proto-Oceanic language) who rapidly expanded from the New Guinea region into Remote Oceania. The Lapita Cultural Complex--first uncovered in the mid-20th century as a widespread archaeological complex spanning both Melanesia and Western Polynesia--has subsequently become recognized as of fundamental importance to Oceanic prehistory. Notable for its highly distinctive, elaborate, dentate-stamped pottery, Lapita sites date to between 3500-2700 BP, spanning the geographic range from the Bismarck Archipelago to Tonga and Samoa. The Lapita culture has been interpreted as the archaeological manifestation of a diaspora of Austronesian-speaking people (specifically of Proto-Oceanic language) who rapidly expanded from Near Oceania (the New Guinea-Bismarcks region) into Remote Oceania, where no humans had previously ventured. Lapita is thus a foundational culture throughout much of the southwestern Pacific, ancestral to much of the later, ethnographically-attested cultural diversity of the region.

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Step back in time to an ancient world of mythical beasts, bow down to gods and goddesses, and take a trip to the first Olympics in this illustrated guide. Become an eyewitness to the glory of ancient Greece in this picture-led reference guide that will take you on a visual tour of what classical Greece was like. Children will be mesmerized by striking photography, maps, paintings, and lots of artefacts to help understand what life was like at this time.This illustrated guide lets kids aged 9+ experience the significance ancient Greece has had in transforming our world, in this detailed introduction to one of the world's founding nations. Learn why Greek pottery is so famous, discover how children played, and take a look at what people wore.Throughout the pages of this newly-revised book on Ancient Greece, you can expect to find: - A fresh new look; new photographs, updated information, and a new “eyewitness” feature.- Amazing facts, updated diagrams, statistics, and timelines.- Brand new eyewitness accounts from experts in the field.DK Eyewitness Ancient Greece is crammed full of fascinating information, statistics and facts. Meet a fierce minotaur, wage war with Alexander the Great, look inside a temple, and learn how the people of ancient Greece lived their lives. Find out about their religions, their hobbies, and their amazing impact on the rest of our history.So, what’s new? Part of DK’s best-selling Eyewitness series, this popular title has been reinvigorated for the next generation of information-seekers and stay-at-home explorers, with a fresh new look, up to 20 percent new images, including photography and updated diagrams, updated information, and a new “eyewitness” feature with fascinating first-hand accounts from experts in the field.Explore the series!Globally, the Eyewitness series has sold more than 50 million copies over 30 years. Travel through the solar system with Eyewitness Space, discover the incredible world of creepy-crawlies in Eyewitness Insect, examine precious stones in Eyewitness Crystal & Gem or take a trip aboard the most famous ship in history with Eyewitness Titanic.

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Your Personal God From Horace, Epistles, II. 2. II. 180-89 Jewels, marble, ivory, paintings, beautiful Tuscan meter? Pottery, silver, Gaetulian robes dyed purple - Many there are who'd love to have all of these things. There are some who don't care about them in the least. Why one twin brother lives for nothing but pleasure, And loves to fool around even more than Herod Loves his abundant gardens of date-trees, while The other twin brother works from morning to night Improving his farm, ploughing and clearing the lands, Pruning and planting, working his ass off, only The genius knows, the personal god who knows And controls the birth start of every person There is in the world. Your personal god is the god Who dies in a sense when your own breath gives out, And yet lives on, after you die, to be The personal god of somebody other than you; Your personal god, whose countenance changes as He looks at you, smiling sometimes, sometimes not. To read David Ferry's "Bewilderment" is to be reminded that poetry of the highest order can be made by the subtlest of means. This is the passionate nature and originality of Ferry's prosodic daring works astonishing transformations that take your breath away. His diction modulates beautifully between plainspoken high eloquence and colloquial vigor, making his distinctive speech one of the most interesting and ravishing achievements of the past half century. Ferry has fully realized both the potential for vocal expressiveness in his phrasing and the way his phrasing plays against - and with - his genius for metrical variation, thus becoming an amazingly flexible instrument of psychological and spiritual inquiry and which gives him access to an immense variety of feeling. Sometimes that feeling is so powerful it's like witnessing a volcanologist taking measurements in the midst of an eruption. Ferry's translations, meanwhile, are vitally related to the original poems around them.

