Description
Book SynopsisThis first ever book on the Bay Area Beat artist reveals a unique drawing style that dovetails Cocteau with Japanese and Renaissance printmaking “Rick Barton should have been a San Francisco legend,” declared author and artist Etel Adnan in a 1998 essay. Working primarily in pen or brush and ink in a kaleidoscopic linear style, Barton (1928–92), who was born and raised in New York and settled in the San Francisco Bay Area in the 1950s, ceaselessly recorded the world around him, whether the enclosed space of his room, the cafes in which he spent his days, his lovers and friends, or the ornate churches and botanical subjects that seem to have held particular fascination for him. Flourishing in San Francisco’s gay and Beat subcultures of the 1950s and ’60s, Barton accrued a group of disciples who were drawn to his singular style, which synthesized sources as disparate as Renaissance and Japanese woodblock prints and the delicate line drawings of Jean Cocteau. Bringing together more than 60 drawings, two accordion-folded sketchbooks, and printed portfolios and books, Writing a Chrysanthemum: The Drawings of Rick Barton presents for the first time the work of this unique artist who was a significant, and until now unheralded, figure of the Beat era. Rachel Federman, the curator of the exhibition at the Morgan Library & Museum, has written a deeply researched essay on the artist and his work. An excerpt of Adnan’s essay—the first published account of Barton—is reprinted in the catalog.
Trade ReviewWriting a Chrysanthemum teems with intense, mysterious feeling. -- Michael Quinn * The Gay & Lesbian Review Worldwide *
A workaday recluse who sought self-knowledge by way of a monastic and unquestioned creative ethic. A nobody who, through a rare curatorial eureka moment, has become an instantaneous, mesmeric somebody. -- Walker Mimms * New York Times: Arts *
An intimate and refreshing exhibition at the Morgan Library... The curator Rachel Federman has greatlyexpanded [Rick Barton’s] reputation with this show, as well as a biographically rich catalog essay. -- Lucy Ives * New York Review of Books *
Hats off to the Morgan’s Rachel Federman. She was the curator who brought [Rick Barton] out ofobscurity with real leg work and scholarly research and is at present the only scholarly resource onBarton’s work. Her catalogue essay is a great piece of art writing and captures the life and spirit of theman; she is also an engaging storyteller. I would encourage buying the catalogue. -- Ann McCoy * Brooklyn Rail *
As the late artist Etel Adnan wrote in an essay from 1998, excerpted in the Morgan’s excellentcatalogue, “Rick Barton should have been a San Francisco legend.” With this intimate, astonishingexhibition, he finally is. -- Andrea Scott * New Yorker *
