Search results for ""or books""

As the man himself might say, there’s so much to write about! There’s racist Trump, sexist Trump, bankrupt Trump, lying Trump, paranoid Trump, clueless Trump, conman Trump, bullying Trump, and more. Here, in one lovingly researched and slim volume, is Trump stripped bare: the truth behind the glitz. If it sounds frightening, it is: the man who might well be the next President of the United States has the integrity of roadkill.Never before in American history has anyone quite like Donald Trump gotten so close to the presidency. He’s been called America’s savior, a demagogue, and a potential dictator. Whether or not he is elected this November, it behooves us to know the facts about the man—and yes, there are plenty to be had.Buy it now—before he sues to cover up Trump Unveiled!

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A collection with a feminist ethos that cuts across race, gender identity, and sexuality.Creative activists have reacted to the 2016 Presidential election in myriad ways. Editors Danielle Barnhart and Iris Mahan have drawn on their profound knowledge of the poetry scene to put together an extraordinary list of poets taking a feminist stance against the new authority. What began as an informal collaboration of like-minded poets—to be released as a handbound chapbook—has grown into something far more substantial and ambitious: a fully fledged anthology of women’s resistance, with a portion of proceeds supporting Planned Parenthood and the Center for Reproductive Rights.Representing the complexity and diversity of contemporary womanhood and bolstering the fight against racism, sexism, and violence, this collection unites powerful new writers, performers, and activists with established poets. Contributors include Denice Frohman, Elizabeth Acevedo, Sandra Beasley, Jericho Brown, Mahogany L. Browne, Danielle Chapman, Tyehimba Jess, Kimberly Johnson, Jacqueline Jones LaMon, Maureen N. McLane, Joyce Peseroff, Mary Ruefle, Trish Salah, Patricia Smith, Anne Waldman, and Rachel Zucker.

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Written by the refugees themselves, this highly original anthology of Palestinians forced to live outside their homeland brings together stories of what it means to be exiled, reflections on the events that led to being displaced, and the raw experience of daily life in a camp.The 11 lives given voice here are unique, each an expression of the myriad displacements that war and occupation have forced upon Palestinians since the Nakba of 1948. At the same time, they form a collective testament of a people driven from their homes and land by colonial occupation. Each story is singular; and each tells the story of all Palestinians.As Edward Said argued in 1984, the object of Israel’s colonial warfare is not only material—seeking to minimise Palestinian existence as such—but is also a narrative project that aims to obliterate Palestinian history “as possessed of a coherent narrative direction pointed towards self-determination.”In these pages, Palestinian refugees narrate their own histories. The product of a creative-writing workshop organized by the Institute for Palestine Studies in Lebanon, 11 Lives tells of children’s adventures in the alleyways of refugee camps, of teenage martyrs and ghosts next-door, of an UNRWA teacher’s dismay at the shallowness of her colleagues, and of the love, labour, and land that form the threads of a red keffiyeh.What unites these 11 stories is “the inadmissible existence of the Palestinian people” highlighted by Said. Their words persist, as one contributor writes, “between the Nakba and the Naksa, throughout defeats and massacres, love affairs and revolutions.” The stories of Palestinians in exile are also open-ended, and will continue to reverberate across borders until Palestine is free.With contributions by: Nadia Fahed, Intisar Hajaj, Yafa Talal El-Masri, Youssef Naanaa, Ruba Rahme, Hanin Mohammad Rashid, Mira Sidawi, Wedad Taha, Salem Yassin, Taha Younis, Mahmoud Mohammad ZeidanCo-published with the Institute of Palestine Studies.

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The November 2020 US election was arguably the most consequential since the 1860 election of Abraham Lincoln—and grassroots leaders and organizers played crucial roles in the contention for the presidency and control of both houses of Congress. Power Concedes Nothing tells the stories behind a victory that won both the White House and the Senate and powered progressive candidates to new levels of influence. It describes the on-the-ground efforts that mobilized a record-breaking turnout by registering new voters and motivating an electorate both old and new. In doing so it charts a viable path to victory for the vital contests upcoming in 2022 and 2024. Contributors include: Cliff Albright, Yong Jung Cho, Larry Cohen, Sendolo Diaminah, Neidi Dominguez, David Duhalde, Alicia Garza, Ryan Greenwood, Arisha Michelle Hatch , Jon Liss, Thenjiwe McHarris, Andrea Cristina Mercado, Maurice Mitchell, Rafael Návar, Deepak Pateriya, Ai-jen Poo, W. Mondale Robinson, Art Reyes III, Nsé Ufot and Mario Yedidia

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Charlie Parker is an African Gray Parrot. He entered the life of Debby and Michael Smith three decades ago when, at the insistence of their young son, Eli, they brought him home from a downtown Manhattan bird shop. He has been an integral, and voluble, member of the family ever since. Charlie’s vocabulary is astonishingly diverse and colorful. He can be demanding, squawking imperiously “Clean my cage” or “Want some water.” He can be brutally direct, warning an aggressive business associate who had been yelling at Debby “I’m going to kick your ass, you sonofabitch.” He can be mischievous, making meowing noises to a neighbor’s confused dog in the elevator. Charlie is a survivor. He ended up recovering on an IV after the collapse of the World Trade Center filled the Smiths’ apartment with toxic dust. He is often an entertainer, with a songbook that extends across “Home on the Range” to “The Yellow Rose of Texas.” And most of the time he is affectionate, often hanging upside down against the side of his cage and demanding to be tickled. In encountering Charlie’s tales in this concise and charming book, we come to realize that parrots are intelligent and loving creatures, to an extent that, as the renowned avian scientist Professor Irene Pepperberg points out in her introduction, they cannot meaningfully be owned by humans but only enjoyed as companions.

