Description

"Semioticians began by looking at literature but have gradually applied their techniques to other disciplines, including music. The late Naomi Cumming . . . based this consideration of the sources of musical expression on her experiences as a performer—with interesting, if rarely surprising, results." —Choice

Using classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features not only of the work, but of the performer as well—and how the listener goes about interpreting not only the composer's work and the performer's rendering of the work, but also of the performer's and listener's identities. A richly interdisciplinary approach to a very common, yet persistently mysterious, part of our lives.

The Sonic Self: Musical Subjectivity and Signification

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Hardback by Naomi Cumming

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Short Description:

"Semioticians began by looking at literature but have gradually applied their techniques to other disciplines, including music. The late Naomi... Read more

    Publisher: Indiana University Press
    Publication Date: 22/01/2001
    ISBN13: 9780253337542, 978-0253337542
    ISBN10: 0253337542

    Number of Pages: 392

    Non Fiction , Entertainment

    Description

    "Semioticians began by looking at literature but have gradually applied their techniques to other disciplines, including music. The late Naomi Cumming . . . based this consideration of the sources of musical expression on her experiences as a performer—with interesting, if rarely surprising, results." —Choice

    Using classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features not only of the work, but of the performer as well—and how the listener goes about interpreting not only the composer's work and the performer's rendering of the work, but also of the performer's and listener's identities. A richly interdisciplinary approach to a very common, yet persistently mysterious, part of our lives.

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