Description
Book SynopsisThis volume sets out to challenge and ultimately broaden the category of the ‘photobook’. It critiques the popular art-market definition of the photobook as simply a photographer’s book, proposing instead to show how books and photos come together as collective cultural productions. Focusing on North American, British and French photobooks from 1920 to the present, the chapters revisit canonical works – by Claudia Andujar and George Love, Mohamed Bourouissa, Walker Evans, Susan Meiselas and Roland Penrose – while also delving into institutional, digital and unrealised projects, illegal practices, DIY communities and the poetic impulse. They throw new light on the way that gendered, racial or colonial assumptions are resisted. Taken as a whole, the volume provides a better understanding of how the meaning of a photobook is collectively produced both inside and outside the art market.
Table of ContentsIntroduction: the photobook as confluence – Paul Edwards
Part I: The photobook market
1 Towards an understanding of the market for photobooks – Moritz Neumüller
2 Theorising encounters with contemporary photobooks: situation, materiality and plurality – Briony Anne Carlin
Part II: Feminist self-fashioning, 1970–90
3 Wonder Woman and other fantasies: Joan Lyons and the photo-based artist’s book – Jessica S. McDonald
4 Mothers of invention: Barbara Norfleet, Elsa Dorfman, Bea Nettles, Clarissa Sligh and Susan Meiselas – Mary Panzer
Part III: Commitment and visibility
5 Missing photobooks: a symptomatic reading on the reasons for and impact of the lack of publications by Black British photographers in the 1970s and 1980s – Taous R. Dahmani
6 The photobook as event – Jessie Bond
7 Camden, NJ, 2013: a digital photobook – Nicolas Baudouin
Part IV: Institutional v. clandestine
8 Photographing race and madness: annual reports of psychiatric hospitals in the US South in the early twentieth century – Élodie Edwards-Grossi
9 Photobooks and the architectural imagination of California – Volker M. Welter
10 Experimental confluence: Amazônia by Claudia Andujar and George Love – Vitor Marcelino
11 Dead time: the ‘collectivist’ photobook in the prison work of Mohamed Bourouissa – Andy Stafford
Part V: Memorialising the ephemeral
12 The Road is Wider Than Long: a Surrealist photobook – Antony Penrose
13 An unmade book: Walker Evans’s 1970s alphabet Polaroids – Caroline Blinder
Index
