Description

This study is the first to present a monograph on psalm exegesis from the perspective of interdisciplinary trauma research. The work reveals how traumatic events have affected the narrative-aesthetic form of representation of the psalms. With the help of classical-philological, literary and psychological approaches, a phenomenology of literary handling of traumatic experiences is shown in the individual psalms. The trauma research serves to develop the texts in two ways: on the one hand for their ancient origins, which processes collective and individual experiences of violence, and on the other hand for the analysis of the processes of appropriation of the texts in terms of reception aesthetics. The work provides important insights into the central themes of psalm research: the hermeneutics of violence, dealing with suffering, the image of God, the role of lamentation, anthropology. In addition, it also gives impulses for the current social discourse of collective memory and for exploring narrative-poetic strategies for coping with trauma.

Wie die Verwundeten ? derer du nicht mehr gedenkst: Zur Phänomenologie des Traumas in den Psalmen 22, 88, 107 und 137

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Hardback by Nikolett Moricz

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This study is the first to present a monograph on psalm exegesis from the perspective of interdisciplinary trauma research. The... Read more

    Publisher: Vandenhoeck & Ruprecht GmbH & Co KG
    Publication Date: 09/03/2021
    ISBN13: 9783525567302, 978-3525567302
    ISBN10: 3525567308

    Number of Pages: 333

    Description

    This study is the first to present a monograph on psalm exegesis from the perspective of interdisciplinary trauma research. The work reveals how traumatic events have affected the narrative-aesthetic form of representation of the psalms. With the help of classical-philological, literary and psychological approaches, a phenomenology of literary handling of traumatic experiences is shown in the individual psalms. The trauma research serves to develop the texts in two ways: on the one hand for their ancient origins, which processes collective and individual experiences of violence, and on the other hand for the analysis of the processes of appropriation of the texts in terms of reception aesthetics. The work provides important insights into the central themes of psalm research: the hermeneutics of violence, dealing with suffering, the image of God, the role of lamentation, anthropology. In addition, it also gives impulses for the current social discourse of collective memory and for exploring narrative-poetic strategies for coping with trauma.

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