Description

Book Synopsis
The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a series of readers designed for those interested in the ways images function within a wider set of cultural practices. Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image—its modes of dispersion, reception, consumption, and aggregation—and the significance of technological reproduction for contemporary forms of social, cultural, and political life.

Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image—its modes of dispersion, reception, consumption, and aggregation—and the significance of technological reproduction for contemporary forms of social, cultural, and political life. The image is considered both a tool for liberation and a means of repression within the evolving structures of modern life. The essays consider the implications of the nature and effect of the reproducible image on the categories, shapes, and aims of contemporary art and society. Further grounded by two interviews with practitioners in the field, Repetition, Reproduction, Circulation promises to be an accessible, rigorous, and timely resource for all students, educators, and practitioners of photography.

The Lives of Images, Vol I: Repetition,

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    A Paperback / softback by Stanley Wolukau-Wanambwa, Paul Pfeiffer, Kate Steciw

    £14.96

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      Book details

      Publisher Aperture
      Published 16 December 2021
      ISBN-13 9781597115025
      978-1597115025
      ISBN-10 1597115029

      Description

      Book Synopsis
      The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a series of readers designed for those interested in the ways images function within a wider set of cultural practices. Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image—its modes of dispersion, reception, consumption, and aggregation—and the significance of technological reproduction for contemporary forms of social, cultural, and political life.

      Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image—its modes of dispersion, reception, consumption, and aggregation—and the significance of technological reproduction for contemporary forms of social, cultural, and political life. The image is considered both a tool for liberation and a means of repression within the evolving structures of modern life. The essays consider the implications of the nature and effect of the reproducible image on the categories, shapes, and aims of contemporary art and society. Further grounded by two interviews with practitioners in the field, Repetition, Reproduction, Circulation promises to be an accessible, rigorous, and timely resource for all students, educators, and practitioners of photography.

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