Search results for ""heni publishing""

Launched at the start of 2022, MadC’s 'Color Rhythms' is a collection of 1,000 unique NFTs innovatively produced by a generative algorithm, machine learning and hand curation that allowed the hand of the artist to be captured and replicated digitally, from the instinctual choice of color and chance splashes of paint to the sharp pull of a paintbrush on canvas. The variations between each artwork image have been quantified and labelled by a number of rarities such as form, density, color, number of colors and monochrome. Each of these categories is then assigned different parameters for each work to make up the expressive forms and evocative color palettes that characterize this collection. The complete collection of 1,000 works will be published by HENI in a substantial, compact, small-format hardback book. Complete with a visual index, the book is designed in close collaboration and with an introduction by the artist herself and printed in a limited run of 1,000 copies, each numbered and signed.

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The Christo Interviews brings together a series of conversations between the artist, who is best known for the large-scale, site-specific environmental installations he created in collaboration with artistic partner and wife, Jeanne-Claude, and Hans Ulrich Obrist, the pre-eminent commentator on and curator of contemporary art.Taking place between December 2012 and May 2020, the interviews provide insight into the individual minds of two of the art world's most esteemed figures, while also tracking the unfolding of their entire working relationship. Hans Ulrich describes these as werksttat interviews', meaning a workshop or laboratory of words' and taken together, they also reveal the progress of The London Mastaba, Serpentine Lake, Hyde Park (2016-18), Christo's first major public outdoor work in the UK, which coincided with an exhibition at the Serpentine Galleries outlining Christo and Jeanne Claude's 60-year history of working with oil barrels.Fully illustrated with images of finish

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In Lobeda, the artist’s book from 2010, Sabine Moritz remembers her childhood spent in a prefab housing estate near Jena, Germany, in 149 pencil drawings. The Neulobeda district is a densely populated area characterised by high-rise concrete buildings and modernist urban planning. This urban landscape was to have a profound effect on the young Moritz, which would later manifest itself in her work. While studying at the Offenbach University of Art and Design, Moritz began drawing her memories of Lobeda. The first body of her drawings from the early 1990s is published here. Moritz sketches the bus stations, tramways and high-rise blocks of Lobeda. Details are included of windows, balconies and entranceways overlooking roads and pavements meandering between them. Inside, communal stairwells with winding banisters lead to private living spaces furnished with chairs, beds, table lamps and coat pegs that are etched in the artist’s memory.

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Following the success of Writings on Art 1980–2005, HENI presents the highly anticipated final volume to complete a two-volume collection of writings on art by Robert Storr, one of the world’s leading art critics and curators. Featuring the best of Storr’s criticism – reviews, essays, articles, many of which previously unpublished – from 2006 to the present day, the book includes his texts on artists such as Gego, Carrie Mae Weems, David Hammons, Jenny Holzer, Jasper Johns, Gerhard Richter, El Anatsui and Francesco Clemente. Written with his signature intellect and wit, his writings range from essays on performances of femininity in Cindy Sherman’s photographic oeuvre to dialectics of race in the work of Kara Walker. Expertly curated from his prolific output, and illustrated with 175 images to accompany 51 texts, Writings on Art is the definitive collection of Storr’s multi-faceted writing with his finger on the pulse of contemporary art – a must-read for curators and students, artists, exhibition-goers and all those interested in the art and culture of today.

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Memory as a dynamic process has been the underlying theme of Sabine Moritz s drawings and paintings since the early 1990s. In her work the Cologne-based artist has captured remembered images from her childhood in the GDR; drawn flower compositions; and in recent years has engaged with the motif of war. This publication presents Moritz s latest work: a collection of drawings and paintings of helicopters created between 2002 and 2013. The Helicopter series has arisen from Moritz s interest in the shift in their symbolic meaning. They are based on images of helicopters from newspapers and television that the artist transferred into her own language.The outcome is a series of beautiful drawings and paintings that range from objective depictions of helicopters to more poetic compositions. The works are accompanied by poems by Adam Zagajewski and Friedrich Holderlin, alongside a text by Hans Ulrich Obrist.

