Search results for ""Edinburgh University Press""

Explores the neglected subject of Gothic B-movies in the Americas, Europe, Asia and AfricaFollowing the Second World War, low-budget B-movies that explored and exploited Gothic narratives and aesthetics became a significant cinematic expression of social and cultural anxieties. Influencing new trends in European, Asian and African filmmaking, these films carried on the tradition established by the Gothic novel, and yet they remain part of a largely neglected subject. 'B-Movie Gothic: International Perspectives' examines the influence of Gothic B-movies on the cinematic traditions of the United States, Britain, Scandinavia, Spain, Turkey, Japan, Hong Kong and India, highlighting their transgressive, transnational and provocative nature. It shows how B-movie Gothic is a relentlessly creative form, filled with political tensions and moving from shocking conservatism to profound social critique.Key featuresExamines the Gothic in B-movie narratives and techniques in different national cinemasCovers US, British, Spanish, Turkish and Japanese Gothic, as well as the influence of Gothic on Scandinavian, Chinese, Tanzanian and Indian low-budget cinemaIncludes chapters on the transnational tradition of B-movie Gothic from the 1950s to the presentExplores how modes and tropes from Gothic fiction have been integrated into B-movies

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This book traces the journey of new Muslims as they joined the early Islamic community and articulated their identities within it. It focuses on Muslims of slave origins, who belonged to the society in which they lived but whose slave background rendered them somehow alien. How did these Muslims at the crossroads of insider and outsider find their place in early Islamic society? How did Islamic society itself change to accommodate these new members? By analysing how these liminal Muslims resolved the tension between belonging and otherness, Conquered Populations in Early Islam reveals the shifting boundaries of the early Islamic community and celebrates the dynamism of Islamic history.

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Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in the 1960s.

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In Vampires, Race, and Transnational Hollywoods, Dale Hudson explores the movement of transnational Hollywood's vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa. As the vampire's popularity has swelled, vampire film and television has engaged with changing discourses around race and identity not always addressed in realist modes. Here, teen vampires comfort misunderstood youth, chador-wearing skateboarder vampires promote transnational feminism, African American and Mexican American vampires recover their repressed histories. Looking at contemporary hits like True Blood, Twilight, Underworld and The Strain, classics such as Universal's Dracula and Dracula, and miscegenation melodramas like The Cheat and The Sheik, the book reconfigures Hollywood historiography and tradition as fundamentally transnational, offering fresh interpretations of vampire media as trans-genre sites for political contestation.

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The "Reform Era" (1979-present) in China has been a time of massive social and economic change, and has witnessed China's transition from socialism to capitalism. This book focuses on how this period of change has been constructed in the films of Jia Zhangke through analyzing the five class figures of worker, peasant, soldier, intellectual, and entrepreneur that are found in his films. It examines how the figures' representation and the films' cinematography create what Raymond Williams terms "structures of feeling" feelings that concretize around a particular time and place which are captured and evoked in art and culture. The book argues that Jia's cinema should be understood not just as narratives that represent Chinese social transition and the director's changing attitudes to them through characters of different social classes, but also as an effort to engage the audience's emotional responses to those figures through representation, symbolism, and the affective experience of specific cinematic tropes. While making specific observations on Jia's films, the book adds to the scholarship about the Reform era by considering how this period's enormous transformations have been "felt," and also opens up many new areas, not only in the existing body of literature about Chinese film, which has mainly taken a political or sociological approach, but also in the larger fields of Chinese visual culture, cultural studies, and the affective qualities of film.

