Search results for ""Author Zöller"

Ireland is a collection of 300 contemporary images of the beauties of Ireland, covering every one of the 32 counties. The photographs are taken by two of the country’s leading landscape photographers, Peter Zoller and Michael Diggin.

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This book collects the best artwork from the first five years of “Bad Dads,” an annual exhibition of art inspired by the films of Wes Anderson. Curated by Spoke Art Gallery in San Francisco, “Bad Dads” has continued to grow and progress and has featured work from more than four hundred artists. From paintings to sculptures to limited-edition screen prints, the artworks vary greatly in style, but share the imagery and beloved characters from the mind of one of Hollywood’s most noteworthy and imaginative filmmakers. The book features an original cover by graphic artist Max Dalton, a foreword by writer and director Wes Anderson himself, and an introduction by TV and movie critic Matt Zoller Seitz, author of the bestselling Wes Anderson Collection books.

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In the late 1960s and early 1970s, governments in North America and Western Europe faced a new transnational threat: militants who crossed borders with impunity to commit attacks. These violent actors cooperated in hijacking planes, taking hostages, and organizing assassinations, often in the name of national liberation movements from the decolonizing world. How did this form of political violence become what we know today as “international terrorism”—lacking in legitimacy and categorized first and foremost as a crime?To Deter and Punish examines why and how the United States and its Western European allies came to treat nonstate “terrorists” as a key threat to their security and interests. Drawing on a multinational array of sources, Silke Zoller traces Western state officials’ attempts to control the meaning of and responses to terrorism from the first Palestinian hijacking in 1968 to Ronald Reagan’s militarization of counterterrorism in the early 1980s. She details how Western states sought to criminalize border-crossing nonstate violence—and thus delegitimized offenders’ political aspirations. U.S. and European officials pressured states around the world to join agreements requiring them to create and enforce criminal laws against alleged individual terrorists. Zoller underscores how recently decolonized states countered that only a more equitable global system capable of addressing political grievances would end the violence.To Deter and Punish offers a new account of the emergence of modern counterterrorism that pinpoints its international dimensions—a story about diplomats and bureaucrats as well as national liberation militancy and the processes of decolonization.

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On January 10, 1999, a mobster walked into a psychiatrist’s office and changed TV history. By shattering preconceptions about the kinds of stories the medium should tell, The Sopranos launched our current age of prestige television, paving the way for such giants as Mad Men, The Wire, Breaking Bad, and Game of Thrones. As TV critics for Tony Soprano’s hometown paper, New Jersey’s The Star-Ledger, Alan Sepinwall and Matt Zoller Seitz were among the first to write about the series before it became a cultural phenomenon. To celebrate the 20th anniversary of the show’s debut, Sepinwall and Seitz have reunited to produce The Sopranos Sessions, a collection of recaps, conversations, and critical essays covering every episode. Featuring a series of new long-form interviews with series creator David Chase, as well as selections from the authors’ archival writing on the series, The Sopranos Sessions explores the show’s artistry, themes, and legacy, examining its portrayal of Italian Americans, its graphic depictions of violence, and its deep connections to other cinematic and television classics.

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On January 10, 1999, a mobster walked into a psychiatrist’s office and changed TV history. By shattering preconceptions about the kinds of stories the medium should tell, The Sopranoslaunched our current age of prestige television, paving the way for such giants as Mad Men, The Wire, Breaking Bad, and Game of Thrones. As TV critics for Tony Soprano’s hometown paper, New Jersey’s The Star-Ledger, Alan Sepinwall and Matt Zoller Seitz were among the first to write about the series before it became a cultural phenomenon. To celebrate the 20th anniversary of the show’s debut, Sepinwall and Seitz have reunited to produce The Sopranos Sessions, a collection of recaps, conversations, and critical essays covering every episode. Featuring a series of new long-form interviews with series creator David Chase, as well as selections from the authors’ archival writing on the series, The Sopranos Sessions explores the show’s artistry, themes, and legacy, examining its portrayal of Italian Americans, its graphic depictions of violence, and its deep connections to other cinematic and television classics.

