Description

Book Synopsis
Chosen as a TLS Book of the Year 2019. This vital collection restores to print and prominence the work of Douglas Crase, a poet of revisionist invocations of the American landscape and transcendentalist tradition. Douglas Crase is best known for a single book of poems, The Revisionist (1981). In the year of its publication John Ashbery urged Carcanet to consider it for British publication and now, thirty-eight years later, the book appears together with the chapbook entitled The Astropastorals (2017), which together constitute the core of Crase's poetic work. He is among the crucial poets of his generation, but until now his work has not been widely available. An heir to Whitman, to Crane, to Ashbery, Crase deploys what he calls an American 'civil meter', throwing down a wry distinctively American prosodic gauntlet to readers and writers that is likely to be as discussed as Williams's 'variable foot'.

Trade Review
'at once dizzying and uplifting' - Mark Ford, TLS; 'This is such anticipatory, massively omniscient edging work.' - Eileen Myles; 'Crase looks at the city and the landscape with the amused, disabused eye of a lover.' - John Ashbery

The Revisionist and The Astropastorals

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    A Paperback / softback by Douglas Crase

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      Publisher: Carcanet Press Ltd
      Publication Date: 28/11/2019
      ISBN13: 9781784108694, 978-1784108694
      ISBN10: 1784108693
      Also in:
      Poetry

      Description

      Book Synopsis
      Chosen as a TLS Book of the Year 2019. This vital collection restores to print and prominence the work of Douglas Crase, a poet of revisionist invocations of the American landscape and transcendentalist tradition. Douglas Crase is best known for a single book of poems, The Revisionist (1981). In the year of its publication John Ashbery urged Carcanet to consider it for British publication and now, thirty-eight years later, the book appears together with the chapbook entitled The Astropastorals (2017), which together constitute the core of Crase's poetic work. He is among the crucial poets of his generation, but until now his work has not been widely available. An heir to Whitman, to Crane, to Ashbery, Crase deploys what he calls an American 'civil meter', throwing down a wry distinctively American prosodic gauntlet to readers and writers that is likely to be as discussed as Williams's 'variable foot'.

      Trade Review
      'at once dizzying and uplifting' - Mark Ford, TLS; 'This is such anticipatory, massively omniscient edging work.' - Eileen Myles; 'Crase looks at the city and the landscape with the amused, disabused eye of a lover.' - John Ashbery

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