Description
Book SynopsisWar affects life writing and lives affect war writing. The traditional forms of life writing memoir, biography, letters, diaries buckle under the strain of war. War writing has fewer traditional forms but exists at a similar extreme. The eight chapters in this book, written by leading and up-and-coming scholars in the field, illuminate the creative innovations, improvisations, and implosions which happen when the demands of writing war and writing lives collide. Central to all is the question of authenticity: how can wars and lives be known and who can speak of them with authority? This volume has a generous chronological and generic range, beginning in the early 1800s and stretching to twenty-first-century texts, and covering letters, diaries, fiction, fakeries', poetry, biography, testimony, songs, objects, and digital media. The mix of authors is similarly varied: Thomas Hardy, W. H. Auden and Elizabeth Bowen rub shoulders with Yousif M. Qasmiyeh (a contemporary Pales
Table of Contents
Introduction: Writing war, writing lives 1. Missing letters: reading the interstices in archival correspondence from the Napoleonic Wars and in Thomas Hardy’s The Trumpet-Major 2. ‘And all because it is war!’: First World War diaries, authenticity and combatant identity 3. Reframing life/war ‘writing’: objects, letters and songs of Indian soldiers, 1914-1918 4. ‘The only diary I have kept’: visionary witnessing in the second world war short story 5. Representing Nazi crimes in post-Second World War life writing 6. Statelessness and the poetry of the borderline André Green, W.H. Auden and Yousif M. Qasmiyeh 7. ‘Paper is patient’: tweets from the ‘#AnneFrank of Palestine’ 8. Inventing the eyewitness: Araki Yasusada and Jiri Kajanë
