Search results for ""Author Painters"

The first book to survey the works of 38 contemporary painters who are "disrupting" figurative painting with technology- and memory-inspired alterations. Disrupted Realism takes an in-depth look at the works of contemporary painters who are challenging and reshaping the tradition of Realism, helping art lovers, collectors, and artists approach and understand this compelling new phenomenon. Includes the works of 38 artists whose paintings respond to the subjectivity and disruptions of modern experience. Six sections lay out and analyze common themes: "Toward Abstraction," "Disrupted Bodies," "Emotions and Identities," "Myths and Visions," "Patterns, Planes, and Formations," and "Between Painting and Photography." Interviews with each artist offer additional insight into some of the most incisive and relevant paintings being created today. Widely published author and blogger John Seed, who believes that we are “the most distracted society in the history of the world,” has selected artists he sees as visionaries in the developing Realism movement. The artists’ impulses toward disruption are as individual as the artists themselves, but all share the need to include perception and emotion in their artistic process.

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This book is for the beginning and advanced painter alike. Here is a wealth of painting knowledge and an introduction to the time-honored techniques of porcelain painting, the necessary tools and the designs. The central focus of the book is the classic flower painting, but it also presents modern Art Deco designs. Numerous step-by-step instructions and color photographs make this an ideal book for the amateur and professional painters. The patterns are easily transferred to the porcelain objects they wish to paint.

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A unique artist's reference offering easy-to-follow, ingenious ideas and techniques for painting 50 popular landscapes in watercolour. Originally published as The Landscape Painter's Essential Handbook, this refreshed edition gives more space to the art and brings back into print one of the cornerstone books on landscape painting from an international watercolour master. The 50 landscapes included range from a gentle flower-filled meadow and hazy summer mountains, to a dramatic cliff scene and a rippling stream in sunshine. Each landscape is explored within a hardworking spread through exercises, step-by-step sequences and easy-to-follow instructions; master the principle and technique, and finish with the watercolour painting exercise. The comprehensive introductory section covering basic materials, techniques and colours makes this an indispensable reference for all artists. From snow-covered mountains to tranquil meadows, this unique artist's reference will show you how to paint 50 glorious landscapes in watercolour. Learn the basic techniques required to paint each landscape through the clear illustrations and step-by-step demonstrations Follow the author's practical advice and ingenious ideas to achieve the best results, and refer to his fantastic finished paintings for further inspiration Use the indispensable introduction to discover the essential materials, basic techniques and key principles for capturing landscapes. The must-have practical reference that no landscape painter should be without!!

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What is a pyxis? Who was the Amasis Painter? How did Greek vases get their distinctive black and orange colours? This volume offers definitions and descriptions of these and many other Greek vase shapes, painters and techniques encountered in museum exhibitions and publications. There is discussion of how to look at Greek vases and on the conservation of ancient ceramics. The concise definitions are divided into two sections, one on potters and painters and another on vase shapes and technical terms relating to the construction and decoration of the vases. Featuring numerous colour illustrations of Greek vases, many from the Getty Museum's collection, the work should be useful to students, scholars, and those wishing to obtain a greater understanding of Greek ceramics and a heightened enjoyment of them.

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What does it mean to be nude? What does the nude do? In a series of constantly surprising reflections, Jean-Luc Nancy and Federico Ferrari encounter the nude as an opportunity for thinking in a way that is stripped bare of all received meanings and preconceived forms. In the course of engagements with twenty-six separate images, the authors show how the nudes produced by painters and photographers expose this bareness of thought and leave us naked on the verge of a sense that is always nascent, always fleeting, on the surface of the skin, on the surface of the image. While the nude is a symbol of truth in philosophy and art alike, what the nude definitively and uniquely reveals is unclear. In Being Nude: The Skin of Images, the authors argue that the nude is always presented as both vulnerable in its exposure and shy of conceptualization, giving a sense of the ultimate ineffability of the meaning of being. Although the nude represents the revealed nature of truth, nude figures hold a part of themselves back, keeping in reserve the reality of their history, parts of their present selves, and also their future possibilities for change, development, and demise. Skin is itself a type of clothing, and stripping away exterior layers of fabric does not necessarily lead to grasping the truth. In this way, the difference between being clothed and being nude is diminished. The images that inspire the authors to contemplate the nudity of being show many ways in which one can and cannot be nude, and many ways of being in relation to oneself and to others, clothed and unclothed.

