Search results for ""Author Kent""

Over highways and byways and converted railway roadbeds, Biking to Blissville gives maps and precise directions for about forty bicycle rides through the most scenic areas of Maritime Canada. Most of the trips are loops. Each leads from a country inn, motel, or campground through uncrowded countryside, and author Kent Thompson has tested them all for fun, safety, and degree of difficulty. Thompson also suggests accomodations that fit cyclists tastes and purses, and the vagaries of the weather, from rustic campgrounds to opulent country inns, from old-time sporting camps to cozy bed-and-breakfasts.

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Gettysburg is a paradox: Today it is beautiful, still, and filled with visitors, yet this national military park serves as a powerful reminder of the clash of armies and the great loss of life that took place here nearly 150 years ago. Gettysburg: This Hallowed Ground explores this Civil War battleground through contemporary photographs by National Merit Award-winning photographer Chris Heisey and poems by noted Civil War author Kent Gramm. A brief synopsis of the Battle of Gettysburg and a map of the battlefield introduce the book. Gettysburg is a tribute to the soldiers who gave their lives here and to the military park that is a lasting reminder of our country's most devastating battle.

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Messy code is a nuisance. "Tidying" code, to make it more readable, requires breaking it up into manageable sections. In this practical guide, author Kent Beck, creator of Extreme Programming and pioneer of software patterns, suggests when and where you might apply tidyings to improve your code while keeping the overall structure of the system in mind. Instead of trying to master tidying all at once, this book lets you try out a few examples that make sense for your problem. If you have a big function containing many lines of code, you'll learn how to logically divide it into smaller chunks. Along the way, you'll learn the theory behind software design: coupling, cohesion, discounted cash flows, and optionality. This book helps you: Understand the basic theory of how software design works and the forces that act on it Explore the difference between changes to a system's behavior and changes to its structure Improve your programming experience by sometimes tidying first and sometimes tidying after Learn how to make large changes in small, safe steps Approach design as a human activity with diverging incentives

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In The Third Instinct, author Kent Lester brings his signature blend of cutting-edge science, history, and pulse-pounding action to the latest Dan Clifford adventure. A shadowy group of bio-hackers called the Firemen threaten to worsen the Covid pandemic by releasing an even more lethal version of the pathogen. But what drives the Firemen and how do their motivations relate to the wealth of the Roman Empire and to the third basic human instinct? The answers may lie with prediction scientist Dan Clifford. Unemployed and struggling with two years of pandemic isolation, he is rebuilding both his career and personal life. His plans to propose to his adrenaline-junkie girlfriend, Rachel Sullivan, are interrupted by the FBI. Dan must connect a maze of clues from the shadowy underworld of Savannah's hacker community to the ancient powerbrokers of Rome and in doing so, uncover a hidden agenda of big Pharma and a two-thousand-year-old battle for control of public opinion.

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Kent Heckenlively, New York Times bestselling author of Plague of Corruption, calls upon both common sense and legal precedence to fight against vaccine mandates around the country. "My body, my choice!" used to be the rallying cry of the left in the abortion fight. But now this same principle of bodily autonomy is the central argument of conservatives, such as that of Florida Governor Ron DeSantis in fierce opposition to so-called "vaccine passports," which would limit whether an individual could attend movies or other public events, work, or even go to school, if they chose to decline a COVID-19 vaccine. While cities like New York close their doors to unvaccinated people, the fight against vaccine mandates is cobbling together an unexpected alliance across the political spectrum, such as the Black mayor of Boston, Kim Janey, who recently claimed, "there's a long history" in this country of people "needing to show their papers" and declaring any such passport as akin to slavery. The starting point agreed upon by all parties as to whether the government can bring such pressure to bear upon individuals is the 1905 US Supreme Court of Jacobson v. Massachusetts. In that case, a Lutheran pastor declined a smallpox vaccination and was fined $5, the equivalent of a little more than $150 in today's currency, or less than many traffic tickets. The Jacobson case sparked a shameful legacy in American jurisprudence, being used as the sole reasoning by the US Supreme Court to allow the forced sterilization of a female psychiatric patient in 1927. This ruling paved the way for the involuntary sterilization of more than sixty thousand mental patients and gave legal justification to the eugenics movement, one of the darkest chapters in American medicine. In The Case Against Vaccine Mandates, New York Times bestselling author Kent Heckenlively, whose books have courageously taken on Big Pharma, Google, and Facebook, now points his razor sharp legal and literary skills against vaccine passports and mandates, which he believes to be the defining issue as to whether we continue to exist as a free and independent people.