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In the late 1960s and early 1970s, governments in North America and Western Europe faced a new transnational threat: militants who crossed borders with impunity to commit attacks. These violent actors cooperated in hijacking planes, taking hostages, and organizing assassinations, often in the name of national liberation movements from the decolonizing world. How did this form of political violence become what we know today as “international terrorism”—lacking in legitimacy and categorized first and foremost as a crime?To Deter and Punish examines why and how the United States and its Western European allies came to treat nonstate “terrorists” as a key threat to their security and interests. Drawing on a multinational array of sources, Silke Zoller traces Western state officials’ attempts to control the meaning of and responses to terrorism from the first Palestinian hijacking in 1968 to Ronald Reagan’s militarization of counterterrorism in the early 1980s. She details how Western states sought to criminalize border-crossing nonstate violence—and thus delegitimized offenders’ political aspirations. U.S. and European officials pressured states around the world to join agreements requiring them to create and enforce criminal laws against alleged individual terrorists. Zoller underscores how recently decolonized states countered that only a more equitable global system capable of addressing political grievances would end the violence.To Deter and Punish offers a new account of the emergence of modern counterterrorism that pinpoints its international dimensions—a story about diplomats and bureaucrats as well as national liberation militancy and the processes of decolonization.

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Mad Men Carousel is an episode-by-episode guide to all seven seasons of AMC's Mad Men. This book collects TV and movie critic Matt Zoller Seitz’s celebrated Mad Men recaps—as featured on New York magazine's Vulture blog—for the first time, including never-before-published essays on the show’s first three seasons. Seitz’s writing digs deep into the show’s themes, performances, and filmmaking, examining complex and sometimes confounding aspects of the series. The complete series—all seven seasons and ninety-two episodes—is covered. Each episode review also includes brief explanations of locations, events, consumer products, and scientific advancements that are important to the characters, such as P.J. Clarke’s restaurant and the old Penn Station; the inventions of the birth control pill, the Xerox machine, and the Apollo Lunar Module; the release of the Beatles’ Revolver and the Beach Boys’ Pet Sounds; and all the wars, protests, assassinations, and murders that cast a bloody pall over a chaotic decade. Mad Men Carousel is named after an iconic moment from the show’s first-season finale, “The Wheel,” wherein Don delivers an unforgettable pitch for a new slide projector that’s centered on the idea of nostalgia: “the pain from an old wound.” This book will soothe the most ardent Mad Men fan’s nostalgia for the show. New viewers, who will want to binge-watch their way through one of the most popular TV shows in recent memory, will discover a spoiler-friendly companion to one of the most multilayered and mercurial TV shows of all time. It's the perfect gift for Mad Men fans and obsessives. Also available from Matt Zoller Seitz: The Oliver Stone Experience, The Wes Anderson Collection: Bad Dads, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection.

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Dramatically increase your effectiveness as a presenterLike a well-choreographed dance, an effective presentation involves leading and following, building rapport and trust, sharing passions, and living in the moment. In The Choreography of Presenting, global consultant and educator, Kendall Zoller reveals the common “dance steps” effective presenters employ to create optimum learning environments for their audiences. Following the 7 Essential Abilities of Effective Presenters Framework and emphasizing the importance of planning and flexibility, this thoroughly updated edition includes: A new chapter on how to use the crucial first 5 minutes of any presentation to establish credibility, build connections, and gauge group dynamics A new, timely chapter on designing and facilitating impactful and memorable virtual presentations A new chapter on the structure of presenting, from gathering intel

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This companion to the bestselling The Wes Anderson Collection is the only book to take readers behind the scenes of The Grand Budapest Hotel. Through a series of in-depth interviews between writer/director Wes Anderson and cultural critic Matt Zoller Seitz, Anderson shares the story behind the film’s conception, personal anecdotes about the making of the film, and the wide variety of sources that inspired him—from author Stefan Zweig to filmmaker Ernst Lubitsch to photochrom landscapes of turn-of-the-century Middle Europe. The book also features interviews with costume designer Milena Canonero, composer Alexandre Desplat, lead actor Ralph Fiennes, production designer Adam Stockhausen and cinematographer Robert Yeoman; essays by film critics Ali Arikan and Steven Boone, film theorist and historian David Bordwell, music critic Olivia Collette, and style and costume consultant Christopher Laverty; and an introduction by playwright Anne Washburn. Previously unpublished behind-the-scenes photos, ephemera and artwork lavishly illustrate these interviews and essays. The Wes Anderson Collection: The Grand Budapest Hotel stays true to Seitz's previous book on Anderson's first seven feature films,The Wes Anderson Collectionwith an artful design and playful illustrations that capture the spirit of Anderson's inimitable aesthetic. Together, they offer a complete, definitive overview of Anderson's filmography to date. Praise for the film, The Grand Budapest Hotel: Nine Academy Award® nominations, including Best Picture, Directing, and Writing - Original Screenplay; Best Film - Musical or Comedy, Winner of the Golden Globe for Best Motion Picture, 5 BAFTA awards, including Best Original Screen Play; Best Production Design, Best Costume Design; Best Make Up & Hair and Best Original Music.

