Search results for ""Queen's University""

While significant research has been produced in the field of disability studies, little attention has been paid to experiences of chronic illness. Working Bodies emphasizes the workplace as an important site for understanding such experiences, as employment status has an enormous impact on social and economic standing in Canadian society. The essays in this collection examine the perspectives of both workers and employers, painting a disturbing picture of the challenges that people with chronic illness face in an already demanding labour market. The focus on the Canadian workplace allows for an in-depth understanding of this context and for meaningful comparisons between populations and across workplace environments. Contributors include scholars and practitioners in disability studies, health sciences, geography, occupational therapy, sociology, and labour relations, their expert knowledge ranging from the imperatives of employers, to lived experiences of chronic illness, to the application of workplace policy. By combining research-based chapters with personal reflections on work and chronic illness, Working Bodies grounds itself in existing scholarship while opening up new avenues of discussion. Contributors include Terri Aversa, Andrea Black, Keri Cameron (McMaster University), Nicolette Carlan (University of Waterloo), Vera Chouinard (McMaster University), Valorie A, Crooks (Simon Fraser University), Julie Devaney, Le-Ann Dolan, Adam Gilgoff, Nancy Hutchinson (Queen's University), Vicki Kristman (Lakehead University), Terry Krupa (Queen's University), Rosemary Lysaght (Queen's University), Margaret Oldfield (University of Toronto), Michelle Owen (University of Winnipeg), Melissa Popiel, Wendy Porch, William S. Shaw (University of Massachusetts), Corinne Stevens, Iffath Syed (York University), Joan Versnel (Dalhousie University), and Kelly Williams-Whitt (University of Lethbridge).

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Fifty years ago, Markoosie Patsauq, then a bush pilot in his late twenties living in the tiny, isolated High Arctic community of Resolute, spent his spare time quietly writing a story that effectively emerged as the first Indigenous novel released in Canada. Published in English under the title Harpoon of the Hunter in 1970 by McGill-Queen's University Press, that version of the story was Patsauq's own adaptation. In the years that followed the widely acclaimed English edition was translated into many different languages, but what has remained obscured until the present day is the Inuktitut text originally produced by the author.In collaboration with Patsauq, Valerie Henitiuk and Marc-Antoine Mahieu have foregrounded the original Inuktitut text to inform their translations into both English and French. This critical edition, complete with the story in both Inuktitut syllabics and Latin script, utilizes the author's handwritten manuscript as well as interviews with Patsauq to produce a new, rigorous examination of this literary and cultural milestone. This work also includes the first comprehensive account of the critical response to his writing while underscoring the way the much-altered English adaptation from 1970 shaped that response.A momentous achievement that situates a new classic in the twenty-first century, Hunter with Harpoon brings readers back to the roots of Markoosie Patsauq's Inuit story to experience it as it was originally written.

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Historically, Canada has adopted immigration policies focused on admitting migrants who were expected to become citizens. A dramatic shift has occurred in recent years as the number of temporary labourers admitted to Canada has increased substantially. Legislated Inequality critically evaluates this radical development in Canadian immigration, arguing that it threatens to undermine Canada's success as an immigrant nation. Assessing each of the four major temporary labour migration programs in Canada, contributors from a range of disciplines - including comparative political science, philosophy, and sociology - show how temporary migrants are posed to occupy a permanent yet marginal status in society and argue that Canada's temporary labour policy must undergo fundamental changes in order to support Canada's long held immigration goals. The difficult working conditions faced by migrant workers, as well as the economic and social dangers of relying on temporary migration to relieve labour shortages, are described in detail. Legislated Inequality provides an essential critical analysis of the failings of temporary labour migration programs in Canada and proposes tangible ways to improve the lives of labourers. Contributors include Abigail B. Bakan (Queen's University), Tom Carter (University of Manitoba), Sarah D'Aoust (University of Ottawa), Christina Gabriel (Carleton University), Jill Hanley (McGill University), Jenna Hennebry (Wilfrid Laurier University), Christine Hughes (Carleton University), Karen D. Hughes (University of Alberta), Jahhon Koo (McGill University), Patti Tamara Lenard (University of Ottawa), Laura Macdonald (Carleton University), Janet McLaughlin (Wilfrid Laurier University), Delphine Nakache (University of Ottawa), Jacqueline Oxman-Martinez (Universite de Montreal), Kerry Priebisch (University of Guelph), Andre Rivard (University of Windsor), Nandita Sharma (University of Hawaii), Eric Shragge (Concordia University), Denise Spitzer (University of Ottawa), Daiva Stasuilus (Carleton University) Christine Straehle (University of Ottawa), Patricia Tomic (University of British Columbia, Okanagan), Sarah Torres (University of Ottawa), and Richard Trumper (University of British Columbia, Okanagan).

