Search results for ""Author Art, Culture"

One of our most incisive critics asks where the assault against the canons of Western culture has led us. Engaging a wide range of literature and criticism, Hartman considers the term "culture" and its many uses, and calls for the restoration of literature to its place as the focus of thinking about culture and for the renewal of aesthetic education to help ensure the balance between art, culture, and politics. Lost among the shouts and skirmishes of the "culture wars" is the very idea of culture itself. In this illuminating book, one of our most distinguished critics and scholars asks what the assault against the canons of Western culture has left in its place. If art and literature are largely the products of ideology and interest, how do they matter? And what does the idea of culture mean in today's sprawling, fragmented, critical world where everything -poetry or pornography- gets "read" in the same way? Engaging an extraordinary range of literature, philosophy, social criticism, and popular culture, Geoffrey Hartman probes the meanings and uses of culture in contemporary society. The triumph of cultural studies -and its critiques of bourgeois Eurocentric tradition- is largely complete, Hartman writes. Against the political appropriation of culture, he posits, instead, a definition of culture as public conversation, intellectual and social debate among diverse communities. And against reactionary pressures to impose -or reinstate- a singular culture, or to seek in art or literature an affirmation of group identity, Hartman sketches new roles for human imagination in a postmodern world. For Hartman, the fusion of culture and politics, of whatever ideology, is disastrous. At a time of abstraction, fragmentation, and alienation, art and literature offer wholeness and meaning. But the promise is frought with danger, Hartman argues, in a provocative discussion of the uses of culture as exemplified in the Romantic legacy. He pays special attention to literature's role in reconnecting us to the world. The choice is ours: Wordsworth or Heidegger, literature as shared experience or as reactionary ideology. Hartman ranges widely in these elegant pages. He confronts the shock to the universalistic sense of culture from the Holocaust, as well as the problematic responses of such critic as Adorno and Derrida; explores the poetry of Wordsworth both as a diagnostic and a counter-model to the desensitization of modern life; and addresses the impact of politics of inclusion and diversity on the claims of high culture. Perhaps Hartman's most publicly engaged book, The Fateful Question of Culture embraces both the masterworks of European literature and art and the signs and symbols of popular media and daily life. It is a powerful reaffirmation of the liberating discourses that have always been at the very center of the Western tradition.

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The latest work in eighteenth-century studies.Showcasing exciting new research across disciplines, Volume 52 of Studies in Eighteenth-Century Culture explores how history's dominant narratives have been challenged and reframed.Anne Lafont shows how early writings about Black art questioned the cultural negation of enslaved peoples' humanity. A cluster of essays on "Decolonizing Eighteenth-Century Studies" connects the current conditions under which we produce scholarship to the forms of exploitation that defined the eighteenth century. Erica Johnson Edwards chronicles how self-liberated people in colonial Haiti resisted their recapture by using advertisements for unclaimed runaways, while Allison Cardon argues that Ottobah Cugoano's critiques of abolitionist discourse were more radical than we have recognized. Another cluster recenters Native epistemologies in the interactions between Indigenous Peoples and settlers in the American South.Alison DeSimone compares love songs to didactic and erotic literature. Carolina Blutrach recovers the contributions that diplomats' spouses made to cultural life, while Jolene Zigarovich unearths evidence of women who transmitted property to other women. Two clusters focus on the "Female Wunderkind in the Eighteenth Century" and "Biography and the Woman Writer Revisited."Jeffrey Ravel investigates the use of playing cards in the French Revolution, while Christopher Hendricks recovers the history of the jumbal, a proto-cookie. A collaboratively written essay explores the movements of four commodities through the global supply chain. Mattie Burkert focuses on the invisible labor of women. Andrew Black considers Alexander Pope's use of the oral. Volume 52 concludes with a cluster on Oliver Goldsmith's "The Deserted Village" that studies the poem's acoustics, history of illustration, and intertextual resonance.CONTRIBUTORS: Kathleen Tamayo Alves, Nicole Balzer, Andrew Black, Carolina Blutrach, Mónica Bolufer, Mattie Burkert, Allison Cardon, Emily Casey, Tita Chico, Sarah R. Cohen, Rebecca Crisafulli, Pichaya Damrongpiwat, Alison DeSimone, Alejandra Dubcovsky, Erica Johnson Edwards, Robbie Ethridge, Timothy Erwin, Lise Gaston, Michael Griffin, Christopher E. Hendricks, Elizabeth Hutchinson, Cynthia Kok, Anne Lafont, Brittany Luberda, Waltraud Maierhofer, Patrícia Martins Marcos, Jennifer Monroe McCutchen, Elizabeth Neiman, David O'Shaughnessy, Jürgen Overhoff, Jeffrey S. Ravel, Bryan C. Rindfleisch, Robbie Richardson, Yael Shapira, Kaitlin Tonti, Sophie Tunney, Denys Van Renen, Andrew O. Winckles, Joshua Wright, Chi-Ming Yang, Jolene Zigarovich, Tim Zumhof

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Combatants from one or other of the "two cultures" (Science versus the arts and humanities) in the so-called "Science Wars" have launcehed bitter attacks but have seldom engaged in constructive dialogue about central issues. This book is about an exchange of opinions and ideas rather than a trading of insults. The contributors find areas of broad agreement in a conversation about science, its legitamacy and authority as a means of understanding the world and whether science studies undermines the practice and finding of science and scientists. The first part of "The One Culture?" consists of papers written by scientists and sociologists, which were distributed to the participants. The second part presents commentaries on the papers and discusses their central themes and arguments. The final part has the participants in the discussion responding to these critiques, offering defenses, clarifications and modifications of their positions. This book shows the reader what is at stake in the "Science Wars" and provides a framework for how to go about seeking the answers to vital questions raised within the debate.

