Search results for ""Scarecrow Press""

Germans to America provides both genealogists and researchers of family history with the first extensive, indexed source of German surname immigrants. This entire project was planned to span the years 1850 through 1893, but now the series has been extended. The series reproduces information from the original passenger lists filed by all vessels entering U.S. ports from abroad. Ships that departed from German ports or carried passengers who declared themselves to be of German origin are included, with first and last names, age, sex, occupation, and province and village of origin (whenever available) provided for each emigrant. A complete index of names is included at the end of every volume. Germans to America may be ordered by individual volume. Standing orders, which receive a 10% discount, are also welcomed.

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Developing out of the (mostly Methodist) National Association for the Promotion of Holiness, the Holiness-Pentecostal Movement provided a theological consensus strong enough to unify the movement during its first decade of existence and to sweep almost the entire independent Holiness movement of the southeastern United States. Distinguished from the Holiness Movement mainly by insistence on speaking in tongues as "initial evidence" of baptism of the Holy Spirit, the teaching of the Holiness-Pentecostal Movement is foundational to a significant segment of groups descended from the Azusa Street revival, especially in Chile and South Africa. With this final volume, devoted to the Holiness-Pentecostal Movement, Charles Edwin Jones's landmark 1974 work has now been expanded into a three-part series, which breaks up his original book into 4 volumes on The Wesleyan Holiness Movement (2 Volumes), The Keswick Movement, and The Holiness-Pentecostal Movement. The series provides materials for study of doctrine, worship, institutional development, and personalities, as well as antecedent and related movements. It serves to illustrate the history both of the Holiness Movement and the rural-urban transition in which it developed. Theological reconsiderations, realignments, and changes, as well as the nearly exponential growth of the Movement since the original book's publication, make these new publications almost absolutely necessary.

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Exploring in depth the repertory of the unaccompanied cello, this work lists more than 1,500 works from the Baroque era to the present day. It gives succinct information, including durations of works, and composers' dates and nationalities.

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In tracing the history of writings on music printing and publishing, this book discusses the theory of music bibliography. It examines such major topics as historical surveys of music printing and musical commerce and property; and surveys specific subjects ranging from type-specimen books to patent registrations, from the history of music libraries to bibliophilic editions.

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Widely regarded as one of cinema's most accomplished directors, David Lean helmed such classics as Brief Encounter, Great Expectations, and Oliver Twist. He twice received the Academy Award for best director, and two of his films, The Bridge on the River Kwai and Lawrence of Arabia won the Oscar for best picture. Both are featured on the American Film Institute's Top 100, with Lawrence of Arabia at number seven. Despite the awards and accolades for these motion pictures, many critics often look more favorably upon the smaller films that Lean produced earlier in his career, and in recent years his reputation as a director has diminished. In this study, Constantine Santas seeks to restore these now undervalued epics to the elevated esteem they once held. Without dismissing the earlier works or regarding them as irrelevant to Lean's evolution as an artist, this book shows that the epics, if analyzed from certain vantage points, are as worthy as any of Lean's previous films. In addition to Lean's Academy-Award-winning blockbusters, Santas also provides close analytical looks at Doctor Zhivago, Ryan's Daughter, and the director's final film, A Passage to India. Santas argues that the epics show a progression and refinement of Lean's work and that they are thematically broader and feature more complex characterization than his earlier films. In his analyses, Santas provides background material on the production of each epic; insights into structure, characters, techniques, and themes; and a look into the relationship between the films and their literary sources. Written in a clear and engaging manner, The Epic Films of David Lean will appeal not only to cinema students and scholars but also to the general fan of David Lean and his work.

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With the centennial of the First World War rapidly approaching, historian and bibliographer James T. Controvich offers in The United States in World War I: A Bibliographic Guide the most comprehensive, up-to-date reference bibliography yet published. Organized by subject, this bibliography includes the full range of sources: vintage publications of the time, books, pamphlets, periodical titles, theses, dissertations, and archival sources held by federal and state organizations, as well as those in public and private hands, including historical societies and museums. As Controvich’s bibliographic accounting makes clear, there were many facets of World War I that remain virtually unknown to this day. Throughout, Controvich’s bibliography tracks the primary sources that tell each of these stories—and many others besides—during this tense period in American history. Each entry lists the author, title, place of publication, publisher, date of publication, and page count as well as descriptive information concerning illustrations, plates, ports, maps, diagrams, and plans. The armed forces section carries additional information on rosters, awards, citations, and killed and wounded in action lists. The United States in World War I: A Bibliographic Guide is an ideal research tool for students and scholars of World War I and American history.