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There is only one argument for Scottish independence: the cultural argument. It was there long before North Sea oil was discovered, and it will be here long after the oil has run out… We believe, as teachers, artists, a painter and a poet, both of us travellers in other lands, both of us residents in Scotland, that Scotland should be an independent nation. ALEXANDER MOFFAT AND ALAN RIACHArts of Independence takes a hard look at the most neglected aspect of the argument for Scotland’s distinctive national identity: the arts. The proposition is that music, painting, architecture, and, pre-eminently, literature are the fuel and fire of political change.Following the success of Arts of Resistance, this new work by the same authors takes the argument over Scottish independence out of the hands of politicians and economists and beyond the petty squabbles of party politics.

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Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

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In the late 19th century, numerous Russian artists found inspiration in the style of French Impressionist painters. Often, a journey to Paris acted as a catalyst for their burgeoning interest in the movement. They developed a preference for working en plein air and aimed to capture transitory effects through a spontaneous and free handling of the brush. Many leading painters of the later Russian avant-garde arrived at their individual styles due to studying the Impressionist use of light. This lavishly illustrated volume explores the many-layered ways French Impressionism influenced the evolution of Russian art from the 1880s to the 1920s, including the work of painters as diverse as Ilya Repin, Valentin Serov, Konstantin Korovin, Natalia Goncharova, and Kazimir Malevich. Essays by many of the leading scholars in the field provide rich new insights into one of the most intriguing chapters of Russian modernism.

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Called by many France's foremost philosopher, Gilles Deleuze is one of the leading thinkers in the Western World. His acclaimed works and celebrated collaborations with Felix Guattari have established him as a seminal figure in the fields of literary criticism and philosophy. The long-awaited publication of What Is Philosophy? in English marks the culmination of Deleuze's career. Deleuze and Guattari differentiate between philosophy, science, and the arts, seeing as means of confronting chaos, and challenge the common view that philosophy is an extension of logic. The authors also discuss the similarities and distinctions between creative and philosophical writing. Fresh anecdotes from the history of philosophy illuminate the book, along with engaging discussions of composers, painters, writers, and architects. A milestone in Deleuze's collaboration with Guattari, What Is Philosophy? brings a new perspective to Deleuze's studies of cinema, painting, and music, while setting a brilliant capstone upon his work.

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In 1914, Tom Thomson spent the summer at a family cottage on Lake Huron’s Georgian Bay, where he taught the ten-year-old daughter, Helen, how to paint. Author Susan Vande Griek and illustrator Pascal Milelli have imagined this time through Helen’s eyes, providing an intriguing glimpse into the famous painter’s life.Helen and her father greet their visitor on the rocks of West Wind Island. She is fascinated by everything about him — his canoe full of gear, his paint-stained hands, his campfire stew. Over the next few days she watches as Tom paddles off to fish and clambers over the rocks to paint. And then he invites Helen to paint with him — wildflowers blooming near the cottage, boats rocking in the water, pine trees blowing in a storm. And at summer’s end, he leaves her with a memento of their time together.The story, told in lyrical free verse, has a quiet charm, while the illustrations capture the natural beauty that inspired some of Thomson’s most memorable paintings.An author’s note provides more information about Tom Thomson’s life.

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This sequel to the best-selling Bob Ross Coloring Book features a collection of sixty-five seasonal paintings refashioned from Bob Ross's original works.The second coloring book based on the art of the beloved and acclaimed painter and television personality, this exclusive authorized collection of art, derived directly from Bob Ross's own paintings, offers his legions of fans a contemplative, relaxing, and inspiring way to connect with the work and personality of the pop-culture icon.Featuring many of Ross's most famous quotes and catchphrases about happy little trees, friendly squirrels, and more, the book also includes a full-color gallery of the original artwork. But as he would no doubt want, coloring fans of all ages are encouraged to make their own decisions, embrace their mistakes, and make each painting their own.

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Ever heard of Allied spy Noor Inayat Khan, a Muslim woman whom the Nazis considered highly dangerous? Or German painter and entomologist Maria Sibylla Merian, who planned and embarked on the world s first scientific expedition? How about Huang Daopo, the inventor who fled an abusive child marriage only to revolutionize textile production in China? Women have always been able to change the world, even when they didn t get the credit. In Wonder Women, author Sam Maggs introduces you to pioneering female scientists, engineers, mathematicians, adventurers, and inventors each profile a study in passion, smarts, and stick-to-itiveness, complete with portraits by Google doodler Sophia Foster-Dimino, an extensive bibliography, and a guide to present-day women-centric STEM organizations.

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An ancient menace reborn to plague the modern world...and an impossible hope hidden in an unimaginable place...The exhilarating SIGMA Force thriller from the NEW YORK TIMES bestselling author of MAP OF BONES and THE DOOMSDAY KEY.From the high seas of the Indian Ocean to the dark jungles of Southeast Asia, from the canals of Venice to the crypts of ancient kings, SIGMA Force must piece together a mystery that, unless solved, will end all life on our planet...But even this challenge may prove too large for SIGMA Force alone. With a worldwide pandemic growing, Painter Crowe and Commander Gray Pierce turn to their deadliest adversaries for help, teaming up with a diabolical foe that has thwarted them in the past. But can the enemy be trusted even now? Or will they prove to be another Judas...?

