Description

Author Evan Maina Mwangi explores the intersection of translation, sexuality, and cosmopolitan ethics in African literature. Usually seen as the preserve of literature published by Euro-American metropolitan outlets for Western consumption, cultural translation is also a recurrent theme in postcolonial African texts produced primarily for local circulation and sometimes in African languages. Mwangi illustrates how such texts allude to various forms of translation to depict the ethical relations to foreigners and the powerless, including sexual minorities. He also explains the popularity of uent models of translation in African literature, regardless of the energetic critique of such models by Western-based postcolonial theorists.

While bringing to the foreground texts that have received little critical attention in African literary studies, Translation in African Contexts engages a wide range of foundational and postcolonial translation theorists. It considers a rich variety of works, including East African translations of Shakespeare, writings by Ng?g? wa Thiong’o and Gakaara wa Wanja?, a popular novel by Charles Mangua, and a stage adaptation by the Tanzanian playwright Amandina Lihamba, among others.

Translation in African Contexts: Postcolonial Texts, Queer Sexuality, and Cosmopolitan Fluency

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Author Evan Maina Mwangi explores the intersection of translation, sexuality, and cosmopolitan ethics in African literature. Usually seen as the... Read more

    Publisher: Kent State University Press
    Publication Date: 30/10/2017
    ISBN13: 9781606353219, 978-1606353219
    ISBN10: 1606353217

    Number of Pages: 320

    Non Fiction , ELT & Literary Studies , Education

    Description

    Author Evan Maina Mwangi explores the intersection of translation, sexuality, and cosmopolitan ethics in African literature. Usually seen as the preserve of literature published by Euro-American metropolitan outlets for Western consumption, cultural translation is also a recurrent theme in postcolonial African texts produced primarily for local circulation and sometimes in African languages. Mwangi illustrates how such texts allude to various forms of translation to depict the ethical relations to foreigners and the powerless, including sexual minorities. He also explains the popularity of uent models of translation in African literature, regardless of the energetic critique of such models by Western-based postcolonial theorists.

    While bringing to the foreground texts that have received little critical attention in African literary studies, Translation in African Contexts engages a wide range of foundational and postcolonial translation theorists. It considers a rich variety of works, including East African translations of Shakespeare, writings by Ng?g? wa Thiong’o and Gakaara wa Wanja?, a popular novel by Charles Mangua, and a stage adaptation by the Tanzanian playwright Amandina Lihamba, among others.

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