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In this characteristically turbocharged book, now in a new post-election edition, celebrated Rolling Stone journalist Matt Taibbi provides an insider’s guide to the variety of ways today’s mainstream media tells us lies. Part tirade, part confessional, Hate Inc reveals that what most people think of as “the news” is, in fact, a twisted wing of the entertainment business. In the Internet age, the press have mastered the art of monetizing anger, paranoia, and distrust. Taibbi, who has spent much of his career covering elections in which this kind of manipulative activity is most egregious, provides a rich taxonomic survey of American political journalism’s dirty tricks. After a 2020 election season that proved to be a Great Giza Pyramid Complex of invective and digital ugliness, Hate Inc. is an invaluable antidote to the hidden poisons dished up by those we rely on to tell us what is happening in the world.

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Bev Stohl ran the MIT office of the renowned linguist and social critic Noam Chomsky for nearly two and a half decades. This is her account of those years, working next to a man described by the New York Times as “arguably the most important intellectual alive today.” Through these pages we observe the comings and goings of a constant and varied stream of visitors: the historian Howard Zinn; activists Alex Carey, Peggy Duff, and Dorie Ladner; the inventor of the World Wide Web, Tim Berners Lee; actors Catherine Keener and Wallace Shawn; the writer Norman Mailer; gaggles of fourteen-year-old school students, and the world’s leading linguists. All make appearances in these stories. Many who visit are as careless of their allotted time as Chomsky is generous with his. Shepherding them out in mid-conversation is one of Bev’s more challenging responsibilities. Other duties include arranging lectures to overflow crowds around the world, keeping unscrupulous journalists at bay, preventing teetering ziggurats of paper and books from engulfing her boss, and switching on his printer when it is deemed “broken” by a mind that is engaged less by mundane technology than the realms of academia and activism. Over the years, what has commenced as a formal working arrangement blossoms into something more: a warm and enduring friendship that involves work trips to Europe, visits with her partner and dog to Noam’s summer home on Cape Cod, and a mentorship that challenges Bev with all manner of intriguing mental and practical puzzles. Published with the approval of its subject and written with affection, insight and a gentle sense of humor, Chomsky and Me describes a relationship between two quite different people who, through the happenstance of work, form a bond that is both surprising and reciprocally rich.

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Street protests are one side of a worldwide citizens' movement. Another side is the increasing use of boycotts, one of the most powerful weapons in the organizer’s arsenal: it is an effective and moral lever for civil rights, most notably today in its adoption by the BDS movement. Since the days of the 19th century Irish land wars, when Irish tenant farmers defied the actions of Captain Charles Boycott and English landlords, “boycott” has been a method that’s had an impact time and again. In the 20th century, it notably played central roles in the liberation of India and South Africa and the struggle for civil rights in the U.S.: the 1955 Montgomery bus boycott is generally seen as a turning point in the movement against segregation. Assuming Boycott is the essential reader for today’s creative leaders and cultural practitioners, including original contributions by artists, scholars, activists, critics, curators and writers who examine the historical precedent of South Africa; the current cultural boycott of Israel; freedom of speech and self-censorship; and long-distance activism. It is about consequences and causes of cultural boycott. Far from withdrawal or cynicism, boycott emerges as a productive tool of creative and productive engagement.

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Cypherpunks are activists who advocate the widespread use of strong cryptography (writing in code) as a route to progressive change. Julian Assange, the editor-in-chief of and visionary behind WikiLeaks, has been a leading voice in the cypherpunk movement since its inception in the 1980s.Now, in what is sure to be a wave-making new book, Assange brings together a small group of cutting-edge thinkers and activists from the front line of the battle for cyber-space to discuss whether electronic communications will emancipate or enslave us. Among the topics addressed are: Do Facebook and Google constitute “the greatest surveillance machine that ever existed,” perpetually tracking our location, our contacts and our lives? Far from being victims of that surveillance, are most of us willing collaborators? Are there legitimate forms of surveillance, for instance in relation to the “Four Horsemen of the Infopocalypse” (money laundering, drugs, terrorism and pornography)? And do we have the ability, through conscious action and technological savvy, to resist this tide and secure a world where freedom is something which the Internet helps bring about?The harassment of WikiLeaks and other Internet activists, together with attempts to introduce anti-file sharing legislation such as SOPA and ACTA, indicate that the politics of the Internet have reached a crossroads. In one direction lies a future that guarantees, in the watchwords of the cypherpunks, “privacy for the weak and transparency for the powerful”; in the other lies an Internet that allows government and large corporations to discover ever more about internet users while hiding their own activities. Assange and his co-discussants unpick the complex issues surrounding this crucial choice with clarity and engaging enthusiasm.

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"A comically committed exploration of current life-hacking wisdom in areas ranging from athletic and intellectual prowess to spirituality, creativity, wealth, and pleasure." —The New Yorker In these pages, the authors of the widely-acclaimed Wellness Syndrome throw themselves headlong into the techniques of self-optimization, a burgeoning movement that seeks to transcend the limits placed on us as mere humans, whether the feebleness of our bodies or our mental incapacities. Cederstrom and Spicer, devoted each month of a roller coaster year to a different way of improving themselves: January was Productivity, February their bodies, March their brains. June was for sex and September for money. Perhaps the trickiest was April, a month devoted to relationships, when their feelings for each other came under the microscope, with results that were both hilarious and painful. Carl thought Andre was only “dialing it in,” Andre felt Carl was too controlling. In fact, both proved themselves willing guinea pigs in an extraordinary (and sometimes downright dangerous) range of techniques and technologies, had hitherto undertaken little by way of self-improvement. They had rarely seen the inside of a gym, let alone utilized apps that deliver electric shocks in pursuit of improved concentration. They wore head-bands designed to optimize sleep, and attempted to boost their memory through learning associative techniques (failing to be admitted to MENSA bit learning pi to 1,000 digits), trained for weightlifting competitions, wrote what they (still) hope might become a bestselling Scandinavian detective story, attended motivational seminars and tantra workshops, went on new-age retreats and man-camps, and experimented with sex toys and productivity drugs. Andre even addressed a London subway car whilst (nearly) naked in an attempt to overcome a negative body image. Somewhat surprisingly, the two young professors survived this year of rigorous research. Further, they produced a hilarious and eye-opening book based upon it. Written in the form of two parallel diaries, Desperately Seeking Self-Improvement provides a biting analysis of the narcissism and individual competitiveness that increasingly pervades a culture in which social solutions are receding and individual self-improvement is the only option left.

