Description

In the last decade of his life, Anthony van Dyck (1599–1641) undertook a printmaking project that changed the conventions of portraiture. In a series later named the Iconography, he portrayed artists alongside kings, courtiers, and diplomats—a radical departure from preexisting conventions. He also depicted his subjects in novel ways, focusing on their facial features often to the exclusion of symbolic costumes or props. In addition to illustrating approximately 60 works by Van Dyck and other artists from his era—particularly Rembrandt—this catalogue traces the artist’s influence over hundreds of years. Showcasing both 17th century portraits in a variety of media and portrait prints by a wide range of artists spanning the 16th through the 20th centuries—including Albrecht Dürer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dine—the book demonstrates the indelible mark that Van Dyck left on the genre.

Distributed for the Art Institute of Chicago


Exhibition Schedule:

Art Institute of Chicago
(03/05/16-08/07/16)

Van Dyck, Rembrandt, and the Portrait Print

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Hardback by Victoria Sancho Lobis , Maureen Warren

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Short Description:

In the last decade of his life, Anthony van Dyck (1599–1641) undertook a printmaking project that changed the conventions of... Read more

    Publisher: Yale University Press
    Publication Date: 03/05/2016
    ISBN13: 9780300218824, 978-0300218824
    ISBN10: 0300218826

    Number of Pages: 108

    Non Fiction , Art & Photography

    Description

    In the last decade of his life, Anthony van Dyck (1599–1641) undertook a printmaking project that changed the conventions of portraiture. In a series later named the Iconography, he portrayed artists alongside kings, courtiers, and diplomats—a radical departure from preexisting conventions. He also depicted his subjects in novel ways, focusing on their facial features often to the exclusion of symbolic costumes or props. In addition to illustrating approximately 60 works by Van Dyck and other artists from his era—particularly Rembrandt—this catalogue traces the artist’s influence over hundreds of years. Showcasing both 17th century portraits in a variety of media and portrait prints by a wide range of artists spanning the 16th through the 20th centuries—including Albrecht Dürer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dine—the book demonstrates the indelible mark that Van Dyck left on the genre.

    Distributed for the Art Institute of Chicago


    Exhibition Schedule:

    Art Institute of Chicago
    (03/05/16-08/07/16)

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