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Colour with Brian Clarke: Stained Glass is the second in a series of activity books published by HENI, based on the artworks of world-renowned contemporary artist, Sir Brian Clarke. Designed in close collaboration, and with an inspiring introduction by the artist himself, these are activity books with a difference for children to enjoy by transforming each page into their very own masterpiece!Giving children a peek into the exciting world of art, guided by a leading British artist, the activity books present drawing pages alongside reproductions of 15 original artworks, providing inspiration and guidance for children whilst letting their imaginations run wild to discover their own creativity! In this volume, the beautiful outlines are based on the photographs of 15 glass works that have cemented Clarke's widely regarded status as the most important artist working in stained glass today. Suitable for those aged three years and over, and allowing for a wide range of colouring applicat

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Hans Ulrich Obrist, the Artistic Director of the Serpentine Galleries in London, brings his curating expertise to the Instagram feeds of more than 384,000 followers, in an endeavour to revive the art of handwriting from within an ever-advancing digital age. The result is one of the most comprehensive looks at the art world from the inside; inclusive of artists, writers, designers, musicians, actors, architects and public figures. In his open-ended Instagram project, Obrist collects an abundance of thoughts for the day, dreams, drawings, musings, jokes, quotations, questions, answers, poems, and puns from some of the world’s greatest contemporary artists, handwritten on everyday Post-it notes (and other scraps). From the reassuringly philosophical to the inspiringly straightforward, the ingeniously funny to the tenderly post-humous, Remember to Dream! (a note from American artist Carrie Mae Weems) paints a picture of the art world direct from many of the most celebrated artists of the twenty-first century. The book features an introduction by Hans Ulrich Obrist and is designed by Amsterdam-based award-winning book designer Irma Boom.

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Martin's work is characterised by a unique freedom, expressed through the possibilities of her chosen canvas - a piece of paper or textile, a sculptural surface, wall or screen. She interrogates 'who we are at the core, as people', and since her beginnings with live performance drawing in the mega clubs of Tokyo she has navigated creative worlds to interrogate and play with the role of artist and viewer. This monograph charts her career and includes early pieces, larg-scale murals and commissions, and collaborations with museums, technical institutes, museums and fashion brands.

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Belfast-born British artist Cathy Wilkes will be representing Great Britain at the 58th International Art Exhibition at the Venice Biennale in 2019. Wilkes will present a major new solo exhibition at the British Pavilion between 11 May and 24 November. Renowned for her distinctive and highly personal sculptural installations featuring humanoid figures that highlight the tender intimacy of everyday life, Wilkes' exhibition will feature new paintings and sculptures that will provoke a strong emotional response in viewers, set against the backdrop of the grand architecture of the British Pavilion. Narratives and histories which often evoke interiors and places of loss or solitude are suggested through her evocative objects but never explicitly expressed, and indeed Wilkes resists written descriptions and explanations of her work, intentionally not naming her installations, assemblages and exhibitions in a bid to keep open the viewer's perceptions. This publication, one of the only books

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Following the limited edition hardback November title published in 2013 by HENI Publishing, the paperback edition has been released in both English and German languages to the trade. November presents German artist Gerhard Richter s series of the same name comprised of 54 ink drawings so called due to their creation throughout the month of November in 2008. Richter assumed this method after accidentally dripping ink on to a sheet of highly absorbent paper and realising that two related images formed on the front and back. He then began to manipulate the ink in various ways changing its consistency and applying lacquer or pencil to add further detail. Reworking this method on 27 sheets of paper, he was able to create 54 images in total, presented here as facsimiles, so that both sides of each piece of paper can be viewed at the same time. These are labelled with the date that they were produced and arranged in order. The book also contains an overview of the series, featuring thumbnail

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The Light That Shines is a striking catalogue published to accompany the exhibition of the same name one of Damien Hirst's most ambitious, awe-inspiring exhibitions yet. Opening 2 March 2024 and showing until 23 June 2024, the exhibition spans the entire 500-acre estate of Château La Coste, Provence and its five exhibition pavilions, each designed by some of the world's most renowned architects, including Renzo Piano, the late Richard Rogers and Oscar Niemeyer.The Light That Shines harnesses the nature/culture question that has consistently permeated Hirst's practice, setting his artworks in the beautiful landscapes of one of France's oldest winemaking regions. Works range from the iconic formaldehyde sculptures to never-before-seen artworks, including the sculptures of Meteorites' and Satellites', as well as Cosmos Paintings' all inspired by Hirst's encounter with space in 2003 with the Beagle 2 mission to Mars.Compiled into a stunning catalogue encased withinan illustrated French-f