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The first book to look critically at digital technologies and the role they play within queer lives in contemporary IndiaThis pioneering interdisciplinary collection works across mainstream and alternative spaces such as Twitter, Youtube, Facebook, Grindr and gay men's health websites. These digital platforms are then situated within the contemporary socio-political conjuncture in India, offering a way of understanding queerness and Indian-ness in contemporary India.Queering in this book does not simply refer to a sexual category rather queerness is a mode of dispossession through which certain bodies are rendered as bodies marked for discipline and regulation. This book takes on diverse strands of queer theory in order to name the ways neoliberalism, nationalism, digital technologies, and movements for queer rights converge with each other within present day India. This analytical approach to queerness in India is the first of its kind and the result is a pioneering interdisciplinary collection.Key FeaturesTakes on diverse strands of queer theory to show where neoliberalism, nationalism, digital technologies and movements for queer rights converge in present-day IndiaIntegrates academic pieces with activist and practitioner narrativesLooks at sexualised online communities: their aims, compositions and potentialitiesDiscusses hook-up apps and social media, and how institutions use them to control, discipline and repressEngages with new forms of queer politics, feminist politics and online activismContributorsNiharika Banerjea, Ambedkar University, New Delhi, IndiaAniruddha Dutta, University of Iowa, USAAmit S. Rai, Queen Mary, University of London, UKJack Harrison-Quintana, independent researcher and Director of Grindr for Equality, USARadhika Gajjala, Bowling Green State University, Ohio, USARahul Gairola, Indian Institute of Technology Roorkee, IndiaKareem Khubchandani, Tufts University, USAIla Nagar, Ohio State University, USARohit K Dasgupta, Loughbrough University, UKPawan Singh, University of California San Diego, USASneha Krishnan, St John's College, University of Oxford, UKDebanuj DasGupta, University of Connecticut, USAInshah Malik, recently Yale University, USA

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This collection brings together a series of creative responses to the recent speculative turn in Continental philosophy. The contributors include philosophers, art historians, architects and art practitioners. It takes a generous definition of art to include architecture, cinema, dance and new media.

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The study of Arabic literary texts is blossoming and this book provides a comprehensive theoretical framework to help research this highly prolific and diverse production of contemporary literary texts. Based on the theoretical achievements of historical poetics, in particular those of Russian formalism and its theoretical legacy, this framework offers flexible, transparent, and unbiased tools to understand the relevant contexts within the literary system. The aim is to enhance our understanding of Arabic literature, throw light on areas of literary production that traditionally have been neglected, and stimulate others to take up the fascinating challenge of mapping out and exploring them.

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Organised around six key themes that interweave the connected histories of three countries in Southeast Asia Singapore, Malaysia and Indonesia this book shows the ways in which historical actors have promoted better understanding between Muslims and non-Muslims in the region.

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This textbook invites the student to explore early English syntax by looking at the linguistic characteristics of well- known texts throughout the early history of English. It shows how that piece of the language fits in to the broader picture of how English is developing and introduces the student to the real writing of the period.

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Modernism and the Theatre of the Baroque fashions an independent aesthetic for modernist writers and texts that challenges many high modernist qualities promoted by James Joyce and T. S. Eliot.

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BCC approved (with endorsements) "How is it that two broadly similar countries, neighbours with roughly equal populations and similar natural conditions, can follow two very different development paths? The authors of Northern Neighbours claim that `politics matter’. In their comparative history of Scotland and Norway, key factors in each county’s development are thrown into relief. The result is a convincing explanation for their divergence and a significant contribution to development theory in general." Matthew Hoffman, Cornell University "In this important book we can read another exciting attempt to examine through the comparative lens the modern histories of Norway and Scotland. A team of interdisciplinary experts drawn from both countries and elsewhere in the UK have been assembled to consider the radically different historical paths of two small nations and the social, political and economic consequences." Professor Sir Tom M. Devine A topical, comparative study of the economic, social and political development of Norway and Scotland Northern Neighbours explores the reasons for, and outcomes of, the social, political and economic divergence between Scotland and Norway over a period encompassing 500 years, in an engaging and comprehensive way. This accessible comparative study takes a closer look at the links between suffrage, property ownership and the process of democratisation and distribution of political power, land use and reform, the relative movement of populations, the process of industrialization, and rights of access. It offers a thorough analysis of the history of religion, education and finance in both countries, and explores the exploitation of their rich natural resources, and the resulting contrast in their fortunes. The authors also pose timely questions about the future of both countries; whether the economic and social disparities between the two can be addressed, and if the Nordic model could provide a basis for a realistic and effective development strategy for Scotland, were it to become an independent nation. John Bryden is Emeritus Professor of Human Geography at the University of Aberdeen Ottar Brox is former research director of the Norwegian Institute for Urban and Regional Research Lesley Riddoch is a freelance journalist, commentator and broadcaster ?

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This book reinserts Marianne Moore into the cultural history of modernism by examining her role as editor of The Dial between 1925 and 1929, the magazine most closely associated with the rise of modernism to cultural legitimacy

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More than any other 20th-century philosopher, Deleuze considers himself an apprentice to the history of philosophy. But scholarship has ignored one of the more formative influences on Deleuze: Lucretian atomism. Deleuze’s encounter with Lucretius sparked a way of thinking that resonates throughout all his writings: from immanent ontology to affirmative ethics, from dynamic materialism to the generation of thought itself. Filling a significant gap in Deleuze Studies, Ryan J. Johnson tells the story of the Deleuze-Lucretius encounter that begins and ends with a powerful claim: Lucretian atomism produced Deleuzianism.

