Search results for ""louisiana state university press""

In the aftermath of Hurricane Katrina, a small group of dedicated dreamers opened the Southern Food & Beverage Museum to tell the stories of the foods and drinks that have come to define the US South. This volume shares recipes particular to each southern state, all created by chefs who feel the connection of home.

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A Scrap in the Blessings Jar, a volume of new and selected poems by David Bottoms, captures the evolution of the poet's spiritual quest over the past fifty years. A native and longtime resident of Georgia, Bottoms draws inspiration from the American South, and his work examines themes related to family dynamics, the woods, animals, fishing, and music in an effort to, as he once told an interviewer, "reveal something about the hidden things of the world, the vague or shadowy relationships and connections that exist just below the surface of our daily lives." This book charts his progression from tightly wrought naturalistic narratives to works that reflect his shifting conception of the interplay between memory, the present, and the metaphysical. At heart, Bottoms remains a storyteller who employs figurative language to discover the extraordinary in the seemingly mundane, and whose poetry explores the depths of our existential condition and common humanity.

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Confederate Privateer is a comprehensive account of the brief life and exploits of John Yates Beall, a Confederate soldier, naval officer, and guerrilla in the Chesapeake Bay and Great Lakes region. A resident of Charles Town, Virginia (now West Virginia), near Harpers Ferry, Beall was a member of the militia guarding the site of John Brown's execution in 1859. Beall later signed on as a private in the Confederate army and suffered a wound in defense of Harpers Ferry early in the war. He quickly became a fanatical Confederate, ignoring the issue of slavery by focusing on a belief that he was fighting to preserve liberty against a tyrannical Republican party that had usurped the republic and its constitution.Limited by poor health but still seeking an active role in the Confederate cause, Beall traveled to the Midwest and then to Canada, where he developed an elaborate plan for Confederate operations on the Great Lakes. In Richmond, Beall laid his plan before Confederate President Jefferson Davis and Secretary of the Navy Stephen Mallory. Instead of the Great Lakes operation, Mallory authorized a small privateering action on the Chesapeake Bay. Led by "Captain" Beall, the operation damaged or destroyed several ships under the protection of the U.S. Navy. For his part in organizing the raids, Beall became known as the "Terror of the Chesapeake."After Union forces captured Beall and his men, the War Department prepared to try them as pirates. But Secretary of War Edwin Stanton backed down, and Beall was later freed in a prisoner exchange. Organizing another privateering operation on the Great Lakes, Beall had some early successes on the water. He then hatched a plan to derail a passenger train transporting Confederate prisoners of war near Niagara, New York, but was captured before he could carry out the mission. The Union army charged Beall with conspiracy, found him guilty, and executed him.Harris's history of Beall offers a new view of paramilitary efforts by civilians to support the Confederacy. Though little remembered today, Beall was a legendary figure in the Civil War South, so much so that his execution was on John Wilkes Booth's list of reasons to assassinate President Abraham Lincoln. Based on exhaustive research in primary and secondary sources and placed in the context of more extensive Confederate guerrilla operations, Confederate Privateer is sure to be of interest to Civil War scholars and general readers interested in the conflict.

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In Speed, Safety, and Comfort: The Origins of Delta Air Lines, former Delta Boeing 767 captain and aviation historian James John Hoogerwerf traces the evolution and growth of one of America's most successful airlines. Delta's story began during the early twentieth century with the fight against the cotton-devouring boll weevil, which devastated the southern economy and compelled scientists to formulate calcium arsenate powder to eradicate the invasive pest. To aid in the elimination effort, Huff Daland Company, a military aircraft manufacturer, constructed the first plane specifically designed to dispense the poison from the air. Crop dusting proved so effective, Huff Daland Dusters, the world's first crop-dusting company, rebranded as Delta Air Service in 1928 to focus more on providing commercial services, including the transport of passengers and air mail. The following year Delta began flying its first passengers from Monroe, Louisiana, eventually establishing routes across the southeastern United States. By the eve of World War II, the firm had assumed the familiar Delta Air Lines name and boasted forward-thinking management, a modern fleet of aircraft, and increased revenue from passenger ticket sales.Now headquartered in Atlanta, Delta counts itself among the oldest and largest airlines in the world, with nearly 90,000 employees and more than 5,400 flights per day. Delta's expansion and survival are anomalies in an industry historically dominated by government and special interests. Hoogerwerf's masterful history of Delta's beginnings underscores the company's contribution to agriculture, southern industrialization, and the development of commercial aviation in the United States.

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Restoration ecology is a vital tool to mitigate the crisis caused by the global destruction of biodiversity, one of the most powerful existential threats to future generations. Johnny Armstrong's Rescuing Biodiversity tells the story of one man's attempts to preserve a vanishing Louisiana ecosystem and restore the animal and plant species that once lived there.As a grandfather and perpetual student, Armstrong witnessed the speed at which the timber industry pillaged local landscapes, and he resolved to protect and revitalize the old-growth forest of Wafer Creek Ranch in north central Louisiana. This fascinating tale recounts his efforts to reclaim the shortleaf pine-oak-hickory woodland ecosystem, once dominant across a wide stretch of land spanning at least four southern states but now virtually extinct. Accessibly written, Rescuing Biodiversity acts as a field guide to the historic upland ecology of the region, with descriptions and photographs of its overstory, salient upland grasses, and brilliant wildflowers. Armstrong takes the reader on a journey through this fragile environment, demonstrating what science-based restoration can look like on land that serves as the prime example of a native plant community in the state.

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In 1951, a young Black woman, working as an overnight caretaker at a county-line beer joint in southwestern Mississippi, shot and killed a white intruder who was likely intending to assault her. Hattie Lee Barnes's killing of Lamar Craft threw the courts into a whirlwind of conflicting stories and murder attempts, illuminating the capriciousness of Mississippi justice, in which race, personal connections, and community expectations mattered a great deal.In Roadhouse Justice, Trent Brown examines the long-forgotten circumstances surrounding this case, revealing not only the details of Craft's death and the lengthy court proceedings that followed, but also the precarious nature of Black lives under the 1950s southern justice system. Told here in full for the first time, the story of Barnes's tribulations and ultimate victory demonstrates her intense determination and refusal to buckle under the enormous pressures she faced.

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Beads are one of the great New Orleans symbols, as much a signifier of the city as a pot of scarlet crawfish or a jazzman's trumpet. They are Louisiana's version of the Hawaiian lei, strung around tourists' and conventioneers' necks to demonstrate enthusiasm for the city. The first in a new LSU Press series exploring facets of Louisiana's iconic culture, Mardi Gras Beads delves into the history of this celebrated New Orleans artefact, explaining how Mardi Gras beads came to be in the first place and how they grew to have such an outsize presence in New Orleans celebrations.Beads are a big business based on valuelessness. Approximately 130 shipping containers, each filled with 40,000 pounds of Chinese-made beads and other baubles, arrive at New Orleans's biggest Mardi Gras throw importer each Carnival season. Beads are an unnatural part of the natural landscape, persistently dangling from the trees along parade routes like Spanish moss. They clutter the doorknobs of the city, sway behind its rearview mirrors, test the load-bearing strength of its attic rafters, and clog its all-important rainwater removal system.Mardi Gras Beads traces the history of these parade trinkets from their origins in Twelfth Night festivities through their ascent to the premier parade catchable by the Depression era. Veteran Mardi Gras reporter Doug MacCash explores the manufacture of Mardi Gras beads in places as far-flung as the Sudetenland, India, and Japan, and traces the shift away from glass beads to the modern, disposable plastic versions. Mardi Gras Beads concludes in the era of coronavirus, when parades (and therefore bead throwing) were temporarily suspended because of health concerns, and considers the future of biodegradable Mardi Gras beads in a city ever more threatened by the specter of climate change.