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This volume provides a unique introduction to the most topical issues, advances, and challenges in medieval horse history. Medievalists who have a long-standing interest in horse history, as well as those seeking to widen their understanding of horses in medieval society will find here informed and comprehensive treatment of chapters from disciplines as diverse as archaeology, legal, economic and military history, urban and rural history, art and literature. The themes range from case studies of saddles and bridles, to hippiatric treatises, to the medieval origins of dressage literary studies. It shows the ubiquitous – and often ambiguous – role of the horse in medieval culture, where it was simultaneously a treasured animal and a means of transport, a military machine and a loyal companion. The contributors, many of whom have practical knowledge of horses, are drawn from established and budding scholars working in their areas of expertise.

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Zen and Japanese Culture is a classic that has influenced generations of readers and played a major role in shaping conceptions of Zen’s influence on Japanese traditional arts. In simple and poetic language, Daisetz Suzuki describes Zen and its historical evolution. He connects Zen to the philosophy of the samurai, and subtly portrays the relationship between Zen and swordsmanship, haiku, tea ceremonies, and the Japanese love of nature. Suzuki uses anecdotes, poetry, and illustrations of silk screens, calligraphy, and architecture. The book features an introduction by Richard Jaffe that acquaints readers with Suzuki’s life and career and analyzes the book’s reception in light of contemporary criticism, especially by scholars of Japanese Buddhism. Zen and Japanese Culture is a valuable source for those wishing to understand Zen in the context of Japanese life and art, and remains one of the leading works on the subject.

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The essays in this book trace a rich continuum of artistic exchange that occurred between successive Islamic dynasties from the twelfth through nineteenth centuries as well as the influence of Islamic art during that time on cultures as far away as China, Armenia, India, and Europe. Taking advantage of recent technologies that allow new ways of peering into the pasts of art objects, the authors break new ground in their exploration of the art and architecture of the Islamic world. The essays range across a variety of topics. These include a look at tile production during the reign of the Qaytbay, the book bindings associated with Qansuh al-Ghuri, and the relationship between Mamluk metalwork and that found in Rasulid Yemen and Italy. Several essays examine inscriptions found on buildings of the Fatimid, Mamluk, and Ottoman periods, and others look at the debt of European lacquer works to Persian craftsmen, the Armenian patrons of eighteenth-century Chinese exports, and the influences of Islam on art and architecture found all across India. The result is a sweeping but deeply researched look at one of the richest networks of artistic traditions the world has ever known. "

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Explores the role of magic and the occult in art and culture from ancient times to today • Examines key figures behind esoteric cultural developments, such as Carl Jung, Anton LaVey, Paul Bowles, Aleister Crowley, and Rudolf Steiner • Explores the history of magic as a source of genuine counter culture and compares it with our contemporary soulless, digital monoculture Art, magic, and the occult have been intimately linked since our prehistoric ancestors created the first cave paintings some 50,000 years ago. In this deep exploration of “occulture”--the liminal space where art and magic meet--Carl Abrahamsson reveals the integral role played by magic and occultism in the development of culture throughout history as well as their relevance to the continuing survival of art and creativity. Blending magical history and esoteric philosophy with his more than 30 years’ experience in occult movements, Showing how art and magic were initially one and the same, the author reveals how the magic of art can be restored if art is employed as a means rather than an end--if it is intense, emotional, violent, and expressive--and offers strategies for creating freely, magically, even spontaneously, with intent unfettered by the whims of trends, a creative practice akin to chaos magick that assists both creators and spectators to live with meaning. He also looks at intuition and creativity as the cornerstones of genuine individuation, explaining how insights and illuminations seldom come in collective forms. Exploring magical philosophy, occult history, the arts, psychology, and the colorful grey areas in between, Abrahamsson reveals the culturally and magically transformative role of art and the ways the occult continues to transform culture to this day.

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Successor to Claude Levi-Strausa at the College de France, Philippe Descola has become one of the most important anthropologists working today, and Beyond Nature and Culture has been a major influence in European intellectual life since its publication in 2005. Here, finally, it is brought to English-language readers. At its heart is a question central to both anthropology and philosophy: what is the relationship between nature and culture? Culture - as a collective human making, of art, language, and so forth - is often seen as essentially different than nature, which is portrayed as a collective of the nonhuman world, of plants, animals, geology, and natural forces. Descola shows this essential difference to be, however, not only a specifically Western notion, but also a very recent one. Drawing on ethnographic examples from around the world and theoretical understandings from cognitive science, structural analysis, and phenomenology, he formulates a sophisticated new framework, the "four ontologies" - animism, totemism, naturalism, and analogism - to account for all the ways we relate ourselves to nature. By thinking beyond nature and culture as a simple dichotomy, Descola offers nothing short of a fundamental reformulation by which anthropologists and philosophers can see the world afresh.

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The latest groundbreaking work in eighteenth-century studies. Showcasing exciting new research across disciplines, Volume 53 of Studies in Eighteenth-Century Culture explores the juxtaposition between the fanciful romances and historical realities of the global eighteenth century. Katarzyna Bartoszynska assembles a series of essays on the work of the late seventeenth-century Japanese writer Ihara Saikaku. Susan Spencer evaluates Saikaku's status as a celebrity author, David A. Brewer considers the uses of woodcuts in Saikaku's texts, and Scott Black reflects on Saikaku's relationship to modernity and realism. In other essays, new perspectives are offered on the ideological functions of literary texts and visual art produced in Britain, France, and Anglophone North America. Ziona Kocher examines the queer pleasures of cross-dressing in William Wycherley's The Country Wife, and Anaclara Castro-Santana reads Benjamin Hoadly's The Suspicious Husband as a political production. Ann Campb