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Brightly chromatic transformations of everyday objects from the New York painter Presenting 16 new paintings by New York–based painter Matthew Cerletty (born 1980), True Believer includes a short story by Catherine Lacey and an interview by Louis-Philippe Van Eeckhoutte. Depicting a range of familiar subjects from Ellsworth Kelly to a red gas can, Cerletty’s paintings challenge habits of recognition.

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Tour North America’s greatest museums and galleries in the company of two incomparable guides.This lively companion highlights the essential paintings, by some of the world’s greatest painters, from Giotto to Picasso, on display in North American museums and galleries. Julian Porter has had a life-long passion for art. He worked for seven years as a student tour guide in Europe and since has conducted countless gallery tours in Europe and North America. His co-author, Stephen Grant, brings a wealth of expertise in twentieth-century artists, and presents them within the framework of a North American–led, sustained burst of originality and shock. Presented with wit and irreverence, here is the best that North American galleries have to offer. Focused and curated to give you everything you need to enjoy the greatest works of art in the best company and save you the sore feet and superfluous information.

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Subtitle on 2011 edition: A guide for painters, sculptors, photographers, and other visual artists

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Old Masters Memory Game collects the most famous and beloved portrait painters from the 16th and 17th centuries in one game that is fun to play, educational, and a feast for the eyes. The task, as always, is to collect two cards that make one set: in this case, two portrait paintings by the same painter. The sets are clearly recognizable by the posture of the figure, facial expression, the style of painting, and attributes like clothes and hairstyle. To help, there is always the brochure with all the paintings in pairs and a little explanation on the painters. This is a wonderful gift item for gift shops and all museums that collect the old masters. The game consists of 50 cards of 25 sets featuring world-famous portraits by the likes of Rembrandt van Rijn, Johannes Vermeer, Leonardo da Vinci, Sandro Botticello, Titian, Frans Hals, Albrecht Durer, Goya, and many others.

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Impressionism, an art movement pioneered by a handful of avant-garde painters based in Paris in the 1870s, gave academic oil painting a vivacity and spontaneity it had previously lacked, and remains to this day the single most popular style of art for gallery-goers and amateur painters alike. This elegantly-written book, by a professional artist and scholar, is both an instructional guide to incorporating Impressionist techniques into your own painting, and an illuminating investigation into how those first Impressionists actually painted their pictures. As such, it will fascinate both the painter and the art historian. This new book provides detailed advice on paints, brushes and canvas, as used by the original Impressionists and still widely available today. It discusses the process of making an Impressionist painting from initial vision to final completion and analyses the role of composition, light and tone, colour and paint handling. Finally, it gives an overview of the subject matter most closely associated with the Impressionists.

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'Tiepolo: the last breath of happiness in Europe'The eighteenth-century Venetian painter Giambattista Tiepolo spent his life creating frescoes that are among the glories of Western art, yet he remains shrouded in mystery. Who was he? And what was the significance of the dark, bizarre etchings depicting sacrifice and magic, which he created alongside his heavenly works? Roberto Calasso explores Tiepolo as the last artist of the ancien régime and at the same time the first example of the "painter of modern life" evoked by Baudelaire. He was the incarnation of that peculiar Italian virtue sprezzatura: the art of not seeming artful.Translated by Alastair McEwen'A brilliant, eccentric, provocative . . . and thoroughly splendid celebration of a great painter' John Banville, The New Republic'Calasso is a myth-maker ... a book that treats paintings as a kind of sorcery' Peter Conrad, Observer

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'Wonderful ... I fell immediately into her world' Frances Mayes, author of Under the Tuscan SunKinta Beevor was five years old when she fell in love with her parents' castle facing the Carrara mountains. She and her brother ran barefoot, exploring an enchanted world. They searched for wild mushrooms in the hills with Fiore the stonemason, and learned how to tickle trout. The freedom and beauty of life at the castle attracted poets, writers and painters, including D.H. Lawrence and Rex Whistler. The other side to Kinta's childhood was very different, for it was spent with her formidable great aunt, Janet Ross, in a grand villa outside Florence. But soon the old way of life and Kinta's idyllic world were threatened by war.Nostalgic, yet unsentimental and funny, A TUSCAN CHILDHOOD is a book which transports the reader to bohemian, aristocratic Italy and the sound of bells from a distant campanile.