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The first full-length book of drone photography of the Crescent City, Above New Orleans offers readers perspectives never before captured by a camera. Overhead scenes cover the entire metropolis, from the French Quarter to Uptown, from the Mississippi River to Lake Pontchartrain, from Westwego to New Orleans East, and from Gentilly to Gretna. A detailed description accompanies each image, providing insight into the history, geography, and architecture of this dazzling municipality.As this volume demonstrates, the vantage points afforded by the drone-mounted camera reveal fascinating views otherwise unobtainable in the often compact environment of New Orleans. "To me a roofscape is the tout ensemble of urban elements," writes Richard Campanella in the book's preface, "particularly in dense neighborhoods, visible from a perch that is high enough to be synoptical, yet low enough to be intimate. Roofscapes are the intermediary between the more familiar concepts of streetscapes and landscapes; they are the oblique, three-dimensional renderings of cityscapes."Capturing these views of New Orleans required the specialized equipment and expertise of retired Italian engineer Marco Rasi, who has mastered the new technology of drone photography in his adopted hometown. His adept piloting and keen eye made for, in Rasi's words, "the perfect platform to capture those rooftop perspectives I had always savored, as no aircraft or helicopter could ever do."Above New Orleans: Roofscapes of the Crescent City beautifully documents the aesthetic wonder of the city's singular urban landscape.

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Traditional histories of the Civil War describe the conflict as a war between North and South. Kenneth W. Noe suggests it should instead be understood as a war between the North, the South, and the weather. In The Howling Storm, Noe retells the history of the conflagration with a focus on the ways in which weather and climate shaped the outcomes of battles and campaigns. He further contends that events such as floods and droughts affecting the Confederate home front constricted soldiers' food supply, lowered morale, and undercut the government's efforts to boost nationalist sentiment. By contrast, the superior equipment and open supply lines enjoyed by Union soldiers enabled them to cope successfully with the South's extreme conditions and, ultimately, secure victory in 1865. Climate conditions during the war proved unusual, as irregular phenomena such as El Niño, La Niña, and similar oscillations in the Atlantic Ocean disrupted weather patterns across southern states. Taking into account these meteorological events, Noerethinks conventional explanations of battlefield victories and losses, compelling historians to reconsider long-held conclusions about the war. Unlike past studies that fault inflation, taxation, and logistical problems for the Confederate defeat, his work considers how soldiers and civilians dealt with floods and droughts that beset areas of the South in 1862, 1863, and 1864. In doing so, he addresses the foundational causes that forced Richmond to make difficult and sometimes disastrous decisions when prioritizing the feeding of the home front or the front lines. The Howling Storm stands as the first comprehensive examination of weather and climate during the Civil War. Its approach, coverage, and conclusions are certain to reshape the field of Civil War studies.

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The Hoosac railroad tunnel in the mountains of northwestern Massachusetts was a nineteenth-century engineering and construction marvel, on par with the Brooklyn Bridge, Transcontinental Railroad, and Erie Canal. The longest tunnel in the Western Hemisphere at the time (4.75 miles), it took nearly twenty-five years (1851‒1875), almost two hundred casualties, and tens of millions of dollars to build. Yet it failed to deliver on its grandiose promise of economic renewal for the commonwealth, and thus is little known today. Andrew R. Black's Buried Dreams refreshes public memory of the project, explaining how a plan of such magnitude and cost came to be in the first place, what forces sustained its completion, and the factors that inhibited its success. Black digs into the special case of Massachusetts, a state disadvantaged by nature and forced repeatedly to reinvent itself to succeed economically. The Hoosac Tunnel was just one of the state's efforts in this cycle of decline and rejuvenation, though certainly the strangest. Black also explores the intense rivalry among Eastern Seaboard states for the spoils of western expansion in the post‒Erie Canal period. His study interweaves the lure of the West, the competition between Massachusetts and archrival New York, the railroad boom and collapse, and the shifting ground of state and national politics. The psychic makeup of Americans before and after the Civil War heavily influenced public perceptions of the tunnel; by the time it was finished, Black contends, the indomitable triumphalism that had given birth to the Hoosac had faded to skepticism and cynicism. Anticipated economic benefits never arrived, and Massachusetts eventually sold the tunnel for only a fraction of its cost to a private railroad company.Buried Dreams tells a story of America's reckoning with the perils of impractical idealism, the limits of technology to bend nature to its will, and grand endeavors untempered by humility.

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What remained of the badly decomposed body of twelve ­-year ­-old Tina Marie Andrews was discovered underneath a discarded sofa in the woods outside of McComb, Mississippi, on August 23, 1969. Ten days earlier, Andrews and a friend had accepted a ride home after leaving the Tiger's Den, a local teenage hangout, but they were driven instead to the remote area where Andrews was eventually murdered. Although eyewitness testimony pointed to two local police officers, no one was ever convicted of this brutal crime, and to this day the case remains officially unsolved. Contemporary local newspaper coverage notwithstanding, the story of Andrews's murder has not been told. Indeed, many people in the McComb community still, more than fifty years later, hesitate to speak of the tragedy. Trent Brown's Murder in McComb is the first comprehensive examination of this case, the lengthy investigation into it, and the two extended trials that followed. Brown also explores the public shaming of the state's main witness, a fifteen-year-old unwed mother, and the subsequent desecration of Andrews's grave. Set against the uneasy backdrop of the civil rights movement, Brown's study deftly reconstructs various accounts of the murder, explains why the juries reached the verdicts they did, and explores the broader forces that shaped the community in which Andrews lived and died. Unlike so many other accounts of violence in the Jim Crow South, racial animus was not the driving force behind Andrews's murder; in fact, most of the individuals central to the case, from the sheriff to the judges to the victim, were white. Yet Andrews, as well as her friend Billie Jo Lambert, the state's key witness, were ""girls of ill repute,"" as one defense attorney put it. To many people in McComb, Tina and Billie Jo were ""trashy"" children whose circumstances reflected their families' low socioeconomic standing. In the end, Brown suggests that Tina Andrews had the great misfortune to be murdered in a town where the locals were overly eager to support law, order, and stability- instead of true justice- amid the tense and uncertain times during and after the civil rights movement.