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Die Ausbildung von Lehrerinnen und Lehrern an Kunstuniversitäten befindet sich im Wandel. Sie steht vor den großen Herausforderungen wesentlicher kultureller, technologischer, sozialer und ökonomischer Veränderungen. Das Symposium Perspectives on Art Education (Wien, 28.-30. Mai 2015) legt seinen Fokus auf diesen Wandel: Was braucht die Ausbildung an künstlerischer Praxis, Forschung und Vermittlungskompetenz heute? Welche Erklärungen bieten historische und zeitgenössische Ansätze? Welcher neuer Strategien bedarf es im Lehren und im Lernen? Wie können sich die vielfältigen Zugänge zur Kunstvermittlung in unterschiedlichen Kulturen, eingebettet in diverse nationale Strukturen und in verschiedenen Schultypen, gegenseitig ergänzen, sich stärken und gemeinsam weiterentwickeln? Die wissenschaftlichen und künstlerischen Beiträge der Konferenzteilnehmer aus Kunst, Design, Architektur, Vermittlung und Wissenschaft werden in der vorliegenden Publikation dokumentiert.

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The art and literature of our time is pregnant with catastrophe, with weather and water, wildness and weirdness. The Anthropocene - the term given to this geological epoch in which humans, anthropos, are wreaking havoc on the earth - is to be found bubbling away everywhere in contemporary cultural production. Typically, discussions of how culture registers, figures and mediates climate change focus on 'climate fiction' or 'cli-fi', but The Anthropocene Unconscious is more interested in how the Anthropocene and especially anthropogenic climate destabilisation manifests in texts that are not overtly about climate change - that is, unconsciously. The Anthropocene, Mark Bould argues, constitutes the unconscious of 'the art and literature of our time'.Tracing the outlines of the Anthropocene unconscious in a range of film, television and literature - across a range of genres and with utter disregard for high-low culture distinctions - this playful and riveting book draws out some of the things that are repressed and obscured by the term 'the Anthropocene', including capital, class, imperialism, inequality, alienation, violence, commodification, patriarchy and racial formations. The Anthropocene Unconscious is about a kind of rewriting. It asks: what happens when we stop assuming that the text is not about the anthropogenic biosphere crises engulfing us? What if all the stories we tell are stories about the Anthropocene? About climate change?

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This interdisciplinary book honors Columbia professor and New York intellectual Carl Woodring. Chapters on Romantic and Victorian literary culture written by leading scholars in the field join in conversation with Woodring’s teachings on literature and visual art and his commentaries on American culture. A multiple-authored chapter of postscripts on the aesthetic range of Woodring’s intellectual interests across cultural disciplines, his contributions to English studies and his informing influence on several generations of scholars, and their areas of interest, follows. A chapter from Woodring’s unpublished autobiography, on his childhood in small-town America, then concludes the volume with an ironic retrospection on intercultural origins. Topics addressed among the chapters include portraiture and self-fashioning, landscape art, physiognomy and caricatures, radical print ephemera, illustrated picaresque verse, social and political satire, traditions of the sublime in art and literature, transatlantic influences and aesthetics, chaos theory and the laws of thermodynamics, the Caribbean slave trade, revolutionary history, Napoleonic wars, the politics of multicultural communities, gender and race, marginalia and textual revelations, Native America, historical interchanges in curating museum shows, and contemporary American sculpture and art. Cultural figures of the nineteenth century that are featured in the discussions include Henry Adams, Beethoven, Blake, Byron, Willa Cather, Thomas Cole, Coleridge, James Fenimore Cooper, George Cruikshank, Ugo Foscolo, Washington Irving, Keats, Willibrord Mähler, George Romney, Rowlandson, Shelley, and Wordsworth. Chapter essays, commentaries, and Carl Woodring’s unpublished writings function together in Nature, Politics, and the Arts: Essays on Romantic Culture for Carl Woodring—with a depth of original perspectives and a multi-voiced and intercultural coherence. The book as a whole testifies to Woodring’s living and intellectually potent legacy for future students of nineteenth-century transatlantic culture and twenty-first century scholarship on literature and art.

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Thirty years ago Australian Aboriginal art was little more than a footnote to world art. Today, it is considered to be an important contemporary art movement, often promoted as being connected to a deep cultural past. Becoming Art provides a new analysis of the shifting cultural and social contexts that surround the production of Aboriginal art. Transcending the boundaries between anthropology and art history, the book draws on arguments from both disciplines to provide a unique interdisciplinary perspective that places the artists themselves at the centre of the argument.Western art history has traditionally regarded Aboriginal art as distanced from time and place. Becoming Art uses the recent history of Aboriginal art to challenge some of the presuppositions of western art discourse and western art worlds. It argues for a more cross-cultural perspective on world art history.

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If mediatization has surprisingly revealed the secret life of inert matter and the ‘face of things’, the flipside of this has been the petrification of living organisms, an invasion of stone bodies in a state of suspended animation. Within a contemporary imaginary pervaded by new forms of animism, the paradigm of death looms large in many areas of artistic experimentation, pushing the modern body towards mineral modes of being which revive ancient myths of flesh-made-stone and the issue of the monument. Scholars in media, visual culture and the arts propose studies of bodies of stone, from actors simulating statues to the transmutation of the filmic body into a fossil; from the real treatment of the cadaver as a mineral living object to the rediscovery of materials such as wax; from the quest for a ‘thermal’ equivalence between stone and flesh to the transformation of the biomedical body into a living monument.