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From Facebook to Talking Points Memo to the New York Times, often what looks like fact-based journalism is not. It’s advertising. Not only are ads indistinguishable from reporting, the Internet we rely on for news, opinions and even impartial sales content is now the ultimate corporate tool. Reader beware: content without a corporate sponsor lurking behind it is rare indeed.Black Ops Advertising dissects this rapid rise of “sponsored content,” a strategy whereby advertisers have become publishers and publishers create advertising—all under the guise of unbiased information. Covert selling, mostly in the form of native advertising and content marketing, has so blurred the lines between editorial content and marketing message that it is next to impossible to tell real news from paid endorsements. In the 21st century, instead of telling us to buy, buy, BUY, marketers “engage” with us so that we share, share, SHARE—the ultimate subtle sell.Why should this concern us? Because personal data, personal relationships, and our very identities are being repackaged in pursuit of corporate profits. Because tracking and manipulation of data make “likes” and tweets and followers the currency of importance, rather than scientific achievement or artistic talent or information the electorate needs to fully function in a democracy. And because we are being manipulated to spend time with technology, to interact with “friends,” to always be on, even when it is to our physical and mental detriment.

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"Beautiful Rising offers insights and lessons for creative resistance from across the Global South, making it a crucial resource for change-makers."—Archbishop Desmond Tutu "Beyond a brilliantly innovative toolkit for making social change, you will find here a 'deep structure' of activist patterns and principles that can unite millions in creating a new world beyond capitalist sociopathy and strong man despotism. Read this optimistic book for hope in grim times. " —Charles Derber, professor of sociology at Boston College and author of Welcome to the Revolution: Universalizing Resistance for Social Justice and Democracy in Perilous Times Based on face-to-face jam sessions held in Yangon, Amman, Harare, Dhaka, Kampala and Oaxaca, Beautiful Rising includes stories of the Ugandan organizers who smuggled two yellow-painted pigs into parliament to protest corruption; the Burmese students' 360-mile long march against undemocratic and overly centralized education reforms; the Lebanese "honk at parliament" campaign against politicians who had clung to power long after their term had expired; and much more. Now, in one remarkable book, you can find the collective wisdom of more than a hundred grassroots organizers from five continents. It's everything you need for a DIY uprising of your own.

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• A police officer kills a twelve-year-old boy. It’s caught on video. The officer gets off.• A police officer strangles a man selling cigarettes. It’s caught on video. The officer gets off.• A police officer shoots a man in his car. It’s live-streamed. The officer gets off. It happens over and over again. The culprit here, alongside the cops, is Qualified Immunity (QI), a legal principle which Reuters describes as “a nearly failsafe tool to let police brutality go unpunished and deny victims their constitutional rights.” Originally intended to protect cops from being sued over good faith mistakes, courts have interpreted QI so broadly that police are shielded from accountability in all but the rarest of circumstances. Only when the exact same abusive behavior was already deemed unconstitutional by a court in the exact same jurisdiction can victims succeed in a prosecution. Above the Law recounts 12 cases in which justice was denied because of QI. The stories are accompanied by infographics, timelines, and contextualizing background to create a concise and compelling indictment of an outrageously unjust legal principle that must be changed.

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"Serious but easily readable. The History of Havana employs conventional documentary, written and visual sources and a variety of testimonials from throughout the world to bring to life the complex portraits and challenges of contemporary Havana." —Harry Belafonte Since its founding in 1519, Havana has drawn people from all over the world, including explorers, immigrant, refugees, and the exiled, to create a melting pot of influences and cultures––and a very distinct history. From its colonial roots to its communist revolution, authors Dick Cluster and Rafael Hernández examine not only the ruptures in the city's life, but its continuities as well. The traditions that make the city unique, like its idiosyncratic combination of territorialism and hospitality or its proclivity for protest, are as much a drive for change as an integral element of its character. Drawing on oral histories and cultural artifacts alike, this history acknowledges the rich and artfully selected stories of the citizens, from their fascinating exploits to their grand successes, to be as significant to the very fabric of the city as its dynamic culture and intriguing politics, making it a superbly well-rounded account of the most alluring city in the Caribbean. With grace and precision, in this updated and revised second edition of their classic history of the city Cluster and Hernández offer the divergent but productive perspectives of the American and the Cuban in lyrical and accessible prose on Cuba's magical capital. Generously illustrated with black-and-white photographs and maps.