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Following in the steps of Gerhard Richter's catalogue raisonne of drawings, published 20 years ago, HENI Publishing's new monograph devoted to Gerhard Richter's recent drawings will illustrate 80 works produced between 1999 and 2021. Drawings 1999-2021 highlights a recent period of extraordinary creativity and inventiveness that includes expansive series of graphite drawings on paper, vivid watercolours and overpainted photographs of forests. Like the accompanying exhibition at the Hayward Gallery, London, this publication offers a rare chance to study the most intimate aspect of Gerhard Richter's work.

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In JENA Düsseldorf, first published in 2011, we follow Sabine Moritz and her artistic development, which began in 1989 at Offenbach University of Art and Design and continued in 1991 at the fine arts academy Kunstakademie Düsseldorf. Following the publication of Lobeda in 2010, a collection of homogenous early drawings, the pictures featured in JENA Düsseldorf have greater diversity in terms of content and form reflecting Moritz steady progression as an artist. Moritz brings scenes to life with vibrant colours and experimental brushstrokes creating a range of textures and atmospheres in a variety of medium including oil, acrylic, charcoal and colour pencil. The repertoire of architectural motifs is expanded to include places of remembrance in the GDR, sculptures in public spaces and the typology of ‘empty places’. Some of the motifs from Lobeda reappear and are altered, drawing attention to the dynamic aspect of the process of recollection. The book also features a conversation with Hans Ulrich Obrist in which Moritz talks about her personal life, her memories and makes reference to specific works. The modest and compact book, packed with over 200 colour illustrations, shows by way of example her search for an artistic position on her route from Jena to Düsseldorf.

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In answering the question posed by its title, and drawing on his twenty year relationship with the artists, Michael Bracewell is the first writer to engage directly with Gilbert & George to understand why they have devoted their lives exclusively and continuously - to the vision of art they conceived within months of first meeting. What emerges piece by piece is a portrait of Gilbert & George as two men who are infinitely more intense, strange, determined and alone than their longstanding public image suggests.

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This artist s book presents 84 reproductions of sketches taken from a notebook made by Gerhard Richter between 2004 and 2009. Some sketches feature figurative motifs, human forms and faces, while others appear as purely abstract shapes, configurations and patterns.

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Sea King was published in conjunction with the book launch of German artist Sabine Moritz s Helicopter at Serpentine Galleries and as a catalogue to a companion exhibition of the Sea King series. Originally derived from a simple black and white sketch, reproduced and painted over, the series comprises 41 individual works focussing on the global presence of the Sea King anti-submarine warfare helicopter, giving the series its name. Previously explored in HENI Publishing s title Helicopter, Moritz s fascination with these aircraft has arisen from an awareness of a shift in the symbolic meaning of air travel since 9/11. Her highly evocative paintings and drawings are interpretations of images from newspapers and television that range from objective depictions to more poetic compositions, with each of the 41 works featured in this book.

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Following the limited edition hardback November title published in 2013 by HENI Publishing, the paperback edition has been released in both English and German languages to the trade. November presents German artist Gerhard Richter s series of the same name comprised of 54 ink drawings so called due to their creation throughout the month of November in 2008. Richter assumed this method after accidentally dripping ink on to a sheet of highly absorbent paper and realising that two related images formed on the front and back. He then began to manipulate the ink in various ways changing its consistency and applying lacquer or pencil to add further detail. Reworking this method on 27 sheets of paper, he was able to create 54 images in total, presented here as facsimiles, so that both sides of each piece of paper can be viewed at the same time. These are labelled with the date that they were produced and arranged in order. The book also contains an overview of the series, featuring thumbnail