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With contributions from leading scholars and a provocative collection of discussion topics and group activities, this innovative series provides an accessible and affordable entry point for strong sociological perspectives on topics of immediate social import and public relevance.The fifth volume in The Society Pages series deals with culture, broadly and ecumenically defined. The chapters are organized in three main sections: "Cultural Sociology" provides a sampling of the unique subjects, materials, and methods that define the sociological approach to culture from four of the hottest, most up-and-coming scholars in the field. In "Sociological Critique," chapters illustrate distinctively sociological interpretations of cultural phenomena, ranging from images of beauty and conceptions of the body to festivals celebrating comic books and fringe art. Finally, "Culture as Ways of Life" describes and analyzes unique subcultural communities whose significance and mere existence are easy to miss or misunderstand.

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Was it necessary for a 17th century painter to know principles of optics to hide a skull in one of his masterpieces? Is it possible the violent deaths of Roman emperors obey a statistical law? Are there connections between market trends and geometry? How did Islamic artists draw almost perfectly regular nine-sided polygons, when these cannot be traced with the use of compasses? Dirk Huylebrouk asks these and other exciting questions in this collection of essays, originally written for the science magazine EOS, a Dutch equivalent of Scientific American, distributed in Belgium and in The Netherlands. Every chapter can be read independently, as some subjects are repeated, and not strictly interconnected. Such is the case for instance of the golden section, an often-recurring topic in general mathematics. The reader will appreciate the original point of view expressed through each chapter, which makes this book stand out against the general information one can find by browsing the general media. The subtly provocative character of some parts is meant to stimulate the reader for further exploration. The book's title itself may already generate surprise. Sure, to many, mathematics seems to come from hell, but the darkness in the title in fact refers to the lugubrious stories about math and skulls, murders or World War II. There is also a more down-to-earth part about math and maps, money, Facebook, folding paper, shapes in ice and the most earthly yet unsolved math problems. ‘Bright mathematics’ alludes to Vedic, Islam, New Age, a meta-divine section, and is concluded by an interview with a top mathematician who also wrote about the existence of God.

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′The authors who have contributed to this book bring a wealth of expertise and a wide range of research findings. This gives the reader the opportunity to link theory with practice in a helpful and illuminating way′ - Early Years Update Praise for the first edition: `...represents an enormously rich body of research and expertise focused on the objective of taking into account the social, historical and cultural dimensions of everyday activities in order to better understand children. …will undoubtedly be of interest and value to anyone with a similar concern′ - Early Years Journal `...an international state-of-the-art early childhood education publication that sets out research-based evidence and critically links this with theory and practice. It is pitched at the graduate level and beyond. Readers will gain more from the book if they have a thorough base understanding of relevant learning and social-cultural theories and an open-mind to appreciate the perspectives presented in this book′ - Childforum, New Zealand This fully revised and up-to-date edition examines sociocultural and historical approaches to current theories of learning in early childhood education. It sets out research-based evidence linking theory and practice in early childhood settings. Written by leading figures in the field, the book extends a strong and traditional theme - the importance of the child′s perspective and respect for each child′s individual background. Within the context of early years settings, the book is structured around four overall themes: - the dynamics of learning and teaching - the nature of knowledge - assessment - evaluation and quality. This book is essential reading for undergraduate and advanced courses in early childhood studies.

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This collection of original essays examines debates on how written, printed, visual, and performed works produced meaning in American culture before 1900. The contributors argue that America has been a multimedia culture since the eighteenth century. According to Sandra M. Gustafson, the verbal arts before 1900 manifest a strikingly rich pattern of development and change. From the wide variety of indigenous traditions, through the initial productions of settler communities, to the elaborations of colonial, postcolonial, and national expressive forms, the shifting dynamics of performed, manuscript-based, and printed verbal art capture critical elements of rapidly changing societies. The contributors address performances of religion and government, race and gender, poetry, theater, and song. Their studies are based on texts—intended for reading silently or out loud—maps, recovered speech, and pictorial sources. As these essays demonstrate, media, even when they appear to be fixed, reflected a dynamic American experience. Contributors: Caroline F. Sloat, Matthew P. Brown, David S. Shields, Martin Brückner, Jeffrey H. Richards, Phillip H. Round, Hilary E. Wyss, Angela Vietto, Katherine Wilson, Joan Newlon Radner, Ingrid Satelmajer, Joycelyn Moody, Philip F. Gura, Coleman Hutchison, Oz Frankel, Susan S. Williams, Laura Burd Schiavo, and Sandra M. Gustafson

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In the first book-length study to concentrate specifically on Britain, Jamie Sexton examines the rise of avant-garde and experimental film-making between the wars. The book provides a detailed view of how modernist and anti-mainstream currents emerged in the film industry in Britain. Alternative Film Culture in Inter-War Britain is the first book-length study of a number of currents which opposed mainstream filmmaking and which championed film as an intellectual, modern art. It traces the growth of new approaches to film through exhibition and writing on cinema, and looks at how this cultural formation shaped certain areas of filmmaking. As such, it takes an interdisciplinary approach in which a study of independent filmmaking in this era is firmly placed within a cultural context, linking the ways in which films were presented, received and produced.This is the first in-depth look at 'alternative film culture' in Britain between the wars will excite many in the film, and film studies, worlds. It combines the history with analysis of the films themselves, and of their reception. It looks at the operations of a key contemporary institution, the original Film Society.

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Zsolnay ceramic art from Hungary, featuring over 400 color photographs, covers the three main periods of Zsolnay production: 1868 to 1897--Folklorism, Historicism, Victorian Eclecticism; 1897 to 1920--Art Nouveau; and Art Deco; and 1920 to the present--Modernism. An entire chapter is devoted to Zsolnay marks to help identify the pieces. There are almost 11,000 different forms of domestic Zsolnay art works; 700 were issued in 1900 alone, and there are many undocumented forms imported in England and America. Along with the charming miniature, green-glazed, multi-figural series that Zsolnay is most identified with today, there is a wealth of earlier pieces to be found. A value range is given for each item in the book.