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Since the appearance of the first edition of the Encyclopedia of National Anthems in 2003, many new events and situations have radically redrawn the political boundaries of the world map and redefined the policies and goals of individual nation-states from Nepal to Afghanistan, Mozambique to Montenegro. All of these shifts have entailed the creation or adoption of new anthems or the modification of existing ones. This revised and expanded edition of the Encyclopedia of National Anthems not only makes the long-overdue updates to the national anthems of the world but also improves upon the quality and accuracy of the music sheets and historical backgrounds through consultation with a greater number and wider variety of source materials. Every political entity with non-Latin script now has its original lyrics documented in the book, while English translations have been modified to better express meaning and intent. Flags and maps have been added to the country fact sheets to provide a visual complement to the text. In addition to current sovereign countries, this edition includes in separate sections the anthems of international organizations; of Kosovo, South Ossetia, and other non-UN states; and of extinct countries, such as the former Soviet Union and East Germany. This collection does not adhere to any political stance but instead reflects the contested and complicated nature of the modern nation-state, whose boundaries remain fluid and ever subject to change. This new edition of the Encyclopedia of National Anthems is an indispensable reference source for students and academic scholars for school projects and academic research initiatives. Libraries will find the new edition a valuable addition to their collections, as will government and diplomatic missions requiring a handy reference for international exchange. For the casual reader, this compilation also provides a wealth of resources that both inform and entertain.

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Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.

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In 1996, George Walker became the first black American to win the Pulitzer Prize for music. This accolade, awarded for his composition "Lilacs," was just one of many Walker has received: Walker has been inducted into the American Classical Music Hall of Fame and has received six honorary doctoral degrees. Considered one of the most important American composers of the last century, Walker has produced works that rank among the finest in contemporary classical music. In Reminiscences of an American Composer and Pianist, Walker recounts the most significant events in his life and distinguished career as a composer and a musician. Beginning with his childhood in Washington, D.C., Walker reflects on pivotal moments that shaped his development as an artist. He recalls his early childhood, his professional debut as a concert pianist, his studies in Europe, and his connections with some of the world's most famous musicians. Along the way he includes analyses of some of his most important works.

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During the long period when the world was divided between East and West and the Cold War threatened to turn hot with devastating consequences, the Non-Aligned Movement was one of the few institutions that consistently sought other outcomes not in its own interest, but that of all humanity. Consisting of over 100 states that are free of any formal alliances with any major power bloc, the Non-Aligned Movement provides aid to those countries striving to gain independence, eliminate poverty, and develop their economy. Just what the Non-Aligned Movement and Third World sought—and at times achieved—is set forth in this unique reference work, with its over 200 cross-referenced dictionary entries on important persons, organizations, and conferences, as well as the key issues and concepts. Entries are supported by an extensive chronology, an introduction to the movement, and a bibliography for further research.

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With more than 800 topics from over 300 contributors, Encyclopedia of Catholic Social Thought, Social Science, and Social Policy is a comprehensive introduction to the Catholic vision of society, social relations, and the human being. It combines theoretical work on important topics and scholarly disciplines (e.g., economics, moral theology, natural law, philosophy, psychology); social science perspectives on a variety of topics (e.g., alcoholism and drug abuse, forgiveness and mercy, globalization); and treatment of practical policy implications that flow from applying the Catholic religious, moral, and intellectual tradition to contemporary issues (e.g., abortion, assisted suicide, immigration policy, school choice, torture). The book reflects a broad range of Catholic thought that is international in scope, but with an emphasis on the American situation. Its interdisciplinary approach offers insights from a variety of perspectives: theological, philosophical, historical, economical, sociological, political, psychological, and legal. The work will appeal to individuals who want a clear and accurate introduction to Catholic social thought and a Catholic-informed social science and social policy. One certainly need not be a devotee and advocate for Catholic social thinking to find this encyclopedia of good use as a handy reference tool.

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For more than 200 years the United States and Russia have shared a multi-faceted relationship. Because of the rise of power the two countries enjoyed in the late 19th and through the 20th century, Russian-American relations have dominated much of recent world history. Prior to World War II the two countries had relatively friendly contacts in culture, commerce, and diplomacy, however, as they contested for supremacy during the Cold War relations turned hostile and competitive. With the apparent end of the Cold War with the collapse of the Soviet Union and of communism in 1991, the relationship continues to evolve and the future looks uncertain but promising. The Historical Dictionary of United States-Russian/Soviet Relations identifies the key issues, individuals, and events in the history of U.S.-Russian/Soviet relations and places them in the context of the complex and dynamic regional strategic, political, and economic processes that have fashioned the American relationship with Russia. This is done through a chronology, a bibliography, an introductory essay, and several hundred cross-referenced dictionary entries on key persons, places, events, institutions, and organizations.

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Western Sahara is the last remaining colony in Africa. When it was released from Spanish rule in 1975, it was only to be replaced by the colonial rule of the neighboring countries of Mauritania and the Kingdom of Morocco. Even then, plans for a referendum were made to determine the country's status, but this solution has continually been put off from year to year while the situation festers. The resulting struggle has become increasingly bitter over the years. It has divided the territories population-many of whom now live abroad as refugees-resulted in a prolonged guerrilla war, pitted neighboring states against one another, and exercised the efforts of the United Nations, the Organization of African Unity (now African Union), and other peacekeeping bodies. There is no shortage of failed compromises and unimplemented resolutions. All that is lacking is an equitable solution. This book provides substantial information on Western Sahara's history, society, and culture through the use of hundreds of cross-referenced A to Z dictionary entries, a chronology of events, an introductory essay on Western Sahara, and a bibliography.