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Paint with Brian Clarke: Stained Glass is the sixth in a series of activity books published by HENI, based on the artworks of world-renowned contemporary artist, Sir Brian Clarke. Designed in close collaboration, and with an inspiring introduction by the artist himself, these are activity books with a difference for children to enjoy transforming each page into their very own works of art! Based on the glass works that have cemented Clarke's widely regarded status as the most important artist working in stained glass today, this volume presents 15 outlines that burst into colour simply by adding water, creating beautiful paintings for children to uncover while remaining mess free perfect for those on the go. Featuring a visual index of the original artworks that lie hidden within the pages, this book is a great introduction to the joys of painting and is suitable for those aged three years and over. Dip the paintbrush in water and gently sweep it across the page, following the windin

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Following the acclaimed publication of 2014's Street Art, Fine Art which documented the pioneering works and ethos of the Dulwich Outdoor Gallery project, 15 of the original 17 artists involved accepted the commission by its author and curator Ingrid Beazley to produce a series of unique artworks on copies of the book with blank covers. Some artists subverted the medium as a space to blend illustratively their style within the conventions of book design, some utilised the uniform shape to create a series of parallel works, whilst others approached the book as any other blank canvas presented to them on the street.

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The fully updated, paperback edition of 2014 s acclaimed Street Art, Fine Art presents a collection of classic works of fine art by the old masters reinterpreted by today s most cutting-edge street artists, including new works exclusive to the paperback edition byFaith47, RUN, Walter Kershaw and an artistic collaboration by Pure Evil, Agent Provocateur and Inkie.

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Extraordinary Art Dealers: Stories of Obsession, Innovation and Creativitybrings together 30 essays on 30 art dealers, from accounts of crafty opportunists and commercially driven moguls to tales of soulful idealism, exceptional talent and relentless creativity. Featuring art dealers from the eighteenth to mid-twentieth century, the book explores their varied roles as cultural architects, eccentric idealists, commercially driven salespeople, and everything in-between. Highlighting the unexpected creativity of art dealers, their exceptional sensitivity to new art, and the impact they've had on shaping the art world, the book challenges the widespread notion that dealers are solely profit-driven. Organised into six chapters,Extraordinary Art Dealersoffers fresh insights into the often-overlooked role of art dealers in art history key players in cultivating the canon of art as we know it. By delving into the past, exploring the profession of art dealing as continually evolving in par

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How can we interpret the work of contemporary artists? Focal Points is a new book series of essays, articles and reviews by acclaimed curator and critic Robert Storr. Expertly edited by art historian and curator Francesca Pietropaolo, and richly illustrated, it lends Storr's illuminating insights into an artist's practice and way of thinking across recent decades. Brilliantly scholarly, accessible and engaging, Focal Points offers fresh interpretations of the varied territory of modern and contemporary art. Through a selection of texts spanning from 1986 to 2016, volume one brings together thirty years of Storr's writings on American artist Bruce Nauman (b.1941) whose practice encompasses sculpture, photography, neon, drawing, printmaking and performance. Much of Nauman's work makes use of language games and visual puns, influenced by the linguistic theories of twentieth-century thinker Ludwig Wittgenstein and by the work of writer, poet and playwright Samuel Beckett. Describing his

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The Richter Interviews collects together a series of conversations between Hans Ulrich Obrist and Gerhard Richter over the course of more than two decades of discussion and collaboration. Subjects range from Richter’s place within art history to artists’ books, architecture, religion, unrealised projects and his advice for young artists. The collection also includes a previously unpublished interview focused on Richter’s much-lauded window for Cologne Cathedral, unveiled in 2007. Obrist’s vast knowledge and interrogating mind coupled with his longstanding friendship with Richter make him a unique interlocutor for an artist whose work spans more than 60 years and ranges from painting to photography, glass to printmaking, watercolours to books. Obrist deftly guides the reader through a dazzling array of topics and offers an invaluable historical perspective on Richter’s place within the art world of the 20th and 21st centuries. Illustrations of discussed artworks by Richter feature throughout the texts for visual reference – making this an indispensable guide to the thinking and creative processes of one of the world’s most admired artists.

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The first comprehensive collection of Annette Messager’s drawings, including 150 works made over the last ten years, which constitute an invaluable lexicon to the mind and work of a trailblazing iconoclast. Messager redefined the role of women making art and the very nature of sculpture – accomplishments which won her the coveted Golden Lion for best national pavilion at the 51st Venice Biennale in 2005 and the Praemium Imperiale for sculpture in 2016. Messager’s subjects range from animal to human, feminist activists to devotional figures, skeletons to ghosts. She broaches the grand themes of love, life, death and the fairy tales, mythologies, superstitions and vanities that lie beneath.