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Winner of the Shimada Prize for Outstanding Work of East Asian Art History By the end of the sixth century CE, both the royal courts and the educated elite in China were collecting works of art, particularly scrolls of calligraphy and paintings done by known artists. By the time of Emperor Huizong (1082-1135) of the Song dynasty (960-1279), both scholars and the imperial court were cataloguing their collections and also collecting ancient bronzes and rubbings of ancient inscriptions. The catalogues of Huizong's painting, calligraphy, and antiquities collections list over 9,000 items, and the tiny fraction of the listed items that survive today are all among the masterpieces of early Chinese art. Patricia Ebrey's study of Huizong's collections places them in both political and art historical context. The acts of adding to and cataloguing the imperial collections were political ones, among the strategies that the Song court used to demonstrate its patronage of the culture of the brush, and they need to be seen in the context of contemporary political divisions and controversies. At the same time, court intervention in the art market was both influenced by, and had an impact on, the production, circulation, and imagination of art outside the court. Accumulating Culture provides a rich context for interpreting the three book-length catalogues of Huizong's collection and specific objects that have survived. It contributes to a rethinking of the cultural side of Chinese imperial rule and of the court as a patron of scholars and the arts, neither glorifying Huizong as a man of the arts nor castigating him as a megalomaniac, but rather taking a hardheaded look at the political and cultural ramifications of collecting and the reasons for choices made by Huizong and his curators. The reader is offered glimpses of the magnificence of the collections he formed and the disparate fates of the objects after they were seized as booty by the Jurchen invaders in 1127. The heart of the book examines in detail the primary fields of collecting -- antiquities, calligraphy, and painting. Chapters devoted to each of these use Huizong's catalogues to reconstruct what was in his collection and to probe choices made by the cataloguers. The acts of inclusion, exclusion, and sequencing that they performed allowed them to influence how people thought of the collection, and to attempt to promote or demote particular artists and styles. This book will be of interest to scholars and students of Chinese art history, social history, and culture, as well as art collectors. Published with the assistance of The Getty Foundation.

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This is a broad-ranging and ambitious attempt to rethink aesthetic and literary studies in terms of an “anthropology” of symbolic media generally. Central to the author’s argument is the proposition that the idea of literature—at least as it has been understood in the West since the eighteenth century—as the paradigm for artistic experience is both limited and limiting. In its place, the author offers a more general theory of aesthetic experience appropriate to a wide range of media (in the term’s broadest sense) and geared toward performativity and bodily experience. The author develops the idea of the “protoliterary” as a cultural-aesthetic discourse prior to and external to the “literary” as traditionally conceived in Western aesthetics. Manifestations of the protoliterary tend to occur within forms of multimedia theatricalization in which suggestive images of the body loom large. The appeal of the protoliterary lies in its ability to function on both cognitive and somatic levels, thereby neutralizing such distinctions as self/society and reality/fiction. The author’s argument is indebted to John Dewey’s belief in a basic human need for aesthetic experience, a need that can be met in a variety of ways, from tattoos and scarification, through sports, parades, and cosmetics, to literature, opera, and film. From this basis the book theorizes a history of the development of separate, hierarchical arts in the West while suggesting that independent histories of single arts and artistic experience are no longer desirable or even possible. Although the genesis of particular forms of media are inextricably linked to specific historical, sociological, and technological conditions, their potential functions and effects are not tied to those conditions, nor should they be.

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The essays in this volume provide new scholarly insights into British fin de siecle and enrich our understanding of this complex period, while paying particular attention to the importance of regionalism.

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Take care of yourself. How many times a week do we hear or say these words? If we all took the time to care for ourselves, how much stronger will we be? More importantly how much stronger will our communities be? In Take Care of Your Self, Iraqi artist and curator Sundus Abdul Hadi turns a critical and inventive eye on the notion of self-care, rejecting the idea that self-care means buying stuff and recasting it as a collective practice rooted in the liberation struggles of the oppressed. Throughout, Abdul Hadi explores the role of art in fostering healing for those affected by racism, war, and displacement, weaving in the artwork of twenty-seven artists of color from diverse backgrounds to identify the points where these struggles intersect. In centering the voices of those often relegated to the margins of the art world and emphasizing the imperative to create safe spaces for artists of color to explore their complicated reactions to oppression, Abdul Hadi casts self-care as a political act rooted in the impulse toward self-determination, empowerment, and healing that animates the work of artists of color across the world.

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The Companion combines a broad grounding in the essential texts and contexts of the modernist movement with the unique insights of scholars whose careers have been devoted to the study of modernism. An essential resource for students and teachers of modernist literature and culture Broad in scope and comprehensive in coverage Includes more than 60 contributions from some of the most distinguished modernist scholars on both sides of the Atlantic Brings together entries on elements of modernist culture, contemporary intellectual and aesthetic movements, and all the genres of modernist writing and art Features 25 essays on the signal texts of modernist literature, from James Joyce’s Ulysses to Zora Neal Hurston’s Their Eyes Were Watching God Pays close attention to both British and American modernism

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Containing over one hundred selections—most of them published in English for the first time—The Colombia Reader presents a rich and multilayered account of this complex nation from the colonial era to the present. The collection includes journalistic reports, songs, artwork, poetry, oral histories, government documents, and scholarship to illustrate the changing ways Colombians from all walks of life have made and understood their own history. Comprehensive in scope, it covers regional differences; religion, art, and culture; the urban/rural divide; patterns of racial, economic, and gender inequalities; the history of violence; and the transnational flows that have shaped the nation. The Colombia Reader expands readers' knowledge of Colombia beyond its reputation for violence, contrasting experiences of conflict with the stability and significance of cultural, intellectual, and economic life in this plural nation.