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15 year-old Bob Inman was given a radio for Christmas in 1935. From then until August 1938, he kept a meticulous log of all the radio shows he listened to and chronicled the hundreds of jazz shows he witnessed. Along with his collection of pictures and autographs, these logs eventually became seven large scrapbooks detailing the world of swing music in New York. Bob saw Benny Goodman at the Paramount Theater, Louis Armstrong at Loews State, Duke Ellington at Harlem's Apollo Theatre, Chick Webb at the Savoy Ballroom, Count Basie at Roseland, and hundreds of other prominent musicians and venues. Inman's descriptions of these trips form a social history of life during one of Manhattan's most vibrant and charming periods. Ken Vail has applied his talent as a graphic artist to enhance the presentation of these radio logs and turn them into a fascinating and useful reference source, which includes: · listings of commercial studio recordings for the period · autographs of hundreds of musicians · publicity photographs and original snapshots by Bob Inman and friends Together with a preface by Dan Morgenstern, this scrapbook will interest students and historians alike.

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In a knowledge economy, it is most important that creative people with ideas, information skills, experience, and knowledge become engaged in entrepreneurial activity involving the creation and use of new knowledge for community, organizational, and personal development, in addition to developing new products and services. This book helps those who wish to engage in entrepreneurial activity realize that they too can work independently, both as an individual and within an organization. The Knowledge Entrepreneur introduces the principles, skills, and knowledge required to be a knowledge entrepreneur or "intrapreneur." It outlines the process for developing and implementing business plans and proposals for knowledge-based initiatives. It also offers insight into the nature of knowledge, innovation, and entrepreneurship. For the individual entrepreneur who is just starting to develop a business concept, employees who want to become employers, and for entrepreneurially-minded people working in larger information-related organizations (e.g. libraries and information, technology, and software businesses), this book will be an invaluable tool.

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Aidan Chambers is currently one of the best and best-known writers of young adult literature in the world, as his recent awards will attest. For his novel Postcards from No Man's Land, he won the 1999 Carnegie Medal—Britain's most prestigious award for the most distinguished novel for children or young adults—and the 2002 Michael L. Printz Award for best young adult novel when it was published in the U.S. In 2002, Chambers became the first British recipient of the Hans Christian Andersen Award, an international award given every other year in recognition of an author's body of work (sometimes called the counterpart in children's and young adult literature to the Nobel Prize), since the award's inception in 1956. Because he has produced such a large body of diverse works, both critical and creative, because his works have been so widely acclaimed by both reviewers and award committees, and because he has become an integral part of the YA canon, often called the British Cormier because of his complexity and mature themes, it is all too appropriate that author Betty Greenway's examination of Aidan Chambers become the 25th addition to the Scarecrow Studies in Young Adult Literature series. This full-length study integrates the biography, creative writing, and criticism of one of the most important figures in young adult literature and incorporates these strands into a complete picture that will enhance the understanding of readers.

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Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.

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This book brings to light the choral works of three contemporary British women composers: Elisabeth Lutyens (1906-1983), Elizabeth Maconchy (1907-1994), and Thea Musgrave (1928- ). Earning solid reputations in Britain through their varying compositional styles, their music has revealed them to be substantial, prolific composers who are representative of major trends in twentieth-century British choral composition. Lutyens, often described as a musical pioneer, incorporates a highly personal and imaginative style in her use of twelve-tone technique, and her departures from the strict practice of serial writing are always highly personal and imaginative. Maconchy describes her own technique as 'impassioned argument,' using compositional tools such as contrapuntal textures in both her instrumental and choral works, resulting in a high degree of chromatic color. Musgrave encompasses many modes of expression, from her early choral works featuring tonal diatonic writing, to a free chromatic style with imprecise tonality at times. Complete with historical perspective, musical examples, and reproductions of choral texts, this resource of important and little known contemporary choral works demonstrates the diverse approaches used by these and other contemporary composers, and contributes to the growing literature on women in music.

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The archipelago forming the Republic of Cape Verde consists of 21 islands and inlets, 9 of which are inhabited. First discovered by Portuguese sailors around 1455, the islands were set up as a strategically secure base for trade along the West African coast and became stopover points for such famous navigators as Vasco Da Gama and Christopher Columbus. This small nation achieved independence from Portuguese rule in 1975, first as a nationalist one-party state and then in 1991 transforming into a plural democracy. Since independence, its growing tourism business has improved the living conditions of this once poor and undeveloped nation into the promising up-and-coming country it is today. This fourth edition of Historical Dictionary of the Republic of Cape Verde offers a comprehensive history of the country, linking the pre-colonial and colonial past with postcolonial events. Through newly created maps, a detailed chronology, an introduction, a bibliography, appendixes, and hundreds of cross-referenced dictionary entries on important political and cultural events, historical figures, places, political organizations, and cultural groups as well as abstract cultural, social, political, and economic topics, this valuable resource for undergraduate and graduate students, professionals, and teachers of African studies takes an interdisciplinary approach to providing the most extensive and up-to-date assessment of Cape Verde history available.