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In this original and engaging work, author Kent Puckett looks at how British filmmakers imagined, saw, and sought to represent its war during wartime through film. The Second World War posed unique representational challenges to Britain’s filmmakers. Because of its logistical enormity, the unprecedented scope of its destruction, its conceptual status as total, and the way it affected everyday life through aerial bombing, blackouts, rationing, and the demands of total mobilization, World War II created new, critical opportunities for cinematic representation. Beginning with a close and critical analysis of Britain’s cultural scene, War Pictures examines where the historiography of war, the philosophy of violence, and aesthetics come together. Focusing on three films made in Britain during the second half of the Second World War—Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943), Lawrence Olivier’s Henry V (1944), and David Lean’s Brief Encounter (1945)—Puckett treats these movies as objects of considerable historical interest but also as works that exploit the full resources of cinematic technique to engage with the idea, experience, and political complexity of war. By examining how cinema functioned as propaganda, criticism, and a form of self-analysis, War Pictures reveals how British filmmakers, writers, critics, and politicians understood the nature and consequence of total war as it related to ideas about freedom and security, national character, and the daunting persistence of human violence. While Powell and Pressburger, Olivier, and Lean developed deeply self-conscious wartime films, their specific and strategic use of cinematic eccentricity was an aesthetic response to broader contradictions that characterized the homefront in Britain between 1939 and 1945. This stylistic eccentricity shaped British thinking about war, violence, and commitment as well as both an answer to and an expression of a more general violence. Although War Pictures focuses on a particularly intense moment in time, Puckett uses that particularity to make a larger argument about the pressure that war puts on aesthetic representation, past and present. Through cinema, Britain grappled with the paradoxical notion that, in order to preserve its character, it had not only to fight and to win but also to abandon exactly those old decencies, those “sporting-club rules,” that it sought also to protect.

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In this original and engaging work, author Kent Puckett looks at how British filmmakers imagined, saw, and sought to represent its war during wartime through film. The Second World War posed unique representational challenges to Britain’s filmmakers. Because of its logistical enormity, the unprecedented scope of its destruction, its conceptual status as total, and the way it affected everyday life through aerial bombing, blackouts, rationing, and the demands of total mobilization, World War II created new, critical opportunities for cinematic representation. Beginning with a close and critical analysis of Britain’s cultural scene, War Pictures examines where the historiography of war, the philosophy of violence, and aesthetics come together. Focusing on three films made in Britain during the second half of the Second World War—Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943), Lawrence Olivier’s Henry V (1944), and David Lean’s Brief Encounter (1945)—Puckett treats these movies as objects of considerable historical interest but also as works that exploit the full resources of cinematic technique to engage with the idea, experience, and political complexity of war. By examining how cinema functioned as propaganda, criticism, and a form of self-analysis, War Pictures reveals how British filmmakers, writers, critics, and politicians understood the nature and consequence of total war as it related to ideas about freedom and security, national character, and the daunting persistence of human violence. While Powell and Pressburger, Olivier, and Lean developed deeply self-conscious wartime films, their specific and strategic use of cinematic eccentricity was an aesthetic response to broader contradictions that characterized the homefront in Britain between 1939 and 1945. This stylistic eccentricity shaped British thinking about war, violence, and commitment as well as both an answer to and an expression of a more general violence. Although War Pictures focuses on a particularly intense moment in time, Puckett uses that particularity to make a larger argument about the pressure that war puts on aesthetic representation, past and present. Through cinema, Britain grappled with the paradoxical notion that, in order to preserve its character, it had not only to fight and to win but also to abandon exactly those old decencies, those “sporting-club rules,” that it sought also to protect.