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Color your way through 1980s pop culture with Best of the ’80s Coloring Book! Mix coloring with nostalgia, and you have an upbeat activity book that is also therapeutic, for a fun and relaxing escape from life’s stresses. With almost 50 nostalgic illustrations, this high-quality coloring book lets you color some of the most memorable moments from the 1980s. With your choice of coloring tools, revisit everything in this decade, from TV and movie icons, such as Mr. T and Freddy Krueger, to music stars, such as Guns N' Roses and Madonna. This coloring book’s high-quality paper allows you to color with your choice of colored pencils, crayons, markers, and more. The one-sided printing helps avoid coloring bleed-through and allows for easy display of finished pieces, which include: Movie scenes from The Breakfast Club, Sixteen Candles, Footloose, and Nightmare on Elm Street Music icons such as Guns N' Roses, Whitney Houston, and Madonna Fashion staples such as big hair and shoulder pads Technology such as boom boxes, computers, and arcade games Grab your coloring tools and travel back to the days of big hair and shoulder pads, early computers and video games, MTV pop stars and teen movie heartthrobs with your copy of Best of the ’80s Coloring Book! The Color Through the Decades coloring book series allows you to revisit and reminisce about your favorite time periods. Also available in this series is Best of the ’90s Coloring Book.

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Color your way through 1990s pop culture with Best of the ’90s Coloring Book! Mix coloring with nostalgia, and you have an upbeat activity book that is also therapeutic, for a fun and relaxing escape from life’s stresses. With almost 50 nostalgic illustrations, this high-quality coloring book lets you color some of the most memorable moments from the 1990s. With your choice of coloring tools, revisit everything in this decade, from Tamagotchis and Beanie Babies to the Spice Girls and NSYNC. This coloring book’s high-quality paper allows you to color with your choice of colored pencils, crayons, markers, and more. The one-sided printing helps avoid coloring bleed-through and allows for easy display of finished pieces, which include: Movie scenes including Titanic, Home Alone, and Clueless Music icons such as Nirvana, Ricky Martin, NSYNC, and Britney Spears Fashion staples such as flannel shirts, baggy jeans, and “The Rachel” haircut Technology such as dial-up internet, compact discs, and cell phones Toys such as Tamagotchis, Beanie Babies, video games, and pogs Grab your coloring tools and travel back to the days of cassette tapes and dial-up internet, grunge fashion and “The Rachel” haircut, Blockbuster Hollywood films and boy band heartthrobs with your copy of Best of the ’90s Coloring Book! The Color Through the Decades coloring book series allow you to revisit and reminisce about your favorite time periods. Also available in this series is Best of the ’80s Coloring Book.

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The novels of Iain M. Banks have forever changed the face of modern science fiction. His Culture books combine breathtaking imagination with exceptional storytelling, and have secured his reputation as one of the most extraordinary and influential writers in the genre.'Banks is a phenomenon' William Gibson The Culture - a utopian human-machine symbiotic society - has thrown up many expert Game Players, and one of the greatest is Jernau Morat Gurgeh. He is Master of every board, computer and strategy - he is The Player of Games.Bored with success, Gurgeh travels to the cruel and incredibly wealthy Empire of Azad to try their infamous game . . . a game so complex, so like life itself, that the winner becomes emperor. Mocked, blackmailed, almost murdered, Gurgeh plays the game, and faces the challenge of his life - and very possibly his death. Praise for the Culture series: 'Epic in scope, ambitious in its ideas and absorbing in its execution' Independent on Sunday 'Banks has created one of the most enduring and endearing visions of the future' Guardian 'Jam-packed with extraordinary invention' Scotsman 'Compulsive reading' Sunday TelegraphThe Culture series:Consider PhlebasThe Player of GamesUse of WeaponsExcessionInversionsLook to WindwardMatterSurface DetailThe Hydrogen SonataThe State of the ArtOther books by Iain M. Banks:Against a Dark BackgroundFeersum EndjinnThe AlgebraistAlso now available: The Culture: The Drawings - an extraordinary collection of original illustrations faithfully reproduced from sketchbooks Banks kept in the 1970s and 80s, depicting the ships, habitats, geography, weapons and language of Banks' Culture series of novels in incredible detail.

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How did scientists, artists, designers, manufacturers and amateur enthusiasts experience and value the sea and its products? Examining the commoditization of the ocean world during the nineteenth century, this book demonstrates how the transaction of oceanic objects inspired a multifaceted material discourse stemming from scientific exploration, colonial expansion, industrialization, and the rise of middle-class leisure. From the seashore to the seabed, marine organisms and environments, made tangible through processing and representational technologies, captivated practitioners and audiences. Combining essays and case studies by scholars, curators, and scientists, Sea Currents investigates the collecting and display, illustration and ornamentation, and trade and consumption of marine flora and fauna, analysing their material, aesthetic and commercial dimensions. Traversing global art history, the history of science, empire studies, anthropology, ecocriticism and material culture, this book surveys the currency of marine matter embedded in the economies and ecologies of a modernizing ocean world.

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“[A] well-balanced history and overview of Dakota and Lakota Siouans.”—ChoiceAlthough some aspects of Sioux history such as the Battle of the Little Big Horn and the Massacre at Wounded Knee are included in American history texts, along with mention of famous Sioux leaders such as Sitting Bull and Crazy Horse, little attention is paid to the evolution of Sioux history and culture from their beginnings to the present. The Sioux are a Native American people who live in reservations and communities in Minnesota, Montana, Nebraska, North and South Dakota, Wisconsin, and Canada. According to U.S. Census Report data, over 150,000 individuals identify themselves as Sioux—more than any other tribe besides Cherokee, Navajo, Latin American Indian, and Choctaw.Culture and Customs of the Sioux Indians presents a picture of traditional Sioux culture and history. It shows how the Sioux of today merge traditional customs and beliefs that have survived their tumultuous history with contemporary America. Topics include the development of the Sioux tribe, conflicts and wars with the United States, religion, economy, gender roles, lifestyles, arts, cuisine, education, social customs, and much more.