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Ever since 1911, the Solvay Conferences have shaped modern physics. The format is quite different from other conferences as the emphasis is placed on discussion. The 28th edition held in May 2022 in Brussels and chaired by David Gross and Peter Zoller continued this tradition and addressed some of the most pressing open questions in the fields of quantum information, gathering many of the leading figures working on a wide variety of profound problems.The proceedings contain the 'rapporteur talks' giving a broad overview with unique insights by distinguished renowned scientists. These lectures cover the five sessions: The Physics of Quantum Information, Many-Body Entanglement, Quantum Information and Spacetime, Quantum Platforms, Quantum Algorithms.In the Solvay tradition, the proceedings also include the prepared comments to the rapporteur talks. The discussions among the participants — expert, yet lively and sometimes contentious — have been edited to retain their flavor and are reproduced in full. The reader is taken on a breathtaking ride through a fascinating field which is expanding rapidly.

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Wes Anderson is the most influential comedic voice from the past two decades of American cinema. A true auteur, his intimate involvement in each of his films; Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox and Moonrise Kingdom, includes scriptwriting, set design, soundtrack selections and unit photography. Anderson’s visual artistry, inimitable tone and idiosyncratic characterisations make each of his films instantly recognisable as “Andersonian.”The Wes Anderson Collection is the first in-depth overview of Anderson’s work, guiding readers through the life and career of one of the most talked-about contemporary filmmakers. Previously unpublished photos, artwork and ephemera complement a book-length interview between Anderson and award-winning film critic Matt Zoller Seitz, who offers insights into Anderson’s creative process, influences, and the production of his films. These elements come together in a meticulously designed object in the spirit of Anderson’s movies: melancholy and playful, wise and childish—and thoroughly original.

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Emerging from what was a somewhat staid sub-discipline, there is currently a battle for the soul of Management and Organizational History (MOH), at the centre of which is a widespread concern that much recent work has been more about how one should or might do history rather than actually doing historical work. If ever there was a time for a new volume on MOH, this is certainly it. This Handbook affords space to both these perspectives, as well as uncovering unorthodox and unconventional topics and approaches to more familiar territory with an emphasis on new and revisionist viewpoints. MOH researchers, doctoral and other students and instructors working in this sub-discipline will discover cutting-edge work with novel treatments of familiar terrain in the Handbook. Contributors include: A. Barros, F. Bastien, A. Booth, T. Bridgman, K. Bruce, D. Coraiola, N. Cornelius, S. Cummings, G. Durepos, W.M. Foster, A.G. Gillett, M. Maclean, R. Marens, P.G. McLaren, A.J. Mills, J.H. Mills, J. Muldoon, E.S. O Connor, E. Pezet, R. Pistol, C. Quinn-Trank, H.L. Schachter, G. Shaw, K.D. Tennent, S. Wanderley, K.S. Williams, M. Witzel, T. Yu, Y. Zoller

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Antonia must try to tame the wild gelding at the Rosenburg Riding Stables in the first book of this exciting new series! Antonia Rosenburg has always dreamed of winning the top riding competitions. But now that her faithful horse, Snow White, has become lame, Antonia’s dreams are squelched. How will she ever be able to compete without her trusty friend? Meanwhile, Rosenburg Riding Stables is receiving a new addition. A famous French jockey wants to board his prize gelding, Elfin Dance, at the stable, and Antonia finds herself overcome with joy and excitement. She immediately forms a deep connection with Elfin Dance, but no one else at the stable can get near him; he bucks them, runs away, and is generally cranky around anyone but Antonia. And while Antonia is fully capable of looking after Elfin Dance, will the famous Frenchman allow an eleven-year-old girl to care for his prize horse? Will Antonia be able to provide love for both him and her beloved Snow White? When the jockey turns up unexpectedly to check on his horse after a particularly heavy storm, will everything come unraveled with the horse’s training, or can Antonia save the day? This is a friendship between girl and horse beautifully told by Elisabeth Zöller and Brigitte Kolloch, featuring colour illustrations by Betina Gotzen-Beek, Antonia, the Horse Whisperer highlights a classic first love for many girls and sets the stage for a new horse series for young readers.

