Description

Shortlisted for the AUHE Prize in Literary Scholarship 2022 Winner of the Walter McRae Russell Award 2023

Since its publication in 1903, Joseph Furphy’s Such is Life has become established as an Australian classic. But which version of the novel is the authoritative text, and what does its history reveal about Australian cultural life?

From Furphy’s handwritten manuscript through numerous editions, a controversial abridgement for the British market (condemned by A.D. Hope as a “mutilation”), and periods of obscurity and rediscovery, the text has been reshaped and repackaged by many hands. Furphy’s first editors at the Bulletin diluted his socialist message and “corrected” his Australian slang to create a more marketable book. Later, literary players including Vance and Nettie Palmer, Miles Franklin, Kate Baker and Angus & Robertson all took an interest in how Furphy’s work should be published.

In a fascinating piece of literary detective work, Osborne traces the book’s journey and shows how economic and cultural forces helped to shape the novel we read today.

The Life of Such is Life: A Cultural History of an Australian Classic

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Paperback / softback by Roger Osborne

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Short Description:

Shortlisted for the AUHE Prize in Literary Scholarship 2022 Winner of the Walter McRae Russell Award 2023Since its publication in... Read more

    Publisher: Sydney University Press
    Publication Date: 01/03/2022
    ISBN13: 9781743327692, 978-1743327692
    ISBN10: 1743327692

    Number of Pages: 210

    Non Fiction , ELT & Literary Studies , Education

    Description

    Shortlisted for the AUHE Prize in Literary Scholarship 2022 Winner of the Walter McRae Russell Award 2023

    Since its publication in 1903, Joseph Furphy’s Such is Life has become established as an Australian classic. But which version of the novel is the authoritative text, and what does its history reveal about Australian cultural life?

    From Furphy’s handwritten manuscript through numerous editions, a controversial abridgement for the British market (condemned by A.D. Hope as a “mutilation”), and periods of obscurity and rediscovery, the text has been reshaped and repackaged by many hands. Furphy’s first editors at the Bulletin diluted his socialist message and “corrected” his Australian slang to create a more marketable book. Later, literary players including Vance and Nettie Palmer, Miles Franklin, Kate Baker and Angus & Robertson all took an interest in how Furphy’s work should be published.

    In a fascinating piece of literary detective work, Osborne traces the book’s journey and shows how economic and cultural forces helped to shape the novel we read today.

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