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Concrete Utopia  conceptualizes the human rights project of the last two and a half centuries as a “backward-looking” endeavor, which, in order to move forward, must return to the utopian roots of its foundational documents.  Human rights advance by judging the ills of the present world from a standpoint in the future where they might no longer exist—a fundamentally utopian gesture. This peculiar character of human rights makes them continually ripe for reinvention and for responding to changing world circumstances. Looking at topics such as the Auschwitz trials in Frankfurt in the mid-1960s, public outrage to the Vietnam War, the US civil rights movement and the founding of Amnesty International in 1961, this book surveys the history of human rights and how they have been reconceived at different points in time. It closes by sketching the way th

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In real life, there is a person like “Anonymous”, who, for the sake of this story, I’ll call Huey Carmichael. I was friends with this person for a while before I learned about his other life. The real Huey knows more than a thing or two about the weed business. He keeps rules. The Business Secrets of Drug Dealing tells the story of a hyper-observant, politically-minded, but humorously pragmatic weed dealer who has spent a working life compiling rules for how to a) make money and b) avoid prison. Each rule shapes a chapter of this fast-paced outlaw tale, all delivered in Huey’s deliciously trenchant argot. Here are a few of them: • No guns but keep shooters. • Stay behind the white guy. • Don’t snitch. • Always have a job. • Be multi-sourced. • Get your money and get out. Part edge-of-the-seat suspense story, part how-to manual in the tradition of The Anarchist Cookbook, The Business Secrets of Drug Dealing is as scintillating as it is subversive. Just reading it feels illegal.

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The Business Secrets of Drug Dealing tells the story of a hyper-observant, politically-minded, but humorously pragmatic weed dealer who has spent a working life compiling rules for how to a) make money and b) avoid prison. Each rule shapes a chapter of this fast-paced outlaw tale, all delivered in his deliciously trenchant argot. Here are a few of them: No guns but keep shooters. Stay behind the white guy. Don’t snitch. Always have a job. Be multi-sourced. Get your money and get out. Part edge-of-the-seat suspense story, part how-to manual in the tradition of The Anarchist Cookbook, The Business Secrets of Drug Dealing is as scintillating as it is subversive. Just reading it feels illegal.

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The Dead Center takes an acerbic and often ribald eye to contemporary politics, particularly those of mainstream liberals in the United States. Combining engaging polemic and serious intellectual analysis, it offers a timely portrait of a political landscape sullied by an already ineffectual Biden administration, the marginalization of forces around Bernie Sanders and the ominous shadow of Donald Trump in the wings. In these pages Jacobin staff writer Luke Savage exposes the hollowness and futility of the liberal project in the 21st century, offering searing critiques of some of its leading figures, notably Barack Obama and Justin Trudeau, and touching on topics that extend over the milquetoast politics of the Biden presidency, Aaron Sorkin’s The West Wing, the monopolists of Silicon Valley, and the worst excesses of cable news punditry. Always deeply informed, often on the basis of direct personal experience, Savage’s book also explores the recent trajectory of younger people away from the liberal mainstream and towards the socialist left.

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Black politics are key to recognizing the most important social dynamics of the United States. Over the past forty years, no commentator has been as deeply insightful about the paradoxes and personalities of Black American public life as the journalist and radio host Glen Ford. In this stunning overview, Ford draws from his work for Black Agenda Report, one of the most incisive and perceptive publications of the progressive left, to examine competing struggles for class power and identity in the Black movement. In a survey stretching from the violent gentrification of New Orleans in the wake of Hurricane Katrina, through the engineered bankruptcy of Detroit, to the “more effective evil” of the Obama presidency, Ford casts a caustic eye on the empty posturing and corruption of the Democratic Party. This, he insists, depends on a Black constituency for electoral success, while using a co-opted “Black misleadership class” to sell out working people’s interests. Profiling along the way storied Black leaders such as Martin Luther King, Jr., Malcolm X, and James Brown (for whom Ford once worked), The Black Agenda looks, too, beyond American shores, at US intervention in Libya, the Congo and the Middle East, showing how these are imbricated with racism at home. Ford concludes with a discussion of the Black Lives Matter movement, setting out both its pitfalls and potentialities.

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Creating Chaos explores that dark side of statecraft, the covert use of political warfare in international relations – from its early practices during the Great Game between the British and Russian empires, through the Cold War era of ideological confrontation and forward into the hybrid political warfare of the 21st Century. Creating Chaos presents and illustrates the full body of covert and deniable political warfare practices, tracing their historical development and their use by both America and Russia throughout the Cold War and beyond. Using the most current information available, Hancock, a “veteran national security journalist” (Publishers Weekly) examines the evolution of political warfare tools and tactics in the era of the global Internet and ubiquitous social media, evaluating their effectiveness and illustrating the rapidly increasing levels of risk associated with these new and untested cyberwarfare tools. Virtually no books have studied actual political warfare beyond the Cold War, and only a handful have provided any insights into the new and rapidly evolving practices of the Russian Federation or of the political warfare aspect of NGOs or other surrogate actors. A companion volume to Shadow Warfare: The History of America's Undeclared Wars, Creating Chaos introduces the nature and history of political action practices, exploring a number of formerly secret American and Russian hybrid warfare and active measures projects in detail. With that background for context, it then extends those practices into the twenty-first century and contemporary events, evaluating wellestablished practices as they are being used with the newest tools of the global Internet and social media. It demonstrates the exponential increase in their effectiveness—and the equally exponential risk and consequences involved.

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The WikiLeaks publisher and free speech campaigner Julian Assange has, since April 2019, been remanded at a maximum security prison in London facing extradition to the United States over WikiLeaks’ groundbreaking 2010 publications. Now, in this crisp anthology, Assange’s voice emerges – erudite, analytic and prophetic. Julian Assange In His Own Words provides a highly accessible survey of Assange’s philosophy and politics, conveying his views on how governments, corporations, intelligence agencies and the media function. As well as addressing the significance of the vast trove of leaked documents published by WikiLeaks, Assange draws on a polymathic intelligence to range freely over quantum physics, Greek mythology, macroeconomics, modern literature, and empires old and new. Drawing on his insights as the world’s most famous free speech activist Assange invites us to ask further questions about how power operates in a world increasingly dominated by a ubiquitous internet. Assange may be gagged, but in these pages his words run free, providing both an exhortation to fight for a better world and an inspiration when doing so.