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No film critic has ever been as influential or as beloved as Roger Ebert. Over more than four decades, he built a reputation writing reviews for the Chicago Sun-Times and, later, arguing onscreen with rival Chicago Tribune critic Gene Siskel and later Richard Roeper about the movies they loved and loathed. But Ebert went well beyond a mere "thumbs up" or "thumbs down." Readers could always sense the man behind the words, a man with interests beyond film and a lifetime's distilled wisdom about the larger world. Although the world lost one of its most important critics far too early, Ebert lives on in the minds of moviegoers today, who continually find themselves debating what he might have thought about a current movie.The Great Movies IV is the fourth and final collection of Roger Ebert's essays, comprising sixty-two reviews of films ranging from the silent era to the recent past. From films like The Cabinet of Caligari and Viridiana that have been considered canonical for decades to movies only recently recognized as masterpieces to Superman, The Big Lebowski, and Pink Floyd: The Wall, the pieces gathered here demonstrate the critical acumen seen in Ebert's daily reviews and the more reflective and wide-ranging considerations that the longer format allowed him to offer. Ebert's essays are joined here by an insightful foreword by film critic Matt Zoller Seitz, the current editor-in-chief of the official Roger Ebert website, and a touching introduction by Chaz Ebert. A fitting capstone to a truly remarkable career, The Great Movies IV will introduce newcomers to some of the most exceptional movies ever made, while revealing new insights to connoisseurs as well.

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After occupying the Balkans early in the war, the Axis powers constantly struggled to police the region. The partisan presence was quite substantial, and while the various fractured guerrilla groups expended a great deal of energy fighting among themselves, they were still a threat to German/Italian control. The Germans and Italians were heavily engaged with the Allies across multiple fronts, so manpower was thinly spread. Therefore, much of the responsibility for combating a ruthless and in some cases highly militarized resistance contingent fell to nonmilitary police units. An example of such a unit is the Zollgrenzschutz (customs-border protection) of the Hauptzollamt (main customs office) Villach. Villach lies where the borders of Austria (then part of Greater Germany), Italy, and Slovenia meet. It is the gateway to the Julian Alps and during the Second World War was the frontier between Nazi Germany and the Balkans. Italian author Tommaso Chiussi has pieced together the history of the unit through painstaking original research in German, Austrian, Italian, and Slovenian archives. Included with the manuscript are more than 90 photos, most of which are previously unpublished.

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The role of social capital in regional development is a multifaceted topic which is studied all over the world using various methods and across numerous disciplines. It has long been evident that social capital is important for regional development, however, it is less clear how this works in practice. Do all types of social capital have the same effects and are different kinds of regions impacted in the same way? This book is the first to offer an overview of this rapidly expanding field of research and to thoroughly analyze the complex issue of social capital and regional development.The authoritative and original chapters, written by leading scholars from around the world, combine theory and new empirical research to analyze various types of regions from metropolitan to rural. A particular focus is on entrepreneurship and the social capital of enterprises, whilst the role of social capital for modern governance and planning is also highlighted. The different components of social capital and data availability are also treated in depth. This handbook is an ideal resource for students and scholars studying social capital, social networks, and regional growth and development.It also offers great insight for policymaker and planners in the fields of urban, regional and rural development.Contributors include: M. Andersson, P. Arenius, R.E. Bolton, N. Bosma, A. Christoforou, M. Emmelin, M. Eriksson, M.P. Feldman, E. Ferragina, R. Franzén, M. Fritsch, T. Hatori, D. Iriwati, B. Johannisson, B. Johansson, L. King, K. Kobayashi, J.P. Larsson, M. Lindberg, M. Ljunggren, J. Peiró-Palomino, E. Pisani, J. Poot, Y. Pu, M. Ramírez Pasillas, M. Roskruge, R. Rutten, V. Schutjens, E. Setiawan, T.F. Slaper, M.F. Thompson, E. Tortosa-Ausina, B. Volker, J. Wernberg, H. Westlund, M. Wyrwich, A. Xiong, T.D. Zoller

