Description
Book SynopsisTrade Review"We have Cherny to thank for the detective work that produced this fine biography of an artist whose work and life tell us much about twentieth century history." --
Pacific Historical Review"Robert W. Cherny has written a fascinating and meticulously researched political biography exploring the life and work of the public muralist Victor Arnautoff." --
The Journal of American History"A useful tool for scholars who want to pursue further work on Arnautoff's legacy and Russian art in the United States."--
H-Net"
Victor Arnautoff and the Politics of Art relays a fascinating tale of an artist who made what at times appear to be counterintuitive life choices while remaining true to his vision of art as a weapon. The book illustrates how we can learn from controversial art." --
California History"Engaging and impressively researched. . . This is an interesting work that ties the biography of a fascinating historical actor to global art and politics."--
Western Historical Quarterly"[Cherny] does a magisterial job of placing the artist in the context of his times with fruitful discussion of the surrounding politics, social fabric, and ethnic influences. The result is a fascinating study of the artist and his times."--
Newsletter of the San Francisco Museum and Historical Society"A fascinating study of Russian American muralist Victor Arnautoff."--
Choice"Robert Cherny, a leading historian of California politics and former Fulbright Professor at Moscow State University in Russia has written the definitive account of the odyssey of Victor Arnautoff, a Czarist cavalry officer in World War I who migrated after the war to the Pacific Coast, became an influential and controversial figure in the San Francisco leftwing arts scene from the 1920s through the 1950s, and then returned to Russia after deciding to live out his life in the Soviet Union of the 1960s and 1970s. Cherny tells a spellbinding story that is at once illuminating and authoritative in its depiction of the Russian diaspora after the Bolshevik Revolution, the cultural politics of San Francisco from the Twenties through the Fifties, the intersection of individual artistic creativity, patronage and philanthropy, and public arts policy in California in the context of the Great Depression, World War II, and the Cold War. His book establishes a new gold standard in the field of California cultural history in the twentieth century."--William Issel, author of
Church and State in the City: Catholics and Politics in Twentieth Century San Francisco "Well-written and highly readable. Arnautoff's story weaves together social, cultural, and political themes. Will be especially engaging to people interested in progressive art communities, New Deal programs, and the Russian diaspora."--Randi Storch, author of
Red Chicago: American Communism at Its Grassroots, 1928–1935 "This work, in being so faithfully executed and richly illustrated, will move every student of art and history to admiration. It is the beautifully crafted tale of an artist whose work and most unusual life reflected the destinies of two great nations."--Rhodri Jeffreys-Jones, author of
The American Left: Its Impact on Politics and Society since 1990
