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Book Synopsis
Tyler Hobbs' debut monograph is one of the first to focus on the work of a generative artist. Order/Disorder contextualises Hobbs' groundbreaking art from 20182023 and includes works from his 2023 solo exhibitions at Unit, London, and Pace, New York. Tyler Hobbs' debut monograph is one of the first to focus on the work of a generative artist. Contextualising his art from 20182023, Order/Disorder includes works from Hobbs' solo exhibitions at Unit, London, and Pace, New York, in 2023. Structured around the concept of dualities, the book explores Hobbs' systematic approaches to artmaking, the creative relationship between man and machine, computer-led aesthetics and the interplay of repetition and emergence across longform generative projects. Order/Disorder features an interview between Hobbs and Hans Ulrich Obrist, artistic director of the Serpentine Galleries, and an essay by Melanie Lenz, curator of digital art at the Victoria & Albert Museum, alongside texts by the artist that i

Tyler Hobbs

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      Publisher: Hurtwood Press
      Publication Date: 9/26/2024
      ISBN13: 9780903696883, 978-0903696883
      ISBN10: 0903696886

      Description

      Book Synopsis
      Tyler Hobbs' debut monograph is one of the first to focus on the work of a generative artist. Order/Disorder contextualises Hobbs' groundbreaking art from 20182023 and includes works from his 2023 solo exhibitions at Unit, London, and Pace, New York. Tyler Hobbs' debut monograph is one of the first to focus on the work of a generative artist. Contextualising his art from 20182023, Order/Disorder includes works from Hobbs' solo exhibitions at Unit, London, and Pace, New York, in 2023. Structured around the concept of dualities, the book explores Hobbs' systematic approaches to artmaking, the creative relationship between man and machine, computer-led aesthetics and the interplay of repetition and emergence across longform generative projects. Order/Disorder features an interview between Hobbs and Hans Ulrich Obrist, artistic director of the Serpentine Galleries, and an essay by Melanie Lenz, curator of digital art at the Victoria & Albert Museum, alongside texts by the artist that i

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