Description

Book Synopsis

All art is propaganda,' wrote George Orwell, but not all propaganda is art.' Moving from World War I to the War on Terror' and beyond, The Story of British Propaganda Film shows how the emergence of film as a global media phenomenon reshaped practices of propaganda, while new practices of propaganda in turn reshaped the use of the moving image. It explores classic examples of cinematic propaganda such as The Battle of the Somme (1916), Listen to Britain (1942) and Animal Farm (1954) alongside little-known newsreels, telemagazines' and digital media initiatives, in the process challenging our understanding of propaganda itself, and its many diverse manifestations.

Richly illustrated with unique material from the BFI National Archive, the book shows how central propaganda is to the development of British film, and how it has filtered our understanding of modern British history, from narratives of decolonisation to the celebration of pop culture and t

The Story of British Propaganda Film

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    A Hardback by Scott Anthony

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      Publisher: Bloomsbury Publishing PLC
      Publication Date: Publication Date: 10/3/2024
      ISBN13: 9781839021350, 978-1839021350
      ISBN10: 1839021357
      Also in:
      Films, cinema

      Description

      Book Synopsis

      All art is propaganda,' wrote George Orwell, but not all propaganda is art.' Moving from World War I to the War on Terror' and beyond, The Story of British Propaganda Film shows how the emergence of film as a global media phenomenon reshaped practices of propaganda, while new practices of propaganda in turn reshaped the use of the moving image. It explores classic examples of cinematic propaganda such as The Battle of the Somme (1916), Listen to Britain (1942) and Animal Farm (1954) alongside little-known newsreels, telemagazines' and digital media initiatives, in the process challenging our understanding of propaganda itself, and its many diverse manifestations.

      Richly illustrated with unique material from the BFI National Archive, the book shows how central propaganda is to the development of British film, and how it has filtered our understanding of modern British history, from narratives of decolonisation to the celebration of pop culture and t

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