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Joseph Arthur Simon's The Greatest of All Leathernecks is the first comprehensive biography of John Archer Lejeune (1867- 1942), a Louisiana native and the most innovative and influential leader of the United States Marine Corps in the twentieth century. As commandant of the Marine Corps from 1920 to 1929, Lejeune reorganized, revitalized, and modernized the force by developing its new and permanent mission of amphibious assault. Before that transformation, the corps was a constabulary infantry force used mainly to protect American business interests in the Caribbean, a mission that did not place it as a significant contributor to the United States defense establishment. The son of a plantation owner from Pointe Coupee Parish, Lejeune enrolled at Louisiana State University in 1881, aged fourteen. Three years later, he entered the U.S. Naval Academy, afterward serving for two years at sea as a midshipman. In 1890, he transferred to the Marines, where he ascended quickly in rank. During the Spanish-American War, Lejeune commanded and landed Marines at San Juan, Puerto Rico, to rescue American sympathizers who had been attacked by Spanish troops. A few years later, he arrived with a battalion of Marines at the Isthmus of Panama- part of Colombia at the time- securing it for Panama and making possible the construction of the Panama Canal by the United States. He went on to lead Marine expeditions to Cuba and Veracruz, Mexico. During World War I, Lejeune was promoted to major general and given command of an entire U.S. Army division. After the war, Lejeune became commandant of the Marine Corps, a role he used to develop its new mission of amphibious assault, transforming the corps from an ancillary component of the U.S. military into a vibrant and essential branch. He also created the Marine Corps Reserve, oversaw the corps's initial use of aviation, and founded the Marine Corps Schools, the intellectual planning center of the corps that currently exists as the Marine Corps University. As Simon masterfully illustrates, the mission and value of the corps today spring largely from the efforts and vision of Lejeune.

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This candid and humorous chronicle shows how one woman goes from casual observer to obsessive bird nerd as she traverses Louisiana's avian paradise. In Adventures of a Louisiana Birder, readers follow Marybeth Lima across her adopted state in search of 300 species of birds. Bisected by the Mississippi flyway and home to 400 miles of coast, Louisiana has a variety of habitats, which serve as a beautiful backdrop to this remarkable journey. In birding circles, some devotees attempt what is known as a ""big year,"" a bird-sighting challenge to identify as many bird species as possible in a particular geographical area over the course of one year. Lima's initial effort amounted to 11,626 miles in sixty-one road trips to log an impressive 280 species. But on a subsequent quest to exceed her record, she endures elusive birds, embarrassing misidentifications, and hungry insects in an effort to reach her goal. In the midst of these obstacles, Lima celebrates the camaraderie and friendly competition among fellow birders, from novices to a world-renown ornithologist. Requiring both mental focus and physical agility, birdwatching becomes an active sport through Lima's narration. She vividly conveys the elation over a rare species seen or heard and the disappointment when one is narrowly missed. An appendix provides the location and date of every species she identifies. Lima's personal experiences are interwoven with the excitement of tracking down one intriguing species after another. She faces a near-fatal burn accident to her spouse, end-of-life care for her mother-in-law, and Louisiana's great flood of 2016. In the midst of these situations, her devotion to birding provides a much-needed outlet. ""Somewhere in the roiling confluence of birds, locales, and human personalities,"" writes Lima, ""the center of my heart sings with utter abandon."" Adventures of a Louisiana Birder is the author's call to a deeper passion for and awareness of Louisiana's unique natural beauty and vulnerability.

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Films possess virtually unlimited power for crafting broad interpretations of American history. Nineteenth-century America has proven especially conducive to Hollywood imaginations, producing indelible images like the plight of Davy Crockett and the defenders of the Alamo, Pickett's doomed charge at Gettysburg, the proliferation and destruction of plantation slavery in the American South, Custer's fateful decision to divide his forces at Little Big Horn, and the onset of immigration and industrialization that saw Old World lifestyles and customs dissolve amid rapidly changing environments. Balancing historical nuance with passion for cinematic narratives, Writing History with Lightning confronts how movies about nineteenth-century America influence the ways in which mass audiences remember, understand, and envision the nation's past. In these twenty-six essays- divided by the editors into sections on topics like frontiers, slavery, the Civil War, the Lost Cause, and the West- notable historians engage with films and the historical events they ostensibly depict. Instead of just separating fact from fiction, the essays contemplate the extent to which movies generate and promulgate collective memories of American history. Along with new takes on familiar classics like Young Mr. Lincoln and They Died with Their Boots On, the volume covers several films released in recent years, including The Revenant, 12 Years a Slave, The Birth of a Nation, Free State of Jones, and The Hateful Eight. The authors address Hollywood epics like The Alamo and Amistad, arguing that these movies flatten the historical record to promote nationalist visions. The contributors also examine overlooked films like Hester Street and Daughters of the Dust, considering their portraits of marginalized communities as transformative perspectives on American culture. By surveying films about nineteenth-century America, Writing History with Lightning analyzes how movies create popular understandings of American history and why those interpretations change over time.

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It's Father's Day 1972 and a young boy's dad takes him to visit a string of unimpressive ex-girlfriends that could have been his mother; the unconventional detective work of a koan-speaking, Kung Fu-loving uncle solves a case of arson during a pancake breakfast; and a former geology professor, recovering from addiction, finds himself sharing a taxicab with specters from a Jim Crow-era lynching. Set in and around the fictional town of Steepleburg, South Carolina, the loosely tied stories in George Singleton's Staff Picks place sympathetic, oddball characters in absurd, borderline surreal situations that slowly reveal the angst of southern history with humor and bite. In the tradition of Donald Barthelme, T. C. Boyle, Flannery O'Connor, and Raymond Carver, Singleton creates lingering, darkly comedic tales by drawing from those places where familiarity and alienation coexist. A remarkable and distinct effort from an acclaimed chronicler of the South, Staff Picks reaffirms Singleton's gift for crafting short story collections that both deliver individual gems and shine as a whole.

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From a peace ceremony conducted by Chitimacha diplomats before Governor Bienville's makeshift cabin in 1718 to a stickball match played by Choctaw teams in 1897 in Athletic Park, American Indians greatly influenced the history and culture of the Crescent City during its first two hundred years. In American Indians in Early New Orleans, Daniel H. Usner lays to rest assumptions that American Indian communities vanished long ago from urban south Louisiana and recovers the experiences of Native Americans in Old New Orleans from their perspective.Centuries before the arrival of Europeans, American Indians controlled the narrow strip of land between the Mississippi River and present-day Lake Pontchartrain to transport goods, harvest resources, and perform rituals. The birth and growth of colonial New Orleans depended upon the materials and services provided by Native inhabitants as liaisons, traders, soldiers, and even slaves. Despite losing much of their homeland and political power after the Louisiana Purchase, Lower Mississippi Valley Indians refused to retreat from New Orleans's streets and markets; throughout the 1800s, Choctaw and other nearby communities improvised ways of expressing their cultural autonomy and economic interests- as peddlers, laborers, and performers- in the face of prejudice and hostility from non-Indian residents. Numerous other American Indian tribes, forcibly removed from the southeastern United States, underwent a painful passage through the city before being transported farther up the Mississippi River. At the dawn of the twentieth century, a few Indian communities on the north shore of Lake Pontchartrain continued to maintain their creative relationship with New Orleans by regularly vending crafts and plants in the French Market.In this groundbreaking narrative, Usner explores the array of ways that Native people used this river port city, from its founding to the World War I era, and demonstrates their crucial role in New Orleans's history.

