Description

The tale of the combat between the Storm-god and the Sea that began circulating in the early second millennium BCE was one of the most well-known ancient Near Eastern myths. Its widespread dissemination in distinct versions across disparate locations and time periods - Syria, Egypt, Anatolia, Ugarit, Mesopotamia, and Israel - calls for analysis of all the textual variants in order to determine its earliest form, geo-cultural origin, and transmission history. In undertaking this task, Noga Ayali-Darshan examines works such as the Astarte Papyrus, the Pišaiša Myth, the Songs of Hedammu and Ullikummi, the Baal Cycle, Enūma eliš, and pertinent biblical texts. She interprets these and other related writings philologically according to their provenance and comparatively in the light of parallel texts. The examination of this story appearing in all the ancient Near Eastern cultures also calls for a discussion of the theology, literature, and history of these societies and the way they shaped the local versions of the myth.

The Storm-God and the Sea: The Origin, Versions, and Diffusion of a Myth throughout the Ancient Near East

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Hardback by Noga Ayali-Darshan , Liat Keren

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The tale of the combat between the Storm-god and the Sea that began circulating in the early second millennium BCE... Read more

    Publisher: JCB Mohr (Paul Siebeck)
    Publication Date: 12/05/2020
    ISBN13: 9783161559549, 978-3161559549
    ISBN10: 3161559541

    Number of Pages: 303

    Non Fiction , History

    Description

    The tale of the combat between the Storm-god and the Sea that began circulating in the early second millennium BCE was one of the most well-known ancient Near Eastern myths. Its widespread dissemination in distinct versions across disparate locations and time periods - Syria, Egypt, Anatolia, Ugarit, Mesopotamia, and Israel - calls for analysis of all the textual variants in order to determine its earliest form, geo-cultural origin, and transmission history. In undertaking this task, Noga Ayali-Darshan examines works such as the Astarte Papyrus, the Pišaiša Myth, the Songs of Hedammu and Ullikummi, the Baal Cycle, Enūma eliš, and pertinent biblical texts. She interprets these and other related writings philologically according to their provenance and comparatively in the light of parallel texts. The examination of this story appearing in all the ancient Near Eastern cultures also calls for a discussion of the theology, literature, and history of these societies and the way they shaped the local versions of the myth.

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