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The study of Renaissance drawings allows for an intensive exploration of how artists constructed their works and how they thought, often by revealing the artists' ideas through the examination of private images that were deemed inappropriate for more public viewing. Rethinking Renaissance Drawings presents new and original research from art historians and curators from leading universities and museums across North America and Europe. Previous studies on drawings tend to focus on the work of one artist or a small regional group of artists. The essays in this collection address larger issues of the forms and functions of drawing in the Renaissance by exploring a variety of perspectives, including discussions of the process of drawing, the often unorthodox imagery of Renaissance drawings, the collecting and copying of Renaissance drawings, and the works of artists such as Michelangelo, Raphael, Bosch, Parmigianino, Annibale Carracci, Guercino, and Rembrandt. Some of the drawings discussed are exciting new discoveries, published here for the first time, whereas others are familiar works, but shown in a new light. Collectively, these studies offer alternate views of Renaissance art and show more intimate aspects of a period that is often remembered for its paintings and large-scale public monuments. Contributors include David de Witt (Rembrandt House Museum), Stephanie Dickey (Queen's University), Pierre du Prey (Queen's University), David Ekserdjian (University of Leicester), David Franklin (Archive of Modern Conflict), Catherine Monbeig Goguel (Musee du Louvre), Franziska Gottwald (Amsterdam), Sharon Gregory (St Francis Xavier University), Sally Hickson (University of Guelph), Michel Hochmann (Ecole Pratique des Hautes Etudes), Cathleen Hoeniger (Queen's University), Charles Hope (Warburg Institute), Paul Joannides (Cambridge University), Casey Lee (Queen's University), James Mundy (Frances Lehman Loeb Art Center), Aimee Ng (Frick Collection), Sebastian Schutze (University of Vienna), Allison Sherman (Queen's University), Ron Spronk (Queen's University), Steven Stowell (Concordia University), Nicholas Turner (J. Paul Getty Museum), and Catherine Whistler (The Ashmolean).

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How often did our ancestors bathe? How often did they wash their clothes and change them? What did they understand cleanliness to be? Why have our hygienic habits changed so dramatically over time? In short, how have we come to be so clean? The Clean Body explores one of the most fundamental and pervasive cultural changes in Western history since the seventeenth century: the personal hygiene revolution. In the age of Louis XIV bathing was rare and hygiene was mainly a matter of wearing clean underclothes. By the late twentieth century frequent - often daily - bathing had become the norm and wearing freshly laundered clothing the general practice. Cleanliness, once simply a requirement for good health, became an essential element of beauty. Beneath this transformation lay a sea change in understandings, motives, ideologies, technologies, and practices, all of which shaped popular habits over time. Peter Ward explains that what began as an urban bourgeois phenomenon in the later eighteenth century became a universal condition by the end of the twentieth, touching young and old, rich and poor, city dwellers and country residents alike. Based on a wealth of sources in English, French, German, and Italian, The Clean Body surveys the great hygienic transformation that took place across Europe and North America over the course of four centuries.

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Vladimir Putin's image functions as a political talisman far outside of the borders of his own country. Studying material objects, fan fiction, and digital media, Putin Kitsch in America traces the satirical uses of Putin's public persona and how he stands as a foil for other world leaders. Uncovering a wide variety of material culture - satirical, scatological, even risqué - made possible by new print-on-demand technologies, Alison Rowley argues that the internet is crucial to the creation of contemporary Putin memorabilia. She explains that these items are evidence of young people's continued interest and participation in politics, even as some experts decry what they see as the opposite. The book addresses the ways in which explicit sexual references about government officials are used as everyday political commentary in the United States. The number of such references skyrocketed during the 2016 US presidential election campaign, and turning a critical eye to Putin kitsch suggests that the phenomenon will continue when Americans next return to the polls. An examination of how the Russian president's image circulates via memes, parodies, apps, and games, Putin Kitsch in America illustrates how technological change has shaped both the kinds of kitsch being produced and the nature of political engagement today.

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Enlightenment - both the phenomenon specific to the eighteenth century and the continuing trend in Western thought - is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann - the father of the modern fantastic - with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought.

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Evangelicals have been scandalized by their association with Donald Trump, their megachurches summarily dismissed as “religious Walmarts.” In The Subversive Evangelical Peter Schuurman shows how a growing group of “reflexive evangelicals” use irony to critique their own tradition and distinguish themselves from the stereotype of right-wing evangelicalism. Entering the Meeting House – an Ontario-based Anabaptist megachurch – as a participant observer, Schuurman discovers that the marketing is clever and the venue (a rented movie theatre) is attractive to the more than five thousand weekly attendees. But the heart of the church is its charismatic leader, Bruxy Cavey, whose anti-religious teaching and ironic tattoos offer a fresh image for evangelicals. This charisma, Schuurman argues, is not just the power of one individual; it is a dramatic production in which Cavey, his staff, and attendees cooperate, cultivating an identity as an “irreligious” megachurch and providing followers with a more culturally acceptable way to practise their faith in a secular age. Going behind the scenes to small group meetings, church dance parties, and the homes of attendees to investigate what motivates these reflexive evangelicals, Schuurman reveals a playful and provocative counterculture that distances itself from prevailing stereotypes while still embracing a conservative Christian faith.

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Almost immediately after the invention of photography, Scottish photographers took their clunky cameras on the road to capture the stories of peoples and communities touched by the forces of British imperialism. For the next thirty years, their journeys would take them far from their homes in the Lowlands to the Canadian wilderness and the treaty ports and rivers of China. The Global Flows of Early Scottish Photography is about the interplay between these photographers' ambitions and the needs and desires of the people they met. Anthony Lee tracks the work of several famous innovators of the art form, including the pioneering team of D.O. Hill and Robert Adamson in Edinburgh; Canada's first great photographers, the Scottish immigrants William Notman and Alexander Henderson in Montreal; the globetrotting John Thomson in Hong Kong; and Lai Afong, the first widely known Chinese photographer. Lee reveals their pictures in the context of migration and the social impact wrought by worldwide trade and competing nationalisms. A timely book, it tells of an era when cameras emerged to give shape and meaning to some of the most defining moments brought about by globalization in the nineteenth century. Beautifully written and richly illustrated in full colour, The Global Flows of Early Scottish Photography weaves stories together to show that even the earliest pictures were sites of fierce historical struggle.