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A National Historic Landmark with a complex and remarkable two-hundred-year history, Melrose Plantation near Natchitoches, Louisiana, was home to many notable women, including freedwoman and entrepreneur Marie Thérèse Coincoin and artist Clementine Hunter. Among that influential group, Cammie Henry, the mistress of Melrose during the first half of the twentieth century, stands out as someone who influenced the plantation's legacy in dramatic and memorable ways. In Cane River Bohemia, Patricia Austin Becker provides a vivid biography of this fascinating figure.Born on a sugar plantation in south Louisiana in 1871, Cammie Henry moved with her husband to Melrose in 1899 and immediately set to work restoring the property. She extended her impact on Melrose, the surrounding community, and the region when she began to host an artist colony in the 1920s and 1930s. Writers and painters visiting the bucolic setting could focus on their creative pursuits and find encouragement for their efforts. The most frequent visitors- considered by Cammie to be her circle of ""congenial souls""- included writer/journalist Lyle Saxon, naturalist Caroline Dormon, author Ada Jack Carver, and painter Alberta Kinsey. Artists and artisans such as Harnett Kane, Roark Bradford, William Spratling, Doris Ulmann, and Sherwood Anderson also found their way to Melrose.In addition to hosting well-known guests, Henry began a collection of history books, nineteenth-century manuscripts, and scrapbooks of clippings and memorabilia that later brought her attention from the wider world. Researchers and writers contacted Henry frequently as the reputation of her library grew, and today the Cammie G. Henry Research Center at Northwestern State University houses this impressive collection that serves as a lasting tribute to Henry's passion for the preservation of words as well as for the South's material culture, including quilting, spinning, and gardening.

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More Than This, like David Kirby's previous acclaimed collections, is shot through with the roadhouse fervor of early rock 'n' roll. Yet these rollicking poems also contain an oceanic feeling more akin to the great symphonies of Europe than the two-minute singles of Little Richard and other rock pioneers, as Kirby seeks to startle, to please, to unwind the knots that we get ourselves into and make it possible to being anew. Little goes unnoticed in these poems: death is present, along with love, friendship, food, religious ardor and philosophical skepticism, nights on the town and quiet evenings at home. With More Than This, his twelfth collection, Kirby takes readers back in time and out in space, offering quiet wisdom and a sense of the endless possibilities that art and life give us all.

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Louisiana's unique multicultural history has led to the development of more styles of American music than anywhere else in the country. Encyclopedia of Louisiana Musicians compiles over 1,600 native creators, performers, and recorders of the state's indigenous musical genres. The culmination of years of exhaustive research, Gene Tomko's comprehensive volume not only reviews major and influential artists but also documents for the first time hundreds of lesser- ­known notable musicians. Arranged in accessible A- Z format- from Fernest ""Man"" Abshire to Zydeco Ray- Tomko's concise entries detail each musician's life and career, reflecting exciting new discoveries about many enigmatic and early artists: Country Jim, Henry Zeno, Douglas Bellard, Good Rockin' Bob, Blind Uncle Gaspard, Emma L. Jackson, and Rocket Morgan, to name just a few. A separate section features musicians from elsewhere who made an impact in Louisiana, such as Mississippi ­-born blues singer ­-songwriter- ­guitarist Eddie ""Guitar Slim"" Jones and celebrated jazz pianist Billie Pierce, a native of Florida. The final section highlights key regional record producers and studio and label owners, like J. D. Miller, Stan Lewis, and Cosimo Matassa, who have enabled future generations to enjoy music of the Bayou State. Written with both the casual fan and the scholar in mind, Encyclopedia of Louisiana Musicians is the definitive reference on Louisiana's rich musical legacy and the numerous important musicians it has produced.

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For three days in 1972 in Gary, Indiana, eight thousand American civil rights activists and Black Power leaders gathered at the National Black Political Convention, hoping to end a years-long feud that divided black America into two distinct camps: integrationists and separatists. While some form of this rift existed within black politics long before the 1968 assassination of Dr. Martin Luther King, Jr., his death- and the power vacuum it created- heightened tensions between the two groups, and convention leaders sought to merge these competing ideologies into a national, unified call to action. What followed, however, effectively crippled the Black Power movement and fundamentally altered the political strategy of civil rights proponents. An intense and revealing history, Leonard N. Moore's The Defeat of Black Power provides the first in-depth evaluation of this critical moment in American history.During the brief but highly charged meeting in March 1972, attendees confronted central questions surrounding black people's involvement in the established political system: reject or accept integration and assimilation; determine the importance or futility of working within the broader white system; and assess the perceived benefits of running for public office. These issues illuminated key differences between integrationists and separatists, yet both sides understood the need to mobilize under a unified platform of black self-determination. At the end of the convention, determined to reach a consensus, officials produced ""The National Black Political Agenda,"" which addressed the black constituency's priorities. While attendees and delegates agreed with nearly every provision, integrationists maintained their rejection of certain planks, namely the call for a U.S. constitutional convention and separatists' demands for reparations. As a result, black activists and legislators withdrew their support less than ten weeks after the convention, dashing the promise of the 1972 assembly and undermining the prerogatives of black nationalists. In The Defeat of Black Power, Moore shows how the convention signaled a turning point for the Black Power movement, whose leaders did not hold elective office and were now effectively barred access to the levers of social and political power. Thereafter, their influence within black communities rapidly declined, leaving civil rights activists and elected officials holding the mantle of black political leadership in 1972 and beyond.

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Mémère's Country Creole Cookbook showcases regional dishes and cooking styles associated with the ""German Coast,"" a part of southeastern Louisiana located along the Mississippi River north of New Orleans. This rural community, originally settled by German and French immigrants, produced a vibrant cuisine comprised of classic New Orleans Creole dishes that also feature rustic Cajun flavors and ingredients.A native and longtime resident of the German Coast, Nancy Tregre Wilson focuses on foods she learned to cook in the kitchens of her great-grandmother (Mémère), her Cajun French grandmother (Mam Papaul), and her own mother. Each instilled in Wilson a passion for the flavors and traditions that define this distinct Cajun Creole cuisine. Sharing family recipes as well as those collected from neighbors and friends, Wilson adds personal anecdotes and cooking tips to ensure others can enjoy the specialty dishes of this region.The book features over two hundred recipes, including dishes like crab-stuffed shrimp, panéed meat with white gravy, red bean gumbo, and mirliton salad, as well as some of the area's staple dishes, such as butterbeans with shrimp, galettes (flattened, fried bread squares), tea cakes, and ""l'il coconut pies."" Wilson also offers details of traditional rituals like her family's annual November boucherie and the process for preparing foods common in early-twentieth-century Louisiana but rarely served today, such as pig tails and blood boudin. Pairing historic recipes with Wilson's memories of life on the German Coast, Mémère's Country Creole Cookbook documents the culture and cuisine of an often-overlooked part of the South.

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In these essays, Gary Fincke combines a journalist's relentless investigations into the darkest corners of the human condition with an academic's love for arcana. In one essay, almost forgotten homeopathic recipes from the pantries of Pennsylvania Dutch country are interwoven with the panicked absurdities of elementary school health classes in the 1960s. In another, old case files of small town murders intertwine with meditations on all the fears, large and small, that accompany parenting. In The Darkness Call, Fincke plumbs the depths- child abuse, violence, illness, grief- not for their sadness but for moments of courage, hope, empathy, and light.