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Reaching back into earlier periods when the Swazi nation was being formed, there are entries on Swazi kings, queens, and others who played significant roles. The colonial era is also clearly delineated, and entries on important people, places, and events important to Swaziland's contemporary history are also included. The considerable material provided in the dictionary is buttressed by a solid introduction, a chronology, and especially a substantial bibliography.

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The Handbook of the American Frontier seeks to bridge the gap between studies of indigenous Americans and those of settlers of European or African descent. Heard bridges this fissure in scholarship of nearly 5 centuries of history by using Native American-white interaction as a guide. He provides a unique perspective on the implications of American settlement and the interaction of numerous cultures throught the history of North America. The study has emphasized the careers of prominent frontier participants, and has presented articles on individuals and events that had a significant impact upon the shifting dynamics of frontier settlement and expansion. The Handbook contains hundreds of sources, both primary and secondary, and seeks to foreground the perspective of heretofore largely ignored groups such as women and blacks, and frequently misrepresented cultures of native North Americans. This fifth and final volume of the Handbook of the American Frontier consists of a detailed chronology beginning in 1513 and running through 1918 of significant meetings between Native Americans and settlers on the frontier, a list of books consulted during preparation of the five volume work, and a complete index of the first four volumes including thousands of names and hundreds of subjects of interest.

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The French Revolution rocketed from Paris and made its influence felt throughout the world. Vast changes occurred in the way people related to their governing bodies. Instead of acting as passive onlookers, the people of France directly involved themselves in the affairs of state. The monumental changes brought about by the French Revolution also changed the nature of warfare. A period of nearly uninterrupted conflict existed both within and outside of France from 1792 to 1802. To rise to this daunting challenge, the armies of the French Republic developed a new approach to waging war. Under assault by Europe's great powers and faced with internal struggles, the French Republic mobilized the full range of its natural and human resources. The call for volunteers produced a mass citizen army, and the government moved to provide new officers, new organizations, and new tactics. The French Republic nationalized the economy to equip its patriotic army for a decade-long struggle to preserve the ideals of the revolution. Most visibly, the Historical Dictionary of the French Revolution describes significant persons, places and events, encounters and battles, that substantially changed the nature of warfare at the end of the 18th century in Europe. Additionally, it gives a sense of the impact of these changes on the general course of human history, drawing connections between events to map out an entire time period of eventful change. The Dictionary contains a detailed chronology from the declaration of the French Republic in 1792 to the Treaty of Amiens in 1802. Numerous maps help to orient the reader. The entries are efficient and generously referenced, giving the reader detailed knowledge while simultaneously allowing a broad picture of this crucial time period. An introduction provides a useful overview for the general reader.

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The third edition of this standard reference work brings the history of Equatorial Guinea into the second Nguemist dictatorship, which began with the August 1979 coup of Obiang Nguema. It explains the continuity of the Nguema dynasty, marked by violence, disregard for human rights, nepotism, corruption, drug trafficking, and the confiscation of oil profits by high ranking members of the Clan of Mongomo. This edition also adds essential detail to the Report on Human Rights Practices that was submitted to the U.S. House of Representatives and the U.S. Senate, January 30, 1998.

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Collects and comments on materials about the theory and practice of propaganda in twentieth century war and politics. World War I was the first "total" war in history, and propaganda was disseminated to affirm the righteous cause, sustain morale, discomfit the enemy, placate allies, and pressure neutrals. The process continued in each war thereafter, down to and including the 1991 Gulf War, differentiating only to the extent that propagandists had access to ever more elaborate technologies of mass communications. The bibliography includes works about propaganda theory; sources that deal with the motivation, planning, and purpose of propaganda; includes sources relating to the media through which the propaganda was disseminated; and samples of actual propaganda, ranging from feature films to published pamphlets. The author has chosen entries that provide the most useful sampling of the great variety of propaganda theory and practice that has developed in the twentieth century, with reference specifically to war and politics.

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Arriving in Japan in 1895, the Salvation Army rose from a position of relative obscurity to national recognition within a space of twelve years. The cultural adaptation of mission and message was most directly influenced by the life and work of Gunpei Yamamuro (1872-1940), who helped transform the Army into an indigenous expression of Wesleyan-holiness mission, uniquely adapted to the needs of Japan's emerging industrialized society. Salvationist Samurai is the first English-language work to clarify the role of Yamamuro in relation to the progress of the Salvation Army in Japan. In light of the recent centennial celebration of the Salvation Army in Japan, it is fitting that this illustrated work be published in commemoration of its most prominent representative.