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At a time when people must work harder than ever to stand out from the crowd, the word creativity can seem vague and overused. But what exactly is creativity? Adrian McKerracher travels from Vancouver to Havana to Buenos Aires, leading readers on a journey to discover poignant new insights into a life of letters. Through encounters with artists of all kinds, famous or obscure, McKerracher traces a socio-cultural history of the meaning of writing, each vignette a meditation on the way that metaphor limits and liberates understanding: creativity is a process, a possession, a relation, an algorithm, a game, and more. But What It Means to Write is far more than an archive of the figurative. Along the way, a labyrinth of chance reunites McKerracher with old friends, threatens him with violence, and invites him to remain forever in a place both real and imagined. His journey from cafés to libraries to late-night living rooms embodies the structure of a bold new methodology for interpreting creativity, demonstrating the tools for working productively with ambiguity and rebuilding meaning, one metaphor at a time. Told in character-driven narrative pulses that reflect on the nature of belonging, understanding, and loving, What It Means to Write is a celebration of the possibilities of both language and silence.

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After the terrorist attacks of September 11, 2001, Canadian agencies willingly collaborated in the War on Terror launched by the United States to destroy Al Qaeda. This partnership went seriously astray, however, amid a series of fundamental errors by Canadian agencies and their misplaced trust in American willingness to abide by both international and US laws against torture. As a result, numerous Canadian citizens and residents were illicitly detained abroad and subjected to suffering and mistreatment. In Detained Daniel Livermore analyzes the emergence of Islamic fundamentalist extremism and its Canadian implications, including the erroneous investigations that targeted Canadians and led to their detentions in Syria, Egypt, Pakistan, Libya, Tunisia, and Sudan. Scrutinizing the most prominent cases, he details the role of Canadian agencies in the imprisonments and relates how subsequent court cases brought the situations to light, resulting in settlements and apologies to Ahmad Abou-El-Maati, Abdullah Almalki, and Maher Arar, among others. Drawing on his experience in Canada's foreign ministry, Livermore explains how an essentially misguided War on Terror emerged and how Canadian-American cooperation went wrong. A gripping blend of memoir and meticulous research, Detained urges a more mature and rational discussion of security and intelligence issues in Canada and greater understanding of the failures of security cooperation in the decade after 9/11.

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The Warburg Institute, founded in the 1920s in Hamburg by art and cultural historian Aby Warburg, is a pioneering institution that has greatly shaped the fields of art, myth, religion, medicine, philosophy, and intellectual history. When, in 1933, the institute was moved to London to escape the Nazis, its research and legacy were protected and further developed by a network of researchers dispersed throughout the UK, the US, and Canada. The first interdisciplinary study of the Warburg network as an arena of intellectual transmission, transformation, and exchange, this volume reveals the dynamics, agencies, and actors at play in the development of the Warburg Institute's program and output, with a specific focus on the role of Raymond Klibansky (1905–2005) in the institute's major ventures. Among these collective projects of the institute are the famous Saturn and Melancholy, which blends art history with philosophical and cultural history, and the Latin and Arabic Corpus Platonicum Medii Aevi series, which contributed to research on the continuity of Platonic thought. Consulting published and unpublished sources including correspondences, memories, and diaries of affiliated scholars, the essays explore the history of the Warburg Library as a vital cultural institution and the personal and intellectual relationships of the researchers devoted to it. From Hamburg to London to Montreal, Raymond Klibansky and the Warburg Library Network takes readers on a journey into more than forty years of intellectual life at one of the most prestigious cultural research institutes. Contributors include Philippe Despoix (Université de Montréal), Georges Leroux (UQAM), Eric Méchoulan (Université de Montréal), Elisabeth Otto (Université de Montréal), Elizabeth Sears (University of Michigan), Davide Stimilli (University of Colorado at Boulder), Jillian Tomm (Université de Montréal), Martin Treml (Zentrum für Literatur- und Kulturforschung Berlin), Jean-Philippe Uzel (UQAM), Regina Weber (DLA Marbach), Claudia Wedepohl (The Warburg Institute London), and Graham Whitaker (Glasgow University)

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During the first six decades of the twentieth century, when the majority of present-day Kenya was under the control of the British Empire, many secular newspapers emerged as the products of tensions between Asian and European immigrants, the British administration, and the African petite bourgeoisie. In Pressing Interests Phoebe Musandu shows that, far from expressions of public opinion or vehicles of a free market, these periodicals served as powerful tools for the colonial government and the elite to shape political and economic conditions in their favour. Following the development of the most important newspapers established in colonial Kenya as they evolved to reflect the priorities and ambitions of their owners, investors, publishers, journalists, and editors, Pressing Interests explores the roles and contributions of the press in the country's political and economic history. Shedding light on newspapers as business ventures, Musandu focuses on the management, financial, and production aspects of media. Drawing on previously unearthed archival documents, official and unofficial correspondence, police and legal records, and the newspapers themselves, she further examines the press as a medium for inter- and intra-racial competition for power and influence, as a base for the production of knowledge, and as an instrument for social control. In an era when we are often reminded of the power inherent in the ability to generate and disseminate information, Pressing Interests tells the story of colonial Kenya's press through a timely mix of riveting accounts and the clarifying lens of careful analysis.