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An explosive behind-the-scenes look at Donald Trump's final months in office and how the COVID crisis response was a carefully crafted plan to ruin him.In January 2020, Donald Trump was on the fast track to an easy re-election. While his first two years had been stymied by House Speaker Paul Ryan, Senate Majority Leader Mitch McConnell, and the Democrats, his third year had been one of remarkable success. The United States had low unemployment and was making strides across the globe. The president's rallies were well-attended, and he was being projected to win four hundred electoral votes and about forty-five states. Then came COVID-19.Dr. Paul Elias Alexander, former Senior Advisor to COVID Pandemic policy in the US government for President Trump and former COVID Pandemic evidence-synthesis advisor to WHO-PAHO, was on the frontlines to watch how Trump's world, and his reelection hopes, slowly collapsed leading up to November 2020—due to the CDC, NIH, and WHO conspiring to overthrow him with the worst response possible to the COVID crisis.Supported by emails and documents, career epidemiologist Alexander and New York Times-bestselling author Kent Heckenlively, JD, will not only show proof of a presidential takedown, but also of the personal vendetta of the CDC and HHS against Alexander himself. From unnecessary lockdowns, school closures, and mask mandates to the dismissal of effective treatments like hydroxychloroquine, ivermectin, and vitamin D and even threats against President Trump and his family, Presidential Takedown: How Anthony Fauci, the CDC, NIH, and the WHO Conspired to Overthrow President Trump is the inside story of what really happened from those first COVID-19 reports to President Trump's "loss" in November.

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A Story of Big Tech Censorship and Bias and the Fight to Save Our Country The madness of Google's attempt to mold our reality into a version dictated by their corporate values has never been portrayed better than in this chilling account by Google whistleblower, Zach Vorhies. As a senior engineer at Zach watched in horror from the inside as the 2016 election of Donald Trump drove Google into a frenzy of censorship and political manipulation. The American ideal of an honest, hard-fought battle of ideas—when the contest is over, shaking hands and working together to solve problems—was replaced by a different, darker ethic alien to this country's history as wave after of censorship destroyed free speech and entire market sectors. Working with New York Times bestselling author Kent Heckenlively (Plague of Corruption), Vorhies and Heckenlively weave a tale of a tech industry once beloved by its central figure for its innovation and original thinking, turned into a terrifying “woke-church” of censorship and political intolerance. For Zach, an intuitive counter-thinker, brought up on the dystopian futures of George Orwell, Aldous Huxley, and Ray Bradbury, it was clear that Google was attempting nothing less than a seamless rewriting of the operating code of reality in which many would not be allowed to participate. Using Google's own internal search engine, Zach discovered their real "AI-Censorship" system called “Machine Learning Fairness,” which he claims is a merging of critical race theory and AI that was secretly released on their users of search, news and YouTube. He collected and released 950 pages of these documents to the Department of Justice and to the public in the summer of 2019 through Project Veritas with James O'Keefe, which quickly became their most popular whistleblower story, which started a trend of big whistleblowing. From Google re-writing their news algorithms to target Trump to using human tragedy emergencies to inject permanent blacklists, Zach and Kent provide a “you are there” perspective on how Google turned to the dark side to seize power. They finish by laying out a solution to fight censorship. Read this book if you care to know how Google tries to manipulate, censor, and downrank the voice of its users.