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This fascinating volume showcases the work of British artist, poet and performer Liz Finch and presents a series of 25 sculptures created between 1975 and 2016. The gentle figures are strangely familiar, built using found and made objects that might otherwise be discarded. Knitted limbs and faces with stitched or collaged features are affixed to torsos made from cardboard boxes that are plastered with papier-mâché and painted. The fragile bodies are then suspended on pieces of frayed string and twisted wire from the shoulders or sometimes by the neck. Finch subverts the ordinary and engages with the uncanny; a strange and anxious feeling created by familiar objects in unfamiliar contexts. Featuring full reproductions of each artwork alongside close details that reveal their composition, the book is threaded with poetic texts by Finch that blur the lines between personal memories, surreal dreams and everyday reality.

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MadC: Street to Canvas is the first monograph on the world-renowned contemporary artist and muralist MadC (Claudia Walde), whose practice moves dynamically between the street and the studio to capture the energy of painting and test the heights of its possibility. For more than two decades – from her beginnings in the 1990s as a graffiti artist in the local scene of Bautzen in east Germany to largescale public murals on an international level – MadC has captivated global audiences with her distinctive style, characterised by abstract compositions of bold, sweeping lines and transparent layers of vivid colours. Writer and curator Luisa Heese charts the artist’s career, exploring MadC’s immense body of work in locations across more than 35 countries. Over 200 artworks and personal photographs illustrate the book, showcasing her unique use of colour and the spontaneous movement of lines produced by spray cans and brushstrokes. From street to canvas, MadC adorns each surface with a vivacity that surpasses cultural barriers. Traversing private and public spaces, her work constantly blurs the lines between street art and fine art. What is revealed is the potential for art to be an inclusive and universal language to connect and inspire people and communities around the world.

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In July 2016, Mary McCartney travelled to Paris for a special photo shoot. Over two days, McCartney would stay with her subject Phyllis Wang at her St Germain apartment and photograph her in the nude. A mixture of black and white and colour, the delicate photographs collected here showcase the intimacy and trust required from both subject and photographer. Over the course of their time together, we see the model increasingly relax in front of the camera as she assumes various poses, and an unspoken bond between the two gradually develops. Moments of humour arise, through Wang's adoption of props, including her collection of hats, and in details that emerge from their candid accounts of the two days - notably an initial misunderstanding about an x-rated shoot - which engagingly annotes the photographs throughout the book. Phyllis Wang is a New York-born stand-up comedian, living and working in Paris. She is known for her eccentric clothing style and love of fashion. The nude photography in the book forms a striking yet complementary contrast to her lively on-stage persona. The book features an essay by Charlotte Jansen, writer and editor-at-large at Elephant Magazine. She is the author of Girl on Girl: Art and Photography in the Age of the Female Gaze. Jansen frames McCartney's photographs through a historical study of the nude in photography and from the perspective of the female gaze.

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Written in candid prose, Gibson takes the reader through his life and career that spans over 50 years. Gibson's story is a fascinating one, from his earliest memories growing up in California to his time in the navy and his continuous love affair with photography. Gibson's memories are time-capsules, filled with rich characters and period details. Often moving, the narratives of his at times troublesome childhood provide a rich background to the charismatic artist Gibson has become. His ruminations on his life so far display a deep, thoughtful understanding and self-awareness that make this book a fascinating read in itself as well as an illuminating companion to his work. Evocatively illustrated, Self Exposure presents Gibson's life story alongside his photographic work, all presented with high quality production values.