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"A worthy addition to the library of resistance." —Kirkus "Dorfman’s critique is personal, intellectual, devastating, and at times bitingly funny." —New York Journal of Books Combining elements of memoir, political theory, and literary criticism, Ariel Dorfman’s Homeland Security Ate My Speech is an emotionally raw yet measured assessment of the United States after the election of Donald Trump. Dorfman, writing with a bifurcated Latino-American identity, highlights the troubling parallels between Trump and repressive regimes of the past. Specifically, Dorfman relates the election of Trump to the CIA-led coup that installed Pinochet as dictator in Chile: an event that upended Dorfman’s life, as well as the fate of the country. With corruption and repression looming, he wonders, can the United States avoid the same kind of political interference it practiced in the past? Reflecting Dorfman’s virtuosity across genres, the essays of Homeland Security Ate My Speech are concise, yet highly original and playful; one takes the form of a letter from a sixteenth-century King of Spain to Donald Trump, praising him for his intolerance, and urging a revival of the Inquisition, while another begins with Dorfman’s memory of seeing a monster movie as a child ("I can remember gripping my mother’s hand tight") and segues into a thoughtful meditation on Trump via Mary Shelley’s novel Frankenstein. Dorfman brings a rich array of literary references to his discussion of America’s current malaise; other authors he invokes include Faulkner, Shakespeare, Cervantes, Melville, Lewis Carroll, and Dave Eggers.

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The first insider account straight from Trump University, by one of its principal instructors. While the President of the United States seems to be able to shock with each new tweet, and no depth seems too low for him to sink to, we've yet to hear from someone who was at the heart of one of his signature outrages--Trump University, the infamous and elaborate scheme to con hundreds of earnest citizens out of their hard-earned dollars. Until now. Stephen Gilpin is a real estate guy. His forte is buying distressed properties and flipping them; he's done a lot of that, in his day, in Florida and elsewhere. In the go-go world of the 1990s, he came to New York City from Pittston, PA., with nothing other than his looks, and after a brief and successful stint as a male model, managed to work his way into the thick of the brutal world of New York real estate. This was where the real money was, he correctly reasoned--where he'd meet men and women possessed of character, energy—and lots of cash. But this is not a "Wolf of Wall Street" story. Gilpin quickly became an expert in leveraging properties, and he saw this as a way to rescue declining neighborhoods—and and get rich in the process. He wanted to share his knowledge with others, and when he was asked to join Trump University's Trump Entrepreneur Initiative as a "Master Real Estate Coach," to teach in the shadow of a man whom he then greatly admired, he jumped at the chance. Little did he know that he would become an unwilling participant in one of the largest con games in American history.

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An engaging, accessible history of the focus group, Featherstone's survey shows how the primary purpose of the focus group has shifted from determining what we want, to selling us things we don't. The focus group, over the course of the last century, became an increasingly vital part of the way companies and politicians sold their products and policies with few areas of life, from salad dressing to health care legislation to our favorite TV shows, left untouched by moderators questioning controlled groups about what they liked and didn't. Divining Desire is the first-ever popular survey of this topic. In a lively, sweeping survey, Liza Featherstone traces the surprising roots of the focus group in early-twentieth century European socialism, its subsequent use by the "Mad Men" of Madison Avenue, and its widespread employment today. She also explores such famous "failures" of the method as the doomed launch of the Ford Edsel, and the even more ill-fated attempt to introduce a new flavor of Coca Cola (which prompted street protests from devotees of the old formula). As elites became increasingly detached from the general public, they relied ever more on focus groups, whether to win votes or to sell products. And, in a society where many feel increasingly powerless, the focus group has at least offered the illusion that ordinary people can be heard and that their opinions count. Yet, the more they are listened to, the less power they have. That paradox is particularly stark today, when everyone can post an opinion on social media – our 24 hour "focus group"—yet only plutocrats can shape policy. In telling this story, Featherstone raises profound and fascinating questions about democracy and consumer society.

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Genet…Beckett…Burroughs…Miller…Ionesco, Oe, Duras. Harold Pinter and Tom Stoppard. Hubert Selby Jr. and John Rechy. The legendary film I Am Curious (Yellow). The books that assaulted the fort of propriety that was the United States in the 1950s and ’60s, Lady Chatterley’s Lover and The Tropic of Cancer. The Evergreen Review. Victorian “erotica.” The Autobiography of Malcolm X. A bombing, a sit-in, and a near-fistfight with Norman Mailer. The common thread between these disparate elements, a number of which reshaped modern culture, was Barney Rosset.Rosset was the antidote to the trope of the “gentleman publisher” personified by other pioneering figures of the industry such as Alfred A. Knopf, Bennett Cerf and James Laughlin. If Barney saw a crowd heading one way—he looked the other. If he knew something was forbidden, he regarded it as a plus. Unsurprisingly, financial ruin, along with the highs and lows of critical reception, marked his career. But his unswerving dedication to publishing what he wanted made him one of the most influential publishers ever.Rosset began work on his autobiography a decade before his death in 2012, and several publishers and a number of editors worked with him on the project. Now, at last, in his own words, we have a portrait of the man who reshaped how we think about language, literature—and sex. Here are the stories behind the filming of Norman Mailer’s Maidstone and Samuel Beckett’s Film; the battles with the US government over Tropic of Cancer and much else; the search for Che’s diaries; his romance with the expressionist painter Joan Mitchell, and more.At times appalling, more often inspiring, never boring or conventional: this is Barney Rosset, uncensored.Illustrated with black-and-white photographs; includes index

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The first English-language anthology of contemporary Tibetan fiction available in the West, Old Demons, New Deities brings together the best Tibetan writers from both Tibet and the diaspora, who write in Tibetan, English and Chinese. Modern Tibetan literature is just under forty years old: its birth dates to 1980, when the first Tibetan language journal was published in Lhasa. Since then, short stories have become one of the primary modern Tibetan art forms. Through these sometimes absurd, sometimes strange, and always moving stories, the English-reading audience gets an authentic look at the lives of ordinary, secular, modern Tibetans navigating the space between tradition and modernity, occupation and exile, the personal and the national. The setting may be the Himalayas, an Indian railway, or a New York City brothel, but the insights into an ancient culture and the lives and concerns of a modern people are real, and powerful. For this anthology, editor and translator Tenzin Dickie has collected 21 short stories by 16 of the most respected and well known Tibetan writers working today, including Pema Bhum, Pema Tseden, Tsering Dondrup, Woeser, Tsering Wangmo Dhompa, Kyabchen Dedrol, and Jamyang Norbu.