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In The Great Awakening: Defeating the Globalists and Launching the Next Great Renaissance, the most persecuted man on Earth, Alex Jones, gives you the good news about the failing plans of the globalists to control humanity. The expression “Get woke, go broke” has entered the common lexicon as we’ve seen company after company invoke the false gods of diversity, equity, and inclusion to their financial demise. But this surface discussion masks a much darker truth. What we are witnessing is nothing less than the failed plans of social Darwinists to capture free market capitalism and turn it toward their fascist aims of controlling and depopulating the globe. Working with New York Times bestselling author Kent Heckenlively, Jones masterfully gives you the deeper discussion about such hot button topics as the truth behind the globalists plans for artificial intelligence (AI), the central bank digital currency, social credit scores, Big Tech tyranny, censorship, fifteen-minute cities, the unholy alliance between big business and big government, the military-intelligence-industrial complex—which is hell-bent on eternal war—and the all-out assault on free speech and the Second Amendment. The good news is that these plans are destined to fail, if we wake up to the anti-human future the globalists have planned for us. The globalists hate freedom, and what they hate the most is the greatest freedom document in human history, the United States Constitution. Jones does not shy away from the darker parts of American history—the way we have been systematically deceived by the intelligence agencies since their assassination of President John F. Kennedy—but he provides example after example of people who have broken free from the matrix of lies to tell the truth. The people the globalists fear the most are the members of their own systems of control, who wake up and then decide to act against the machine. The globalists believe they’ve planned for every possible contingency, but they hadn’t counted on the conscience and love of truth, which lives in the souls of good people. St. Augustine once wrote: “The truth is like a lion; you don’t have to defend it. Let it loose; it will defend itself.” No figure in our modern times has roared louder against the enemies of freedom than Alex Jones. In the calm and dispassionate style that made his first book, The Great Reset: And the War for the World, such a smash hit, Alex lays out the flaws in the plans of the globalists and how they seek to create a world in direct opposition to God’s plans for our glorious human future. But God consistently works His will in our world, even through imperfect individuals like Donald Trump, Alex Jones, or you. If you want to read one book this year to understand your world and help lead humanity to the next great human renaissance, you need to order this book today.

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When Canadian icon and original Canadian People s Poet Milton Acorn was passed over for the Governor General s Award for his 1969 collection I ve Tasted My Blood, several of his peers, including Margaret Atwood, Pat Lane and Mordecai Richler, established the People s Poetry Award, which they presented to Milton at a ceremony at Grossman s Tavern in Toronto in 1970. When I ve Tasted My Blood was re-issued in 1978 by Steel Rail Publishing, Milton wrote corrections and edits for the new edition on a copy of the original book. Milton Acorn: The People s Poet reproduces that copy of I ve Tasted My Blood with Milton s handwritten notes. It also includes never-before-published photographs of Milton taken by Kent Nason, a studio recording of Milton reading many of his poems, and a 1971 documentary film about Milton Acorn made by Kent Martin and Errol Sharpe. Though Milton Acorn died in 1986 at a young age, the prolific poet, writer and playwright is still remembered as one of Canada s greatest poets. This one-of-a-kind multi-media collectors item and memorial is a must have for everyone who counts themselves a fan of the original Canadian People s Poet."

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A cosmic disaster erased almost all colour from the world, and now the mutated descendants of humanity live in a moody, noir cityscape draped with shades of grey. There is great power hidden in what little colour remains, and a secretive cult known as the Order hopes to use that power to awaken their mysterious gods. Standing against them is Avidia, a gun-toting investigator and scientist who works outside the law. If he's to prevail, he'll need more power - which means surviving an incredibly dangerous new experiment, even as the Order moves ahead with the consummation of all their schemes!

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A stylish noir-punk thriller set in a world stripped of its colour and humanity. This visually striking manga series is presented in two-tone printing that contrasts a gritty, monochromatic world with sudden electric splashes of neon colour.