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Beauty, charm, and simplicity are the hallmarks of the Scandinavian planting techniques featured in Containers in the Garden.*Winner of the GardenComm 2023 Laurel Media Awards Gold Award in the Book Publisher/Producer General Readership Category* Celebrity gardener and Danish floral designer Claus Dalby shares his signature container gardening style in this gorgeously illustrated book. His distinctive use of a single plant species in each pot, with dozens of planted pots collected together, creates elegant and eye-catching garden displays. Partnered with an abundance of textures and often a monochromatic color palette, Claus’s container gardens change with the seasons. By combining flower and foliage colors with beautiful pottery and layered displays, the results are nothing short of extraordinary. In Containers in the Garden, the English-language version of his top-selling Danish gardening book, Claus shares his best-kept secrets so that you, too, can create the container garden of your dreams. Season by season and color by color, you’ll learn how to plant, organize, tend, and share your potted plantings. Whether your display is on the front steps or the back patio, the simple yet bold design methods found here create unique garden features that are a joy to behold. The breathtaking photography found within, coupled with Claus’s descriptive and personal text, features: Early season container plantings of tulips, primroses, narcissus, and other spring-flowering beauties Lush summer pots, overflowing with dahlias, roses, hydrangea, and foxgloves Colorful and textural foliage-only containers to add structure and interest to the collection Unusual container plants such as spikemosses, wintergreen, oxalises, and even edible plants Tropical beauties bring a summer explosion, including cannas, Brugmansia, and hibiscus Autumnal fireworks of bronze, gold, and rust round out the seasonal display Step inside Claus Dalby’s Danish garden, and find ideas and inspiration for bringing a bit of lykke and hygge to your home with Containers in the Garden.

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The Middle Ages (c.500–c.1500) are wellknown for the growth of universities and urban regulations, plague pandemics, increasingly sophisticated ways of causing injury in warfare, and abiding frameworks for health and illness provided by religion. Increasingly, however, archaeologists, historians and literary specialists have come together to flesh out the daily lives of medieval people at all levels of society, both in Christian Europe and the Islamic Mediterranean. A Cultural History of Medicine in the Middle Ages follows suit, but also brings new approaches and comparisons into the conversation. Through the investigation of poems, pottery, personal letters, recipes and petitions, and through a breadth of topics running from street-cleaning, cooking and amulets to religious treatises and death rituals, this volume accords new meaning and value to the period and those who lived it. Its chapters confirm that the study of latrines, patterns of manuscript circulation, miracle narratives, sermons, skeletons, metaphors and so on, have as much to tell us about attitudes towards health and illness as do medical texts. Delving within and beyond texts, and focusing on the sensory, the experiential, the personal, the body and the spirit, this volume celebrates and critiques the diverse and complex cultural history of medieval health and medicine.

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The excavations at South Witham in Lincolnshire produced the most complete archaeological plan of the preceptory of the Military Orders so far seen in Britain. Before 1965 there had been only limited investigation of Knights Templar houses and evidence for day-to-day activities was almost non-existent. Never before had the different components of a preceptory been examined in detail using modern archaeological techniques. This monograph presents the final publication of results, beginning with separate chapters dedicated to the three main phases of occupation.Land in South Witham was first acquired by the Templars between 1137 and 1185 and thereafter a series of buildings was constructed throughout the late 12th and 13th centuries. The preceptory may already have been in decline before the final arrest and dissolution of the Order in the early 14th century. All the well-preserved buildings are described in detail by the excavation director, including the barns, blacksmith's forge, brewhouse, chapel, gateshouse, granaries, Great Hall, kitchen ranges, watermill and workshops.The text is enriched by many photomosaics and aerial photographs. This archaeological evidence then provides the basis for a well-illustrated discussion of architectural reconstructions by John Smith while the documentary background is summarised by Eileen Gooder. Among the finds discussed by a range of specialists are coins (Rigold), metalwork (Goodall), a prehistoric flat axe (Davey), objects of bone and antler (MacGregor), pottery (Johnson), architectural fragments (Gee) and painted wall plaster (Rouse). Environmental and industrial evidence are also considered, including animal bone (Harcourt), metal-working residues (Morgan) and human skeletal remains (Manchester).