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Once we came out of the jungle and found time to think of something besides food, sex, and shelter, we confronted the fundamental questions: what are we? Who are we? Is a person a body, a soul? How do we access the external world if we are nothing but brains encased in bodies? As neuroscientists map the most detailed aspects of the human brain and its interplay with the rest of the body, they remain baffled by what is essentially human: our selves. In most of the existing scientific literature, information processing has taken the place of the soul. Yet thus far, no convincing account has been presented of exactly where and how consciousness is stored in our bodies. In The Spread Mind, Riccardo Manzotti convincingly argues that our bodies do not contain subjective experience. Yet consciousness is real, and, like any other real phenomenon, is physical. Where is it, then? Manzotti's radical hypothesis is that consciousness is one and the same as the physical world surrounding us. Drawing on Einstein's theories of relativity, evidence about dreams and hallucination, and the geometry of light in perception, and using vivid, real-world examples to illustrate his ideas, Manzotti argues that consciousness is not a ''movie in the head.'' Experience is not in our head: it is the actual world we move in.

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"Elegant and incendiary." —Naomi Klein. Beautiful Trouble brings together dozens of seasoned artists and activists from around the world to distill their best practices into a toolbox for creative action. Sophisticated enough for veteran activists, accessible enough for newbies, this compendium of troublemaking wisdom is a must-have for aspiring changemakers. Showcasing the synergies between artistic imagination and shrewd political strategy, Beautiful Trouble is for everyone who longs for a more beautiful, more just, more livable world – and wants to know how to get there.

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From its beginning—“My English professor’s ass was so beautiful.”—to its end—“You can actually learn to have grace. And that’s heaven.”—poet, essayist and performer Eileen Myles’ chronicle transmits an energy and vividness that will not soon leave its readers. Her story of a young female writer, discovering both her sexuality and her own creative drive in the meditative and raucous environment that was New York City in its punk and indie heyday, is engrossing, poignant, and funny. This is a voice from the underground that redefines the meaning of the word.

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U.S. relations with Iran have been fraught for decades, but under the Trump Administration tensions are rising to startling levels. Medea Benjamin, one of the best-known 21st century activists, offers the incredible history of how a probable alliance became a bitter antagonism in this accessible and fascinating story. In 1979, the Iranian Revolution brought a full-scale theocracy to the 80 million inhabitants of the Middle East's second largest country, with. The rule of the ayatollahs opened the door to Islamic fundamentalism. In the decades since, bitter relations have persisted between the U.S. and Iran. Yet how is it that Iran has become the primary target of American antagonism over nations like Saudi Arabia, whose appalling human rights violations fail to depose it as one of America's closest allies in the Middle East? In the first general-audience book on the subject, Medea Benjamin elucidates the mystery behind this complex relationship, recounting the country's history from the pre-colonial period to its emergence as the one nation Democrats and Republicans alike can unite in denouncing. Benjamin has traveled several times to Iran, and uses her firsthand experiences with politicians, activists, and everyday citizens to provide a deeper understanding of the complexities of Iranian society. Tackling common misconceptions about Iran's system of government, its religiosity, and its citizens' way of life, Benjamin makes short work of the inflammatory rhetoric surrounding U.S.-Iranian relations, and presents a realistic and hopeful case for the two nations' future.

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Set in the author’s homeland, Colombia, this is the heartbreaking story of Leonor, former child soldier of the FARC, a rural guerrilla group. Paula Delgado-Kling followed Leonor for nineteen years, from shortly after she was an active member of the FARC forced into sexual slavery by a commander thirty-four years her senior, through her rehabilitation and struggle with alcohol and drug addiction, to more recent days as the mother of two girls. Leonor’s physical beauty, together with resourcefulness and imagination in the face of horrendous circumstances, helped her carve a space for herself in a male-dominated world. She never stopped believing that she was a woman of worth and importance. It took her many years of therapy to accept that she was also a victim. Throughout the story of Leonor, Delgado-Kling interweaves the experiences of her own family, involved with Colombian politics since the 19th century and dee

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Over the course of the last century, the focus group has become an increasingly vital part of the way companies and politicians sell their products and policies. Few areas of life, from salad dressing to health care legislation to our favorite TV shows, have been left untouched by the questions put to controlled groups about what they do and don’t like. Divining Desire is the first-ever popular survey of this rich topic. In a lively, sweeping history, Liza Featherstone traces the surprising roots of the focus group in early-twentieth century European socialism, its subsequent use by the “Mad Men” of Madison Avenue, and its widespread deployment today. She also explores such famous “failures” of the method as the doomed launch of the Ford Edsel with its vagina shaped radiator grille, and the even more ill-fated attempt to introduce a new flavor of Coca Cola (which prompted street protests from devotees of the old formula). As elites have become increasingly detached from the general public, they rely ever more on focus groups, whether to win votes or to sell products. And, in a society where many feel increasingly powerless, the focus group has at least offered the illusion that ordinary people will be listened to and that their opinions count. Yet, it seems the more we are consulted, the less power we have. That paradox is particularly stark today, when everyone can post an opinion on social media—our 24 hour “focus group”—yet only plutocrats can shape policy. In telling this fascinating story, Featherstone raises profound questions about democracy, desire and the innermost workings of consumer society.