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A cosmic disaster changed the Earth forever, stripping away every last drop of colour from the world. Mankind also changed: the familiar human face is almost forgotten in a world now populated wholly by mutants. Against the backdrop of a moody urban landscape, a lone wolf investigator named Avidia relies on both his wits and extraordinary gun to hunt down the world's last hidden scraps of colour. He soon crosses paths with a very special girl - one who just might hold the key to bringing back what the world has lost.

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Revealing the most critical moments and important facts about past and present players, coaches, and teams that are part of the storied history that is Bears football, this book has pep talks, records, and Bears lore scattered throughout the pages. The Bears’ longtime rivalry with the Green Bay Packers, little-known facts about many of the Bears’ record 27 Hall of Famers, and profiles of Bears personalities such as Ditka, Payton, Urlacher, Cutler, Trubisky, and Mack are all included. Die-hard fans who know all the words to the “Super Bowl Shuffle” and new supporters alike will find everything they should know, see, and do in their lifetime.

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The exercises in ANSYS Workbench Tutorial Release 14 introduce you to effective engineering problem solving through the use of this powerful modeling, simulation and optimization software suite. Topics that are covered include solid modeling, stress analysis, conduction/convection heat transfer, thermal stress, vibration, elastic buckling and geometric/material nonlinearities. It is designed for practicing and student engineers alike and is suitable for use with an organized course of instruction or for self-study. The compact presentation includes just over 100 end-of-chapter problems covering all aspects of the tutorials.

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Over the past few decades, French filmmaker Olivier Assayas has become a powerful force in contemporary cinema. Between his first feature Désordre (1986) and such major works as L'Eau froide, Irma Vep, Les Destinées Sentimentales, demonlover and, most recently, L'Heure d'été and Carlos, he has charted an exciting path, strongly embracing narrative and character and simultaneously dealing with the 'fragmentary reality' of life in a global economy. He also brought a fresh perspective to the problem of politics after '68, a subject that he revisits in his memoir A Post-May Adolescence (published as a companion book to this volume) and in his most recent film Après-Mai. This first English-language book about Olivier Assayas includes a major essay by Kent Jones, based on his two decades of correspondence and exchanges of ideas with the filmmaker, as well as contributions from Assayas and his most important artistic collaborators. The central part consists of individual essays on each of his works, written by Chris Chang, Larry Gross, Howard Hampton, Kristin M. Jones, B. Kite, Glenn Kenny, Michael Koresky, Alice Lovejoy, Greil Marcus, Geoffrey O'Brien, Jeff Reichert, Richard Suchenski, and Gina Telaroli.

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Kent Russell's essays take him to society's ragged edges - the places where savagery and civilization collide. Perhaps among the misfits and the misunderstood - the losers, the hardcore, the alarming, the crazed, the downright frightening - he can find a way to reconcile his uneasy adult desires and his deepest childhood demons.He goes 'horrorcore' at a four-day music festival in Illinois. He spends a long weekend getting drunk with a man who claims he has conditioned his body to withstand the bites of the most venomous snakes. He finds a castaway on a tiny atoll off the coast of Australia. He explores the Amish obsession with baseball. Bristling with violence, tragedy and humour and wit, I Am Sorry To Think I Have Raised A Timid Son is a raw personal journey and an unforgettable portrait of masculinity in our time, by a ferociously brilliant and distinctive young voice in literary nonfiction.