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The identical reproduction of the Meuricoffre album, acquired by the Louvre in 2018, is a good opportunity to leaf through one of the only two portrait books attributed to the French painter Antoine-Jean Gros (1771-1835). It is a testimony to Gros' activity as a portrait painter during his stay in Italy (1793-1800) and illustrates the privileged relationship that the painter had in Genoa with the family of the Franco-Swiss banker Jean-Georges Meuricoffre. The beautiful gallery of portraits, drawn in the intimacy of this family, restores the physiognomies of representatives of Franco-Swiss high society who were in contact with the Meuricoffre family at the time and, through them, with Gros. The study that accompanies the publication of the notebook reveals the hitherto unknown identity of these characters. A material description of the album, an essential scientific support for its understanding, completes the subject. Text in French.

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Portrait painting is inherently difficult and requires a unique understanding of and sensitivity to the sitter. This practical book considers the historical context of portrait painting and its contemporary practice. Written by a professional portrait painter, it describes the intricacies of making a portrait not just for the technically minded but also for those who are interested in a painter's perspective on the role and importance of portraiture.

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The color line, once all too solid in southern public life, still exists in the study of southern history. As distinguished historian Nell Irvin Painter notes, we often still write about the South as though people of different races occupied entirely different spheres. In truth, although blacks and whites were expected to remain in their assigned places in the southern social hierarchy throughout the nineteenth century and much of the twentieth century, their lives were thoroughly entangled. In this powerful collection of pathbreaking essays, Painter reaches across the color line to examine how race, gender, class, and individual subjectivity shaped the lives of black and white women and men in the nineteenth- and twentieth-century South. She explores such themes as interracial sex, white supremacy, and the physical and psychological violence of slavery, using insights gleaned from psychology and feminist social science as well as social, cultural, and intellectual history. The book illustrates both the breadth of Painter's interests and the originality of her intellectual contributions. This edition features refreshed essays and a new preface that sheds light on the development of Painter's thought and our continued struggles with racism in the twenty-first century.

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A marvelous art book that reveals the unknown face of the Renaissance and the craze for monsters Hieronymous Bosch is known throughout the world as a painter of monstrous creatures and fantastic scenes that seem the output of dreamlike visions. His fame did not begin in the Netherlands, where the artist was born, but in 16th-century southern Europe, which was artistically dominated by themes and styles typical of Renaissance classicism, very far from those of the Flemish painter. This book, in addition to presenting Bosch, aims to illustrate the success of his art in the high societies of Italy, Spain, and the Americas in the period between the 16th and early 17th centuries, with particular reference to the collecting trends of the time in these two countries, where the works of Bosch and his followers were in great demand (by the Spanish Habsburgs, the Grimani in Venice, etc.). These works, in turn, inspired a large number of painters, draftsmen, en

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As Chicago grew into the world-class city it is today, its civic leaders took exceptional care in their cultivation of the arts. The establishment of the Art Institute, the widespread support of wealthy patronage, and the activity of numerous organizations including the Chicago Architectural Club, the Urban League, and the Chicago Women's Club, combined to make Chicago home to many painters. Since rising from the ashes in 1873, Chicago has supported generation after generation of inspired artists who painted land and cityscapes, and honored their patrons with portraits. The full length and breadth of their amazing work can at last be appreciated in the Powell and Barbara Bridges Collection. Susan C. Larsen provides a profile of the collectors and introduces the Bridges Collection, featuring an impressive range of canvases by Charles Francis Browne, Alice Kellogg Tyler, Frank Peyraud, Alfred Juergens, and other notable painters. Formerly the private treasure of the Bridges, Chicago Painting makes all 78 paintings of their remarkable collection available, in full color, to art lovers the world over. Wendy Greenhouse offers a host of insights into the lives and work of the artists who worked prior to the turn of the last century. She surveys the "conservative" Chicago painters who resisted the avant-garde, showing that while the European avant-garde did exert an influence, excellent work continued to be done in traditional genres such as portraits and landscapes. Painters the quality of Junius Sloan, Lucie Hartrath, George Peter Alexander Healy, Louis Betts, Ralph Clarkson, and Daniel Folger Bigelow are represented here. Finally, Susan Weiniger guides us into the Modernist era Chicago painters--Gertrude Abercrombie, Frances Strain, Frederic Tellander, Rudolph Weisenborn, and others--whose works show conclusively that Chicago did more than import avant-garde painting. Chicago Painting 1895 to 1945 also includes updated biographies of 49 painters and commentary on each painting.