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Big Band music instantly reminds us of America on the homefront during World War II, lavish Hollywood musicals, and the jitterbug. Fans of big band music will enjoy Back Beats and Rim Shots, which vividly describes the life of jazz drummer Johnny Blowers (1911-2006) and the atmosphere of America during the time when the big band sound reigned supreme. Blowers's career typified the enchantment of the big band era and illuminates the fierce competition between the musicians as they struggled for success. Author Warren Vaché follows the life of the musician from his boyhood in a small southern town to the mean streets of New York, where he gambled on his future in music without friends or connections, until the almost unbelievable lucky break that put him on the road to success. Back Beats and Rim Shots chronicles the time Blowers spent recording for Vocalion with Bobby Hackett's first band at "Nick's," the famous jazz spot in Greenwich Village, as well as later recordings with industry titans such as Louis Armstrong, Bing Crosby, Frank Sinatra, Ella Fitzgerald, and Billie Holliday. Vaché skillfully intersperses Blowers's recollections with a straightforward narrative. Including a discography, Back Beats and Rim Shots is a must for the music aficionado.

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Provides a cross-section of contemporary American film criticism from 1896-1960. The volumes reprint reviews in their entirety from periodicals such as Photoplay, Film Reports, The Moving Picture World, Variety, and The New York Times. Of immense value for gauging contemporary reaction_both popular and serious_to the best-known films of the past.

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Provides a cross-section of contemporary American film criticism from 1896-1960. The volumes reprint reviews in their entirety from periodicals such as Photoplay, Film Reports, The Moving Picture World, Variety, and The New York Times. Of immense value for gauging contemporary reaction_both popular and serious_to the best-known films of the past.

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In 1979, Scarecrow Press published J. P. Wearing’s American and British Theatrical Biography: A Directory, which enabled users to quickly locate biographical information about figures—both major and minor—who are or were connected with British and American theatre. In American and British Theatrical Biographies: An Index, Wearing has revised and extensively expanded the previous work. This edition draws upon more than 130 sources and 500 volumes that have been surveyed and indexed, providing information on more than 90,000 individuals from the earliest times to the present. For each person listed in the index, the following is provided where available: ·Name (with cross-references to stage names, pseudonyms, etc.) ·Birth and death date ·Nationality ·Theatrical occupation(s) ·Codes to sources containing more extensive biographical information While the focus of the index is on American and British figures working in live theatre before paying audiences, “foreign” personalities are included when the sources surveyed make some mention of their contribution to the British or American theatre. American and British Theatrical Biographies: An Index also embraces the spheres of ballet, opera, music, circus, and music halls. This comprehensive index is a useful source for scholars, theatrical personnel, theatre students, librarians, writers, and theatre historians.

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This essential foundation for teaching vocal technique is now available in paperback! Based on the great teaching of the past, it explains the utilization of principles and applications of vocal techniques. The Chromatic Vowel Chart defines the vowel color changes in chromatic progressions for all voices, and the text explains how singing principles can be used by relying on the ear, the eye, and the sense of vibration in the body. Cloth edition [0-8108-1933-3] published in 1987. Paperback edition available April 2002.

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This volume deals with the exegesis of the Hebrew Bible. Articles are arranged according to Book, chapter, and verse in ninety-six sections with intervening references to manuscripts of the respective books. Additionally, there are 148 sections on the textual criticism, literary criticism, and exegetical studies of the Apocrypha and Pseudepigrapha of the Old Testament, Hillel, Josephus, and rabbinic studies. Over ninety pages of references to the book of psalms alone.

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Film noir was a cycle in American cinema which first came into prominence during World War II, peaked in the 1950s, and began to taper off as a definable trend by 1960. Over the years, a group of films from the period emerged as noir standards, beginning with Stranger on the Third Floor in 1940. However, since film noir is too wide-ranging, it cannot be kept within the narrow limits of the official canon that has been established by film historians. Consequently, several neglected movies made during the classic noir period need to be re-evaluated as noir films. In Out of the Shadows: Expanding the Canon of Classic Film Noir, Gene Phillips provides an in-depth examination of several key noir films, including acknowledged masterpieces like Laura, The Maltese Falcon, Sunset Boulevard, and Touch of Evil, as well as films not often associated with film noir like Spellbound, A Double Life, and Anatomy of a Murder. Phillips also examines overlooked or underappreciated films such as Song of the Thin Man, The Glass Key, Ministry of Fear, and Act of Violence. Also considered in this reevaluation are significant neo-noir films, among them Chinatown, Hammett, L.A. Confidential, and The Talented Mr. Ripley. In his analyses, Phillips draws upon a number of sources, including personal interviews with directors and others connected with their productions, screenplays, and evaluations of other commentators. Out of the Shadows explores not only the most celebrated noir films but offers new insight into underrated films that deserve reconsideration. Of interest to film historians and scholars, this volume will also appeal to anyone who wants a better understanding of the works that represent this unique cycle in American filmmaking.