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A sparkling new take on an age-old publication: The Other Almanac brings together a stellar group of young writers, artists and activists to pick up themes of environmentalism, gardening, recipes, folklore, seasonal savvy, and off- the-beaten-track amusement, all presented in brilliant color and eye-popping design. Out with the Old, in with the Other!The original Almanac is the oldest continuously printed publication in the US . It comprises a popular mix of ancient wisdom, garden advice, poems, jokes, how-to's, recipes, and calendars. It is, however, still tailored to its traditional audience: largely rural, white and conservative. It eschews stances on anything overtly progressive, be it political, ecological, or social. The Other Almanac puts right these omissions. Whilst retaining the quirkiness and liveliness of the original, it aims to bridge the urban/rural divide in America, delving into issues of politics and culture that unite us all. Its pages are filled with buoyant contributions from climate organizers, indigenous activists, migrant farmworkers, historians, scientists, medicine makers, incarcerated painters, astrologers, lawyers, borderland midwives and more. Original, full color art surrounds their writing, creating an inviting, accessible yearbook that will entertain and educate a wide new readership for an age-old chronicle. Contributors: 10th Floor Studio, adrienne maree brown, Alexis Pauline Gumbs, Alfredo Jaar, Amaryllis R. Flowers, Andrea Aliseda, Bill McKibben, Bread and Puppet Press, Carla J. Simmons, Chloë Boxer, Chris Lloyd, Dyani White Hawk, Dylan Smith, Daniel Barreto, Esther Elia, Food With Fam, Francesca DiMattio, Hangama Amiri, Hannah Beerman, Jennifer Givhan, Jessie Kindig, Jumana Manna, Kirk Gordon, Keegan Dakkar Lomanto, Lily Consuelo Saporta Tagiuri, Philip Poon, Sophia Giovannitti, Tania Willard, Tyrrell Tapaha, Veladya Chapman, Who Tattoo, Yaku Perez Guartambel.

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Much has been written In English about the experiences and treatment of immigrants from south of the Rio Grande once they have entered the United States. But this account, by the itinerant, effervescent and highly original journalist Belén Fernández, offers a different and wholly original take. Belén Fernández shows us what life is like for would-be migrants, not just from the Mexican side of the border but inside Siglo XXI, the notorious migrant detention center in the south of the country. Journalists are prohibited from entering Siglo XXI; Fernández only gained access because she herself was detained as a result of faulty paperwork when she attempted to return to the US to renew her passport. Once inside the facility, Fernández was able to speak with detained women from Honduras, Cuba, Haiti, Bangladesh, and beyond. Their stories, detailing the hardships that prompted them to leave their homes, and the dangers they have experienced on an often-tortuous journey north, form the core of this unique book. The companionship and support they offer to Fernández, whose antipathy to returning to the United States, the country they are desperate to enter, is a source of bemusement and perplexity, demonstrates a spirited generosity that is deeply moving. In the end, the Siglo XXI center emerges as a strikingly precise metaphor for a 21st century in which poor people, effectively imprisoned by American political and economic policies, nevertheless display astonishing resilience.

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Jeremy Corbyn and Len McCluskey collaborated to help achieve the biggest electoral success for socialism in recent British history. The two men share a passionate belief in a fairer, more equal Britain, encapsulated in Labour’s election slogan “For the many, not the few.” That slogan, inspired by Shelley’s famous poem The Masque of Anarchy, points to something else the two have in common: a lifelong enthusiasm for poetry. In this sparkling anthology they discuss the poems that have moved and enlightened them. Their choices travel over centuries and continents, with poets ranging from Shakespeare and Juana de la Cruz, through William Blake and Emily Dickinson, to Bertolt Brecht, Stevie Smith and Linton Kwesi Johnson. Rounding out the collection are appreciations of poems selected by guest contributors Melissa Benn, Rob Delaney, Julie Hesmondhalgh, Ken Loach, Morag Livingstone, Francesca Martinez, Karie Murphy, Maxine Peake, Michael Rosen, Alexei Sayle and Gary Younge. With the burgeoning popularity of poetry, especially among Gen Z, this joyful celebration of the power of verse is bound to delight and inspire across a wide audience. All royalties from sales of this book will be donated to the Peace and Justice Project.

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Meticulously researched while reading like a fast-paced thriller, this explosive new book details the way the Israel lobby deployed charges of anti-Semitism to destroy Jeremy Corbyn’s bid for power as leader of the Labour Party. In an electrifying account, investigative journalist Asa Winstanley shows how Labour’s anti-Semitism crisis was manufactured by pro-Israel groups. Despised and feared by Israel and its allies because of his long-standing support for the Palestine solidarity movement, Jeremy Corbyn became a target of enemies determined to abort his left-wing project. Drawing on new interviews with many of those victimized in purges the Labour leadership claimed were necessary to tackle anti-Semitism, Winstanley exposes a plot by the Israel lobby, in alliance with the Labour right and Israeli and British intelligence agencies, to prevent a socialist entering Downing Street. An essential historical corrective, Weaponising Anti-Semitism shines light into the murkiest corners of the British state and those who work with it.

