Description

Since the September 11, 2001 terrorist attacks, public debates about Islam and the veil have become increasingly divisive. Yet few acknowledge that this fascination with veiling goes back more than three centuries. In Veiled Figures, Teresa Heffernan explores how the clash of civilizations is perpetuated by the rhetoric of veiling and unveiling. Drawing on travel narratives, harem literature, and other stories, Heffernan argues that women's bodies have been used to exacerbate the divide between religion and reason in the eighteenth century, the Islamic umma and the Western nation in the nineteenth, and Islamism and global capitalism in the contemporary period. Through the study of the writings of Lady Mary Wortley Montagu, Anna Bowman Dodd, Demetra Vaka Brown, Zeyneb Hanoum, and others, Heffernan's book demonstrates the ways in which these works complicate and interrupt these divides, opening up new opportunities for a more constructive dialogue between East and West.

Veiled Figures: Women, Modernity, and the Spectres of Orientalism

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Hardback by Teresa Heffernan

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Since the September 11, 2001 terrorist attacks, public debates about Islam and the veil have become increasingly divisive. Yet few... Read more

    Publisher: University of Toronto Press
    Publication Date: 11/04/2016
    ISBN13: 9781442637238, 978-1442637238
    ISBN10: 1442637234

    Number of Pages: 240

    Non Fiction , ELT & Literary Studies , Education

    Description

    Since the September 11, 2001 terrorist attacks, public debates about Islam and the veil have become increasingly divisive. Yet few acknowledge that this fascination with veiling goes back more than three centuries. In Veiled Figures, Teresa Heffernan explores how the clash of civilizations is perpetuated by the rhetoric of veiling and unveiling. Drawing on travel narratives, harem literature, and other stories, Heffernan argues that women's bodies have been used to exacerbate the divide between religion and reason in the eighteenth century, the Islamic umma and the Western nation in the nineteenth, and Islamism and global capitalism in the contemporary period. Through the study of the writings of Lady Mary Wortley Montagu, Anna Bowman Dodd, Demetra Vaka Brown, Zeyneb Hanoum, and others, Heffernan's book demonstrates the ways in which these works complicate and interrupt these divides, opening up new opportunities for a more constructive dialogue between East and West.

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