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The Byzantine Empire dates back to Constantine the Great, the first Christian ruler of the Roman Empire, who, in 330 AD, moved the imperial capital from Rome to a port city in modern-day Turkey, which he then renamed Constantinople in his honor. From its founding, the Byzantine Empire was a major anchor of east-west trade, and culture, art, architecture, and the economy all prospered in the newly Christian empire. As Byzantium moved into the middle and late period, Greek became the official language of both church and state and the Empire’s cultural and religious influence extended well beyond its boundaries. In the mid-15th century, the Ottoman Turks put an end to 1,100 years of Byzantine history by capturing Constantinople, but the Empire’s legacy in art, culture, and religion endured long after its fall. In this revised and updated second edition of the Historical Dictionary of Byzantium, author John H. Rosser introduces both the general reader and the researcher to the history of the Byzantine Empire. This comprehensive dictionary includes detailed, alphabetical entries on key figures, ideas, places, and themes related to Byzantine art, history, and religion, and the second edition contains numerous additional entries on broad topics such as transportation and gender, which were less prominent in the previous edition. An expanded introduction introduces the reader to Byzantium and a guide to further sources and suggested readings can be found in the extensive bibliography that follows the entries. A basic chronology and various maps and illustrations are also included in the dictionary. This book is an excellent access point for students, researchers, and anyone wanting to know more about Byzantium.

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In the early 1970s, a new breed of film emerged that would completely change the way black people were presented in movies. With their afros picked to spherical perfection and their guns blazing, big bad soul brothers and super sexy sisters lit up movie theaters across the country. Never before had black men and women appeared on screen in quite this way. In time, these films would be called "blaxploitation." And while it has long been debated exactly which film launched the blaxploitation era, the financial success of Melvin Van Peebles's Sweet Sweetback's Baadasssss Song and Gordon Parks's Shaft helped open the flood gates for the more than 200 films that are now considered blaxploitation. Reflections on Blaxploitation: Actors and Directors Speak is a collection of interviews with many of the men and women who defined the genre. In candid conversations, some of the most important figures of the era describe what it was like to work on these films and what impact they had on American culture. Among those interviewed are such icons as Jim Brown (Slaughter), Antonio Fargas (Foxy Brown), Gloria Hendry (Hell Up in Harlem), Jim Kelly (Black Belt Jones), Ron O'Neal (Superfly), William Marshall (Blacula), and Fred Williamson (Hammer). Also featured here are some of the most influential names behind the scenes, including Larry Cohen (Black Caesar), Oscar Williams (Five on the Black Hand Side), and Melvin Van Peebles. This volume also includes a filmography of every known (or rumored) blaxploitation film, including their availability on VHS and DVD.

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The work of multiple scholars is combined in this single volume, bringing together in conversation the traditions of brass instrumentalism and jazz idiom. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions, edited by Howard T. Weiner, features articles by some of the most distinguished jazz and brass scholars and performers in the world. The topics covered span continents and decades and bridge gaps that until now remained uncrossed. Two primary themes emerge throughout the book and enter into dialogue with each other: the contribution brass performers made to the evolution of jazz in the early 20th century, and the influence jazz and popular music idioms had on the evolution of brass performance. The 13 articles in this volume cover a range of topics from Italian jazz trumpet style to the origins of jazz improvisation to the role of brass in klezmer music. New Orleans becomes a focal point as the essays examine the work of many important musicians, including Louis Armstrong, Buddy Bolden, Bunk Johnson, King Oliver, James Reese Europe, and Newell "Spiegle" Willcox. Included as well is an interview with two legends of jazz trumpet, William Fielder and Joe Wilder, and the renowned performer and teacher Jimmy Owens reveals his practice techniques. Many of the essays include bibliographies, discographies, and other reference information. The meeting of the Historic Brass Society and the Institute of Jazz Studies represents the first time scholars have gathered to bring these two fields into such comprehensive discussion with each other. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions presents this historic conversation.

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The late 1950s was a significant time in the history of 20th century American literary magazine publishing. Known as the "Mimeograph Revolution," a name based on the popularity of producing magazines on a mimeograph machine, this period saw a tremendous increase in the production of literary magazines (or "little magazines") as a result of the decreased costs of production. Author Christopher Harter fully indexes approximately 100 little magazine titles published between 1959 and 1980 and presents researchers with a finding aid to approximately 20,000 works by over 500 individual writers and poets. For students and scholars of contemporary writing, An Author Index to Little Magazines of the Mimeograph Revolution will serve as an excellent resource in locating and tracing the publication of individual works by authors and poets.