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The publication of Form and Object: A Treatise on Things by Tristan Garcia, Prix de Flore-winning novelist, philosopher, essayist and screenwriter, is a genuine event in the history of philosophy. Situating this event within classical, modern and contemporary dialectical space, Jon Cogburn evaluates Garcia's metaphysics, differential ontology and militant anti-reductionism through a series of seemingly incompatible oppositions: substance/process, analysis/dialectic, simple/whole and discovery/creation. Cogburn also includes a critical assessment of the consequences of Garcia's philosophy, the various unresolved problems in his treatise and the future prospects of speculative metaphysics.

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Identifies an emerging genre within the contemporary Egyptian novel that reflects a new consciousnessDuring colonial times the Egyptian novel invoked a sovereign nation-state and basked in its perceived unity. After independence the novel began to profess disenchantment with state practices and unequal class and gender relations, but did not disrupt the nation's imagined homogeneity. The twenty-first-century Egyptian novel, by contrast, shatters this singular view, with the rise of a new consciousness that presents Egypt as fundamentally diverse. This new consciousness responds to discourses of difference and practices of differentiation within the contexts of race, religion, class, gender, sexuality and language. It also heralds the cacophony of voices that collectively cried for social justice from Tahrir Square. Through a robust analysis of several 'new-consciousness' novels by award winning authors the book highlights their unconventional, yet coherent undertakings to foreground the marginal experiences of the Nubian, Amazigh, Bedouin, Coptic, Jewish, women and sexual minority populations in Egypt.Key FeaturesIncludes case studies of the novels of 8 authors: Idris ?Ali, Baha? ?ahir, ?Ala? al-Aswani, Yusuf Zaydan, Mu?tazz Futayha, Ashraf al-Khumaysi and Miral al-TahawiShows how these novels have taken on a mediatory role in formalising and articulating their historical momentCritically examines the recent developments within the Egyptian literary and socio-cultural arenas

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Irish Experimental Poetry showcases a distinctive and vital body of poetry produced in contemporary Ireland which is modernist and innovative in style, and internationalist in outlook. The volume contains original poems by Maurice Scully, Trevor Joyce, Catherine Walsh, Billy Mills, Fergal Gaynor, and Sarah Hayden, and twelve new essays which explore and elucidate this hidden history of experimental poetry in Ireland.

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Explores disturbing connections between authors and informers revealed in the metadrama of Shakespeare and Jonson Have you ever wondered what was really going on in the inner-plays, secret overhearing, and tacit observations of early modern drama? Taking on the shadowy figure of the early modern informer, this book argues that far more than mere artistic experimentation is happening here. In case studies of metadramatic plays, and the devices which Shakespeare and Jonson constantly revisit, this book offers critical insight into intrinsic connections between informers and authors, discovering an uneasy sense of common practice at the core of the metadrama, which drives both its self-awareness and its paranoia. Drama is most self-revealing at these moments where it reflects upon its own dramatic register: where it is most metadramatic. To understand their metadrama is therefore to understand these most seminal authors in a new way. Key Features Offers a fresh insight into the internal workings and motivations of Shakespeare and Jonson’s dramatic structures Opens a new window on the ambitions, concerns, and fears of these important authors Enhances historical understanding of the structures of authority within which the drama was produced, and the place of the informer in those structures

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This book brings together 11 pairs of opposing speeches on foreign policy written by Florentine statesman and historian Francesco Guicciardini (1483–1540), freshly translated with new commentary. Collectively, they constitute a remarkable collection of debates on war, peace, alliance and more. Incisive and elegant, the debates contain an early formulation of concepts such as the balance of power and the security dilemma – ideas that are still in international politics today. This book highlights the importance of Guicciardini’s work for the evolution of international theory and explains why he, alongside Machiavelli, should be considered a leading figure of Realism.

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Deleuze's readings of Hume, Spinoza, Bergson and Nietzsche respond to philosophical critiques of classical and modern empiricism. However, Deleuze's arguments against those critiques--by Kant, Hegel, Husserl and Heidegger--consolidate the philosophy of immanence that can be called 'transcendental empiricism'. Marc Rolli offers us a detailed examination of Gilles Deleuze's philosophy of transcendental empiricism. He demonstrates that Deleuze takes up and radicalises the empiricist school of thought developing a systematic alternative to the mainstreams of modern continental philosophy."