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Exploring the Crescent City from the ground up, Richard Campanella takes us on a winding journey toward explaining the city's distinct urbanism and eccentricities. In Cityscapes of New Orleans, Campanella- a historical geographer and professor at Tulane University- reveals the why behind the where, delving into the historical and cultural forces that have shaped the spaces of New Orleans for over three centuries.For Campanella, every bewildering street grid and linguistic quirk has a story to tell about the landscape of Louisiana and the geography of its bestknown city. Cityscapes of New Orleans starts with an examination of neighborhoods, from the origins of faubourgs and wards to the impact of the slave trade on patterns of residence. Campanella explains how fragments of New Orleans streets continue to elude Google Maps and why humble Creole cottages sit alongside massive Greek Revival mansions. He considers the roles of modern urban planning, environmentalism, and preservation, all of which continue to influence the layout of the city and its suburbs. In the book's final section, Campanella explores the impact of natural disasters as well-known as Hurricane Katrina and as unfamiliar as ""Sauvé's Crevasse,"" an 1849 levee break that flooded over two hundred city blocks.Cityscapes of New Orleans offers a wealth of perspectives for uninitiated visitors and transplanted citizens still confounded by terms like ""neutral ground,"" as well as native-born New Orleanians trying to understand the Canal Street Sinkhole. Campanella shows us a vibrant metropolis with stories around every corner.

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In an era during which the United States Supreme Court handed down some of its most important decisions, including Brown v. Board of Education (1954), Baker v. Carr (1962), and Miranda v. Arizona (1966), three senators from South Carolina- Olin Johnston, Strom Thurmond, and Ernest ""Fritz"" Hollings- waged war on the court's progressive agenda by targeting the federal judicial nominations process. To Face Down Dixie explores these senators' role in some of the most contentious confirmation battles in recent history, including those of Thurgood Marshall, Abe Fortas, and Clement Haynsworth.In scrutinizing Supreme Court nominees and attempting to restrict the power of the nine justices of the court, these senators defied not only the leadership of the Democratic Party but also the Senate traditions of hierarchy and seniority. Along with South Carolina's conservative, segregationist political establishment, which maintained ironclad control over the state's legislature, Johnston, Thurmond, and Hollings effectively drowned out the many moderate voices in South Carolina that remained critical of their obstructionism, thus advancing their own conservative credentials and boosting their chances of reelection.To Face Down Dixie examines for the first time the central role that South Carolina played in turning Supreme Court nomination hearings into confrontational and political public events. James O. Heath argues that the state's war on the court concealed its antipathy to civil rights by using the confirmation process to challenge the court's function as the final arbiter of policy on questions relating to law and order, obscenity, communist subversion, and school prayer. Heath's study illustrates that while South Carolina's history of ""massive resistance"" is less prominent than that of other states, its politicians acted as persistent antagonists in the complex and dramatic debates in the U.S. Senate during the era of civil rights.

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Washington and Lee University, 1930- 2000 tells the history of one of the nation's oldest colleges as it evolved to face changes in higher education and in American society. In the early part of the twentieth century, Washington and Lee was a small, all-male institution known for its conservative inclinations, coats and ties, social life dominated by fraternities, and venerable honor system run exclusively by students. In the seven decades after 1930, the university confronted economic depression and world war, and faced the challenges and opportunities posed by subsidized athletics, integration, changing student customs and attitudes, new emphases in higher education, and the controversial move to coeducation. Each of the presidents who led the university during this era encouraged Washington and Lee to adapt to new demands while retaining its core traditions and identity. The alma mater of three United States Supreme Court justices, over a hundred members of congress and state governors, and winners of the Pulitzer, Nobel, Tony, and Emmy awards, Washington and Lee University receives a full and complex depiction in this authoritative history.

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In poems inspired by and sometimes borrowing their forms from the novena, a nine-day Catholic prayer addressing and seeking intercession from the Virgin Mary, Jacques Rancourt explores the complexities of faith, desire, beauty, and justice. Novena is a collection that invites prayer not to symbols of dogmatic perfection but to those who are outcast or maligned, LGBTQ people, people in prison, people who resist, people who suffer and whose suffering has not been redeemed. In Novena, the Virgin Mary is recast as a drag queen, religious icons are merged with those who are abolished, and spiritual isolation is scrutinised in a queer pastoral.

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This remarkable book, first published twenty years ago, continues to offer a singular window into the customs, politics, and places of twentieth-century Louisiana. This dazzling collection of landscapes and portraits drawn from the lifework of internationally renowned photographer Fonville Winans (1911- 1992) grants readers the opportunity to see his memorable photographs of the people- from oystermen to beauty queens- and the places- from salt mines to cane fields- that exemplify the Pelican State's enchanting culture and ecology. Featuring more than 100 black-and-white photographs spanning Winans' career, this book showcases his eye for authenticity as he captures a wide array of subjects, from politicians to ordinary citizens, and exotic locales to classic Louisiana landscapes. Providing commentary and historical background, Cyril E. Vetter contextualizes Winans' popular images of the state's icons, including Huey P. Long and Edwin Edwards; depictions of festival revelers and fishing rodeos; and glimpses into the Creole and Cajun communities that skirted the Gulf Coast. Yet the photographer's most critical legacy, as Vetter contends in a new introduction, may lie in his scenes of swamps and seascapes that either no longer exist or are currently threatened with extinction. Both nostalgic and refreshing, the perceptive and intriguing images found in Fonville Winans' Louisiana feature the state at its best, as a place of diversity and distinction.

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In Stepdaughters of History, noted scholar Catherine Clinton reflects on the roles of women as historical actors within the field of Civil War studies and examines the ways in which historians have redefined female wartime participation. Clinton contends that despite the recent attention, white and black women's contributions remain shrouded in myth and sidelined in traditional historical narratives. Her work tackles some of these well-worn assumptions, dismantling prevailing attitudes that consign women to the footnotes of Civil War texts.Clinton highlights some of the debates, led by emerging and established Civil War scholars, which seek to demolish demeaning and limiting stereotypes of southern women as simpering belles, stoic Mammies, Rebel spitfires, or sultry spies. Such caricatures mask the more concrete and compelling struggles within the Confederacy, and in Clinton's telling, a far more balanced and vivid understanding of women's roles within the wartime South emerges. New historical evidence has given rise to fresh insights, including important revisionist literature on women's overt and covert participation in activities designed to challenge the rebellion and on white women's roles in reshaping the war's legacy in postwar narratives. Increasingly, Civil War scholarship integrates those women who defied gender conventions to assume men's roles, including those few who gained notoriety as spies, scouts, or soldiers during the war.As Clinton's work demonstrates, the larger questions of women's wartime contributions remain important correctives to our understanding of the war's impact. Through a fuller appreciation of the dynamics of sex and race, Stepdaughters of History promises a broader conversation in the twenty-first century, inviting readers to continue to confront the conundrums of the American Civil War.

