Description

The Dark Age Ridiculed, by Níla·kantha, Beguiling Artistry, by Ksheméndra, The Hundred Allegories, by Bhállata
Written over a period of nearly a thousand years, these works show three very different approaches to satire. Níla·kantha gets straight to the point: swindlers prey on stupidity.
The artistry that beguiles Ksheméndra is as varied as human nature and just as fallible. We are off to a gentle start Sanctimonious—really no more than a warm-up among vices—but soon graduate to Greed and Lust. From there it's downhill all the way, as unfaithfulness leads on to fraud, and drunkenness to depravity; deception and quackery bring up the rear. What's this at the very end? Virtue? A late arrival, pale and unconvincing.
This volume presents three Indian satirists with three different strategies: in the ninth century C.E., Bhállata sought vengeance on his boorish new king by producing vicious sarcastic verse, “The Hundred Allegories;” in the eleventh century, Ksheméndra presents himself as a social reformer out to shame the complacent into compliance with Vedic morality; and in the seventeenth century little can redeem the fallen characters Níla·kantha portrays, so his duty is simply to warn about the corruption of every social type.
Co-published by New York University Press and the JJC Foundation
For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org

Three Satires

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The Dark Age Ridiculed, by Níla·kantha, Beguiling Artistry, by Ksheméndra, The Hundred Allegories, by Bhállata Written over a period of... Read more

    Publisher: New York University Press
    Publication Date: 01/02/2005
    ISBN13: 9780814788141, 978-0814788141
    ISBN10: 0814788149

    Number of Pages: 403

    Fiction , Anthologies & Short Stories

    Description

    The Dark Age Ridiculed, by Níla·kantha, Beguiling Artistry, by Ksheméndra, The Hundred Allegories, by Bhállata
    Written over a period of nearly a thousand years, these works show three very different approaches to satire. Níla·kantha gets straight to the point: swindlers prey on stupidity.
    The artistry that beguiles Ksheméndra is as varied as human nature and just as fallible. We are off to a gentle start Sanctimonious—really no more than a warm-up among vices—but soon graduate to Greed and Lust. From there it's downhill all the way, as unfaithfulness leads on to fraud, and drunkenness to depravity; deception and quackery bring up the rear. What's this at the very end? Virtue? A late arrival, pale and unconvincing.
    This volume presents three Indian satirists with three different strategies: in the ninth century C.E., Bhállata sought vengeance on his boorish new king by producing vicious sarcastic verse, “The Hundred Allegories;” in the eleventh century, Ksheméndra presents himself as a social reformer out to shame the complacent into compliance with Vedic morality; and in the seventeenth century little can redeem the fallen characters Níla·kantha portrays, so his duty is simply to warn about the corruption of every social type.
    Co-published by New York University Press and the JJC Foundation
    For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org

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