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Explores Doris Lessing’s innovative engagement with historical change in her own lifetime and beyond The death of Nobel Prize-winning Doris Lessing sparked a range of commemorations that cemented her place as one of the major figures of twentieth- and twenty-first-century world literature. This volume views Lessing’s writing as a whole and in retrospect, focusing on her innovative attempts to rework literary form to engage with the challenges thrown up by the sweeping historical changes through which she lived. The 12 original chapters provide new readings of Lessing’s work via contexts ranging from post-war youth politics and radical women’s writing to European cinema, analyse her experiments with genres from realism to autobiography and science-fiction, and draw on previously unstudied archive material. The volume also explores how Lessing’s writing can provide insight into some of the issues now shaping twenty-first century scholarship – including trauma, ecocriticism, the post-human, and world literature – as they emerge as defining challenges to our own present moment in history. Key Features Offers a critical overview of the full range of Lessing’s work, setting the agenda for future study of her writing Provides new readings of an unprecedented range of Lessing’s writing, including previously unstudied archive material, landmark novels such as The Golden Notebook, drama and reportage, essays, memoirs and short stories Situates Lessing in relation to new literary and cultural contexts, including the nineteenth-century novel-series, cinema, and post-war youth culture Relates Lessing’s work to contemporary theoretical debates on post-humanism, trauma, ecocriticism, radical women’s writing and world literature

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Henri Bergson is widely accepted as one of the most significant thinkers for Gilles Deleuze's work. It is also frequently noted that Deleuze is largely responsible for having revived and contoured the prevailing interest in Bergson's work. Craig Lundy gives readers of Deleuze and Bergson an opportunity to discover and fully connect with an encounter that continues to exert enormous influence over the course of contemporary thought.

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These 11 newly commissioned essays represent the evolution, or coevolution, of Woolf studies in the early 21st-century. Divided into 5 parts – Self and Identity; Language and Translation; Culture and Commodification; Human, Animal and Nonhuman; and Gender, Sexuality and Multiplicity – the essays represent the most recent scholarship on the subjective, provisional, and contingent nature of Woolf's work.

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What is security, and what is its relationship to capitalism? George S. Rigakos' explosive treatise charts the rise of the security-industrial complex. Starting from a critical appraisal of `productive labour’ in the works of Karl Marx and Adam Smith, Rigakos builds a conceptual model of pacification based on practices of dispossession, exploitation and the fetish of security commodities. Rigakos argues that a defining characteristic of the global economic system is its ability to productively sell (in)security to those it makes insecure. Materially and ideologically, the security-industrial complex is the blast furnace of global capitalism, fuelling the perpetuation of the system while feeding relentlessly on the surpluses it has exacted.

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This book is a one-stop-shop for the busy undergraduate studying Shakespeare. Offering detailed guidance to the plays most often taught on undergraduate courses, the volume targets the topics tutors choose for essay questions and is organised to help students find the information they need quickly. Each text discussion contains sections on sources, characters, performance, themes, language, and critical history, helping students identify the different ways of approaching a text. The book's unique play-based structure and character-centre approach allows students to easily navigate the material. The flexibility of the design allows students to either read cover-to- cover, target a specific play, or explore elements of a narrative unit such as imagery or characterisation.The reader will gain quickly a full grasp of the kind of dramatist William Shakespeare was - and is.

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An introduction to the history of English morphology.

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A beginner's guide to the corpus analysis of style in texts

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In Worldly Shakespeare Richard Wilson proposes that the universalism proclaimed in the name of Shakespeare's playhouse was tempered by his own worldliness, the performative idea that runs through his plays, that if 'All the world's a stage: then 'all the men and women in it' are 'merely players'. Situating this playacting in the context of current concerns about the difference between globalisation and mondialisation, the book considers how this drama offers itself as a model for a planet governed not according to universal toleration, but the right to offend: 'But with good will'. For when he asks us to think we 'have but slumbered' throughout his offensive plays, Wilson suggests, Shakespeare is presenting a drama without catharsis, which anticipates post-structuralist thinkers like Jacques Ranciere and Slavoj Ziiek, who insist the essence of democracy is dissent, and 'the presence of two worlds in one'. Living out his scenario of the guest who destroys the host, by welcoming the religious terrorist, paranoid queen, veiled woman, papist diehard or puritan fundamentalist into his play-world, Worldly Shakespeare concludes, the i dramatist instead provides a pretext-for our globalised communities in a time of Facebook and fatwa, as we also come to depend on the right to offend 'with our good will'.