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In his latest collection, Random Exorcisms, Adrian C. Louis writes poems with the rough-edged wit and heart-wrenching sincerity that make him one of the seminal voices in contemporary American poetry. Deeply rooted in Native American traditions and folklore, these poems tackle a broad range of subjects, including Facebook, zombies, horror movies, petty grievances, real grief, and pure political outrage. In a style entirely his own, Louis writes hilarious, genuine, self-deprecating poems that expel a great many demons, including any sense of isolation a reader might feel facing a harsh and lonely world. In the poem ""Necessary Exorcism,"" the speaker exorcises himself, more or less, of his grief for his deceased wife. ""I made my choice so easily & picked red drama, the joyous pain of it all,"" he writes. ""Minor Exorcism: 1984"" is one of a series of poems that contemplates the memories of small, simple mundanes, like catching a fish, until, ""My old heart is thrashing with / long-forgotten boyhood joy."" ""Dog the Bounty Hunter Blogs"" confronts some of the cruel absurdities of reality TV, while ""Naked, Midnight, Sober, Facebooking"" expels a great many fearful things, including the fear of growing older. These are poems that make you laugh and cry, nod appreciatively, and then laugh just a little more.

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In the heart of Louisiana's Atchafalaya Basin, a letter sent from an isolated settlement, addressed to Hautes-Pyrénées, France, and marked undeliverable, shows up at the Bayou Chene post office. That same day locals find a dog, nearly dead and tethered to an empty skiff. Odd yet seemingly trivial, the arrival of a masterless dog and a returned letter triggers a series of events that will dramatically change the lives of three friends and affect all of the residents of Bayou Chene.Gwen Roland's debut novel, set in 1907 in a secluded part of Louisiana, follows young adults Loyce Snellgrove, her cousin Lafayette ""Fate"" Landry, and his friend Valzine Broussard as they navigate between revelations about the past and tensions in the present. Forces large and small -- the tragedies of the Civil War, the hardships of swamp life, family secrets, as well as unfailing humor -- create a prismatic depiction of Louisiana folklife at the turn of the twentieth century and provide a realistic setting for this enchanting drama.Roland anchors her work in historical fact and weaves a superb tale of vivid characters. In Postmark Bayou Chene, she uses the captivating voice that described the beauty and challenges of the swamp to legions of readers in her autobiographical Atchafalaya Houseboat. Her ear for dialogue and eye for detail bring the now-vanished community of Bayou Chene and the realities of love and loss on the river back to life in a well-crafted, bittersweet tribute.

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Bound together by social, demographic, and economic commonalities, the territory extending from East Texas to West Florida occupies a unique space in early American history. A masterful synthesis of two decades of scholarly work, F. Todd Smith's Louisiana and the Gulf South Frontier, 1500-1821 examines the region's history from the eve of European colonization to the final imposition of American hegemony.The agricultural richness of the Gulf Coast gave rise to an extraordinarily diverse society: development of food crops rendered local indigenous groups wealthier and more powerful than their counterparts in New England and the West, and white demand for plantation slave labor produced a disproportionately large black population compared to other parts of the country. European settlers were a heterogeneous mix as well, creating a multinational blend of cultures and religions that did not exist on the largely Anglo-Protestant Atlantic Coast.Because of this diversity, which allowed no single group to gain primacy over the rest, Smith's study characterizes the Gulf South as a frontier from the sixteenth century to the early years of the nineteenth. Only in the twenty years following the Louisiana Purchase did Americans manage to remove most of the Indian tribes, overwhelm Louisiana's French Creoles numerically and politically, and impose a racial system in accordance with the rest of the Deep South.Moving fluently across the boundaries of colonial possessions and state lines, Louisiana and the Gulf South Frontier, 1500-1821 is a comprehensive and highly readable overview of the Gulf Coast's distinctive and enthralling history.

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In 1966, journalist Charles Suhor wrote that New Orleans jazz was ""ready for its new Golden Age."" Thomas W. Jacobsen's The New Orleans Jazz Scene, 1970-2000 chronicles the resurgence of jazz music in the Crescent City in the years following Suhor's prophetic claim. Jacobsen, a New Orleans resident and longtime jazz aficionado, offers a wide-ranging history of the New Orleans jazz renaissance in the last three decades of the twentieth century, weaving local musical developments into the larger context of the national jazz scene.Jacobsen vividly evokes the changing face of the New Orleans jazz world at the close of the twentieth century. Drawing from an array of personal experiences and his own exhaustive research, he discusses leading musicians and bands, both traditionalists and modernists, as well as major performance venues and festivals. The city's musical infrastructure does not go overlooked, as Jacobsen delves into New Orleans's music business, its jazz media, and the evolution of jazz edu-cation at public schools and universities. With a trove of more than seventy photographs of key players and performances, The New Orleans Jazz Scene, 1970-2000 offers a vibrant and fascinating portrait of the musical genre that defines New Orleans.

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As the author and artist of a heroine's surreal journey through a haunting southern landscape, Kelli Scott Kelley reveals the mastery of her craft and the strong narrative ability of her artwork. Borrowing from Roman mythology, Jungian analysis, and the psychology of fairy tales, Kelley presents a story of family dysfunction, atonement, and transformation.Reproductions of her artwork -- mixed-media paintings executed on repurposed antique linens -- punctuate the tale of Accalia, who is tasked with recovering the arms of her father from the belly of the swamp monster. Visually and metaphorically, Accalia's odyssey enchants and displaces as Kelley delicately balances the disquieting with the familiar. Rich in symbolism and expertly composed, Accalia and the Swamp Monster pulls readers into the physical realm through Kelley's chimerical imagery and then pushes them towards the inner world of the subconscious. To that end, Kelley's story is accompanied by essays from Jungian analyst Constance Romero and art historian Sarah Bonner.A culmination of nearly a decade of work, introspection, and research, Accalia and the Swamp Monster is both an entrancing display of Kelley's art and an affirmation of the transformative power of fairy tales.

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In the post-World War II era, Louisiana's coastal wetlands underwent an industrial transformation that placed the region at the center of America's energy-producing corridor. By the twenty-first century the Louisiana Gulf Coast supplied nearly one-third of America's oil and gas, accounted for half of the country's refining capacity, and contributed billions of dollars to the U.S. economy. Today, thousands of miles of pipelines and related infrastructure link the state's coast to oil and gas consumers nationwide. During the course of this historic development, however, the dredging of pipeline canals accelerated coastal erosion. Currently, 80 percent of the United States' wetland loss occurs on Louisiana's coast despite the fact that the state is home to only 40 percent of the nation's wetland acreage, making evident the enormous unin-tended environmental cost associated with producing energy from the Gulf Coast.In American Energy, Imperiled Coast Jason P. Theriot explores the tension between oil and gas development and the land-loss crisis in Louisiana. His book offers an engaging analysis of both the impressive, albeit ecologically destructive, engineering feats that characterized industrial growth in the region and the mounting environmental problems that threaten south Louisiana's communities, culture, and ""working"" coast. As a historian and coastal Louisiana native, Theriot explains how pipeline technology enabled the expansion of oil and gas delivery - examining previously unseen photographs and company records - and traces the industry's far-reaching environmental footprint in the wetlands. Through detailed research presented in a lively and accessible narrative, Theriot pieces together decades of political, economic, social, and cultural undertakings that clashed in the 1980s and 1990s, when local citizens, scientists, politicians, environmental groups, and oil and gas interests began fighting over the causes and consequences of coastal land loss. The mission to restore coastal Louisiana ultimately collided with the perceived economic necessity of expanding offshore oil and gas development at the turn of the twenty-first century. Theriot's book bridges the gap between these competing objectives.From the discovery of oil and gas below the marshes around coastal salt domes in the 1920s and 1930s to the emergence of environmental sciences and policy reforms in the 1970s to the vast repercussions of the BP/Deepwater Horizon oil spill in 2010, American Energy, Imperiled Coast ultimately reveals that the natural and man-made forces responsible for rapid environmental change in Louisiana's wetlands over the past century can only be harnessed through collaboration between public and private entities.