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In this heartfelt memoir, Maria Wallisfurth recounts the lives of her deaf parents in Germany from the turn of the twentieth century through World War II. Her mother, Maria Giefer, was born in 1897 and her father, Wilhelm Sistermann, was born in 1896. The author captures the seasonal rhythms and family life of her mother's youth in rural Germany, a time filled as much with hardship as it is with love. When she is old enough, she moves to the nearby city of Aachen to attend a school for deaf children, where she learns to lipread and speak. After her schooling is complete, she returns home to work on the family farm and experiences the privations and fear that accompany World War I. She later goes back to Aachen, where she joins a deaf club and falls in love with Wilhelm, a painter and photographer who was raised in the city. Amidst high unemployment, food shortages, and rapid inflation, the two are married in 1925 and two years later the author is born. Under the Nazi regime, Maria and Wilhelm are ordered to undergo forced sterilization. Although their deafness is not hereditary and they submit applications of protest, they are compelled to comply with the law. Despite their dissimilar backgrounds and the political circumstances that roiled their lives, the author's parents showed great love for each other and their only daughter. The Stories They Told Me is a richly detailed document of time and place and a rare account of deaf lives during this era.

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In The Optickal Illusion, Rachel Halliburton’s meticulous recreation of Georgian society reveals the sordid details of a genuine scandal that deceived the British Royal Academy. Her debut novel questions the lengths women must go to make their mark on a society that seeks to underplay their abilities - a theme only too relevant today. It is three years from the dawn of a new century and in London, nothing is certain any more: the future of the monarchy is in question, the city is aflame with right and left-wing conspiracies, and the French could invade any day. Against this feverish atmosphere, the American painter Benjamin West is visited by a strange father and daughter, the Provises, who claim they have a secret that has obsessed painters for centuries: the Venetian techniques of master painter Titian. West was once the most celebrated painter in London, but hasn’t produced anything of note in years so against his better judgment he agrees to let the intriguing Ann Jemima Provis visit his studio and demonstrate what she knows. What unravels reveals more than he has ever understood – about himself, about the treachery of the art world and the seductive promise of genius. The nature of truth itself is called into question in this story of envy, lust and corruption.

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Painting Stories explores the accomplishments, struggles, and livelihoods of traditional artisans in Raghurajpur, a village known for its patta chitra painters. In this collection, Helle Bundgaard weaves thirty years of observations and experiences into a tapestry of stories, which together present a poignant image of the lives of Indian craft makers and their personal connections to the art that they create. The painters’ stories are situated in a rich cultural environment and steeped in social relations. For them, painting is more than a livelihood or an aesthetic expression – it is a way of life. Painting Stories is a window into a part of our world rarely seen, reminding us of both our rich diversity and our shared humanity. Written with the painters, students, and laypersons in mind, the book includes a discussion of ethnographic storytelling and resources for ethnographic writing, as well as color photographs that bring the stories to life.

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Painting Stories explores the accomplishments, struggles, and livelihoods of traditional artisans in Raghurajpur, a village known for its patta chitra painters. In this collection, Helle Bundgaard weaves thirty years of observations and experiences into a tapestry of stories, which together present a poignant image of the lives of Indian craft makers and their personal connections to the art that they create. The painters’ stories are situated in a rich cultural environment and steeped in social relations. For them, painting is more than a livelihood or an aesthetic expression – it is a way of life. Painting Stories is a window into a part of our world rarely seen, reminding us of both our rich diversity and our shared humanity. Written with the painters, students, and laypersons in mind, the book includes a discussion of ethnographic storytelling and resources for ethnographic writing, as well as color photographs that bring the stories to life.

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This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period."A major moment of artistic culture has been magisterially sketched by one of its leading authorities."—Larry Silver, The Art Book"Consistently rewarding . . . a book that is going to transform how Flemish art is understood."—Jeremy Wood, Apollo Magazine"As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader."—Alison Smith, Art Newspaper"Essential for current study of Belgian art."—Choice

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Breathtaking Watercolor Seascapes for the Beginner Painter From ocean sunsets and enchanting woodland lakes to snow-speckled rivers and quiet villages reflected in a serene sea, this outstanding collection of paintings from Kolbie Blume teaches painters of all skill levels to master a range of brilliant waterscapes. Projects like Mountain of a Wave, Through the Fjord, Village by the Sea, Secret Falls and more build your confidence in painting water in all its wild and varied states. The chapters progress in difficulty, with skills building upon each other, helping you to develop and strengthen your abilities as you paint your way through the book. Providing you with all the tips and tricks you need to master the art of painting waterscapes, Kolbie's approachable step-by-step instructions and helpful hints will guide you from burgeoning beginner to pro painter.