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Mind control. Satanic rituals. Unspeakable sexual perversions. Supervillains eating children’s brains. A divine mandate to keep Donald Trump in the White House, no matter what. This surreal combination of horror-movie shocks and fascist marching orders is the signature of QAnon, which emerged from the dark corners of the internet in 2017 and soon became the galvanizing force behind Trump supporters, both during Trump’s presidency and in the volatile, ongoing aftermath of the 2020 election. But despite the strange pervasiveness of QAnon, its origins remain obscure. Who is behind QAnon’s messaging, and what do they want? And why do they pair their extreme political agenda with such obviously made-up, phantasmagorical beliefs? In Operation Mindfuck, Robert Guffey argues that this is not as mysterious as QAnon’s anonymous “drops” of cryptic directives seem to be. Drawing on an encyclopedic knowledge of conspiracy theories and mixing deep-dive research, political analysis, and firsthand notes from QAnon’s underbelly, Guffey insists that we’ve seen it all before. Unraveling QAnon’s patchwork quilt of recycled material, from pulp-fiction spook stories to Hunter S. Thompson-style pranksterism to Nixon-esque dirty tricks, Guffey diagnoses QAnon as a highly engineered ploy, calibrated to capture the attention and lock-step loyalty of its audience. Will its followers ever realize that they’ve been had? Can this new American religion be dispelled as a cult like any other? The answers, Operation Mindfuck reveals, are hidden in plain sight.

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Russia’s brutal February 2022 invasion of Ukraine has attracted widespread condemnation across the West. Government and media circles present the conflict as a simple dichotomy between an evil empire and an innocent victim. In this concise, accessible and highly informative primer, Medea Benjamin and Nicolas Davies insist the picture is more complicated. Yes, Russia’s aggression was reckless and, ultimately, indefensible. But the West’s reneging on promises to halt eastward expansion of NATO in the wake of the collapse of the Soviet Union played a major part in prompting Putin to act. So did the U.S. involvement in the 2014 Ukraine coup and Ukraine's failure to implement the Minsk peace agreements. The result is a conflict that is increasingly difficult to resolve, one that could conceivably escalate into all-out war between the United States and Russia—the world’s two leading nuclear powers. Skillfully bringing together the historical record and current analysis, War In Ukraine looks at the events leading up to the conflict, surveys the different parties involved, and weighs the risks of escalation and opportunities for peace. For anyone who wants to get beneath the heavily propagandized media coverage to an understanding of a war with consequences that could prove cataclysmic, reading this timely book will be an urgent necessity.

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With a new introduction by the author Some thousands of years ago, the world was home to an immense variety of large mammals. From wooly mammoths and saber-toothed tigers to giant ground sloths and armadillos the size of automobiles, these spectacular creatures roamed freely. Then human beings arrived. Devouring their way down the food chain as they spread across the planet, they began a process of voracious extinction that has continued to the present. Headlines today are made by the existential threat confronting remaining large animals such as rhinos and pandas. But the devastation summoned by humans extends to humbler realms of creatures including beetles, bats and butterflies. Researchers generally agree that the current extinction rate is nothing short of catastrophic. Currently the earth is losing about a hundred species every day. This relentless extinction, Ashley Dawson contends in a primer that combines vast scope with elegant precision, is the product of a global attack on the commons, the great trove of air, water, plants and creatures, as well as collectively created cultural forms such as language, that have been regarded traditionally as the inheritance of humanity as a whole. This attack has its genesis in the need for capital to expand relentlessly into all spheres of life. Extinction, Dawson argues, cannot be understood in isolation from a critique of our economic system. To achieve this we need to transgress the boundaries between science, environmentalism and radical politics. Extinction: A Radical History performs this task with both brio and brilliance.

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A celebrated performance artist’s mesmerizing riffs on sex in American politics. Based on her widely praised performance piece Unicorn Gratitude Mystery ("Wickedly funny," as described by The New York Times), Karen Finley’s Grabbing Pussy explores the Shakespearean dynamics that surface when libidos and loyalties clash in the public and private personas of Donald Trump, Hillary and Bill Clinton, Huma Abedin and Anthony Weiner, and now Harvey Weinstein. Standing in the tradition of Allen Ginsberg’s Howl, Finley’s words jolt the reader into new insights about the ways the darkly private can drive the public realm in dizzying twists and turns. The aggression of intimacy, the disparity of gender, and the vital importance of hair are all encompassed in Finley’s exhilarating canter.

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The diminutive co-founder of Code Pink has become famous for fearlessly tackling head-on subjects the left and right studiously avoid. Sometimes, she does so in person--as at President Obama's speech at the National Defense College, or in Egypt, where she was assaulted by police. Here, she's researching the sinister nature of the relationship between the U.S. and Saudi Arabia.In seven succinct chapters followed by a meditation on prospects for change, Benjamin--cited by the L.A. Times as "one of the high profile members of the peace movement"--shines a light on one of the weirder, and most important, elements of our foreign policy. What is the origin of this strange alliance between two countries that have very little in common? Why does it persist, and what are its consequences? Why, over a period of decades and across various presidential administrations, has the United States consistently supported a regime shown time and again to be one of the most powerful forces working against American interests? Saudi Arabia is perhaps the single most important source of funds for terrorists worldwide, promoting an extreme interpretation of Islam along with anti-Western sentiment, while brutally repressing non-violent dissidents at home.

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Beckett’s Children is a lyrical blend of personal memoir, father-son dialogue, and literary investigation that probes the works of Irish writer Samuel Beckett and American poet Susan Howe in search of traces of their long-rumored status as father and daughter. Although Howe has denied the rumor, the possibility that it might be true leads Coffey to a highly original appreciation of her work and a fascinating focus on the dozens of unattended children who wander through Beckett’s oeuvre. The saga of Coffey’s adult son, at various moments on the run in the Indiana woods or incarcerated, shines light on life without parental connection in a cold America. As an adoptee himself, Coffey looks to literature for traces of his own origin story and lineage, a heritage held in secret by a closed adoption system but which, through books and cultural signs, he has been able to decipher in his own way.  Provoc

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