Description

Reflecting on the vitality of the past, through the works of one of Britain’s most audacious 20th-century painters

The British painter David Bomberg (1890–1957) was among the most precociously talented artists of his generation, and the influence of his legacy continues to be felt. This catalogue is the first to explore Bomberg’s early work in relation to the collection of London’s National Gallery, demonstrating the importance of painterly tradition for this deeply innovative artist. As a teenager Bomberg intensively copied old master paintings; Botticelli’s Portrait of a Young Man (c. 1480–85) was reportedly one of his favorites. But after joining the Slade School of Art, he embraced the idea of a new, increasingly abstract art that would reflect the drama of the world around him. By placing Bomberg’s rebellious, youthful works alongside those he most admired in the National Gallery, this book explores the true extent of the young artist’s engagement with history, and how it shaped his contribution to the language of early 20th-century modernist art.

Published by National Gallery Company/Distributed by Yale University Press


Exhibition Schedule:

National Gallery, London
(November 27, 2019–March 1, 2020)

Young Bomberg and the Old Masters

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Paperback / softback by Richard Cork

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Reflecting on the vitality of the past, through the works of one of Britain’s most audacious 20th-century painters The British... Read more

    Publisher: National Gallery Company Ltd
    Publication Date: 12/11/2019
    ISBN13: 9781857096477, 978-1857096477
    ISBN10: 1857096479

    Number of Pages: 64

    Non Fiction , Art & Photography

    Description

    Reflecting on the vitality of the past, through the works of one of Britain’s most audacious 20th-century painters

    The British painter David Bomberg (1890–1957) was among the most precociously talented artists of his generation, and the influence of his legacy continues to be felt. This catalogue is the first to explore Bomberg’s early work in relation to the collection of London’s National Gallery, demonstrating the importance of painterly tradition for this deeply innovative artist. As a teenager Bomberg intensively copied old master paintings; Botticelli’s Portrait of a Young Man (c. 1480–85) was reportedly one of his favorites. But after joining the Slade School of Art, he embraced the idea of a new, increasingly abstract art that would reflect the drama of the world around him. By placing Bomberg’s rebellious, youthful works alongside those he most admired in the National Gallery, this book explores the true extent of the young artist’s engagement with history, and how it shaped his contribution to the language of early 20th-century modernist art.

    Published by National Gallery Company/Distributed by Yale University Press


    Exhibition Schedule:

    National Gallery, London
    (November 27, 2019–March 1, 2020)

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