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Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks.

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A century after the Bauhaus’s founding in 1919, this book reassesses it as more than a highly influential art, architecture, and design school. In myriad ways, emerging ideas about the body in relation to health, movement, gender, and sexuality were at the heart of art and life at the school. Bauhaus Bodies reassesses the work of both well-known Bauhaus members and those who have unjustifiably escaped scholarly scrutiny, its women in particular. In fourteen original, cutting-edge essays by established experts and emerging scholars, this book reveals how Bauhaus artists challenged traditional ideas about bodies and gender. Written to appeal to students, scholars, and the broad public, Bauhaus Bodies will be essential reading for anyone interested in modern art, architecture, design history, and gender studies; it will define conversations and debates during the 2019 centenary of the Bauhaus’s founding and beyond.

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This book provides a stimulating account of the dominant cultural forms of 1950s America: fiction and poetry; theatre and performance; film and television; music and radio; and the visual arts. Through detailed commentary and focused case studies of influential texts and events -- from Invisible Man to West Side Story, from Disneyland to the Seattle World's Fair, from Rear Window to The Americans -- the book examines the way in which modernism and the cold war offer two frames of reference for understanding the trajectory of postwar culture. The two core aims of this volume are to chart the changing complexion of American culture in the years following World War II and to provide readers with a critical investigation of 'the 1950s'. The book provides an intellectual context for approaching 1950s American culture and considers the historical impact of the decade on recent social and cultural developments. Key Features: * Focused case studies featuring key texts, genres, writers, artists and cultural trends * Chronology of 1950s American Culture * Bibliographies for each chapter * over twenty illustrations

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This book provides a stimulating account of the dominant cultural forms of 1950s America: fiction and poetry; theatre and performance; film and television; music and radio; and the visual arts. Through detailed commentary and focused case studies of influential texts and events -- from Invisible Man to West Side Story, from Disneyland to the Seattle World's Fair, from Rear Window to The Americans -- the book examines the way in which modernism and the cold war offer two frames of reference for understanding the trajectory of postwar culture. The two core aims of this volume are to chart the changing complexion of American culture in the years following World War II and to provide readers with a critical investigation of 'the 1950s'. The book provides an intellectual context for approaching 1950s American culture and considers the historical impact of the decade on recent social and cultural developments. Key Features: * Focused case studies featuring key texts, genres, writers, artists and cultural trends * Chronology of 1950s American Culture * Bibliographies for each chapter * over twenty illustrations

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History and Culture in Italy is a scholarly, introductory survey of the history and culture of Italy, focusing on art and architecture, literature and philosophy, politics and historical events, and observations of daily life in modern Italy. The book is based on lectures and tours given over the course of four years to American students in Italy. It is written as a narrative, which readers have found makes it enjoyable to read. Chapters are identified according to subject. The book emphasizes the importance of the history and culture of Italy to modern life and identity in Western culture.

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Scholars from the humanities and social sciences analyze representations of Latinidad in a diversity of genres Latinos have become the largest ethnic minority group in the United States. While the presence of Latinos and Latinas in mainstream news and in popular culture in the United States buttresses the much-heralded Latin Explosion, the images themselves are often contradictory. In Latino/a Popular Culture, Habell-Pallán and Romero have brought together scholars from the humanities and social sciences to analyze representations of Latinidad in a diversity of genres—media, culture, music, film, theatre, art, and sports—that are emerging across the nation in relation to Chicanas, Chicanos, mestizos, Puerto Ricans, Caribbeans, Central Americans and South Americans, and Latinos in Canada. Contributors include Adrian Burgos, Jr., Luz Calvo, Arlene Dávila, Melissa A. Fitch, Michelle Habell-Pallán, Tanya Katerí Hernández, Josh Kun, Frances Negron-Muntaner, William A. Nericcio, Raquel Z. Rivera, Ana Patricia Rodríguez, Gregory Rodriguez, Mary Romero, Alberto Sandoval-Sánchez, Christopher A. Shinn, Deborah R. Vargas, and Juan Velasco. Cover artwork "Layering the Decades" by Diane Gamboa, 2002, mixed media on paper, 11 X 8.5". Copyright 2001, Diane Gamboa. Printed with permission.

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By focusing on the story of Hector, James M. Redfield presents an imaginative perspective not only on the Iliad but also on the whole of Homeric culture. In an expansive discussion informed by a reinterpretation of Aristotle's Poetics and a reflection on the human meaning of narrative art, the analysis of Hector leads to an inquiry into the fundamental features of Homeric culture and of culture generally in its relation to nature. Through Hector, as the "true tragic hero of the poem," the events and themes of the Iliad are understood and the function of tragedy within culture is examined. Redfield's work represents a significant application of anthropological perspectives to Homeric poetry. Originally published in 1975 (University of Chicago Press), this revised edition includes a new preface and concluding chapter by the author.

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A Guide to a West African Tradition. The Art of Fufu is a fascinating and informative guide to fufu, one of the most delicious and beloved staple foods of West Africans. All fufu dishes consist of two parts—the prepared, cooked fufu (which has a dough-like consistency and is made by mixing a plant base with water) and a unique soup that accompanies it. The cooked fufu can be made from a variety of bases, such as yams, shredded cassava tubers, and cassava flour. After the fufu is cooked, it is rolled into small balls, which are then formed into a spoon shape with the hand. The soup is then scooped with the fufu, and the bite is swallowed whole. Just as there are many different types of fufu, there are many different types of soups. Part of the joy of fufu is discovering which flavours pair best together. This colourful book discusses popular ingredients used to make fufu and the soups that go along with it as well as methods of preparation for fufu. The Art of Fufu is sure to appeal to those interested in learning more about West Africa’s food culture and one of its most cherished foods.

