Description

Arabs have traditionally considered classical Arabic poetry, together with the Qur'an, as one of their supreme cultural accomplishments. Taking a comparatist approach, Jaroslav Stetkevych attempts in this book to integrate the classical Arabic lyric into an enlarged understanding of lyric poetry as a genre. Stetkevych concentrates on the "places of lost bliss" that furnish the dominant motif in the lyric-elegiac opening section (nasib) of the classical Arabic ode, or qasidah. In defining the Arabic lyrical genre, he shows how pre-Islamic lamentations over abandoned campsites evolved, in Arabo-Islamic mystical poetry, into expressions of spiritual nostalgia. Stetkevych also draws intriguing parallels between the highlands of Najd in Arabic poetry and Arcadia in the European tradition. He concludes by exploring the degree to which the pastoral-paradisiacal archetype of the nasib pervades Arabic literary perception, from the pre-Islamic ode through the "Thousand and One Nights" and later texts.

The Zephyrs of Najd: The Poetics of Nostalgia in The Classical Arabic Nasib

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Paperback / softback by Jaroslav Stetkevych

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Arabs have traditionally considered classical Arabic poetry, together with the Qur'an, as one of their supreme cultural accomplishments. Taking a... Read more

    Publisher: The University of Chicago Press
    Publication Date: 15/12/1993
    ISBN13: 9780226773360, 978-0226773360
    ISBN10: 0226773361

    Number of Pages: 333

    Non Fiction , ELT & Literary Studies , Education

    Description

    Arabs have traditionally considered classical Arabic poetry, together with the Qur'an, as one of their supreme cultural accomplishments. Taking a comparatist approach, Jaroslav Stetkevych attempts in this book to integrate the classical Arabic lyric into an enlarged understanding of lyric poetry as a genre. Stetkevych concentrates on the "places of lost bliss" that furnish the dominant motif in the lyric-elegiac opening section (nasib) of the classical Arabic ode, or qasidah. In defining the Arabic lyrical genre, he shows how pre-Islamic lamentations over abandoned campsites evolved, in Arabo-Islamic mystical poetry, into expressions of spiritual nostalgia. Stetkevych also draws intriguing parallels between the highlands of Najd in Arabic poetry and Arcadia in the European tradition. He concludes by exploring the degree to which the pastoral-paradisiacal archetype of the nasib pervades Arabic literary perception, from the pre-Islamic ode through the "Thousand and One Nights" and later texts.

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