Description

The Venture of Islam has been honored as a magisterial work of the mind since its publication in early 1975. In this three-volume study, illustrated with charts and maps, Hodgson traces and interprets the historical development of Islamic civilization from before the birth of Muhammad to the middle of the twentieth century. This work grew out of the famous course on Islamic civilization that Hodgson created and taught for many years at the University of Chicago.

In this concluding volume of The Venture of Islam, Hodgson describes the second flowering of Islam: the Safavi, Timuri, and Ottoman empires. The final part of the volume analyzes the widespread Islamic heritage in today's world.

"This is a nonpareil work, not only because of its command of its subject but also because it demonstrates how, ideally, history should be written."—The New Yorker

The Venture of Islam, Volume 3: The Gunpowder Empires and Modern Times

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£37.00

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Paperback / softback by Marshall G. S. Hodgson

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The Venture of Islam has been honored as a magisterial work of the mind since its publication in early 1975.... Read more

    Publisher: The University of Chicago Press
    Publication Date: 15/02/1977
    ISBN13: 9780226346854, 978-0226346854
    ISBN10: 0226346854

    Number of Pages: 476

    Non Fiction , Religion

    Description

    The Venture of Islam has been honored as a magisterial work of the mind since its publication in early 1975. In this three-volume study, illustrated with charts and maps, Hodgson traces and interprets the historical development of Islamic civilization from before the birth of Muhammad to the middle of the twentieth century. This work grew out of the famous course on Islamic civilization that Hodgson created and taught for many years at the University of Chicago.

    In this concluding volume of The Venture of Islam, Hodgson describes the second flowering of Islam: the Safavi, Timuri, and Ottoman empires. The final part of the volume analyzes the widespread Islamic heritage in today's world.

    "This is a nonpareil work, not only because of its command of its subject but also because it demonstrates how, ideally, history should be written."—The New Yorker

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