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Vasily Grossman (1905–1964) was a successful Soviet author and journalist, but he is more often recognized in the West as Russian literature's leading dissident. How do we account for this paradox? In the first collection of essays to explore the Russian author's life and works in English, leading experts present recent multidisciplinary research on Grossman's experiences, his place in the history of Russian literature, key themes in his writing, and the wider implications of his life and work in the realms of philosophy and politics. Born into a Jewish family in Berdychiv, Grossman was initially a supporter of the ideals of the Russian Revolution and the new Soviet state. During the Second World War, he worked as a correspondent for the Red Army newspaper and was the first journalist to write about the Nazi extermination camps. As a witness to the daily violence of the Soviet regime, Grossman became more and more aware of the nature and forms of totalitarian coercion, which gradually alienated him from the Soviet regime and earned him a reputation for dissidence. A survey of the remarkable accomplishments and legacy left by this controversial and contradictory figure, Vasily Grossman reveals a writer's power to express freedom even under totalitarianism.

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Until the arrival of the Russian Empire in the early nineteenth century, the South Caucasus was traditionally contested by two Muslim empires, the Ottomans and the Persians. Over the following two centuries, Orthodox Christian Russia – and later the officially atheist Soviet Union – expanded into the densely populated Muslim towns and villages and began a long process of resettlement, deportation, and interventionist population management in an attempt to incorporate the region into its own lands and culture. Exploring the policies and implementations of the Russian Empire and the Soviet Union, Resettling the Borderlands investigates the nexus between imperial practices, foreign policy, religion, and ethnic conflicts. Taking a comparative approach, Farid Shafiyev looks at the most active phases of resettlement, when the state imported and relocated waves of German, Russian sectarian, and Armenian settlers into the South Caucasus and deported thousands of others. He also offers insights on the complexities of empire-building and managing space and people in the Muslim borderlands to reveal the impact of demographic changes on the Armenian–Azerbaijani conflict. Combining in-depth and original analysis of archival material with a clear and accessible narrative, Resettling the Borderlands provides a new interpretation of the colonial policies, ideologies, and strategic visions in the Russian Empire and the Soviet Union.

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The Saint Lawrence valley, connecting the Great Lakes to the Atlantic, was a crucible of community in the seventeenth century. While the details of how this region emerged as the heartland of French colonial society have been thoroughly outlined by historians, much remains unknown or misunderstood about how it also witnessed the formation of a string of distinct Indigenous communities, several of which persist to this day. Drawing on a range of ethnohistorical sources, Flesh Reborn reconstructs the early history of seventeenth-century mission settlements and of their Algonquin, Innu, Wendat, Iroquois, and Wabanaki founders. Far from straightforward byproducts of colonialist ambitions, these communities arose out of an entanglement of armed conflict, diplomacy, migration, subsistence patterns, religion, kinship, leadership, community-building, and identity formation. The violence and trauma of war, even as it tore populations apart and from their ancestral lands, brought together a great human diversity. By foregrounding Indigenous mission settlements of the Saint Lawrence valley, Flesh Reborn challenges conventional histories of New France and early Canada. It is a comprehensive examination of the foundation of these communities and reveals the fundamental ways they, in turn, shaped the course of war and peace in the region.

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The concept of vital force – the immanent energy that promotes the processes of life in the body and in nature – has proved a source of endless fascination and controversy. Indeed, the question of what vitalizes the body has haunted humanity since antiquity, and became even more pressing during the Scientific Revolution and beyond. Examining the complexities and theories about vital force in Spanish modernity, Nicolás Fernández-Medina's Life Embodied offers a novel and provocative assessment of the question of bodily life in Spain. Starting with Juan de Cabriada's landmark Carta filosófica, médico-chymica of 1687 and ending with Ramón Gómez de la Serna's avant-gardism of the 1910s, Fernández-Medina incorporates discussions of anatomy, philosophy, science, critical theory, history of medicine, and literary studies to argue that concepts of vital force served as powerful vehicles to interrogate the possibilities and limits of corporeality. Paying close attention to how the body's capabilities were conceived and strategically woven into critiques of modernity, Fernández-Medina engages the work of Miguel Boix y Moliner, Martín Martínez, Diego de Torres Villarroel, Sebastián Guerrero Herreros, Ignacio María Ruiz de Luzuriaga, Gaspar Melchor de Jovellanos, Pedro Mata y Fontanet, Ángela Grassi, Julián Sanz del Río, Miguel de Unamuno, and Pío Baroja, among others. Drawing on extensive research and analysis, Life Embodied breaks new ground as the first book to address the question of vital force in Spanish modernity.