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A landmark retrospective on the Art Deco painter exploring her intersectional identities

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Marrakech is a city of narration, and Banipal 48 presents enthralling voices from the "kingdom of the improbable, one where reality is creatively rewritten", as Juan Goytisolo describes the city in his introduction to Marrakech: Open Secrets, the first text of the feature. We invite readers to partake in many sublime moments of the real and seemingly unreal through the writings of poets and authors from Marrakech: Yassin Adnan and Saad Sarhan, whose recent book Marrakech, Open Secrets, has been translated especially for this issue; the painter novelist Mahi Binebine, who never fails to captivate, and his new novel The Lord will reward you; Abu Youssef Taha brings a couple of black tales with a twist; Rajae Benchemsi writes of Bahia, the henna painter, and describes Marrakech as "a cosmic uterus"; Mohamed Nedali's fascinating debut novel Prime Cuts: An Apprentice Butcher's Life & Loves will at last be published in English; Anis Arafai gives readers three alternative short stories while Taha Adnan presents three scenarios on the lure of the East and "the winds of Westernization".We invite you enjoy this singular literary celebration of Morocco's Red City lying at the foot of the Atlas mountains and join us at the launch on 12 November.Banipal 48 also includes works by two more Moroccan authors, poets making waves – the well-known Mubarak Wassat, and newcomer Karima Nadir, writing about the coastal city of Casablanca. The Literary Influences essay by Egyptian author Mansoura Ez-Eldin admirably complements Narrating Marrakech. She explains how she was lured by her grandmother's storytelling to train her imagination "to swim in the trackless spaces of fantasy" and that she searched hard to find books to read "that did not recognize boundaries between reality and the imagination". A second Egyptian author is Ezzat El-Kamhawi, with an excerpt from his award-winning novel The House of El-Deeb, to be published in translation by AUC Press in December. Also, two Iraqi novelists – Duna Ghali, settled in Denmark and writing in Arabic, in this excerpt, set in Baghdad 2006, of a family that becomes unhinged, disintegrating through being victims of war trauma, and Pius Alibek from Barcelona, writing in Catalan, this excerpt from his novel Nomad Roots recalling an Iraqi soldier's struggle to exist in the southern desert.We are proud to collaborate with the Berlin International Literature Festival, which for each of its 13 years to date has opened up more and more the essential world of reading for children and young people, and through literary translation, each year gives us more and more "Literature of the World". In Banipal 48 we run a special feature on this year's guests, who include J M Coetzee and Salman Rushdie, the latter wowing his audience by saluting literary translation as "a miracle", as "the most unsung art in literature", and Arab authors, whose participation is now a regular feature of the festival.

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Introduced by George Szirtes, this anthology brings together the work of 10 new poetry talents from the University of East Anglia's world-renowned Creative Writing programme. UEA has produced numerous successful and prize-winning alumni, including Sam Riviere, Agnes Lehoczky, Kate Kilalea, Adam Foulds, Kathryn Simmonds, Sebastian Barker and Owen Sheers."What emerges is not only a sense of exciting individual talents mining and developing their own gifts, but also a renewed conviction that the art of poetry is not just alive and well in Britain today, but ready to go out there and rattle a few cages."– John Burnside"This is a bold, diverse enjoyable selection of poems. The authors would rather take a risk than play it safe. Good for them"– Sean O'BrienNathan Hamilton is one of the UK's leading young poetry editors. He recently edited the Bloodaxe anthology Dear World & Everyone In It: new poetry in the UK (2013; ISBN 9781852249496). Rachel Hore is the author of six novels published by Simon & Schuster, most recently The Silent Tide (2013; ISBN 9780857209740) and The Glass Painter's Daughter (2013; ISBN 9781849835336).

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Everyone loves romantic music: the sweet melody of a Schubert song, the heroine dying for love in an Italian opera, the swooning orchestration of a Tchaikovsky symphony. But as Stephen Walsh - author of the highly praised Debussy: A Painter in Sound - points out in this intensely absorbing study, there is infinitely more to romantic music than meets the eye. The Beloved Vision amounts to a complete, entertaining and singularly readable account of the whole phase in music history that has become the mainstay of the twentieth and twenty-first century concert and operatic repertoire, with some little help from earlier times.The narrative begins in the eighteenth century, with C.P.E. Bach, Haydn and the literary movement known as Sturm und Drang, seen as a reaction of the individual artist to the confident certainties of the Enlightenment. The windows are flung open, and everything to do with style, form, even technique, is exposed to the emotional and intellectual weather, the impulses and preferences of the individual composer. Risk taking - the braving of the unknown - was certainly an important part of what the composers wanted to do, as true of Chopin and Verdi as it is of Berlioz and Wagner. It's an exciting, colourful, story, told with passion but also with the precision and clarity of detail for which this author is so widely admired.