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The compelling life story of Armenian ceramicist David Ohannessian, whose work changed the face of Jerusalem—and a granddaughter's search for his legacy. Along the cobbled streets and golden walls of Jerusalem, brilliantly glazed tiles catch the light and beckon the eye. These colorful wares—known as Armenian ceramics—are iconic features of the Holy City. Silently, these works of ceramic art—art that also graces homes and museums around the world—represent a riveting story of resilience and survival: In the final years of the Ottoman Empire, as hundreds of thousands of Armenians were forcibly marched to their deaths, one man carried the secrets of this age-old art with him into exile toward the Syrian desert. Feast of Ashes tells the story of David Ohannessian, the renowned ceramicist who in 1919 founded the art of Armenian pottery in Jerusalem, where his work and that of his followers is now celebrated as a local treasure. Ohannessian's life encompassed some of the most tumultuous upheavals of the modern Middle East. Born in an isolated Anatolian mountain village, he witnessed the rise of violent nationalism in the waning years of the Ottoman Empire, endured arrest and deportation in the Armenian Genocide, founded a new ceramics tradition in Jerusalem under the British Mandate, and spent his final years, uprooted, in Cairo and Beirut. Ohannessian's life story is revealed by his granddaughter Sato Moughalian, weaving together family narratives with newly unearthed archival findings. Witnessing her personal quest for the man she never met, we come to understand a universal story of migration, survival, and hope.

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Although lowland Britain in 300 CE had been as Roman as any province in the empire, in the generations on either side of 400, urban life, the money economy, and the functioning state collapsed. Many of the most quotidian and fundamental elements of Roman-style material culture ceased to be manufactured. Skills related to iron and copper smelting, wooden board and plank making, stone quarrying, commercial butchery, horticulture, and tanning largely disappeared, as did the knowledge standing behind the production of wheel-thrown, kiln-fired pottery and building in stone. No other period in Britain's prehistory or history witnessed the loss of so many classes of once-common skills and objects. While the reasons for this breakdown remain unclear, it is indisputable the collapse was foundational in the making of a new world we characterize as early medieval. The standard explanation for the emergence of the new-style material culture found in lowland Britain by the last quarter of the fifth century is that foreign objects were brought in by "Anglo-Saxon" settlers. Marshalling a wealth of archaeological evidence, Robin Fleming argues instead that not only Continental immigrants, but also the people whose ancestors had long lived in Britain built this new material world together from the ashes of the old, forging an identity that their descendants would eventually come to think of as English. As with most identities, she cautions, this was one rooted in neither birth nor blood, but historically constructed, and advanced and maintained over the generations by the shared material culture and practices that developed during and after Rome's withdrawal from Britain.

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Shaping Regionality in Socio-Economic Systems: Late Hellenistic-Late Roman Ceramic Production, Circulation, and Consumption in Boeotia, Central Greece (c. 150 BC-AD 700) sheds some necessary light on local economies from the (late) Hellenistic to the Late Roman period. The concepts of regions and regionality are employed to explore the complexity of ancient economies and (ceramic) variability and change in Boeotia (Central Greece), largely on the basis of the survey data generated by the Boeotia Project for Thespiae, Askra, Hyettos, Tanagra and their surroundings. The analysis illustrates the existence of a range of (micro-)regions within Boeotia that are characterised by patterns and differences in ceramic production, variable intensities of interaction in larger networks, and consumer preferences and/or variability in aspects of consumption. By putting this patterning in a broader context, this study shows that spatio-temporal differences in the production and circulation of pottery (as well as differences in something which might be called the ‘performance’ of ancient economies) are shaped by geographical factors, by the ways in which communities and interaction were organised institutionally, by aspects of agency and by the unfolding of history. Although we can observe these three main factors that contributed to the shaping of regional differences, such processes were contextually-embedded and took root on a very local scale through various forms of agency and consumption practices. The book shows that we can gain a better understanding of the ways in which regions emerged, were articulated, and maintained, and how regions and local economies functioned from within through the detailed study of ceramics and other relevant data on Boeotia and the wider ancient world.