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Naturalists in antiquity worked hard to dispel fanciful ideas about the meaning of living lights, but remained bewildered by them. Even Charles Darwin was perplexed by the chaotic diversity of luminous organisms, which he found difficult to reconcile with his evolutionary theory. It fell to naturalists and scientists to make sense of the dazzling displays of fireflies and other organisms. In Luminous Creatures Michel Anctil shows how mythical perceptions of bioluminescence gradually gave way to a scientific understanding of its mechanisms, functions, and evolution, and to the recognition of its usefulness for biomedical and other applied fields. Following the rise of the modern scientific method and the circumnavigations and oceanographic expeditions of the eighteenth and nineteenth centuries, biologists began to realize the diversity of bioluminescence's expressions in light organs and ecological imprints, and how widespread it is on the planet. By the end of the nineteenth century an understanding of the chemical nature and physiological control of the phenomenon was at hand. Technological developments led to an explosion of knowledge on the ecology, evolution, and molecular biology of bioluminescence. Luminous Creatures tracks these historical events and illuminates the lives and the trail-blazing accomplishments of the scientists involved. It offers a unique window into the awe-inspiring, phantasmagorical world of light-producing organisms, viewed from the perspectives of casual observers and scientists alike.

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When the federal government uprooted and interned Japanese Canadians en masse in 1942, Kishizo Kimura saw his life upended along with tens of thousands of others. But his story is also unique: as a member of two controversial committees that oversaw the forced sale of the property of Japanese Canadians in Vancouver during the Second World War, Kimura participated in the dispossession of his own community. In Witness to Loss Kimura's previously unknown memoir - written in the last years of his life - is translated from Japanese to English and published for the first time. This remarkable document chronicles a history of racism in British Columbia, describes the activities of the committees on which Kimura served, and seeks to defend his actions. Diverse reflections of leading historians, sociologists, and a community activist and educator who lived through this history give context to the memoir, inviting readers to grapple with a rich and contentious past. More complex than just hero or villain, oppressor or victim, Kimura raises important questions about the meaning of resistance and collaboration and the constraints faced by an entire generation. Illuminating the difficult, even impossible, circumstances that confronted the victims of racist state action in the mid-twentieth century, Witness to Loss reminds us that the challenge of understanding is greater than that of judgment.

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In the wake of the attacks of September 11, 2001, the United States launched initiatives that test the limits of international human rights law. The indefinite detention and torture of detainees at Guantanamo Bay, targeted killing, and mass surveillance require an expansion of executive authority that negates the rule of law. In Permanent State of Emergency, Ryan Alford establishes that the ongoing failure to address human rights abuses is a symptom of the most serious constitutional crisis in American history. Instead of curbing the increase in executive power, Congress and the courts facilitated the breakdown of the nation's constitutional order and set the stage for presidential supremacy. The presidency, Alford argues, is now more than imperial: it is an elective dictatorship. Providing both an overview and a systematic analysis of the new regime, he objectively demonstrates that it does not meet even the minimum requirements of the rule of law. At this critical juncture in American democracy, Permanent State of Emergency alerts the public to the structural transformation of the state and reiterates the importance of the constitutional limits of the American presidency.

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In 2014 media around the world buzzed with news that an archaeological team from Parks Canada had located and identified the wreck of HMS Erebus, the flagship of Sir John Franklin's lost expedition to find the Northwest Passage. Finding Franklin outlines the larger story and the cast of detectives from every walk of life that led to the discovery, solving one of the Arctic's greatest mysteries. In compelling and accessible prose, Russell Potter details his decades of work alongside key figures in the era of modern searches for the expedition and elucidates how shared research and ideas have led to a fuller understanding of the Franklin crew's final months. Illustrated with numerous images and maps from the last two centuries, Finding Franklin recounts the more than fifty searches for traces of his ships and crew, and the dedicated, often obsessive, men and women who embarked on them. Potter discusses the crucial role that Inuit oral accounts, often cited but rarely understood, played in all of these searches, and continue to play to this day, and offers historical and cultural context to the contemporary debates over the significance of Franklin's achievement. While examination of HMS Erebus will undoubtedly reveal further details of this mystery, Finding Franklin assembles the stories behind the myth and illuminates what is ultimately a remarkable decades-long discovery.

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For statesmen, friendship is the lingua franca of politics. Considering the connections between personal and political friendship, John von Heyking's The Form of Politics interprets the texts of Plato and Aristotle and emphasizes the role that friendship has in enduring philosophical and contemporary political contexts. Beginning with a discussion on virtue-friendship, described by Aristotle and Plato as an agreement on what qualifies as the pursuit of good, The Form of Politics demonstrates that virtue and political friendship form a paradoxical relationship in which political friendships need to be nourished by virtue-friendships that transcend the moral and intellectual horizons of the political society. Von Heyking then examines Aristotle's ethical and political writings - which are set within the boundaries of political life - and Plato's dialogues on friendship in Lysis and the Laws, which characterize political friendship as festivity. Ultimately, arguing that friendship is the high point of a virtuous political life, von Heyking presents a fresh interpretation of Aristotle and Plato's political thought, and a new take on the most essential goals in politics. Inviting reassessment of the relationship between friendship and politics by returning to the origins of Western philosophy, The Form of Politics is a lucid work on the foundations of political cooperation.