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Tommy Kane brings together, for the first time, a collection of contemporary vegan artists whose works grapple with one of the biggest issues of our century and confront our conflicted relationship with animals. With diverse contributions, Vegan Art combines a passion for art as a language with the rebellion against animal abuse and exploitation, with the belief that art should be a mechanism for social change. The complex visual language of the book is purposefully graphic and controversial. From utopian depictions of a world that vegans are fighting for, to dark dystopian impressions and brutal, bloody mutilations of non-human animals in industrial agriculture, the project tests the potential of our humanity and asks for equality for all species. With violent imagery and references to major food corporations – such as McDonalds – the project is unflinching in its advocation of veganism and animal rights. Vegan Art engenders a sense of humility with a shared view that art has the power to move people to be informed consumers. Featuring artworks by Tommy Kane, Andrew Tilsley, Milk DoNg Comics, Dan Piraro, Melinda Hegedus, Tommy Flynn and Cynical Coyote.

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In Lead White Zarina Bhimji explores the history of Zanzibar. Her expert curatorial eye has scoured national archives and found documents bearing witness to the country's past and by extension its present. Filtered through Bhimji's artistic vision, these documents become a poetic exploration of numerous topics including national health, education and contemporary Africa. The documents collected by Bhimji come from a wide variety of places. There are legal and constitutional documents, but also photographs and personal effects. A particular point of interest in Lead White is paper and how texture and light function as an echo of the themes investigated here. This substantial monograph marks a departure of sorts for Bhimji. In this work she incorporates to her new mediums of digital photography and the traditional craft of embroidery. This interplay, in Gallagher's words, forms a 'tension between present and past, and enhances the relationship between the specific and the universal.'

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Colour with Brian Clarke: Collages 3 is the fifth in a series of activity books published by HENI, based on the artworks of world-renowned contemporary artist, Sir Brian Clarke. Designed in close collaboration, and with an inspiring introduction by the artist himself, these are activity books with a difference for children to enjoy transforming each page into their very own masterpiece! Giving children a peek into the exciting world of art, guided by a leading British artist, the activity books present colouring pages alongside reproductions of 15 original artworks, providing inspiration and guidance for children whilst letting their imaginations run wild to discover their own creativity! In this volume, the beautiful outlines are taken from collage artworks first displayed at Clarke's major exhibition A Great Light (8 Jun 20237 Jan 2024) at Newport Street Gallery, London. Suitable for those aged three years and over, and allowing for a wide range of colouring applications to be used

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Generally known for his installation work encompassing sculpture, video and soundscapes, Fireflies focuses wholly on Parreno's lesser-known drawings. The drawings collected here showcase a delicate, personal touch, as they were created while Parreno was ill with cancer and were sent to his friends. In Parreno's drawings the fireflies' light is often created by an absence of darkness or pigment. This striking contrast perfectly encapsulates the bioluminescent glow emanating from the insect's abdomen. The book is edited by Hans Ulrich Obrist, artistic director of the Serpentine Galleries. An interview with the artist by Obrist and an essay by Belgian philosopher Vinciane Despret accompany the works.

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In Seaside Shelters, Will Scott documents and celebrates the wide variety of shelters adorning the British seasides. A testament to the heyday of British summer holidays and the country's notorious fickle weather, the shelters now mostly stand deserted. Scott's talented eye captures the, at times faded, beauty of the buildings. Most of the shelters were built in the late-19th and early-20th century and cover a wealth of architectural styles, from Victorian to Art Deco to Bauhaus. Locations range from iconic seaside resorts to lesser-known gems along the coast, including Blackpool, Great Yarmouth, the Isle of Wight, Clacton-on-Sea, Portsmouth, Aberystwyth, Swanage and Cromer.

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A stunning backstage photographic study of Mark Rylance and the cast of Shakespeare's Twelfth Night.

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As an inescapable aspect of everyday life, money has appeared in the background of art throughout its history within the context of mythological, biblical and historic scenes. In the last seventy years however, as consumer culture has spread internationally, many artists have given money the centre stage in their work to reflect on various economic, political, social and symbolic concerns that relate to different currencies and formats. In some of these artworks, physical money banknotes and coins plus cheques and credit cards is the actual art material, used by artists to question and subvert notions of value or to examine the aesthetics of these quotidian objects. Others have embraced burgeoning digital currencies in their artworks, looking forward to a possible future where money is wholly intangible. Money in Art: From Coinage to Crypto is an engaging new book that features a diverse selection of modern and contemporary art. Presented chronologically from Pop art onwards, wit