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John Barrymore's influence on screen and stage in the early twentieth century is incalculable. His performances in the theatre defined Shakespeare for a generation, and his transition to cinema brought his theatrical performativity to both silent and sound screens. This book, a collection of fifteen original essays on the film performances and stardom of John Barrymore, redresses this lack of scholarship on Barrymore by offering a range of varied perspectives on the actor's work. Looking at his performances and influence from the perspectives of gender studies, psychoanalysis, queer studies and performance analysis, Hamlet Lives in Hollywood represents a major attempt by contemporary scholars to come to terms with the ongoing vitality of John Barrymore's work in our present day.

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Essential reading for those seeking a thorough and wide-ranging understanding of postfeminismNew for this edition:Extended critical history of postfeminismEngagement with a new postfeminist vocabulary associated with post-recessionClose analysis of the impact of a recessionary postfeminist stanceThis text comprehensively surveys and critically positions the main issues, theories and contemporary debates surrounding postfeminism. It covers the term's underpinnings and critical contexts, its different meanings, as well as popular media representations. Adopting an inclusive and interdisciplinary approach, the text situates postfeminism in relation to earlier feminisms and addresses its manifestations in popular culture, academia, politics and brand culture. It brings to light the various meanings of postfeminism and highlights distinct postfeminist patterns, while opening up the category for future investigation.Key FeaturesUser-friendly format allows students and lecturers to explore the diverse postfeminist landscape as well as examine specific versions of itAn original and rigorous critical approach to the topic that advances a contextualized understanding of postfeminismDetailed analysis in chapters on the Backlash, New Traditionalism and Austerity Nostalgia, New Feminism, Girl Power and Chick-lit, Do-Me Feminism and Raunch Culture, (Neo)liberal Sexism, Postmodern Feminism, Postcolonial Feminism, Queer Feminism, Men and Feminism, Cyberfeminism, Third Wave Feminism, Sexual Micro-/Macro-Politics, Celebrity Brand CultureIncludes topical case studies on (amongst others) Game of Thrones, Keeping Up with the Kardashians, Lady Gaga, Girls, Nicki Minaj, Slut Walk, FEMEN

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Remaps the borders of transatlantic feeling and resituates the role of international memory in U.S. culture in the long nineteenth century and beyond In refocusing attention on the Paris Commune as a key event in American political and cultural memory, Sensational Internationalism radically changes our understanding of the relationship between France and the United States in the long nineteenth century. It offers fascinating, remarkably accessible readings of a range of literary works, from periodical poetry and boys’ adventure fiction to radical pulp and the writings of Henry James, as well as a rich analysis of visual, print, and performance culture, from post-bellum illustrated weeklies and panoramas to agit-prop pamphlets and Coney Island pyrotechnic shows. This book will speak to readers looking to understand the affective, cultural, and aesthetic afterlives of revolt and revolution pre-and-post Occupy Wall Street, as well as those interested in space, gender, performance, and transatlantic print culture. Key Features Multi-disciplinary study of the cultural legacy of the Paris Commune in both mainstream and leftist U.S. memory Contributes to recent work on the global dimensions of pre-Popular front radical culture in the US Addresses a critical ongoing blind spot in American Studies by extending the borders of transatlantic affiliation beyond the confines of Anglo-American attachments Offers innovative readings of well-known and altogether neglected cultural texts

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Key Concepts in Contemporary Popular Fiction provides an accessible, concise and reliable overview of core critical terminology, key theoretical approaches, and the major genres and sub-genres within popular fiction. The book also provides critical and historical contexts for terminology related to e-books, e-publishing, and self-publishing platforms. By using focusing in particular on post-2000 trends in popular fiction, the book provides a truly up-to-date snapshot of the subject area and its critical contexts.

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In this illustrated book, nine contributors explore multifaceted aspects of art, architecture and material culture of the Persian cultural realm, encompassing West Asia, Anatolia, Central Asia, South Asia, East Asia and Europe. Each chapter examines the historical, religious or scientific role of visual culture in the shaping, influencing and transforming of distinctive `Persian’ aesthetics across the various historical periods, ranging from pre-Islamic, medieval and early modern Islamic to modern times.