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Sean O'Faolain (1900-1991) was Ireland's leading social and political critic in the period following the country's independence from the United Kingdom. Since his death, scholarly opinion has alternately cast him as an arch-revisionist, a liberal nationalist, and a frustrated republican. The Selected Essays of Sean O'Faolain reassesses his reputation by showing that he wrote in the tradition of post-Enlightenment European intellectuals, and that while he was a significant figure in Ireland, his work extends beyond immediate national concerns. This volume includes over fifty unabridged essays by O'Faolain on a wide range of subjects - from canonical writers to architecture, from religious scandals to economics, from nationalism to internationalism, from long-dead historical figures to recent controversies. O'Faolain's fearlessness in taking on the major political, cultural, and religious figures of his day, his masterly use of rhetoric, and his intellectual acuity have contributed to his works being quoted often by scholars working across several disciplines. Many of these essays appear here in print for the first time since they were published in the foremost periodicals of their day. An extensive introduction and helpful annotations contextualise and explain them for a new audience. In his re-readings of history and challenges to dominant historiographical trends, O'Faolain has become a pariah to some and a hero to others. The Selected Essays of Sean O'Faolain bridges some of these competing visions, presenting a more complex figure through his varied corpus of writing.

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Two centuries after Carl von Clausewitz wrote On War, it lines the shelves of military colleges around the world and even showed up in an Al Qaeda hideout. Though it has shaped much of the common parlance on the subject, On War is perceived by many as a "metaphysical fog," widely known but hardly read. In War as Paradox, Youri Cormier lifts the fog on this iconic work by explaining its philosophical underpinnings. Building up a genealogy of dialectical war theory and integrating Hegel with Clausewitz as a co-founders of the method, Cormier uncovers a common logic that shaped the fighting doctrines and ethics of modern war. He explains how Hegel and Clausewitz converged on method, but nonetheless arrived at opposite ethics and military doctrines. Ultimately, Cormier seeks out the limits to dialectical war theory and explores the greater paradoxes the method reveals: can so-called "rational" theories of war hold up under the pressures of irrational propositions, such as lone-wolf attacks, the circular logic of a "war to end all wars," or the apparent folly of mutually assured destruction? Since the Second World War, commentators have described war as obsolete. War as Paradox argues that dialectical war theory may be the key to understanding why, despite this, it continues.

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Despite distance and differences in culture, the early twentieth century was a time of literary cross-pollination between Ireland and Japan. Notably, the Irish poet and playwright William Butler Yeats had a powerful influence on Japanese letters, at the same time that contemporary and classical Japanese literature and theatre impacted Yeats's own literary experiments. Citing an extraordinary range of Japanese and Irish texts, Aoife Hart argues that Japanese translations of Irish Gaelic folklore and their subsequent reception back in Ireland created collisions, erasures, and confusions in the interpretations of literary works. Assessing the crucial roles of translation and transnationalism in cross-cultural exchanges between the Celtic Revival and Japanese writers of the modern period, Hart proves that interlingual dialogue and folklore have the power to reconstruct a culture's sense of heritage. Rejecting the notion that the Celtic Revival was inward and parochial, Hart suggests that, seeking to protect their heritage from the forces of globalization, the Irish adapted their understanding of heritage to one that exists within the transnational contexts of modernity - a heritage that is locally produced but internationally circulated. In doing so, Hart maintains that the cultural contact and translation between the East and West traveled in more than one direction: it was a dialogue presenting modernity's struggles with cosmopolitanism, gender, ethnic identity, and transnationalism. An inspired exploration of transpacific literary criticism, Yeats scholarship, and twentieth-century Japanese literature, Ancestral Recall tracks the interplay of complex ideas across languages and discourses.

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Moral diversity is a fundamental reality of today's world, but moral theorists have difficulty responding to it. Some take it as evidence for skepticism - the view that there are no moral truths. Others, associating moral reasoning with the search for overarching principles and unifying values, see it as the result of error. In the former case, moral reasoning is useless, since values express individual preferences; in the latter, our reasoning process is dramatically at odds with our lived experience. Moral Reasoning in a Pluralistic World takes a different approach, proposing an alternative way of thinking about moral reasoning and progress by showing how diversity and disagreement are compatible with theorizing and justification. Patricia Marino demonstrates that, instead of being evidence for skepticism and error, moral disagreements often arise because we value things pluralistically. This means that although people share multiple values such as fairness, honesty, loyalty, and benevolence, we interpret and prioritize those values in various ways. Given this pluralistic evaluation process, preferences for unified single-principle theories are not justified. Focusing on finding moral compromises, prioritizing conflicting values, and judging consistently from one case to another, Marino elaborates her ideas in terms of real-life dilemmas, arguing that the moral complexity and conflict we so often encounter can be part of fruitful and logical moral reflection. Aiming to draw new connections and bridge the gap between theoretical ethics and applied ethics, Moral Reasoning in a Pluralistic World offers a sophisticated set of philosophical arguments on moral reasoning and pluralism with real world applications.

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In science, sometimes it is best to keep things simple. Initially discrediting the discovery of neurons in jellyfish, mid-nineteenth-century scientists grouped jellyfish, comb-jellies, hydra, and sea anemones together under one term - "coelenterates" - and deemed these animals too similar to plants to warrant a nervous system. In Dawn of the Neuron, Michel Anctil shows how Darwin's theory of evolution completely eradicated this idea and cleared the way for the modern study of the neuron. Once zoologists accepted the notion that varying levels of animal complexity could evolve, they began to use simple-structured creatures such as coelenterates and sponges to understand the building blocks of more complicated nervous systems. Dawn of the Neuron provides fascinating insights into the labours and lives of scientists who studied coelenterate nervous systems over several generations, and who approached the puzzling origin of the first nerve cells through the process outlined in evolutionary theory. Anctil also reveals how these scientists, who were willing to embrace improved and paradigm-changing scientific methods, still revealed their cultural backgrounds, their societal biases, and their attachments to schools of thought and academic traditions while presenting their ground-breaking work. Their attitudes toward the neuron doctrine - where neurons are individual, self-contained cells - proved decisive in the exploration of how neurons first emerged. Featuring photographs and historical sketches to illustrate this quest for knowledge, Dawn of the Neuron is a remarkably in-depth exploration of the link between Darwin's theory of evolution and pioneering studies and understandings of the first evolved nervous systems