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In the first half of the twentieth century, Theodor Adorno wrote about the 'culture industry'. For Adorno, culture too along with the products of factory labour was increasingly becoming a commodity. Now, in what they call the 'global culture industry', Scott Lash and Celia Lury argue that Adorno's worst nightmares have come true. Their new book tells the compelling story of how material objects such as watches and sportswear have become powerful cultural symbols, and how the production of symbols, in the form of globally recognized brands, has now become a central goal of capitalism. Global Culture Industry provides an empirically and theoretically rich examination of the ways in which these objects - from Nike shoes to Toy Story, from global football to conceptual art - metamorphose and move across national borders. This book is set to become a dialectic of enlightenment for the age of globalization. It will be essential reading for students and scholars across the social sciences.

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Jewish art and visual culture—art made by Jews about Jews—in modern diasporic settings is the subject of Looking Jewish. Carol Zemel focuses on particular artists and cultural figures in interwar Eastern Europe and postwar America who blended Jewishness and mainstream modernism to create a diasporic art, one that transcends dominant national traditions. She begins with a painting by Ken Aptekar entitled Albert: Used to Be Abraham, a double portrait of a man, which serves to illustrate Zemel's conception of the doubleness of Jewish diasporic art. She considers two interwar photographers, Alter Kacyzne and Moshe Vorobeichic; images by the Polish writer Bruno Schulz; the pre- and postwar photographs of Roman Vishniac; the figure of the Jewish mother in postwar popular culture (Molly Goldberg); and works by R. B. Kitaj, Ben Katchor, and Vera Frenkel that explore Jewish identity in a postmodern environment.

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War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, including photography, performance art, video games, reenactment, and social media images. Simultaneously, she explores the merging of photojournalism and artistic practices, the effects of visual framing, and the construction of both sanctioned and counter-hegemonic narratives in a global contest of images.As a result of the global visual culture in which anyone may produce as well as consume public imagery, the wide variety of visual and documentary practices present realities that would otherwise be invisible or officially off-limits. In our digital era, the prohibition and control of images has become nearly impossible to maintain. Using carefully chosen case studies—such as Krzysztof Wodiczko’s video projections and public works in response to 9/11 and the wars in Iraq and Afghanistan, the performance works of Coco Fusco and Regina Galindo, and the practices of Israeli and Palestinian artists—Apel posits that contemporary war images serve as mediating agents in social relations and as a source of protection or refuge for those robbed of formal or state-sanctioned citizenship.While never suggesting that documentary practices are objective translations of reality, Apel shows that they are powerful polemical tools both for legitimizing war and for making its devastating effects visible. In modern warfare and in the accompanying culture of war that capitalism produces as a permanent feature of modern society, she asserts that the contest of images is as critical as the war on the ground.

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In this pithy abecedarium, doctor and poet Iain Bamforth takes a close look at the conflict of values embodied in what we call medicine - never entirely a science and no longer quite the art it used to be. Bamforth brings his wide experience of medicine around the world, from the high-tech American Hospital of Paris to the community health centres of Papua, together with his engaging interest in the stranger manifestations of medical matters in relation to art, literature and culture - such as the mysterious 'Stendhal's syndrome', which caused 106 tourists in Florence to be hospitalised due to an overload of sublime Renaissance art.

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The Trans-Mississippi Exposition of 1898 celebrated Omaha’s key economic role as a center of industry west of the Mississippi River and its arrival as a progressive metropolis after the Panic of 1893. The exposition also promoted the rise of the United States as an imperial power, at the time on the brink of the Spanish-American War, and the nation’s place in bringing “civilization” to Indigenous populations both overseas and at the conclusion of the recent Plains Indian Wars. The Omaha World’s Fair, however, is one of the least studied American expositions. Wendy Jean Katz brings together leading scholars to better understand the event’s place in the larger history of both Victorian-era America and the American West. The interdisciplinary essays in this volume cover an array of topics, from competing commercial visions of the cities of the Great West; to the role of women in the promotion of City Beautiful ideals of public art and urban planning; and the constructions of Indigenous and national identities through exhibition, display, and popular culture. Leading scholars T. J. Boisseau, Bonnie M. Miller, Sarah J. Moore, Nancy Parezo, Akim Reinhardt, and Robert Rydell, among others, discuss this often-misunderstood world’s fair and its place in the Victorian-era ascension of the United States as a world power.

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This book covers various forms of the production of girmitiya culture and literature. One of the main objectives is to conceptualize the idea of girmitya, girmitology, and girmitiya literature, culture, history, and identity in both colonial and postcolonial contexts. This book aims to document the history, experiences, culture, assimilation, and identity of girmitiya community. It also critically analyses the articulation, projection, and production of their experiences of migration and being immigrant, their narratives, tradition, culture, religion, and memory. It also explores how this labour community formulated into a diaspora community and reconnected/created the home (land) and continues to do so in the wake of globalization and Information and Communication Technology (ICT). This book is an attempt to bring the intriguing neglected diverse historical heritage of colonial labour migration and their narratives into the mainstream scholarly debates and discussions in the humanities and the social sciences through the trans- and interdisciplinary perspectives. This book assesses the routes of migration of old diaspora, and it explains the nuances of cultural change among the generations. Although, they have migrated centuries back, absorbed and assimilated, and got citizenships of respective countries of destinations but still their longing for roots, culture, identities, “home”, and the constant struggle is to retain connections with their homeland depicted in their cultural practices, arts, music, songs, folklore and literary manifestations.

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