Description

The Sistine Chapel is one of the world's most magnificent buildings, and the frescos that decorate its ceiling and walls are a testimony to the creative genius of the Renaissance. Two generations of artists worked at the heart of Christianity, over the course of several decades in the fifteenth and sixteenth centuries, to produce this extraordinary achievement of Western civilization.

In this book, the art historian and restorer Antonio Forcellino tells the remarkable story of the Sistine Chapel, bringing his unique combination of knowledge and skills to bear on the conditions that led to its creation. Forcellino shows that Pope Sixtus IV embarked on the project as an attempt to assert papal legitimacy in response to Mehmed II''s challenge to the Pope''s spiritual leadership. The lower part of the chapel was decorated by a consortium of master painters whose frescoes, so coherent that they seem almost to have been painted by a single hand, represent the highest expression of

The Sistine Chapel

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Paperback by Antonio Forcellino

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The Sistine Chapel is one of the world's most magnificent buildings, and the frescos that decorate its ceiling and walls... Read more

    Publisher: John Wiley and Sons Ltd
    Publication Date: 7/12/2024
    ISBN13: 9781509565450, 978-1509565450
    ISBN10: 1509565450

    Non Fiction , History , Non Fiction

    Description

    The Sistine Chapel is one of the world's most magnificent buildings, and the frescos that decorate its ceiling and walls are a testimony to the creative genius of the Renaissance. Two generations of artists worked at the heart of Christianity, over the course of several decades in the fifteenth and sixteenth centuries, to produce this extraordinary achievement of Western civilization.

    In this book, the art historian and restorer Antonio Forcellino tells the remarkable story of the Sistine Chapel, bringing his unique combination of knowledge and skills to bear on the conditions that led to its creation. Forcellino shows that Pope Sixtus IV embarked on the project as an attempt to assert papal legitimacy in response to Mehmed II''s challenge to the Pope''s spiritual leadership. The lower part of the chapel was decorated by a consortium of master painters whose frescoes, so coherent that they seem almost to have been painted by a single hand, represent the highest expression of

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