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In the first modern biography of Lord Mansfield (1705-1793), Norman Poser details the turbulent political life of eighteenth-century Britain's most powerful judge, serving as chief justice for an unprecedented thirty-two years. His legal decisions launched England on the path to abolishing slavery and the slave trade, modernized commercial law in ways that helped establish Britain as the world's leading industrial and trading nation, and his vigorous opposition to the American colonists stoked Revolutionary fires. Although his father and brother were Jacobite rebels loyal to the deposed King James II, Mansfield was able to rise through English society to become a member of its ruling aristocracy and a confidential advisor to two kings. Poser sets Mansfield's rulings in historical context while delving into Mansfield's circle, which included poets (Alexander Pope described him as "his country's pride"), artists, actors, clergymen, noblemen and women, and politicians. Still celebrated for his application of common sense and moral values to the formal and complicated English common law system, Mansfield brought a practical and humanistic approach to the law. His decisions continue to influence the legal systems of Canada, Britain, and the United States to an extent unmatched by any judge of the past. An illuminating account of one of the greatest legal minds, Lord Mansfield presents a vibrant look at Britain's Age of Reason through one of its central figures.

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In his native Italy Augusto Del Noce is regarded as one of the preeminent political thinkers and philosophers of the period after the Second World War. The Crisis of Modernity makes available for the first time in English a selection of Del Noce's essays and lectures on the cultural history of the twentieth century. Del Noce maintained that twentieth-century history must be understood specifically as a philosophical history, because Western culture was profoundly affected by the major philosophies of the previous century such as idealism, Marxism, and positivism. Such philosophies became the secular, neo-gnostic surrogate of Christianity for the European educated classes after the French Revolution, and the next century put them to the practical test, bringing to light their ultimate and necessary consequences. One of the first thinkers to recognize the failure of Marxism, Del Noce posited that this failure set the stage for a new secular, technocratic society that had taken up Marx's historical materialism and atheism while rejecting his revolutionary doctrine. Displaying Del Noce's rare ability to reconstruct intellectual genealogies and to expose the deep metaphysical premises of social and political movements, The Crisis of Modernity presents an original reading of secularization, scientism, the sexual revolution, and the history of modern Western culture.

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Nationalists from Quebec and Catholic militants from Mexico once shared a common cause, one that influenced international relations between their two countries. At a time when the Revolution and its aftermath in Mexico and world wars marginalized voices of political dissent in Canada, Catholics in both nations saw their cultural struggles as interconnected and worked to build transnational alliances as meaningful discourses of cultural identity. In Connected Struggles, Maurice Demers considers how and why groups from Mexico and Quebec actively sought to establish close cultural and political links. Drawing on extensive research in government, religious, and university archives in Mexico and Canada, Demers delves into the actors, their rationales, and the processes and meanings of such alliances. He proposes a reinterpretation of North-South collaboration in the Americas by analysing how the bonds created by Quebec's and Mexico's civil societies and religious communities influenced diplomatic relations, showing not only the Catholic origins of this solidarity, but its conservative - even reactionary - roots. Demers explains how the foreign ministries in Canada and Mexico both used and denounced these linkages, depending on the political gains to be made. Documenting the emergence of solidarity between French Canadians and Mexicans, Connected Struggles contributes to the understanding of the influence of civil societies in the history of international relations.

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Volume 1: The History and Practice of Indigenous Plant Knowledge Volume 2: The Place and Meaning of Plants in Indigenous Cultures and Worldviews Nancy Turner has studied Indigenous peoples' knowledge of plants and environments in northwestern North America for over forty years. In Ancient Pathways, Ancestral Knowledge, she integrates her research into a two-volume ethnobotanical tour-de-force. Drawing on information shared by Indigenous botanical experts and collaborators, the ethnographic and historical record, and from linguistics, palaeobotany, archaeology, phytogeography, and other fields, Turner weaves together a complex understanding of the traditions of use and management of plant resources in this vast region. She follows Indigenous inhabitants over time and through space, showing how they actively participated in their environments, managed and cultivated valued plant resources, and maintained key habitats that supported their dynamic cultures for thousands of years, as well as how knowledge was passed on from generation to generation and from one community to another. To understand the values and perspectives that have guided Indigenous ethnobotanical knowledge and practices, Turner looks beyond the details of individual plant species and their uses to determine the overall patterns and processes of their development, application, and adaptation. Volume 1 presents a historical overview of ethnobotanical knowledge in the region before and after European contact. The ways in which Indigenous peoples used and interacted with plants - for nutrition, technologies, and medicine - are examined. Drawing connections between similarities across languages, Turner compares the names of over 250 plant species in more than fifty Indigenous languages and dialects to demonstrate the prominence of certain plants in various cultures and the sharing of goods and ideas between peoples. She also examines the effects that introduced species and colonialism had on the region's Indigenous peoples and their ecologies. Volume 2 provides a sweeping account of how Indigenous organizational systems developed to facilitate the harvesting, use, and cultivation of plants, to establish economic connections across linguistic and cultural borders, and to preserve and manage resources and habitats. Turner describes the worldviews and philosophies that emerged from the interactions between peoples and plants, and how these understandings are expressed through cultures' stories and narratives. Finally, she explores the ways in which botanical and ecological knowledge can be and are being maintained as living, adaptive systems that promote healthy cultures, environments, and indigenous plant populations. Ancient Pathways, Ancestral Knowledge both challenges and contributes to existing knowledge of Indigenous peoples' land stewardship while preserving information that might otherwise have been lost. Providing new and captivating insights into the anthropogenic systems of northwestern North America, it will stand as an authoritative reference work and contribute to a fuller understanding of the interactions between cultures and ecological systems.