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Writings on people and places, theater and film, in a portfolio of essays and photographs informing Wes Anderson's film Asteroid City. Featuring 8 newly commissioned pieces alongside more than 20 classic essays from the likes of François Truffaut and Jonas Mekas, DO NOT DETONATE explores key influences on celebrated director Wes Anderson's new film Asteroid City. Together they form a detailed, captivating portrait of the mid-century film world and the enduring myths of the American West. Contents: A Conversation Between Wes Anderson and Jake Perlin A Life excerpt - Elia Kazan The Celluloid Brassière - Andy Logan Rainy Day - Lillian Ross The Outskirts: Other Men's Women - Gina Telaroli The Petrified Forest - Jorge Luis Borges Ace in the Hole: Noir in Broad Daylight - Molly Haskell What Makes a Sad Heart Sing: Some Came Running - Michael Koresky One False Start, Never Wear the Same Dress Twice - Durga Chew-Bose Maigret at the Coroner's excerpt - Georges Simenon Sunbelt Noir: Desert Fury - Imogen Sara Smith The Voyage Down and Out: Inferno - Kent Jones Bad Day Near The River's Edge - Nicolas Saada Watching Fail Safe at the End of the World - K. Austin Collins Black Desert, White Desert - Serge Toubiana Marilyn Monroe and the Loveless World - Jonas Mekas Beyond the Stars - Jeremy Bernstein Coming: Nashville - Pauline Kael Coming Around the Mountain: Close Encounters of the Third Kind - Matt Zoller Seitz Selections from Close Encounters of the Third Kind Diary - Bob Balaban Introduction to Small Change: A Film Novel - François Truffaut By The Time I Get to Phoenix - Thora Siemsen My Guy - Hilton Als Wild to the Wild - Sam Shepard

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The Wes Anderson Collection: Isle of Dogs is the only book to take readers behind the scenes of the beloved auteur’s newest stop-motion animated film. ?Through the course of several in-depth interviews with film critic Lauren Wilford, writer and director Wes Anderson shares the story behind Isle of Dogs’s conception and production, and Anderson and his collaborators reveal entertaining anecdotes about the making of the film, their sources of inspiration, the ins and outs of stop-motion animation, and many other insights into their moviemaking process. Previously unpublished behind-the-scenes photographs, concept artwork, and hand-written notes and storyboards accompany the text. The book also features an introduction by critics and collaborators Taylor Ramos and Tony Zhou, and a foreword by critic Matt Zoller Seitz. The fourth volume of the New York Times bestselling Wes Anderson Collection, Isle of Dogs stays true to the series with its rich design and colorful illustrations, capturing Anderson’s signature aesthetic vision and bringing the series's definitive study of Anderson's filmography up to date. Isle of Dogs tells the story of Atari Kobayashi, 12-year-old ward to corrupt Mayor Kobayashi. When, by Executive Decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump called Trash Island, Atari sets off alone in a miniature Junior-Turbo Prop and flies across the river in search of his bodyguard-dog, Spots. There, with the assistance of a pack of newly-found mongrel friends, he begins an epic journey that will decide the fate and future of the entire Prefecture. The film features the voices of Bryan Cranston, Koyu Rankin, Edward Norton, Bob Balaban, Bill Murray, Jeff Goldblum, Kunichi Nomura, Akira Takayama, Greta Gerwig, Frances McDormand, F. Murray Abraham, Tilda Swinton, Akira Ito, Yoko Ono, Mari Natsuko, Harvey Keitel, Courtney B. Vance, Ken Watanabe, Scarlett Johnasson, Fisher Stevens, Nijiro Murakami, and Liev Schreiber.

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Since the instigation of the International Building Exhibition (IBA) Emscher Park (1989-1999), the Ruhr area has been a pioneer for the transformation of large industrial areas. The beacon for this process is the disused coal mine and cokery Zollverein in Essen, a UNESCO World Heritage Site since 2001. The most significant industrial monument in Germany is now a tourist attraction, an economic hub, and at the same time an educational campus. This success is based on continuous urban planning that brings together listed existing structures and new ideas. The specially developed master plan by Rem Koolhaas (OMA) and the principle of 'preservation through reutilisation' form the basis for all construction activities on the site. The developments of the last thirty years on the UNESCO World Heritage Site Zollverein are an answer to the question of how heritage protection can be aligned with the diverging aims of urban development, the creative industry, and architecture. This volume presents the individual projects that will be largely realised by 2018, and documents through text and images the successful metamorphosis of the former industrial site into an international best practice model for handling industrial heritage.

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