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New Orleans is a city of many storied streets, but only one conjures up as much unbridled passion as it does fervent hatred, simultaneously polarizing the public while drawing millions of visitors a year. A fascinating investigation into the mile-long urban space that is Bourbon Street, Richard Campanella's comprehensive cultural history spans from the street's inception during the colonial period through three tumultuous centuries, arriving at the world-famous entertainment strip of today.Clearly written and carefully researched, Campanella's book interweaves world events- from the Louisiana Purchase to World War II to Hurricane Katrina- with local and national characters, ranging from presidents to showgirls, to explain how Bourbon Street became an intriguing and singular artifact, uniquely informative of both New Orleans's history and American society.While offering a captivating historical-geographical panorama of Bourbon Street, Campanella also presents a contemporary microview of the area, describing the population, architecture, and local economy, and shows how Bourbon Street operates on a typical night. The fate of these few blocks in the French Quarter is played out on a larger stage, however, as the internationally recognized brands that Bourbon Street merchants and the city of New Orleans strive to promote both clash with and complement each other.An epic narrative detailing the influence of politics, money, race, sex, organized crime, and tourism, Bourbon Street: A History ultimately demonstrates that one of the most well-known addresses in North America is more than the epicenter of Mardi Gras; it serves as a battleground for a fundamental dispute over cultural authenticity and commodification.

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Praise for David Kirby ""Kirby is exuberant, irrepressible, maniacal and remarkably entertaining.... Okay, let me just say it: he is a wonderful poet."" -- Steve Kowit, San Diego Union-Tribune""Kirby's voice and matter (teaching, literature, traveling, rock 'n' roll, everyday bozohood) are utterly personal and, despite all the laughter, ultimately moving."" -- Ray Olson, Booklist""[Kirby] is a poet who peels away the layers of our skin to show us who we are: our weaknesses, our strengths, and our hilarious obsessions."" -- Micah Zevin, New Pages""The world that Kirby takes into his imagination and the one that arises from it merge to become a creation like no other, something like the world we inhabit but funnier and more full of wonder and terror."" -- Philip Levine, Ploughshares""These poems may be too cool for words."" -- Carol Muske-Dukes, New York Times Book ReviewInspired by the carpenter's biscuit joint -- a seamless, undetectable fit between pieces of wood -- David Kirby's latest collection dramatizes the artistic mind as a hidden connection that links the mundane with the remarkable. Even in our most ordinary actions, Kirby shows, there lies a wealth of creative inspiration: ""the poem that is written every day if we're there / to read it.""Well known for his garrulous and comic musings, Kirby follows a wandering yet calculated path. In ""What's the Plan, Artists?"" a girl's yawning in a picture gallery leads him to meditations on subjects as diverse as musical composition, the less-than-beautiful human figure, and ""the simple pleasures / of living."" The Biscuit Joint traverses seemingly random thoughts so methodically that the journey from beginning to end always proves satisfying and surprising.

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Skillfully weaving an African worldview into the conventional historiography of British abolitionism, Claudius K. Fergus presents new insights into one of the most intriguing and momentous episodes of Atlantic history. In Revolutionary Emancipation, Fergus argues that the 1760 rebellion in Jamaica, Tacky's War, the largest and most destructive rebellion of enslaved peoples in the Americas prior to the Haitian Revolution, provided the rationale for abolition and reform of the colonial system.Fergus shows that following Tacky's War, British colonies in the West Indies sought political preservation under state-regulated amelioration of slavery. He further contends that abolitionists' successes, from partial to general prohibition of the slave trade, hinged more on the economic benefits of creolizing slave labor and the costs of preserving the colonies from destructive emancipation rebellions than on a conviction of justice and humanity for Africans. In the end, Fergus maintains, slaves' commitment to revolutionary emancipation kept colonial focus on reforming the slave system. His study carefully dissects new evidence and reinterprets previously held beliefs, offering historians the most compelling arguments for African agency in abolitionism.

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Any appreciation of Louisiana's beautiful outdoors must include the lush variety of the state's ferns and lycophytes. Their striking diversity in form, color, and size makes identifying the array of species in the region enjoyable for hobbyists and professionals alike.With illustrations and full-color photographs accompanying a complete description of more than sixty varieties, Ray Neyland's A Field Guide to the Ferns and Lycophytes of Louisiana offers an engaging reference for all levels of interest and expertise. Detailed line drawings of plant structures, a glossary of terms, and dichotomous keys make discovering Louisiana's diverse fern family -- the second largest in the country -- both easy and enjoyable.In addition to providing the geographic range, similar species, and traditional and current uses, Neyland's guide follows the spread of ferns and lycophytes into areas of eastern Texas, southern Arkansas, and Mississippi.

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The formation of the Confederate States of America involved more than an attempt to create a new, sovereign nation -- it inspired a flurry of creativity and entrepreneurialism in the South that fiercely matched Union ingenuity. H. Jackson Knight's Confederate Invention brings to light the forgotten history of the Confederacy's industrious inventors and its active patent office.Despite the destruction wrought by the Civil War, evidence of Confederate inventions exists in the registry of the Confederate States Patent Office. Hundreds of southerners submitted applications to the agency to secure patents on their intellectual property, which ranged from a ""machine for operating submarine batteries,"" to a ""steam plough,"" to a ""combined knapsack and tent,"" to an ""instrument for sighting cannon."" The Confederacy's most successful inventors included entrepreneurs, educators, and military men who sought to develop new weapons, weapon improvements, or other inventions that could benefit the Confederate cause as well as their own lives. Each creation belied the conception of a technologically backward South, incapable of matching the creativity and output of northern counterparts. Knight's work provides a groundbreaking study that includes neglected and largely forgotten patents as well as an array of other primary sources. Details on the patent office's origins, inner workings, and demise, and accounts of southern inventors who obtained patents before, during, and after the war reveal a captivating history recovered from obscurity.A novel creation in its own right, Confederate Invention presents the remarkable story behind the South's long-forgotten Civil War inventors and offers a comprehensive account of Confederate patents.

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In this companion to The Life of Johnny Reb, Bell Irvin Wiley explores the daily lives of the men in blue who fought to save the Union. With the help of many soldiers' letters and diaries, Wiley explains who these men were and why they fought, how they reacted to combat and the strain of prolonged conflict, and what they thought about the land and the people of Dixie. This fascinating social history reveals that while the Yanks and the Rebs fought for very different causes, the men on both sides were very much the same. ""This wonderfully interesting book is the finest memorial the Union soldier is ever likely to have.... [Wiley] has written about the Northern troops with an admirable objectivity, with sympathy and understanding and profound respect for their fighting abilities. He has also written about them with fabulous learning and considerable pace and humor.

