Description

“Where is your wound?” asks Jean Genet in the lines Laurent Mauvignier uses as an epigraph to The Wound. By the time we have finished this four-part novel, we realize that for many the wound lies four decades back in “the Events” that people have tried to not talk about ever since: the Algerian War.
Chronicling the lives of two cousins—Bernard and Rabut—both in the present and at the time of the Algerian War of Independence in the 1960s, we get a full picture of the lasting effects this event had on the men who were involved. Through the fragments of their stories we see the whole history of the war: its atrocities, its horrors, and its hatreds. Mauvignier shows readers how the Algerian War, always present yet always repressed, has sickened the emotional and moral life of everyone it touched—and France itself, perhaps. The epigraph, like the novel, suggests that wounded men may even become the wound itself.

The Wound

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Paperback / softback by Laurent Mauvignier , David Ball

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“Where is your wound?” asks Jean Genet in the lines Laurent Mauvignier uses as an epigraph to The Wound. By... Read more

    Publisher: University of Nebraska Press
    Publication Date: 01/02/2015
    ISBN13: 9780803239876, 978-0803239876
    ISBN10: 0803239874

    Number of Pages: 242

    Fiction

    Description

    “Where is your wound?” asks Jean Genet in the lines Laurent Mauvignier uses as an epigraph to The Wound. By the time we have finished this four-part novel, we realize that for many the wound lies four decades back in “the Events” that people have tried to not talk about ever since: the Algerian War.
    Chronicling the lives of two cousins—Bernard and Rabut—both in the present and at the time of the Algerian War of Independence in the 1960s, we get a full picture of the lasting effects this event had on the men who were involved. Through the fragments of their stories we see the whole history of the war: its atrocities, its horrors, and its hatreds. Mauvignier shows readers how the Algerian War, always present yet always repressed, has sickened the emotional and moral life of everyone it touched—and France itself, perhaps. The epigraph, like the novel, suggests that wounded men may even become the wound itself.

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