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Focal Points is a new book series of essays, articles and reviews, by acclaimed curator and critic Robert Storr. Expertly edited by art historian and curator Francesca Pietropaolo, and richly illustrated, it lends Storr's illuminating insights into some of the critical themes across recent decades that are of timely urgency. Brilliantly scholarly, accessible and engaging, Focal Points offers fresh interpretations of the varied territory of modern and contemporary art. This volume grapples with one of the most critical topics at the heart of culture in the United States: racial division. In the essay, originally produced in 1994 when Storr lived in the diverse neighborhood of Flatbush, Brooklyn and worked as a curator in the then predominantly white, male world of New York's Museum of Modern Art, the author vividly describes the role of the modern art museum and multiculturalism, and analyses issues of identity and representation explored in the works of a range of artists including Dav

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Between 2006 and 2020, French photographer and artist Bruno Serralongue conducted a prolonged engagement with the community of refugees on their last stop in a long journey to reach England. The resulting photographs, which formed the basis for an exhibition at Paris’s Centre Pompidou in 2019, are published here for the first time. Serralongue captured disparate moments in the lives of the exiles, their attempts to reach England and their provisional camps which were dismantled by the French government in 2020. Serralongue’s images employ a suspended temporality that contradicts the sensationalised images broadcast by the mass media, recalling the visual traditions of history painting more than photojournalism. The slowness of his photography, a characteristic of working with a view camera, requires both a distance from, and a proximity with, the subjects photographed, achievable only due to a relationship of trust built with the inhabitants of the ‘Jungle’.

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Originally a film by British avant-garde filmmaker Nichola Bruce, The Romance of Bricks is a portrait of the artist Liz Finch: a British painter, performer and poet. From her life-changing accident and rural solitude to the mad social whirl of 80s London anarchic performances and up to the present day, The Romance of Bricks sews together archival film over many years to produce an intriguing glimpse into the private world of the artist. Featuring commentary from Jools Holland, Christine Binnie, Jennifer Binnie, John Finch, Brian Clarke, Aubrey Fabing, Richard Strange, Nicola Bateman Bowery, Francesco Brusatin and Martin Harrison alongside an intimate dialogue with the artist herself.

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This new title celebrates 50 years of the creative force of nature that is the artistic partnership of Gilbert & George. Published in cooperation with the LUMA Foundation in Arles, France, on the occasion of their retrospective exhibition on show from 2 July to 23 September 2018. The book will feature five interviews with Gilbert & George by Hans Ulrich Obrist and Daniel Birnbaum, one for each decade of their practice. This title will be heavily illustrated with examples of Gilbert & George's artworks from their early years to their most recent series. Designed by Gilbert & George themselves, The Great Exhibition will feature their trademark style and panache. Introduced by a text co-authored by Obrist and Birnbaum, this publication will also feature several extracts from Michael Bracewell's 2017 publication What is Gilbert & George?. All text will be presented in both French and English.

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WORLDRECORDS collects highlights from the photo series 'worldrecords' where Schcfer photographs the great albums of music history on classic turntables, presented on oversized prints. The large format allows all the details and nuances of the vinyl and record players to shine. Schcfer's work is a tribute to the art of the analogue and a celebration of some of pop's finest music. Albums featured include David Bowie's The Rise and Fall of Ziggy Stardust and the Spiders from Mars, Joy Division's Unknown Pleasures, Dr. Dre's The Chronic, Serge's Gainsbourg's Initials B.B., Michael Jackson's Thriller, The Rolling Stones' Exile on Main St and The Clash's London Calling. An interview with the artist by Michael Bracewell accompanies the book as well as a foreword by Peter Hook, of Joy Division and New Order fame. The book will be published to coincide with an exhibition of Schafer's work at HENI Gallery, Soho.

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This monograph is the first to chart the entire career of Irish artist Conor Harrington, from the nascent graffiti of his teenage years to his status as an internationally recognised artist. Striking photography captures the visual evolution of a unique practice that has united the opulent ceremony of the baroque with the stark immediacy of graffiti. This updated edition now includes works which featured in Conor s September 2016 exhibition. Equally celebrated for both his large-scale gallery work and vast outdoor pieces, the book is split into Indoor and Outdoor sections. Harrington s artistic journey takes in Ireland, the UK, the US, Norway, Spain, Poland, Brazil and even the Bethlehem Wall, and is supplemented by fascinating documentary photography alongside the artist s personal narrative.