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Walk into any bar, in almost any part of the world, and there, on the back shelf you're likely to see Baijiu, Cognac, Vodka, Scottish and Irish Whisky, Shochu, Tequila, Bourbon, Rum, Gin, and Absinthe. These drinks helped shape our culture; inspired authors and painters, brought both anarchy and harmony and even, in some cases, induced mass hysteria. In Ten Drinks That Changed the World, bartender, poet and writer Seki Lynch tells the stories behind the spirits. Tracing the origins of each drink, he dissects the ingredients and locates the first makers, exploring how perceptions and consumption levels have ebbed and flowed through the centuries. Cocktail recipes, lists of artisan makers and insights from the great, good and notorious drinkers of history help complete the résumé for each drink. London artist Tom Maryniak has created original illustrations of each drink for the book.

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An essential guide demonstrating the universal oil painting techniques that allow artists to expand their horizons, break out of ruts, and master a variety of subjects, including figures, portraits, still life, landscapes, and interiors. Many painters limit themselves to a particular genre out of habit or fear, but art instructor Gregg Kreutz reveals how connected oil painting techniques are no matter what subject an artist tackles. Arranged by essential artistic focal points, each chapter reveals the challenges and rewards that painters face when covering specific genres. Through step-by-step lessons and examples from the works of oil painting masters past and present, Kreutz shows how artists can strengthen their skillset for one type of subject matter by painting in another area they may not be as familiar with. This comprehensive breakdown of oil painting provides all of the tools and encouragement painters need to successfully take on any type of oil painting.

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The incomparable play of light and color in Paul Cezanne’s work was the foundation of his reputation as a forerunner of modernism. From the start he went his own way, and his paintings initially evoked a lack of understanding in art critics of the time, as well as ridicule. Despite his romantic, baroque, impressionist, and finally classical influences, it is still difficult to ascribe Cezanne to any particular art movement. Still, which specific places left lasting impressions on the scion of a provincial banker’s family? What and who were major influences supporting and advancing his innovative oeuvre? James H. Rubin traces Cezanne’s life and work from A to Z in this brief volume, creating an image of a painter who wanted to transform painting itself. The author—and established connoisseur—succeeds in closely approaching the artist while at the same time maintaining the necessary distance to his inimitable paintings.

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Three adventurers set out to kill a sea monster, but all is not as it seems. Out in the vast expanse of the Pacific they find not a beast but a submarine - the Nautilus, an advanced craft captained by the enigmatic Captain Nemo. Captured and hauled aboard, they accompany him through coral reefs, shipwrecks, and ancient ruins. There they hunt sharks, and battle giant squid, not realising that the greatest danger is Nemo himself, who will stop at nothing in his quest for vengeance.Beautifully illustrated by the French painter Édouard Riou, who worked with Jules Verne on six of his novels, this Macmillan Collector's Library edition of Twenty Thousand Leagues Under the Sea also includes an afterword by author David Stuart Davies.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

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Is it possible to talk about Dutch art after 1680 outside the prevailing critical framework of the "age of decline"? Although an increasing number of studies are being published on the art and society of this period, genre painting of this era continues to be dismissed as an uninspired repetition of the art of the second and third quarters of the seventeenth century, known as the Dutch Golden Age. In this stunningly illustrated study, Aono reconsiders the long-dismissed genre painting from 1680-1750. Grounded in close analysis of a range of paintings and primary sources, this study illuminates the main features of genre painting, highlighting the ways in which these elements related to the painters' close connections to, on the one hand, collectors, and on the other, to classicism, one of the dominant artistic styles of that time. Three case studies, richly supplemented by a catalogue of 29 selected painters and their work, offer the first clear picture of the genre painting of the period while providing new insights into painters' activities, collectors' tastes and the contemporary art market.

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Painter and sculptor Rosa Bonheur (1822–1899) led a highly nontraditional life, especially for a woman in the nineteenth century. She kept lions as pets, was awarded the Legion of Honor by Empress Eugénie, and befriended “Buffalo Bill” Cody. She became a painter at a time when women were often only reluctantly educated as artists. Her unconventional artistic work habits, including visiting slaughterhouses to sketch an animal’s anatomy and wearing men’s clothing to gain access to places like a horse fair, where women were not allowed, helped her become one of the most beloved female painters of her time. Among the artworks discussed are The Horse Fair and Ploughing in the Nivernais. Along with her life story are a list of museums that house her work, a bibliography, and an index.

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A Publishers Weekly Best Book of 2019Why do we make things by hand? And why do we make them beautiful? Led by the question of why working with our hands remains vital and valuable in the modern world, author and maker Melanie Falick went on a transformative, inspiring journey. Traveling across continents, she met quilters and potters, weavers and painters, metalsmiths, printmakers, woodworkers, and more, and uncovered truths that have been speaking to us for millennia yet feel urgently relevant today: We make in order to slow down. To connect with others. To express ideas and emotions, feel competent, create something tangible and long-lasting. And to feed the soul. In revealing stories and gorgeous original photographs, Making a Life captures all the joy of making and the power it has to give our lives authenticity and meaning.

