Description
Book SynopsisA fascinating look at the public consequences of the private act of writing, Carl Tighe's book is a must-read for everyone who writes or studies writing.
Trade Review'Finally, someone has written the book I've been wanting my students to read...Buy it; set it on your courses; work through the chapters; test it out.' - Jen Webb, International Journal for the Practice and Theory of Creative Writing
'This excellent book is invaluable for Creative Writing students. It encourages the student to question their own practice both as a writer and a reader, and asks pointed questions about the role of a writer in society.' - Julia Bell, Birkbeck, University of London, UK
'Throughout, Tighe is an intelligent, measured and informative guide. His prose effortlessly synthesizes literary and critical considerations, statistics and wider cultural contexts. Far from being simply a text-book, this sophisticated, engaged and beautifully-readable monograph ought to be read as an individual, creative contribution to contemporary thought about the writing process.' - Writing in Education
'Throughout, Tighe is an intelligent, measured and informative guide. His prose effortlessly synthesizes literary and critical considerations, statistics and wider cultural contexts. Far from being simply a text-book, this sophisticated, engaged and beautifully-readable monograph ought to be read as an individual, creative contribution to contemporary thought about the writing process.' - Writing in Education
'The refreshing thing about Tighe's approach is that in both domains he is willing to make judgements. This is not another post-modernist, anything goes pot pourri.' - Literature and History
'Finally someone has written the book I've been wanting my students to read. This is a book well worth reading, and it makes an important contribution to the field. Buy it; set it on your courses; work through the chapters; test it out.' - Jen Webb, International Journal for the Practice and Theory of Creative Writing
Table of Contents1. Introduction Part 1: Issues 2.Tradition 3. Power 4. Accuracy 5. Kitsch 6. Censorship 7. Political Correctness Part 2: Case Studies 8. New Kinds of Sex: J.G.Ballard, Crash 9. Sex, Satire and Sadism: Bret Easton Ellis, American Psycho 10. Faking a Life: Binjamin Wilkomirski, Fragments 11. Between Poland and Germany: Gunter Grass, The Tin Drum 12. African Reality: Wole Soyinka, 'The Writer in a Modern African State' 13. Witches of Croatia: Dubravka Ugresic, The Culture of Lies Conclusion Bibliography