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With England’s Great Transformation, Marc W. Steinberg throws a wrench into our understanding of the English Industrial Revolution, largely revising the thesis at heart of Karl Polanyi’s landmark The Great Transformation. The conventional wisdom has been that in the nineteenth century, England quickly moved toward a modern labor market where workers were free to shift from employer to employer in response to market signals. Expanding on recent historical research, Steinberg finds to the contrary that labor contracts, centered on insidious master-servant laws, allowed employers and legal institutions to work in tandem to keep employees in line. Building his argument on three case studies—the Hanley pottery industry, Hull fisheries, and Redditch needlemakers—Steinberg employs both local and national analyses to emphasize the ways in which these master-servant laws allowed employers to use the criminal prosecutions of workers to maintain control of their labor force. Steinberg provides a fresh perspective on the dynamics of labor control and class power, integrating the complex pathways of Marxism, historical institutionalism, and feminism, and giving readers a subtle yet revelatory new understanding of workplace control and power during England’s Industrial Revolution.

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For over a century our knowledge of Egypt’s Western Desert during the Third Intermediate Period relied almost entirely on the Greater and Smaller Dakhleh Stelae. These two significant documents were purchased by Henry Lyons in 1894 in Dakhleh Oasis and indicated the existence of a substantial temple at Mut al-Kharab dedicated to the god Seth. Apart from these sources, very little information from the Western Desert could be dated to this period. Excavations at Mut al-Kharab began in 2000 and in recent years, evidence from the Third Intermediate Period temple has grown considerably. A range of artefacts has been unearthed, including decorated temple blocks, stelae, ostraka, in situ architectural remains, other small finds, and a large collection of well-dated ceramics. The scale of evidence suggests Mut al-Kharab was probably the most significant Third Intermediate Period site in the Western Desert.In light of this new material, a re-examination of activity in the Western Desert during this period has been possible. This volume presents all the available evidence relating to the western oases during the Third Intermediate Period, with a particular focus on the ceramics. Occupation appears to have been more widespread than the limited evidence previously suggested, and these oasis communities were closely connected to the populations in the Nile Valley. The Egyptian central administration continued to be interested in the Western Desert, although political control does not seem to have been consistent. Moreover, subtle yet distinct variations in the material record, including aspects of pottery traditions and religious practices, may reveal the existence of an oasis culture. As such, we are developing a much clearer picture of activity in this region.

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During the early nineteenth century, the harp was transformed into a sophisticated instrument that became as popular as the piano. This was largely the result of the harp's intensive technical, musical and visual upgrading, which gradually led to the transition from the single- to the double-action pedal harp. A major figure in this process was Sébastien Erard (1752-1831), a tireless inventor and prolific manufacturer of harps and pianos operating branches in Paris and London. With the introduction in 1811 of the so-called 'Grecian' model, the first commercially built double-action harp, the Erard firm managed to establish the harp not only as a novel, state-of-the-art instrument, but also as a powerful symbol of luxury, wealth and status. Drawing upon a wide variety of primary sources, including surviving instruments, archival documents and iconographical evidence, this book provides a comprehensive overview of the development, production and consumption of the Erard Grecian harp in Regency England. The innovative approaches employed by the Erard firm in the manufacture and marketing of harps are measured against competitors but also against the work of leading entrepreneurs in related trades, ranging from the mechanical devices and precision tools of James Watt, Henry Maudslay or Jacques Holtzapffel, through the ornamental pottery of Josiah Wedgwood, to the clocks and watches of George Prior or Abraham-Louis Breguet. In addition, the book examines the omnipresent role of the harp in the education, art, fashion and literature of the Regency era, discussing how the image and perception of the instrument were shaped by groundbreaking advances, such as the Industrial Revolution, Neoclassicism, and the Napoleonic Wars.

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