Description

This bilingual edition of the Three Spanish Querelle Texts is very well-conceived and will attract a wide audience among specialists and non-specialists alike. Francomano provides the first modern English translations of texts that enjoyed European-wide celebrity in the early sixteenth century. Her introduction is the best available summary of our knowledge about Torrellas’ two texts and Flores’ Grisel y Mirabella. Her translations are more readable than the Spanish texts, dividing Flores’ elaborate, rambling sentences into more comprehensible discourse. She often captures the tone of ambiguous or mock sincerity in the pleadings of both Flores’ and Torrellas’ characters. Francomano has a special sensitivity to the ludic quality of these discourses which helps readers appreciate their expression of “male anxiety” and “female agency” in the gender politics of their era.

Three Spanish Querelle Texts – Grisel and Mirabella, The Slander against Women, and The Defense of Ladies against Slanderers

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£28.78

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Paperback / softback by Pere Torrellas , Juan De Flores

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This bilingual edition of the Three Spanish Querelle Texts is very well-conceived and will attract a wide audience among specialists... Read more

    Publisher: University of Toronto Press
    Publication Date: 01/01/2013
    ISBN13: 9780772721341, 978-0772721341
    ISBN10: 0772721343

    Number of Pages: 206

    Fiction , Anthologies & Short Stories

    Description

    This bilingual edition of the Three Spanish Querelle Texts is very well-conceived and will attract a wide audience among specialists and non-specialists alike. Francomano provides the first modern English translations of texts that enjoyed European-wide celebrity in the early sixteenth century. Her introduction is the best available summary of our knowledge about Torrellas’ two texts and Flores’ Grisel y Mirabella. Her translations are more readable than the Spanish texts, dividing Flores’ elaborate, rambling sentences into more comprehensible discourse. She often captures the tone of ambiguous or mock sincerity in the pleadings of both Flores’ and Torrellas’ characters. Francomano has a special sensitivity to the ludic quality of these discourses which helps readers appreciate their expression of “male anxiety” and “female agency” in the gender politics of their era.

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