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Molly the pony waits. She waits in her stall. She waits during the storm. She waits for her owner to return.So begins the true story of a patient pony who is rescued from a south Louisiana barn after Hurricane Katrina and finds a new life on a farm with new animal friends. But Molly's tale of courage does not end here.When a dog on the farm attacks Molly, her front leg is badly injured. For a pony, a damaged leg is life threatening. To the amazement of veterinarians, though, Molly rises to her new challenge. She undergoes a rare surgery for horses: amputation of her front leg. Now fitted with a prosthetic limb, Molly relearns how to walk and embarks again on a new mission in life: making new people friends.This plucky pony's story of survival and friendship will win the hearts of readers young and old. All who have had to start over after displacement, abandonment, injury, or amputation will find a friend in Molly as they follow her story of bringing a smile to everyone she meets.

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In early May 1864, Lieutenant General Ulysses S. Grant initiated a drive through central Virginia to crush Robert E. Lee's Confederate Army of Northern Virginia. For forty days, the armies fought a grinding campaign from the Rapidan River to the James River that helped decide the course of the Civil War. Several of the war's bloodiest engagements occurred in this brief period: the Wilderness, Spotsylvania Court House, the North Anna River, Totopotomoy Creek, Bethesda Church, and Cold Harbor. Pitting Grant and Lee against one another for the first time in the war, the Overland Campaign, as this series of battles and maneuvers came to be called, represents military history at its most intense. In the Footsteps of Grant and Lee, a unique blend of narrative and photographic journalism from Gordon C. Rhea, the foremost authority on the Overland Campaign, and Chris E. Heisey, a leading photographer of Civil War battlefields, provides a stunning, stirring account of this deadly game of wits and will between the Civil War's foremost military commanders. Here Grant fought and maneuvered to flank Lee out of his heavily fortified earthworks. And here Lee demonstrated his genius as a defensive commander, countering Grant's every move. Adding to the melee were cavalry brawls among the likes of Philip H. Sheridan, George A. Custer, James Ewell Brown ""Jeb"" Stuart, and Wade Hampton. Forty days of combat produced horrific casualties, some 55,000 on the Union side and 35,000 on the Confederate. By the time Grant crossed the James and began the Siege of Petersburg, marking an end to this maneuver, both armies had sustained significant losses that dramatically reduced their numbers.Rhea provides a rich, fast-paced narrative, movingly illustrated by more than sixty powerful color images from Heisey, who captures the many moods of these hallowed battlegrounds as they appear today. Heisey made scores of visits to the areas where Grant and Lee clashed, giving special attention to lesser-known sites on byways and private property. He captures some of central Virginia's most stunning landscapes, reminding us that though battlefields conjure visions of violence, death, and sorrow, they can also be places of beauty and contemplation. Accompanying the modern pictures are more than twenty contemporary photographs taken during the campaign or shortly afterwards, some of them never before published. At once an engaging military history and a vivid pictorial journey, In the Footsteps of Grant and Lee offers a fresh vision of some of the country's most significant historic sites.

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Born into wealth in New Orleans in 1795 and married into misery fifteen years later, the Baroness Micaela Almonester de Pontalba led a life ripe for novelization. Intimate Enemies, however, is the spellbinding true account of this resilient woman's life -- and the three men who most affected its course.Immediately upon marrying Celestin de Pontalba, Micaela was removed to his family's estate in France. For twenty years her father-in-law attempted to drive her to abandon Celestin; by law he could then seize control of her fortune. He tried dozens of strategies, including at one point instructing the entire Pontalba household to pretend she was invisible. Finally, in 1834, the despairing elder Pontalba trapped Micaela in a bedroom and shot her four times before turning his gun on himself.Miraculously, she survived. Five years later, after securing both a separation from Celestin and legal power over her wealth, Micaela focused her attention on building, following in the footsteps of her late, illustrious father, Andres Almonester. Her Parisian mansion, the Hotel Pontalba, is today the official residence of the American embassy in France; and her Pontalba Buildings, which flank Jackson's Square in New Orleans, form together with her father's St. Louis Cathedral, Presbytere, and Cabildo one of the loveliest architectural complexes in America.As for Celestin, he eventually suffered a total physical and mental breakdown and begged Micaela to return. She did so, caring for him for the next twenty-three years until her death in 1874.In Intimate Enemies, Christina Vella embroiders the compelling story of the Almonester-Pontalba alliance against a richly woven background of the events and cultures of two centuries and two vivid societies. She provides a window into the yellow fever epidemics that raged in New Orleans; the rebuilding of Paris, the Paris Commune uprising, and the Second Empire of Napoleon III; European ideas of power, class, money, marriage, and love during the baroness' lifetime and their inflection in the New World setting of New Orleans; medical treatments, legal procedures, imperial court life, banking practices, and much more.Combining the historian's meticulous research with the biographer's exacting knowledge of her subject and the novelist's gift for narrative, Vella has crafted a rare cross-genre work that will capture the imagination and admiration of every reader.

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Born in 1830, Christina Rossetti began composing verse at the age of eleven and continued to write for the remaining fifty-three years of her life. Her brother Dante Gabriel Rossetti, himself a poet and painter, soon recognised her genius and urged her to publish her poems. By the time of her death in 1894, Christina had written more than eleven hundred poems and had published over nine hundred of them. Although she is regarded as the greatest woman poet of the Victorian period, there has not been until now and authoritative edition of her poetry.In this second volume of the three-volume The Complete Poems of Christina Rossetti, R.W. Crump continues the editorial standards she established n Volume I, published in 1979. She gives the reader a comprehensive text with notes revealing Christina's process of composition and revision and her painstaking concern for the technical details of her work. The variant readings in the notes are taken from extant manuscripts, individual poems as published or privately printed before being incorporated into her published collections, and all the English and American editions of her poems through William Michael Rossetti's The Poetical Works of Christina Georgina Rossetti (1904). A special feature of both Volumes I and II is a complete list of holographs and their locations.Volume II contains Sing-Song: A Nursery Rhyme Book (1872), A Pageant and Other Poems (1881), and Verses (1893), as well as the poems added to these volumes after their original publication. Volume III contains poems Christina published but did not include in any of her collections as well as poems that have not previously appeared in print.

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This book is the trade edition of Volume VI of A History of The South, a ten-volume series designed to present a thoroughly balanced history of all the complex aspects of the South's culture from 1607 to the present. Like its companion volumes, The Growth of Southern Nationalism is written by an outstanding student of Southern history.The growth of Southern nationalism was largely the product of relations of the South to other states and to the Federal government. Often what happened in the North and the reaction of Northern men to events determined Southern action and reaction. The sections were being drawn closer together and their interests more and more entwined. That was one of the great reasons for the increased friction and discord.The sectional quarrel developed largely around slavery as a thing in itself and then as a symbol of all differences and conflicts. The reduction of the struggle to the simple terms of Northern ""rights"" and Southern ""rights"" placed issues beyond the abilities of the democratic process and rendered the great masses in both sections helpless before the drift into war.The break could not have been avoided, according to Mr. Craven, unless either the North of the South had been willing to yield its position on an issue that involved matters of ""right"" or ""rights."" Neither could do so because slavery and come to symbolize values in each of their social-economic structures for which men fight and die but which they do not give up or compromise.

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