Description

The catalogue presents Christ Carrying the Cross, recently rediscovered by Carlo Falciani in a private collection, which was born out of the intense friendship between the painter and art historian Giorgio Vasari (1511-1574) with Bindo Altoviti (1491-1557), important banker and refined art collector and patron. The artwork was painted in 1553, just before Vasari's return to Florence to take service as court painter of the Duke Cosimo I de' Medici. The painting shows the extremely high quality reached by Vasari's production in Rome - where he was working for Pope Julius III and where the Florentine banker Bindo Altoviti had a palace and conducted business - and, at the same time, it shows the experimentations of his manner, characterised by the re-elaboration of modern and contemporary models, in this case works of Michelangelo, Francesco Salviati and Sebastiano del Piombo.


Published to accompany an exhibition at the Gallerie Nazionali Barberini Corsini, Palazzo Corsini, Rome from 24 January-30 June 2019.


Text in English and Italian.

Vasari for Bindo Altoviti: Christ Carrying the Cross

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Paperback / softback by Barbara Agosti , Michela Corso

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The catalogue presents Christ Carrying the Cross, recently rediscovered by Carlo Falciani in a private collection, which was born out... Read more

    Publisher: Officina Libraria
    Publication Date: 18/04/2019
    ISBN13: 9788833670331, 978-8833670331
    ISBN10: 8833670333

    Number of Pages: 56

    Non Fiction , Art & Photography

    Description

    The catalogue presents Christ Carrying the Cross, recently rediscovered by Carlo Falciani in a private collection, which was born out of the intense friendship between the painter and art historian Giorgio Vasari (1511-1574) with Bindo Altoviti (1491-1557), important banker and refined art collector and patron. The artwork was painted in 1553, just before Vasari's return to Florence to take service as court painter of the Duke Cosimo I de' Medici. The painting shows the extremely high quality reached by Vasari's production in Rome - where he was working for Pope Julius III and where the Florentine banker Bindo Altoviti had a palace and conducted business - and, at the same time, it shows the experimentations of his manner, characterised by the re-elaboration of modern and contemporary models, in this case works of Michelangelo, Francesco Salviati and Sebastiano del Piombo.


    Published to accompany an exhibition at the Gallerie Nazionali Barberini Corsini, Palazzo Corsini, Rome from 24 January-30 June 2019.


    Text in English and Italian.

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