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The largest and most pervasive of human artifacts, landscapes are both cultural expressions and environments that shape our actions. Playgrounds, cemeteries, memorials, historic sites, public squares, gardens, industrial rehabilitation sites, wild national parks, and manicured urban parks provide the settings for work, recreation, commerce, memorialization, and mourning and shape the experience and meaning of these activities in Canada. In the first critical history of designed landscapes in our country, Ron Williams approaches landscape architecture as a social art that creates places for people to use and as an environmental art through which practitioners act as stewards of the natural world. Landscape Architecture in Canada provides a detailed panorama of the man-made landscapes that vary as widely as the country's geography. The book profiles the projects and people that defined landscape architecture, illuminating the motivations and aspirations that drove landscape architects and explaining the intellectual climate in which they worked. Williams casts a wide net and examines the varied traditions and impacts of Canada's first peoples, its early colonists, later immigrant communities, the remarkable landscape innovations of nineteenth-century industrial cities as well as agricultural landscapes and the protected natural environments of national parks. He also shows how stimulating new ideas from recent decades have expanded landscape architecture and opened the door to projects that embody a distinctive Canadian approach, reflecting the social and natural diversity of contemporary society and its responses to rapid change. Thoroughly researched, practically oriented, and grounded in the country's many regions, Landscape Architecture in Canada is a richly illustrated and affecting narrative of the ways in which we have shaped our environment and an inimitable lens through which to view the story of Canada.

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The co-operative spirit of citizens in twentieth-century Saskatchewan nurtured innovation in health care and health policy. 36 Steps on the Road to Medicare showcases the decisions that led to the province's medicare system - the forerunner of Canadian health care. Stuart Houston and Merle Massie document the range of Saskatchewan leadership on Canadian, North American, and world stages: municipal doctors and municipal hospitals, the first Red Cross Outpost Hospital in the British Empire, tuberculosis diagnosis and treatment, a successful pilot comprehensive regional health care plan, government-sponsored cancer clinics, innovative LSD and patient-oriented treatment for psychoses, the first full-time cancer physicist in Canada, and the world's first concerted clinical use of the betatron and Cobalt-60 in cancer treatment. They show how North America's first social-democratic government, the Co-operative Commonwealth Federation - elected in 1944 and led by the incomparable Tommy Douglas - created the blueprint for comprehensive health care and how sequential steps on the road to medicare were implemented quickly and within budget. When federal support for national hospitalization became available, Saskatchewan could afford to initiate medicare in 1962. Other Canadian provinces soon followed Saskatchewan's lead. Updated to engage with current debates, 36 Steps on the Road to Medicare navigates the history of medicare and demonstrates the spirit of innovation that Canada will need to save it.

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As the world struggles to meet the growing international demands for electricity, green energy, and alternatives to fossil fuels, the nuclear power sector is experiencing global growth. Nuclear reactors are being designed and constructed at record rates, and Canada is joining the trend, with several provinces considering an expansion of their nuclear presence. Canada, the Provinces, and the Global Nuclear Revival critically examines Canadian nuclear policy in order to show how historic, environmental, economic, and political factors have shaped the direction of the nation's energy industry. Duane Bratt presents a comparative study of the Canadian nuclear sector - using a framework of interest-based coalitions - in its response to the global revival, analyzing nuclear development in Ontario, New Brunswick, Saskatchewan, and Alberta. The book also answers fundamental questions such as: Has Canada seized international opportunities in uranium mining, reactor sales, and cooperation with other countries in nuclear research? To what extent has the industry been consolidated through mergers and acquisitions, foreign investment, and the privatization of crown corporations? A state-of-the-art exploration of Canada's place in the rapidly shifting world of electricity production by an acclaimed expert in the field, Canada, the Provinces, and the Global Nuclear Revival is a major contribution to the international nuclear debate.

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Stephen Ward argues that present media practices are narrowly based within the borders of single country and thus unable to successfully inform the public about a globalized world. Presenting an ethical framework for work in multimedia, the author extends John Rawl's theories of justice and the human good to redefine the aims for which journalism should strive and then applies this new foundation to issues such as the roles of patriotism and objectivity in journalism. An innovative argument that presents a necessary corrective to contemporary media practices, Global Journalism Ethics is a theoretically rich study for journalists on the air, in print, and on the internet.

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The first biography of one of the most important Canadians of the nineteenth century offers fresh insights into the birth of the tobacco industry and educational philanthropy in Canada

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An exploration of the creative process of one of the most innovative theatre directors working today.

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