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Introducing readers to the extremely rich tradition of Arabic literature, this Anthology covers some of its major themes and concerns across the centuries, from its early beginnings to modern times. The texts chosen are a 'library of personal preferences' of a scholar who has spent half a century or more in the company of Arabic books, marking then translating those passages that seemed to him to capture some of its most memorable moments. Reflecting the great diversity and unpredictability of Arabic literature as the carrier of a major world culture, both pre-modern and modern, the Anthology is divided thematically to highlight modern issues such as love, religion, the human self, human rights, freedom of expression, the environment, violence, secular thought, and feminism. The short, easy-to-read texts are accessible to non-specialists, providing an ideal entry point to this extraordinary literature.

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The late President of Egypt, Gamal Abdel Nasser (1918-1970), has been represented in many major works of Egyptian literature and film, and continues to have a presence in everyday life and discourse in the country. Omar Khalifah’s analysis of these representations focuses on how the historical character of Nasser has emerged in the Egyptian imaginary. He explores the recurrent images of Nasser in literature and film and shows how Nasser constitutes a perfect site for plural interpretations. He argues that Nasser has become a rhetorical device, a figure of speech, a trope that connotes specific images constantly invoked whenever he is mentioned. His study makes a case for literature and art to be seen as alternative archives that question, erase, distort and add to the official history of Nasser.

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Examines dissident conceptions of space in the British Romantic era Radical Romantics is about utopias and failed utopias, about cities that are palimpsests, and about the unwieldy span of the ocean. From William Blake’s visionary poetry to Lord Byron’s Eastern romances, from prophetic pamphlets to travel narratives, texts of the Romantic era make use of imaginative spaces to reveal the contours and limits of territorial sovereignty. In doing so, they raise fundamental questions about our understanding of both territorial and imagined space. What are the means by which people can conceive of geographical space without resorting to the terms of nationalism? Is it possible to imagine a space beyond territory, as movement itself? How can we articulate the overlap between mapped and lived space? Key Features Engages with the critical frameworks of cultural geography, cartography, and the burgeoning field of oceanic studies Reformulates theories of colonization and empire in the Romantic period Puts canonical poetry in dialogue with travel tales and prophetic tracts

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The first book to address the vast diversity of Northern circumpolar cinemas from a transnational perspective, Films on Ice presents the region as one of great and previously overlooked cinematic diversity. With chapters on polar explorer films, silent cinema, documentaries, ethnographic and indigenous film, gender and ecology, as well as Hollywood and the USSR's uses and abuses of the Arctic, this book provides a groundbreaking account of Arctic cinemas from 1898 to the present and radically alters stereotypical views of the Arctic region.

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Too often dismissed as 'trash cinema', exploitation films have nevertheless become sincerely appreciated cult objects on home video. In this new study, David Church explores how the history of drive-in theatres and urban grind houses has descended to home video formats. Focusing on both the re-release of archival exploitation films on DVD and the recent cycle of 'retrosploitation' films like Grindhouse, Machete, Viva, and Black Dynamite, Church examines how nostalgia shapes the aesthetics and politics of exploitation films and the fan cultures devoted to them.

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The most radical philosophy of law of our time. Gilles Deleuze has provided the most fascinating account of law of the twentieth century. Yet it is hidden in a just a few clues dispersed throughout his work and no complete reconstruction of it has ever been produced. Laurent de Sutter gathers all the elements that compose Deleuze's philosophy of law and articulates them for the first time in a real system: the result is the most devastating critique of the very idea of law. But it is also the most surprising, praising the actual practice of jurisprudence. This is not simply a practice of judgment, but a practice of radical creation and leads to an intriguing question: what if lawyers were the only true revolutionaries of our time?

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It is often said that Lacan is the most radical representative of structuralism, a thinker of negativity and alienation, whereas Deleuze is pictured as a great opponent of the structuralist project, a vitalist and a thinker of creative potentialities of desire. It seems the two cannot be further apart. This volume of 12 new essays breaks the myth of their foreignness (if not hostility) and places the two in a productive conversation. By taking on topics such as baroque, perversion, death drive, ontology/topology, face, linguistics and formalism the essays highlight key entry points for a discussion between Lacan's and Deleuze's respective thoughts. The proposed lines of investigation do not argue for a simple equation of their thoughts, but for a `disjunctive synthesis’, which acknowledges their differences, while insisting on their positive and mutually informed reading.

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