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The Republic of Moldova claims a European lineage reaching back in time long before its 14th century accession to statehood. In the 15th century, it managed against all odds to avoid being conquered by Islam and—albeit an intermittent vassal after 1485—it maintained its autonomy and was never turned into a province of the Ottoman Empire. After this period, however, Moldova would not be so fortunate, as it altered between Russian, Romanian, and Soviet control until it finally gained its independence in 1991 from the Soviet Union. The second edition of the Historical Dictionary of Moldova, through its chronology, introduction, appendixes, maps, bibliography, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions and significant political, economic, social, and cultural aspects, traces the history of this small, but densely populated country, providing a compass for the direction it is heading.

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Existentialism is the philosophy of human existence, which flourished first in Germany in the 1920s and 1930s and then in France in the decade following the end of World War II. The operative meaning of existentialism here is thus broader than it was circa 1945 when the term first gained currency in France as a label for the philosophy of Jean-Paul Sartre. However, it is considerably less broad than the view proposed by commentators in the 1950s and 1960s who, in an attempt to overcome Sartre's hegemony, discovered the seeds of existentialism far and wide: in Shakespeare, Saint Augustine, and the Old Testament prophets. In this dictionary, existentialism is understood as a decidedly 20th-century phenomenon, though with roots in the 19th century. Effort has been made to understand the philosophy of existentialism, as all philosophies should be understood, as part of an ongoing intellectual tradition: an evolving history of problems, concepts, and arguments. The Historical Dictionary of Existentialism explains the central claims of existentialist philosophy and the contexts in which it developed into one of the most influential intellectual trends of the 20th century. This is done through a chronology, an introductory essay, a bibliography, and more than 300 cross-referenced dictionary entries offering clear, accessible accounts of the life and thought of major existentialists like Jean-Paul Sartre, Martin Heidegger, Martin Buber, Karl Jaspers, Gabriel Marcel, Simone de Beauvoir, Albert Camus, and Maurice Merleau-Ponty, as well as thinkers influential to its development such as Wilhelm Dilthey, Henri Bergson, Edmund Husserl, and Max Scheler. Historical Dictionary of Existentialism affords readers an integrated, critical, and historically-sensitive understanding of this important philosophical movement.

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Despite his original training as a civil engineer, Chou Wen-Chung came to America in 1946 to pursue music. He became a protégé of Edgard Varèse and spent several decades teaching, composing, and advancing modern concepts in contemporary compositions. Incorporating the teachings of his mentor, yet retaining his own identity, Chou is one of the few composers to successfully integrate images and ideas from both Eastern and Western culture. His unique synthesis of the two cultures has challenged the American musical community to recognize and celebrate cultural differences, setting Chou apart in contemporary American music as an exemplary of the Chinese musical idiom. His founding of the Center for United States-China Arts Exchange has furthered his exploration of cross-cultural pollination. This book examines the composer's life and music, including biographic material, an in-depth cultural and musical analysis of his works, and receptions of his music. An assessment of Chou's unique contribution to contemporary musical synthesis, a hallmark in twentieth-century music, draws a direct link between his cross-cultural approach to composition and his family history and upbringing. His quest for an original style by widening his musical and cultural experiences - including consulting ancient Chinese sources on music and philosophy - helped to solidify his place in the musical patchwork of contemporary America. Also drawing a comparison between Chou's approach to musical synthesis and that of his Chinese colleagues, author Peter Chang's discussion generates interest in cross-cultural studies in contemporary music, promoting multicultural awareness in America and abroad, and enabling readers to understand different reactions to the Western impact on Chinese music and culture. The book's appendixes list Chou's compositions and recordings, and a chronology of performances.

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The collaborative character of science and scholarship, whether formal or informal in nature, is the focus of this discussion by a master of the subject. The world of scholarly communication is evolving with exponential speed. Propelled by the Web and the rapid transition from paper to electronic journals, the scale of the research effort is moving from the individual to research conducted by dozens of scientists scattered all over the globe. These changes evoke many questions: What does it mean to be an author in an age of collective effort? How are responsibility and credit allocated in collaborative endeavors? What is the relationship between reading, referencing and reputation - the political economy of citation? How are social relations inscribed in intellectual space? Will the move to online and open access publishing provide new measures of authorial salience and intellectual impact? Cronin answers these questions as he captures the complex relationship between authorship and the reward system of science.

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A part of Sweden until 1809, Finland then became a Grand Duchy of the Russian Empire until it declared its independence on December 6, 1917. From these humble beginnings, Finland has emerged as an important player in the European Union (Finland holds the presidency of the EU in the latter half of 2006) and as a useful contact with the newly independent Baltic States, as well as Russia. The second edition of the Historical Dictionary of Finland not only updates the previous edition but expands its coverage. Through a chronology, a list of acronyms and abbreviations, an introductory essay, appendixes, a bibliography, and hundreds of cross-referenced dictionary entries covering the more important persons, places, events, institutions, geographic locations, and significant aspects of politics, economy, society, and culture, an accurate historical picture of this country is revealed.

