Description

Book Synopsis

With an introduction by Sara Tilley

From playwright and poet Shannon Bramer comes Trapsongs, a collection of three dark comedies that navigate the realm of the surreal and absurd.

In "Monarita," an intimate friendship between Mona, a frazzled new mother, and Rita, her beloved, estranged friend, is explored. Their interaction is a dance—part ballet, part mud-fight. In "The Collectors," Hanna Parson is being harassed by three ghastly collection agents who force her to confront her debt and isolation as she struggles to create meaningful art in her dishevelled apartment. And in the tragicomedy "The Hungriest Woman in the World," Aimee, a former artist, invites her preoccupied, workaholic husband, Robert, to the theatre to see a play about a sad octopus. His refusal sends her on a dark and playful journey into the topsy-turvy world of theatre itself.

Trapsongs is by turns comedic, grotesque, and profane, but is all the while a tender exploration of the human condition in all its hilarious and humbling glory. Although each of these plays is a discrete creation, they contain and hold each other like a Matryoshka doll; all of the main characters are trapped within the song of their own lives.



Trade Review
"Bramer's writing for the stage is magical. It slips the bounds of the real while being so real. What happens to the characters happens to us; we become them." -- Karen Connelly

Trapsongs: Three Plays

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    £16.16

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    RRP £17.95 – you save £1.79 (9%)

    Order before 4pm tomorrow for delivery by Mon 29 Jun 2026.

    A Paperback / softback by Shannon Bramer, Sara Tilley

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      View other formats and editions of Trapsongs: Three Plays by Shannon Bramer

      Publisher: Book*hug
      Publication Date: 08/12/2020
      ISBN13: 9781771666213, 978-1771666213
      ISBN10: 1771666218

      Description

      Book Synopsis

      With an introduction by Sara Tilley

      From playwright and poet Shannon Bramer comes Trapsongs, a collection of three dark comedies that navigate the realm of the surreal and absurd.

      In "Monarita," an intimate friendship between Mona, a frazzled new mother, and Rita, her beloved, estranged friend, is explored. Their interaction is a dance—part ballet, part mud-fight. In "The Collectors," Hanna Parson is being harassed by three ghastly collection agents who force her to confront her debt and isolation as she struggles to create meaningful art in her dishevelled apartment. And in the tragicomedy "The Hungriest Woman in the World," Aimee, a former artist, invites her preoccupied, workaholic husband, Robert, to the theatre to see a play about a sad octopus. His refusal sends her on a dark and playful journey into the topsy-turvy world of theatre itself.

      Trapsongs is by turns comedic, grotesque, and profane, but is all the while a tender exploration of the human condition in all its hilarious and humbling glory. Although each of these plays is a discrete creation, they contain and hold each other like a Matryoshka doll; all of the main characters are trapped within the song of their own lives.



      Trade Review
      "Bramer's writing for the stage is magical. It slips the bounds of the real while being so real. What happens to the characters happens to us; we become them." -- Karen Connelly

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