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Set in Kent Haruf’s fictional landscape of Holt County, Colorado, Plainsong is a story of simple lives told with extraordinary empathy.‘Beautifully crafted, alive and quietly magnificent’ – Roddy Doyle, author of The Commitments‘So delicate and lovely that it has the power to exalt the reader’ – The New York TimesTom Guthrie is struggling to bring up his two young sons alone and, in the same town, school girl Victoria Roubideaux is pregnant and homeless. Brothers Harold and Raymond McPheron – gentle, solitary, gruff and unpolished – agree to take Victoria in, unaware that their lives will change forever.Part of the Picador Collection, Plainsong is an undeniable classic that explores the grace and hope of every human life and mankind’s infinite capacity for love. It is a novel of haunting beauty from one of America’s greatest wri

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In 1888, the Judicial Committee of the Privy Council ruled in St. Catherine’s Milling and Lumber Company v. The Queen, a case involving the Saulteaux people’s land rights in Ontario. This precedent-setting case would define the legal contours of Aboriginal title in Canada for almost a hundred years, despite the racist assumptions about Indigenous peoples at the heart of the case. In Flawed Precedent, preeminent legal scholar Kent McNeil provides a compelling account of this contentious case. He begins by delving into the historical and ideological context of the 1880s. He then examines the trial in detail, demonstrating how prejudicial attitudes towards Indigenous peoples influenced the decision. He further discusses the effects that St. Catherine’s had on law and policy until the 1970s when its authority was finally questioned in Calder, then in Delgamuukw, Marshall/Bernard, Tsilhqot’in, and other key rulings. He also provides an informative analysis of the current judicial understanding of Aboriginal title in Canada, now driven by evidence of Indigenous law and land use rather than by the discarded prejudicial assumptions of a bygone era.

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By offering the new Service Routing Certification Program, Alcatel-Lucent is extending their reach and knowledge to networking professionals with a comprehensive demonstration of how to build smart, scalable networks. Serving as a ?course in a book? from Alcatel-Lucent?the world leader in designing and developing scalable systems?this resource pinpoints the pitfalls to avoid when building scalable networks, examines the most successful techniques available for engineers who are building and operating IP networks, and provides overviews of the Internet, IP routing and the IP layer, and the practice of opening the shortest path first.

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As Chicago grew into the world-class city it is today, its civic leaders took exceptional care in their cultivation of the arts. The establishment of the Art Institute, the widespread support of wealthy patronage, and the activity of numerous organizations including the Chicago Architectural Club, the Urban League, and the Chicago Women's Club, combined to make Chicago home to many painters. Since rising from the ashes in 1873, Chicago has supported generation after generation of inspired artists who painted land and cityscapes, and honored their patrons with portraits. The full length and breadth of their amazing work can at last be appreciated in the Powell and Barbara Bridges Collection. Susan C. Larsen provides a profile of the collectors and introduces the Bridges Collection, featuring an impressive range of canvases by Charles Francis Browne, Alice Kellogg Tyler, Frank Peyraud, Alfred Juergens, and other notable painters. Formerly the private treasure of the Bridges, Chicago Painting makes all 78 paintings of their remarkable collection available, in full color, to art lovers the world over. Wendy Greenhouse offers a host of insights into the lives and work of the artists who worked prior to the turn of the last century. She surveys the "conservative" Chicago painters who resisted the avant-garde, showing that while the European avant-garde did exert an influence, excellent work continued to be done in traditional genres such as portraits and landscapes. Painters the quality of Junius Sloan, Lucie Hartrath, George Peter Alexander Healy, Louis Betts, Ralph Clarkson, and Daniel Folger Bigelow are represented here. Finally, Susan Weiniger guides us into the Modernist era Chicago painters--Gertrude Abercrombie, Frances Strain, Frederic Tellander, Rudolph Weisenborn, and others--whose works show conclusively that Chicago did more than import avant-garde painting. Chicago Painting 1895 to 1945 also includes updated biographies of 49 painters and commentary on each painting.