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The Cage paintings were conceived as a single coherent group, and displayed for the first time at the Venice Biennale in 2007. Their titles, Cage (1) (6), pay homage to the American avant- garde composer John Cage (1912 92). In his Lecture on Nothing , Cage famously declared I have nothing to say and I m saying it . Richter is equally suspicious of ideologies and any claim to absolute truth. He shies away from giving psychological interpretations to his paintings, preferring to allow viewers and critics to make up their own minds. Leading critic Robert Storr considers the importance of the Cage paintings within Richter s practice and within the wider context of abstract art. A series of extraordinary, detailed photographs document the development of each painting, day by day, and show the artist at work on these monumental canvases, giving unique insight into his working methods.

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Colour with Brian Clarke: Collages 1 is the first in a series of activity books published by HENI, based on the artworks of world-renowned contemporary artist, Sir Brian Clarke. Designed in close collaboration, and with an inspiring introduction by the artist himself, these are activity books with a difference for children to enjoy transforming each page into their very own masterpiece!Giving children a peek into the exciting world of art, guided by a leading British artist, the activity books present drawing pages alongside reproductions of 15 original artworks, providing inspiration and guidance for children whilst letting their imaginations run wild to discover their own creativity! In this volume, the beautiful outlines are taken from collage artworks first displayed at Clarke's major exhibition A Great Light (8 Jun 2023 7 Jan 2024) at Newport Street Gallery, London.Suitable for those aged three years and over, and allowing for a wide range of colouring applications to be used in

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In the 1950s, American painter Philip Pearlstein completed his MA thesis, ‘The Paintings of Francis Picabia 1908–1930’. When his research coincided with Picabia’s death in 1953, Pearlstein became the authority on the work of Picabia and his influence in European modernism that set the stage for modern art in America. Of course, it is impossible to discuss Picabia without also considering the work of Marcel Duchamp. At different intervals in his career, Pearlstein wrote three subsequent essays on Picabia for major arts journals: ‘The Symbolic Language of Francis Picabia’ for Arts magazine, 1956; ‘Hello & Goodbye, Francis Picabia’ for Art News, 1970, and ‘When the Dada Daddies Got Real; Or, How I Turned Picabia Inside Out’ for Brooklyn Rail, 2017. Pearlstein’s articles present a fascinating comparison between Picabia, Duchamp and Pearlstein himself. Picabia Inside Out brings together Pearlstein’s articles in full, published in an illustrated paperback book with a facsimile of the 1955 MA thesis presented as an historical document showing all the nuances of his typewriter. A foreword by Robert Storr highlights the broader art historical context and Pearlstein’s importance as a precursor to what became known as postmodernism.

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Tommy's new book follows the international success of his first book, An Excuse to Draw. As title suggests, Tommy approaches scenes with a photographic eye but renders them in this trademark detailed drawing style. The subjects are wide ranging including wildlife, models, travel and movie sets and feature his characteristic charm and wit, with astonishing level of detail he is known for. In a style at times reminiscent of cartoonists like Robert Crumb yet always wholly his own, Tommy Kane presents his subjects with a mixture of surrealism, humour and thoughtfulness.

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Acclaimed on first publication, Harriet Vyner s Groovy Bob is the cult biography of hedonistic gallery owner Robert Fraser and a dazzling evocation of 1960s culture and counter-culture. Taste-maker, heroin addict and promiscuous homosexual, Fraser astonished London with the artists he introduced: Andy Warhol, Peter Blake, Claes Oldenburg, Keith Haring and Jean-Michel Basquiat. Told through the voices of those who knew him best Paul McCartney, Richard Hamilton, Mick Jagger, Bridget Riley, Keith Richards, Kenneth Anger, Malcolm McLaren and Vyner herself Groovy Bob is a brilliant biography and a searing portrait of the most exhilarating period in post-war British social history. This republication features a new afterword by the author and colour plates including works from the major exhibition A Strong Sweet Smell of Incense: A Portrait of Robert Fraser, curated by Vyner and Brian Clarke at Pace London, 2015.

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