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Dear Lady Truelove ...I have fallen in love, truly and completely in love, for the first time. The man whom I hold in such passionate regard, however, is not of my station. He is a painter, a brilliant artist. Needless to say, my family would not approve ...Henry, Duke of Torquil, wouldn't be caught reading the wildly popular "Dear Lady Truelove" column, but when its advice causes his mother to embark on a scandalous elopement, an outraged Henry decides the author of this tripe must be stopped before she can ruin any more lives. Though Lady Truelove's identity is a closely guarded secret, Henry has reason to suspect the publisher of the notorious column, beautiful and provoking Irene Deverill, is also its author. For Irene, it's easy to advise others to surrender to passion, but when she meets the Duke of Torquil, she soon learns that passion comes at a price. When one impulsive, spur-of-the-moment kiss pulls her into a scorching affair with Henry, it could destroy her beloved newspaper, her career, and her independence. But in the duke's arms, surrender is so, so sweet ...

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This book is an excellent tool for learning to sketch on location. Through the "no drawing first" technique, readers will learn to use only watercolour and a brush to draw in notebooks, make quick urban sketches, keep visual journals and create compelling outdoor urban work. Designed like a workshop on the go, with more than fifty progressive exercises, this book invites you to experiment with watercolour by translating space and movement through shapes and color into masses and values rather than contours and strict rules of perspective. The author, a theatrical scenic painter, urban sketcher and urban sketching teacher, shows you how to represent the world around us. She encourages the reader to observe the place, to understand it, to learn how to choose the subject when capturing the place’s soul, preserving the sense of the fleetingness of the instant described. The themes include vegetation, buildings, forms of people in movement and stop-motion.

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Full Spectrum: Paintings by Raimonds Staprans is the most extensive survey of the figures, landscapes and still lifes of Latvian-American painter Raimonds Staprans (born 1926). Published by the Crocker Art Museum in Sacramento, the book accompanies the museum’s exhibition of the same name. Elegant design and superb reproductions reveal Staprans as a master of composition, color and existential nuance. Essayists include Scott A. Shields, Crocker Art Museum Associate Director and Chief Curator; Paul J. Karlstrom, art historian and former West Coast regional director of the Smithsonian Archives of American Art; David Pagel, art critic for the Los Angeles Times and Professor of Art Theory and History at Claremont Graduate University; Nancy Princenthal, author and former senior editor at Art in America; Ed Schad, Associate Curator at The Broad; and John Yau, art critic and poet.

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A book of 25 pattern sketches printed on lovely watercolor paper invites artistic experimentation with only a brush and paint. Each page is double-sided, offering the opportunity to paint the same page in different ways. The author shares painting tips for each sketch and advice for discovering the artist within. Also included is a painting tutorial and handy color wheel. Each book is small enough to carry anywhere and simple to use. Creativity is an escape, and this book offers a delightful way to make art regardless of skill level.

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Lilian Armstrong is Professor of Art at Wellesley College, Massachusetts, and a specialist on Venetian Renaissance book illumination. She is the author of The Paintings and Drawings of Marco Zoppo and Renaissance Miniature Painters and Classical Imagery: The Master of the Putti and His Venetian Workshop, and she was a major contributor to the exhibition catalogue The Painted Page: Italian Renaissance Book Illumination 1450-1550 (ed. by Jonathan Alexander). Her publications have focussed particularly on the transition from illuminated manuscripts to the hand-illuminated early printed book in Venice. The present volume collects Professor Armstrong's papers on miniaturists active in Venice and Northern Italy in the 15th and early 16th centuries, and on the impact of the new invention of printing on these artists and their patrons. Included are papers on Marco Zoppo, primarily a monumental"painter, who nevertheless also painted in manuscripts and incunables. The studies variously identify miniaturists and designers of woodcuts through stylistic groupings, trace iconographic traditions for Pliny's Natural History and Petrarch's De viris illustribus, demonstrate the importance of heraldry for studying patronage of Venetian printed books, and explore the distribution of Venetian incunables throughout Europe based on analysis of their decoration.

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Lucas Cranach the Elder created around 500 works during his lifetime. With his portraits of Martin Luther and Philipp Melanchton and as court painter to Frederick the Wise, he became one of the most sought-after painters of the Reformation. At the same time, Cranach was the first to translate the Italian Renaissance tradition of the life-size nude into art north of the Alps; his lascivious, barely veiled depiction of Venus, the goddess of love, bears witness to this. On the occasion of the large Cranach exhibition at the Kunsthistorisches Museum in Vienna, the Austrian writer Teresa Präauer explores the work of this busy prince of painters from A to Z. She focuses not only on Cranach's art, but also on the society that surrounded him, the subjects he painted, and the events that shaped his development.

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