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On the west bank of the Mississippi lies the New Orleans neighborhood of Algiers. Short on hope but big on dreams, its mostly poor and marginalized residents find joy on Friday nights when the Cougars of Edna Karr High School take the field. For years, this football program has brought glory to Algiers, winning three consecutive state championships and sending dozens of young men to college on football scholarships. Although he is preparing for a fourth title, head coach Brice Brown is focused on something else: keeping his players alive. An epidemic of gun violence plagues New Orleans and its surrounding communities and has claimed many innocent lives, including Brown’s former star quarterback, Tollette “Tonka” George, shot near a local gas station. In Across the River, award-winning sports journalist Kent Babb follows the Karr football team through its 2019 season as Brown and his team—perhaps the scrappiest and most rebellious group in the program’s history—vie to again succeed on and off the field. What is sure to be a classic work of sports journalism, Across the River is a necessary investigation into the serious realities of young athletes in struggling neighborhoods: gentrification, eviction, mental health issues, the drug trade, and gun violence. It offers a rich and unflinching portrait of a coach, his players, and the West Bank, a community where it’s difficult—but not impossible—to rise above the chaos, discover purpose, and find a way out.

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If the Punisher became a valuable piece of intellectual property during the closing decades of the twentieth century, he has become a global icon in the twenty-first. In this pathbreaking study, Kent Worcester explores the sometimes ridiculous and often socially resonate storyverse of the most famous rageaholic in popular culture: Frank Castle, aka the Punisher. Worcester pays particular attention to nearly five decades' worth of punishment-themed comics and graphic novels published between the 1970s and the present day. These texts provide the material resources for a close reading of the Punisher's distinctive and extreme form of justice discourse. Punishment, after all, is a political and social construct. Violence does not imply or claim legitimacy. Punishment does. To talk about punishment is to ask who deserves to be punished, who decides who deserves to be punished, and what form the punishment should take. All costumed heroes have their political moments; the Punisher is political. Frank Castle inhabits the most politically engaged corner of the entire Marvel Universe. His adventures should attract our interest for precisely this reason.

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This history sheds light on the achievements of the 363rd for the period it flew escort and ground support missions over Europe. The day-to-day operations are interspersed with quotes from the group and squadron diaries, and supplemented by an exhaustive appendix to give the reader a look into the combat activities of this little known Army Air Force organization.

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The creative life is not easy. From the outside it can seem romantic and exciting, but in fact it is a unique journey filled with doubts and dreams and complex challenges that most people never imagine. From the obvious issues of making a living and dealing with rejection, to more rarified questions like how to know when a work is finished and the delicate balance between inspiration and craft, the creative artist - whether writer, painter, actor, or dancer - lives in a world of profound questions and subtle choices.The Artist's Journey takes you into this world with an emotional honesty that few books offer. At once practical and spiritual, it is a rare exploration of the inner landscape of the artistic experience and an essential guidebook to the artist's journey, for creative artists in all fields, whether young or old, accomplished or just beginning.

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In The Tie That Binds, his critically acclaimed first novel, Kent Haruf delivers the sweeping tale of eighty-year-old Edith Goodnough. Narrated by her neighbour, Edith's tragedies unfold: a tough childhood, a mother's death, a violence that leaves a father dependent on his children, forever enraged. She is a woman who sacrifices everything in the name of family - until she is forced to reclaim her freedom in one dramatic and unexpected gesture. Breathtaking and truthful, The Tie That Binds is a powerful tribute to the demands of rural life, and to the tenacity of the human spirit.

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Al petit poble de Holt, Colorado, un mestre s?ha de fer càrrec dels seus dos fills després de la desaparició de la seva dona, mentre ells s?inicien en l?aventura de viure; una adolescent embarassada és rebutjada per la seva mare i es veu obligada a buscar refugi; i dos germans solitaris d?edat avançada que viuen en una granja dels afores veuen com el seu dia a dia s?altera sense remei quan decideixen acollir un hoste inesperat.Les vides de tots aquests personatges s?entrellacen en la cadència lenta d?aquesta comunitat rural que es debat entre la modernitat i els valors tradicionals. Amb una prosa senzilla i plena de detalls, Kent Haruf ens mostra un paisatge humà commovedor on l?amor i l?esperança esdevenen el motor de tota vida humana.

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