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Vietnam became part of French Indochina in 1887 and did not regain its independence again until after the Vietnam War. However, despite a relatively peaceful two decades the country experienced little economic growth because of conservative leadership policies. In an effort to change this stagnation, Vietnamese authorities have committed to economic liberalization and enacted structural reforms needed to modernize the economy and to produce more competitive, export-driven industries. The third edition of this dictionary focuses on the recent changes and leadership of Vietnam while giving due attention to the earlier kingdoms, the period of French Indochina, the wars for liberation, the Vietnam War, and much more. Hundreds of cross-referenced A to Z dictionary entries are included on political, economic, social and cultural aspects as well as the major cities and geographic features. This book also contains a chronology and introduction that traces Vietnam's history, as well as a bibliography.

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Sheet music, a genre of printed music with many difficulties of definition and categorization, has posed a serious problem of bibliographical control to many libraries throughout this century. Cataloging Sheet Music: Guidelines for Use with AACR2 and the MARC Format has been written primarily for the use of catalogers in archives, libraries, and museums to assist them in the preparation of standard cataloging records in print or electronic format. The work ties the Anglo-American Cataloguing Rules, a recognized cataloging standard, to the genre. There are explanations of music cataloging practice intended to aid non-music catalogers in the use of this tool. Other discussions are designed to expand the music cataloger's understanding of publishing practices somewhat peculiar to sheet music. While much of the content emphasizes the description of the music, there are also sections devoted to subject access to illustrations, first line/chorus/refrain text, illustrators, engravers, and publishers. There are extensive reproductions of title pages from the eighteenth through mid-twentieth centuries that are accompanied by examples of the cataloging. Each example includes three levels of description—minimal, core, and enhanced.

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For a relatively short war, the Crimean War holds an important place in history. Finally, a resource that provides a historical overview of the war from a number of different angles including, the causes, the motivations, the course, and the consequences. This volume fully explores the: o Main engagements o Principal political figures and rulers o Military leaders and naval commanders o Events leading up to the conflict This Dictionary is an excellent window into the political, national, and military intrigue that surrounded one of the most costly campaigns of all time. Includes a chronology, maps, and a comprehensive bibliography full of primary sources, as well as classic sources and histories that will allow researchers to trace the changing perception of the war through history.

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A person is murdered only once while a crime scene can be destroyed many times. Whenever something is added or removed from a homicide scene before police process it, the interpretation of what took place could be altered. This type of altering is only one bump in the road that homicide detectives come across during an investigation. Homicide Investigation is an introduction to forensic science, investigative procedures, and the underlying motives in specific cases. Utilizing the jargon spoken by police the author analyzes the combination of methods detectives use to determine what they think took place at the scene of a violent crime. Using hundreds of sources including newspaper and magazine articles, Internet sites, books, television programs as well as information not broadcast on television news shows and not published in newspapers, this book describes graphic details of classic and routine homicides. A chronology and a list of acronyms are included to help the reader. Chapters cover: · Types of homicides · Serial killers · Police databases · Crime scenes · Evidence · Wounds and injuries · Weapons · Forensic investigation procedures · Perpetrator profiles True crime readers, students and professionals in law enforcement, sociology, psychology, criminal justice, law and criminology, and anyone concerned with his or her personal safety will have an interest in this book.

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Take a journey back in time to an era when movie theatres were movie houses, jazz was king, and vaudeville was one of the premiere forms of entertainment. Lollipop is the late Reva Howitt Clar's memoirs of her colorful career with the legendary brother and sister producing team of Fanchon and Marco and the first inside account to give detailed insight into the workings of this famous pair. A first-hand chronicle of the weekly shows, rehearsals, costumes, publicity stunts, and backstage intrigues that typified any vaudeville performer, Lollipop sweeps the reader into the jazz age, when live stage show entertainment served as the West Coast's main link to the current music and dance trends in New York, detailing Clar's ten-year association with Fanchon and Marco from 1923-1933, first as a dancer, then as co-director of their dance school. The text also highlights the eventual fade of vaudeville from the entertainment circuit, caused by the Great Depression. Supplemented with historical tidbits and anecdotes from her daughter, Clar's memoir offers an intimate portrait of vaudeville life from the viewpoint of a non-headliner. This diverting and entertaining glimpse of a lost era in American culture is an enjoyable read for students of American popular culture, vaudeville, and theatre history.

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For those who want to know more about organizations that provide assistance to refugees and disaster relief victims, the Dictionary is an ideal staring point. The timeline traces the history of refugee movements and disasters during the twentieth century. The introduction, taking a broader view, outlines the tumultuous history of refugee movements and disasters from early times to the present day while discussing the complications, challenges and coping strategies of the international community. The dictionary provides A-Z entries on both natural and man-made disasters, intergovernmental and nongovernmental organizations, basic concepts, and people who have played a notable role. Also included is an extensive list of acronyms and abbreviations to sort out the various organizations. The bibliography directs readers to a plethora of books, articles, and government documents on the same topic. A must for the reference collection—-community colleges, college, university and large public libraries.

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